Af 135mm f2 dc

Téléobjectif Nikkor AF D 135mm F2 DC Dans sa boîte d'origine. o   N° de série : 304521.      o   Excellent état. o   Révision et nettoyage complet (fac. du 18/10/2012), très peu utilisé depuis.  o   Avec filtre de protection UV Schneider B+W Ø 72 mm, excellent état.  o   Le prix de départ a été diminué du montant d'une éventuelle révision chez Nikon, par l'acheteur.  Livraison Colissimo offerte. Autres photos disponibles, à la demande.

Téléobjectif Nikkor AF D 135mm F2 DC. Très belle objectif, parfait en portrait. Légère petite rayure sur le pare soleil. Sinon RAS

Bon état mécanique et optique: tout est fonctionnel, optique sans rayures ni champignon. Marques d'usage superficielles sur le fût et le pare-soleil. Livré avec bouchons AV et AR. Le pare-soleil coulissant est intégré à l'objectif This objective is in very good optical and mechanical condition, with minimal signs of use on body and lens shade. The lenses are clean, without marks or scratches, and free of fungus. The diapragm and autofocus work well, the iris blades are clean. Delivered with front and rear caps. The sliding lens shade is part of the lens. Caractéristiques - Specifications: • Dimensions:   61 x 82 mm (Ø x L). • Poids - Weight:  358 g • mise au point mini - minimal focus:  1 m • Ø filtre - Ø filter:  55 mm • ouverture maxi - Maximum aperture: 1/ 2.8

https://www.nikon.fr/fr_FR/product/nikkor-lenses/auto-focus-lenses/fx/single-focal-length/af-dc-nikkor-135mm-f-2d

NIKON, AF NIKKOR 135mm f 2 D, Objectif très propre, Quasiment neuf, parfait pour photo de studio-portrait, accessoires: - Sac semi rigide d'origine impeccable, - mode d'emploi d'origine, - pare-soleil d'origine coulissant, L'ensemble est superbe, voir les photos, d'autres photos sont disponible sur demande, capuchons face avant et arrière Nikon,

Pentax HD Pentax-D Fa 70-200mm F2.8ED DC AW  État : Occasion Service de livraison : Chronopost ou Colissimo.   Objectif en parfait état, est pour ainsi dire neuf. Facture 2017, boite complète. Aucune correction du calage optique sur mon k1, AF sur et rapide, juste parfait. Le meilleur objectif que j'ai jamais utilisé. Très très bonne affaire, satisfaction garantie a &##128175;%.

Excellent condition for this bokeh & portait king (defocus control) Comes with its L 37 C Nikon Filter (was always on) Smooth, clean blades

