5b 5a

Accessoire Instruments Code EAN: 0030656706346 En-tête / Fabricant: Magideal Instrument / Famille: Batteries & Percussions Titre: 5B 5A Pilons Paire Tambour Bois De Bâton Percussion Baguettes Accessoire Musical MagiDeal Tranche de poids: 100 à 250 g Instrument / Type: Accessoire

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.