Camera Bodies: - A9, A7SII, A7RII, A7II, A7S, A7R, A7 - A6500, A6300, A6000, A5000 - PXW-FS7M2, PXW-FS5, PXW-FS7, NEX-FS700, NEX-FS100 - NEX-EA50, NEX-VG900, NEX-VG30, NEX-VG20, NEX-VG10 - NEX-7, NEX-6, NEX-5R, NEX-5N, NEX-5, NEX-C3, NEX-3 Lens compatibility chart Fast AF on all E-mount cameras (phase detection AF only with Sony A9) Tested by the community, thanks! Canon CN-E 18-80mm T4.4 COMPACT-SERVO EF Canon CN-E 70-200mm T4.4 COMPACT-SERVO EF Canon EF 8-15mm f/4L USM Fisheye* Canon EF-S 10-18mm f/4.5-5.6 IS STM* Canon EF 11-24mm f/4L USM Canon EF 16-35mm f/2.8L USM Canon EF 16-35mm f/4L IS USM Canon EF-S 17-55mm f/2.8 IS USM Canon EF-S 18-55mm f/3.5-5.6 IS II* Canon EF 20-35mm f/3.5-4.5 USM Canon EF 24mm f/1.4L USM Canon EF 24-105mm f/4L IS USM Canon EF 28-80mm f/3.5-5.6 II Canon EF 40mm f/2.8 STM* Canon EF 50mm f/1.2L USM Canon EF 50mm f/1.4 USM Canon EF 50mm f/1.8 STM* Canon EF 70-200mm f/2.8L IS II USM* Canon EF 70-200mm f/4L IS USM Canon EF 70-200mm f/4L USM Canon EF 70-300mm f/4-5.6L IS USM* Canon EF 85mm f/1.2L II USM Canon EF 100mm f/2.8L Macro IS USM* Canon EF 100-400mm f/4.5-5.6L IS USM Canon EF 100-400mm f/4.5-5.6L IS II USM* Canon EF 180mm f/3.5L Macro USM Canon EF 200mm f/2.8L II USM Canon EF 300mm f/4L IS USM Canon EF 400mm f/5.6L USM Canon EF Extender 1.4x III Canon EF Extender 2x II Sigma 18-35mm f/1.8 DC Art Sigma 24-105mm f/4 DG OS Art Sigma 50mm f/1.4 DG HSM Sigma 50-100mm f/1.8 DC HSM Art 016* Tamron SP 15-30mm f/2.8 VC USD A012* Tamron 16-300mm f/3.5-6.3 Tamron 18-200mm f/3.5-6.3 Tamron 18-250/3.5-6.3 XR Di II LD Aspherical [IF] MACRO A18 Tamron 18-270/3.5-6.3 Di II VC PZD B008 Tamron SP 24-70mm f/2.8 Di VC USD A007 Tamron SP 45mm f/1.8 Di VC USD F013* Tamron SP 70-200mm f/2.8 Di VC USD A009* Tamron 70-300mm f/4-5.6 Tamron SP 90mm f/2.8 Macro Tamron 150-600mm f/5-6.3 VC USD A011* Tokina 10-17mm f/3.5-4.5 DX Tokina 11-16mm f/2.8 DX II Canon EF 14mm f/2.8L II USM Canon EF 24-70mm f/4L IS USM Canon EF 28-300mm f/3.5-5.6L USM Canon EF 35mm f/1.4L II USM Canon EF 35mm f/2L IS USM Canon EF 35-350mm f/3.5-5.6L USM Canon EF 70-200mm f/2.8L IS USM (Mark I) Canon EF 70-200mm f/2.8L USM (non-IS) Canon EF 75-300mm f/4-5.6 IS USM Canon EF 85mm f/1.8 USM Canon EF 400mm f/2.8L IS USM (Mark I) Canon EF 400mm f/5.6L USM Canon EF 500mm f/4L IS USM (Mark I) Sigma 12-24mm f/4.5-5.6 (Ver I) Sigma 20mm f/1.4 DG HSM Art Sigma 24mm f/1.4 DG HSM Art Sigma 35mm f/1.4 DG HSM Art Sigma 50mm f/1.4 Art Sigma 50-500mm f/4-6.3 OS HSM Sigma 70-200mm F2.8 APO EX DG OS HSM Sigma 85mm f/1.4 EX DG HSM Sigma 150mm f/2.8 Macro Sigma 150-600mm f/5-6.3 OS HSM Contemporary Phase-detect AF on A9, A7RII, A7II, A6500 and A6300 only, unable to contrast-detect AF accurately if at all Canon EF 24-70mm f/2.8L II USM Canon EF 28-70mm f/3.5-4.5 II Canon EF 35mm f/1.4L USM Canon EF 50mm f/1.8 II Canon EF 100mm f/2.8 Macro USM Canon EF 135mm f/2L USM Contax N Vario Sonnar 17-35mm f/2.8 Contax N Planar 50mm f/1.4 Contax N Vario Sonnar 70-200mm f/3.5-4.5 Contax N Planar 85mm f/1.4 Kenko Teleplus Pro 300 1.4x (note 1) Kenko Teleplus Pro 300 2x (note 1) Sigma 18-125mm f/3.8-5.6 DC OS HSM Tamron SP 17-50mm F/2.8 XR Di II VC LD Aspherical [IF] B005 Tamron 18-270/3.5-6.3 Di II VC LD Aspherical [IF] MACRO B003 Manual focus only Samyang 35/1.4 Zeiss CP.2 25mm/T2.9 Zeiss CP.2 100mm/T2.1 Zeiss ZE Distagon 15/2.8 Zeiss ZE Distagon 21/2.8 Zeiss ZE Distagon 35/2 Zeiss ZE Makro-Planar 50/2 Zeiss ZE Makro-Planar 100/2 Not supported Focus confirmation "chip" (e.g. Dandelion) Tamron 28-300/3.5-6.3 XR Di VC LD Aspherical [IF] MACRO A20 (note 2)

Adaptateur SIGMA MC-21, pour Objectif Sigma monture SA vers monture L (Panasonic...) Points forts de la bague d'adaptation SIGMA MC-21 Sigma SA vers monture Leica L: - Vous permet d'adapter un objectif en monture Sigma SA sur un appareil photo doté d'une monture Leica L - Conserve l'autofocus et l'exposition automatique de votre objectif - Réduit les réflections internes - Enregistre les données EXIF de l'objectif Caractéristiques de la bague d'adaptation SIGMA MC-21 Sigma SA vers monture Leica L: Compatibilité (Données constructeurs sans engagement):  PLEIN FORMAT - 12-24mm F4 DG HSM | Art - 14-24mm F2.8 DG HSM | Art - 24-35mm F2 DG HSM | Art - 24-70mm F2.8 DG OS HSM | Art - 24-105mm F4 DG OS HSM | Art - 60-600mm F4.5-6.3 DG OS HSM | Sports - 70-200mm F2.8 DG OS HSM | Sports - 100-400mm F5-6.3 DG OS HSM | Contemporary - 120-300mm F2.8 DG OS HSM | Sports - 150-600mm F5-6.3 DG OS HSM | Sports - 150-600mm F5-6.3 DG OS HSM | Contemporary - 14mm F1.8 DG HSM | Art - 20mm F1.4 DG HSM | Art - 24mm F1.4 DG HSM | Art - 28mm F1.4 DG HSM | Art - 35mm F1.4 DG HSM | Art - 40mm F1.4 DG HSM | Art - 50mm F1.4 DG HSM | Art - 70mm F2.8 DG MACRO | Art - 85mm F1.4 DG HSM | Art - 105mm F1.4 DG HSM | Art - 135mm F1.8 DG HSM | Art - 500mm F4 DG OS HSM | Sports APS-C - 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary - 18-35mm F1.8 DC HSM | Art - 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary - 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary - 50-100mm F1.8 DC HSM | Art - 30mm F1.4 DC HSM | Art

Treat yourself with one of the best image-creating machine ever made for real adventure photographers, and don’t waste your time seekingfor the best lenses, you have it all in one pack. You will be able to experience an unmatched image quality(the sensor is still ranked an all-time #2 in Dxomark with an excellent score of 101, still dwarfing any full format wonder of 2020…), with a body build to last and stay with you for serious studio work, or the wildest adventure outdoor setup. Ricoh-Pentax is legendary for its weather sealing, and so is this body. To be honest, it is only for health issues that I am selling. I tried the Hasselblad mirrorless X1D, the fuji GFX50s (dreadfull experience with the laziest AF in the world and a poor battery life), theGFX100 (much better experience, but I wasn’t impressed by image quality and rendering…must be the glass), and I always come back to the Pentax 645z. I have never been impressed by Fuji GFX image quality. I Liked the Leica S (again it must be the glass and the lens design that make the real differences), the Hasselblad was interesting, but way too expensive comparing with the Pentax, not even considering the weather sealing and the very long list of ergonomic treats you get from Pentax engineers. It is about creating images and only this, it is not a smartphone. It’s a photographer tool, not a toy. In 2018 I was disappointed by Canon full-frame offering. The5d4 was too expensive and there wasn’t a gap in quality from any canon full Frame since 5d2 and I decided to enter the medium format world with the 645z. I already tried it in Japan in 2015 and I said “well, this would be nice…”. After having bought this camera with literally undying battery life (what a refreshment comparing with all electronic newest camera), I just went to my garden and started right away the 120mm macro. I was dumb because I had no AF at all, but discovered the cleverest mechanism for AF/MF switch to date:sliding the focus ring. There is a slight click and I was all set. Yes the screw motor lenses are a bit noisy, but it’s nice and at the first picture of a random blossoming flower…God almighty, it was like a facepalm, struck by beauty and sheer quality. I decided to keep on the Pentax 645z journey and collect some lenses. The 28-45mm was very soon my favorite landscape lens,equivalent to 22-35mm, extraordinary quality, stabilized, totally weather sealed…those words should surprise you as medium format+stabilized lens+weather sealing…seldom go together. Then came the 90mm macro f2.8, stabilized as well and weather sealed. This may simply be the best lens I’ve ever used for portrait work, incredibly smooth yet detailed. Bokeh is one thing but volumes,transition, tones, textures, it’s just amazing for portrait, and pack shots as well. I wanted to try tele lenses, and acquired the 300mm “star”lens. Build like real lenses with metal, feels solid. Image quality was amazing too, I capture incredible shots of tigers with it, and this lens can really tell stories and add a unique identity. All the lenses are incredible, sharp, and each with unique though I must admit the 150mm f2.8, even though hailed as the portrait king by some other photographers, was often left on the shelf. Please look Pentax forum for reviews on these marvelous lenses. Thanks to the incredible wedding photographers Jeff and Michelle (hi to them!) I discover the craft of using 80s East-Germany Isco lenses for the Pentax and I assembled my favorite lens with a 135mm F2projector lens. This one is really a collectible, manual focus only, it cannot go to the infinity (but for portrait, who cares?) require a good amount of focus skills and mastery of yourself, but it is a very rewarding lens. After all,Helmut Newton shot in medium format with manual focus only, and look at his work…With this wide aperture and unique look, it sad to let it go. Here is the set: -         Pentax645z – very good condition,

AER Colourizer Pocket Tool Preamp/Direct Box for Line & Mic Input Used - Excellent Condition Description The AER Colourizer is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement - your signal will be stronger, richer and more stable. Specifications SKUAERCOLOURBarcode #930037012770GTIN #846614090743BrandAERSeriesPocket ToolsTypeLine/Mic PreampUnique FeaturesGain control, phase, parametric equalizer - level, bandwidth and switchable frequency, line out, switchable 24V phantom power, adjustable DI-out, lineWeight420g (0.92 lbs)EQParametric equalizer with switchable frequency range. Level (15 dB), bandwidth (1 octave - 1/6 octave), Frequency - f1= 90 Hz to 1.6 kHz, f2=680 Hz tH X W X D65mm (2.56") x 105mm (4.13") x 135mm (5.31")Power Requirementmains voltage - 24V DC (external power supply), Power consumption - 4 wattToneEQ balance shift. This allows bass or treble accentuation or a combination of bothEffectsEnhancer - widens and colourizes the sound by using the AER enhancer-technologyCabinet SpecificationsaluminumCabinet Finishanodized blackInput 1 & 2combined XLR/6.3mm (1/4") jack sockets. Switchable inputs for instruments (line-level sources) or phantom-powered sources (e.g. Microphones)PhaseInverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees.