Beginning with

Words Beginning With K Jaan Puhvel Auteur: Jaan Puhvel Editeur: Mouton de Gruyter Relié: 333 pages Format: Relie Edition: 1 Publication: 18/04/1997 Collection: Trends in Linguistics. Documentation [Tildoc] Dimensions: 24 x 16 x 2 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais   D'autre titre de Jaan Puhvel Comparative Mythology Classement: Livres anglais et étrangers > Subjects > Reference > Words & Language > Reference Mot Clef: Foreign Language Study Miscellaneous LANGUAGE ARTS & DISCIPLINES Reference Language Historical & comparative linguistics Linguistics Indic, East Indo-European & Dravidian languages Semitic languages

Wild Australia! Beginning Book with Online Access Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Broché Édition 1 ISBN 1107621658 Numéro de pièce fabricant 1584983768 Langue Published: Anglais; Original Language: Anglais; Générique: Anglais; Dimensions 14,81 x 0,20 x 21,01 (cm) Taille du paquet 20,40 x 14,00 x 0,61 (cm) Poids 113,63 g Étiquette Cambridge Discovery Education Producteur Cambridge Discovery Education Auteur Simon Beaver Codes EAN 9781107621657 Compter 24 Date de publication 09/01/2014 Éditeur Cambridge Discovery Education Studio Cambridge Discovery Education Catégorie 1 Livres anglais et étrangers > Reference > Foreign Languages Plus d'images Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.

Jackson Five & Johnny The Beginning 1968-1969 5" CD Album   CD rare et original (SLAM 0068). Retrouvez tous les premiers enregistrements studio de Michael Jackson ! Ce collector sorti en 1996 contient 13 titres des Jackson Five alors même qu'ils se produisaient encore avec leur cousin Johnny, un an avant de signer chez Motown. Ben Brown, président de la maison de disques Steeltown Record, a gardé secret ces enregistrements pendant près de 25 ans. Même les Jackson 5 avaient oublié leur existence. Ces enregistrements sont historiques ! Le CD contient bien évidemment "Big Boy" (le tout premier single) en plus de 12 titres dont "We Don't Have To Be Over 21", "You've Changed"; "Jam Session", "Soul Jerk", "Tracks Of My Tears", "Lonely Heart" et un monologue de Michael alors qu'il n'était âgé que de 10 ans ! Un collector incontournable. Très bon état. VISIONNEZ MES AUTRES OBJETS EN VENTE (Plus de collectors Michael Jackson / Frais de port adaptés) !!! Step into HIStory ! Discover Michael Jackson's very first studio recordings ! This CD album released in 1996 contains 13 never-before-released Jackson 5 numbers, from a period when they were still performing with their cousin Johnny, a year before signing on with Motown! Ben Brown, president of Steeltown Records, has kept these recordings secret for more than 25 years. Even the Jackson 5 didn't know they existed. This disc, no doubt about it, is a historical marvel. It contains a monologue by Michael when he was just 10 years old as well as 12 early numbers, including the legendary Jackson 5 single "Big Boy":   1. Monologue 2. We Don't Have To Be Over 21 3. You've Changed 4. Big Boy 5. Michael The Lover 6. Jam Session 7. My Girl 8. Soul Jerk 9. Under The Boardwalk 10. Saturday Night At The Movies 11. Tracks Of My Tears 12. Lonely Heart 13. Stormy Monday    Very good condition. CHECK OUT MY OTHER AUCTIONS (More Michael Jackson items / Combined shipping costs) !!!   Paiement par CHEQUE, VIREMENT BANCAIRE, CASH ou PAYPAL Frais de port France = 3,25 EUR I accept PAYPAL, CASH or BANK TRANSFER (IBAN / BIC-SWIFT) Shipping to Europe = EUR 6.65 / USA-Canada = EUR 7.35 / Rest of the World = EUR 7.50 Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

- Harold Smith's Majestic Choir, Little Milton, Aretha Franklin, Ernest Franklin  Dorothy Best, Martha Bass, Sammy Lewis LP VG+/VG+ Cadet  30203 Italian pressing A1Follow The Lamb A2Yield Not To Temptation A3Let It Be A4Let My People Go A5He's Got The Whole World In His Hands A6Walk With Me A7Jesus Is Calling B1A Mother's Love B2While The Blood Runs Warm B3There's A Leak In This House B4Put A Little Love In Your Heart B5That Lucky Old Sun B6Move Up A Little Higher

VG++/VG++      POCHETTE EN TRES BON ETAT - DISQUE EN TRES BON ETAT - BELLAPHON CR3058 - 1974 GERMANY REISSUE ENVOI DANS LE MONDE ENTIER - EXPEDITION SOIGNEE DANS EMBALLAGE RIGIDE - TOUS MES 33 TOURS SONT ENVOYES AVEC UNE POCHETTE DE PROTECTION POLYETHYLENE 100 MICRONS - DISQUE SORTI DE SA POCHETTE POUR NE PAS ENDOMMAGER CELLE CI LORS DU TRANSPORT - POCHETTE INTERIEURE CHANGEE SI BESOIN SHIPPING WORLDWIDE - SHIPPING CAREFUL IN RIGID BOX - ALL MY LP'S ARE SENT WITH A PROTECTIVE COVER POLYETHYLENE 100 MICRON NEW - DISC OUT OF HIS POCKET TO AVOID DAMAGING DURING TRANSPORT N'HESITEZ PAS A GROUPER VOS ACHATS POUR POUVOIR BENEFICIER DE REDUCTIONS SUR LES FRAIS DE PORT DO NOT HESITATE TO COMBINE YOUR PURCHASES  FOR DISCOUNTS ON SHIPPING COSTS PORT GRATUIT (EN FRANCE) A PARTIR DE 70 EUROS D'ACHATS.

Envoi le lendemain du paiement (sauf Dimanche et jours fériés) Sending the day after payment (except Sunday & Public holidays) Label: Megaphone Records Code: CDMEGA08 Year: 2005 Format: CD MiniMax Nombre de pistes / Tracks: 3 Pour d’autres informations, voir photo / for more informations, see picture. Etat / Condition  CD : VG+: Très bon état / Very good condition. Légères et superficielles  micro-rayures qui n’affectent pas la qualité de l’écoute qui reste parfaite.  / Very minor, light and superficial scratches that do not affect listening that remains perfect.  Jaquette/Cover : NM: Proche du neuf / Near mint. Pas d’usure évidente, il peut présenter quelques signes de manipulation ou d’usure infime. / Near Perfect. No obvious wear, it may have only the slightest of marks from handling or very small signs of wear.  Correspondance et Goldmine Grading System M (Mint): Neuf / Brand New  NM (Near mint) : Comme neuf /  Like new VG + (Very good +) : Très bon état / Very good VG (Very good) : Bon état / Good G (good), G+ (good+) : Etat correct / Acceptable Envoi / Sending Le jour suivant le paiement / Day following the payment : - Par La Poste : du Lundi au Samedi / Monday to Saturday - Par Mondial Relay : du Mardi au Samedi / Tuesday to Saturday. Paiement par chèque, le lendemain de sa réception / If paying by ckeck, the next day of receipt. Emballage / Packaging Emballage carton spécifiquement adapté au format CD ou boite carton avec calage papier et film bulle. L'emballage carton est plus protecteur qu'une enveloppe bulle. Pour certains envois en France, l'objet pourra être expédié sous enveloppe bulle renforcée pour faire bénéficier l'acheteur d'un tarif postal plus avantageux, notamment ceux d'un poids inférieur à 100 g, emballage compris, et ne présentant aucun risque de dégradation (digipack, boitier carton). Packaging carton specifically adapted to CD or carton box with paper wedging and bubble film. The cardboard packaging is more protective than a bubble envelope.  Mode d'expédition / Shipping costs France, Monaco : – 3 cm d’épaisseur : Ecopli, lettre verte, prioritaire ou suivie +3 cm d’épaisseur : Colissimo, Point Relais (Mondial Relay). Belgique, Luxembourg: - 250 g : Lettre prioritaire internationale / International prioritary Letter + 250 g : Lettre prioritaire internationale ou Point Relais (Mondial Relay). Allemagne, Autriche, Royaume-Uni, Italie, Espagne, Portugal : - Lettre prioritaire internationale ou Livraison à domicile par Mondial Relay / International prioritary letter or Home delivery by Mondial Relay. Autres pays/Other countries : - Lettre prioritaire ou suivie internationale (La Poste) / International prioritary or followed Letter by the french Post. Frais de port / Shipping costs Les frais de port comprennent les frais postaux et quelques centimes supplémentaires pour les frais d'emballage / Shipping costs include postal charges and a few extra cents for packing costs. Voir annonces pour plus de détails / See ad for more details. Pour Monaco et Andorre, frais identiques à la France et pour le Luxembourg à ceux de la Belgique. Pour les résidents de ces 3 pays, merci de suivre la même procédure que celle prévue pour "Achats multiples" / For Monaco and Andorra, identical costs to France and for Luxembourg to those of Belgium.  For residents of these 3 countries, please follow the same procedure as for "Multiple purchases".  Les frais de port dépendent du poids et de l’épaisseur de l’objet et donc du mode d’expédition. Ils dépendent aussi du format de vente « Achat Immédiat » ou « Enchères ». The shipping costs depend on the weight and thickness of the object and therefore the shipping method. They also depend on the selling format "Buy It Now" or "Auction". Paiement / Paym

A classic work of World War II history that brings to vivid, dramatic life one of the bloodiest battles ever fought - and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. Considered by many historians to be the turning point of World War II in Europe, the Soviet Army's victory foreshadowed Hitler's downfall and the rise of a communist superpower. Best-selling author William Craig spent five years researching this epic clash of military titans, traveling to three continents in order to review documents and interview hundreds of survivors. Enemy at the Gates is the enthralling result: the definitive account of one of the most important battles in world history. The book was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law. Stalingrad, one of the bloodiest battles in the history of warfare, cost the lives of nearly two million men and women. It was perhaps the single most important engagement of World War II and signaled the beginning of the end of the Third Reich of Adolf Hitler. Based on 100s of interviews with survivors of the battle, this text presents the story of the bloody battle. A Shocking, Epic Tale It is hard to put into words this tremendous epic of a book. Beginning with the German 6th Army's confident march towards Hitler's "prize", Stalingrad, the book carefully and descriptively moves through stages the battle from both German and Russian accounts, drawing in the reader from one heart-stopping moment to the next. William Craig does a masterful job of describing the deteriorating situation in the city, the countless lives lost, and the tragedy that occurs during the capitulation and capture of the German 6th Army and its Italian and Romanian allies. All armies involved in the battle suffered immeasurably for what they believed in, and the human cost and brutality described during the battle and its aftermath is breath-taking. Craig also did an unbelievable job of gathering first-hand accounts from the survivors to put the reader directly on the front lines. To learn the whole truth about this tragedy of WWII history I highly recommend this book.

Lot de 3 reliures et 2 étuis vides, sans feuilles, ni timbres, de marque Leuchtturm. Très Bon état. Lot of 3 bindings and 2 binder cases, without sheets and without stamps, Leuchtturm. Very good condition. ___________________________ - le port est gratuit dans le monde entier sauf pour les cartons (titre commençant par V) - lettre prioritaire en dessous de 50 euros d'achat, recommandée au dessus (possibilité de grouper vos achats sur 10/12 jours) - la plupart des bonnes valeurs sont signées par des experts internationaux ou par l'expert de notre société (membre de l'American Philatelic Society). Si vous le souhaitez nous pouvons vous fournir un certicat moyennant 2,5% de la cote avec perception minimum de 15 euros / certificat (demander dans ce cas une nouvelle facture avant règlement). Un certificat d'expert engage celui ci sur l'authenticité de la pièce signée - shipping cost is free worldwide except for boxes (title beginning with V) - priority mail for invoices below 50 euros, registered letter over 50 euros (we allow grouping lots up to 10/12 days) - most of the top values on our shop are signed by international experts or our own expert (American Philatelic Association member). If you want, we can provide a certificate for 2,5% of the catalogue value with a minimum payment of 15 euros (in this case, ask fo a new invoice before paying your purchases). An expert certificate is an authenticity commitment ABREVIATIONS / ABBREVIATIONS (*) = neuf sanf gomme / mint without gum * = MH = neuf avec charnière / mint hinged ** = MNH = neuf sans charnière / mint never hinged O = oblitéré / used ST = standard / average B = F = bon / fine TB = VF = très bon / very fine TTB = XF = très très bon / extra fine

Master French in just one day When time is of the essence, trust Countdown to French to help readers master the language quickly and effectively. Organized into 24 units--each of which is designed to take no more than one hour to study--this self-instruction book presents material in a "countdown" fashion, from Hour 24 all the way down to 0, allowing learners to gauge their progress along the way. Beginning with a basic introduction of grammar and vocabulary fundamentals, the units move quickly to practical conversational skills for both vacation and business travelers.  Upon completion of the guide--the equivalent of just one day--readers eager to apply their newly honed language skills will be able to communicate in a variety of everyday, real-world situations.

10"(25cm) Gerard Poulet/Sabine Lacoarret, " Kreisler/Paganini" Deva M 17, Etat: Disque:(Side A: EX-) (small bit warped at the beginning quasi non sounding)///Side B: (VG)(Side B is a bit warped at the beginning of the record and play with a small jump///otherwise play EX-)+ Cover:(EX-)+Labels:(NM) Combine shipping/Envoi groupé All Destinations: je décline toute responsabilité en cas de perte pour les envois en Lettre ou Economique All Items over 30 Euros will be shipped with Registered Mail except customer request (under his own responsability in case of loss or any damage). Please to wait the invoice before payement Envoi protégé: France:5,80 euros Lettre suivie, Communauté Européenne+Suisse:Air International  (tracking) 17,50 euros Rest of the World: Air International  (tracking) 17,50 euros

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

VENOM Canadian Assault 1st CANADA 1985 BAM1002●VG++ vinyl MINI LP BLACK METAL VENOM - CANADIAN ASSAULT BANZAI RECORDS/NEAT RECORDS BAM 1002  CANADA 1985 1st CANADIAN RELEASE (1985) WITH BANZAI RECORDS LABELS. MINI LP (6 TITLES) WITH 3 EXCLUSIVE LIVE TRACKS. A COPY IN NICE CONDITION, DON’T MISS IT ! PLEASE READ CAREFULLY THE DESCRIPTION AND WATCH PICS (TAKEN UNDER STRONG LIGHT):  SLEEVE: VG++ STRAIGHT SHAPE. WIDE SPINE FULLY READABLE. LIGHT WEAR AT PLACES. LIGHT CREASES. LIGHT MARKS. NO TEARS, NO WRITINGS.  COMES WITH A NEW BLACK INNER SLEEVE. VINYL: VG++/AUDIO EX LABELS CLEAN OF WRITINGS WITH A FEW MARKS ON «THIS» SIDE.  MATRICES WELL PRESERVED & EASILY READABLE. UNDER STRONG LIGHT, VINYL SHOWS ONLY A FEW SIGNS OF MANIPULATION (LIGHT SCUFFS)/A FEW SIGNS OF PLAYS. AUDIO IS EX WITH ONLY A LIGHT BACKGROUND NOISE AT PLACES (FOR EXAMPLE AT THE BEGINNING OF LAST STUDIO TRACK). NO SIGNIFICANT CRACKLES, NO « POPS », NO REPEATS, NO SKIPS…. MATRICES/STAMPERS  SIDE 1: BAM 1002-A THIS  SNB 230 DM-15 SIDE 2: BAM 1002-B THAT SNB  DM-11 This Side LiveA1Die Hard3:24A2Welcome To Hell2:52A3In Nomine Satanas5:35That Side StudioB1Warhead3:20B2Women2:55B37 Gates Of Hell5:37 POLICY/SHIPPING  If you're not satisfied by the item, I offer a FULL REFUND (except for return postal cost).  So please be indulgent if you're not happy with this item, whatever the reason.  Please pay within 5 days or the purchase will be cancelled. Payment by paypal prefered.   I would be happy to combine delivery price if multiple purchases. Shipping with TRACKING NUMBER or MONDIAL RELAY (watch Mondial Relay rates below). The LP will be packed carefully. MONDIAL RELAY RATES (SHOPS OR HOME):  - France/Belgique/Luxembourg (shops Mondial Relay): 3,95 € - Nederland (shops Mondial Relay): 5,25 € - España (shops Mondial Relay): 6,80 € - Deutschland (AT HOME): 9,20 € - UK (AT HOME): 9,20 € - Portugal/Österreich/Italia/Belgique/Luxembourg/España (AT HOME): 9,20 €  RECORD/SLEEVE GRADING SYSTEM:  MINT (M) Never been played or item still sealed. NEAR MINT (NM) In brand new condition with no surface marks or deterioration in sound quality. Cover and contents nearly perfect. EXCELLENT (EX) Shows some signs of being played but very little lessening in sound quality. Cover and contents might have slight wear and/or creasing. VERY GOOD + (VG+) Better than Very Good: Obviously been played but no significant deterioration in sound quality despite light surface marks. Very little wear and tear on cover and contents, no major defects. VERY GOOD (VG) Obviously been played many times but no major deterioration in sound quality despite noticeable surface marks and occasional light scratch. Normal wear and tear on cover or contents, no major defects. Good + (G+) Better than Good: Sound quality has deteriorated but with no distortion. Light scratches and occasional mild scratch. Cover and contents suffer from folding, scuffing of edges but not spine splits or discoloration. Good (G) Sound quality has noticeably deteriorated, perhaps with some distortion. Mild scratches. Cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc. Fair (F) Still just playable but has not been cared for properly and displays considerable surface noise - it may even jump. Cover and contents will be torn, stained and/or defaced.

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

CD1: MAN "Keep On Crinting": The Liberty/UA Years Anthology 1971 1975 CD 21 Titres 2006 EMI. Excellent état des CD et très bon état du boitier. - 1-1 Romain 6:12 - 1-2 Daughter Of The Fireplace (Single Version) 3:07 - 1-3 Manillo 5:17 - 1-4 Angel Easy 5:02 - 1-5 The Storm (Live) 11:27 - 1-6 Spunk Rock (Live) 21:22 - 1-7 Bananas 9:23 - 1-8 Keep On Crinting 8:14 - 1-9 Back Into The Future 4:04 - 1-10 The Single (I'm Dreaming) 4:04 - 2-1 Many Are Called But Few Get Up (Live) 10:45 - 2-2 C'mon (Live) 19:00 - 2-3 California Silks And Satins 4:39 - 2-4 Intro 0:44 - 2-5 Kerosene 6:30 - 2-6 Scotch Corner 9:05 - 2-7 Exit 1:12 - 2-8 A Hard Way To Live (Live) 2:58 - 2-9 Grasshopper 5:09 - 2-10 A Hard Way To Die 5:17 - 2-11 7171 511 (Live) 11:08 CD2: MAN And In The Beginning The Complete Early Man Double CD Sanctuary Records 2004. Légères traces de frottements sur le boitier double. Revelation (Total Time 54:29) - 1-1 And In The Beginning... - 1-2 Sudden Life - 1-3 Empty Room - 1-4 Puella ! Puella ! (Woman ! Woman !) - 1-5 Love - 1-6 Erotica - 1-7 Blind Man - 1-8 And Castles Rise In Children's Eyes - 1-9 Don't Just Stand There (Come In Out Of The Rain) - 1-10 The Missing Pieces - 1-11 The Future Hides Its Face - 1-12 Sudden Life (Mono Single Mix) - 1-13 Love (Mono Single Mix) - 1-14 Erotica (Mono Single Mix, From Non - UK Issue) 2 Ozs. Of Plastic With A Hole In The Middle (Total Time 54:34) - 2-1 Prelude / The Storm - 2-2 It Is As It Must Be - 2-3 Spunk Box - 2-4 My Name Is Jesus Smith - 2-5 Parchment And Candles - 2-6 Brother Arnold's Red And White Striped Tent - 2-7 A Sad Song (Previously Unreleased Track) - 2-8 Walkin' The Dogma (Early Version Of Spunk Box) My Name Is Jesus Smith - 2-9a My Name Is Jesus Smith (Previously Unreleased Track - Extended Instrumental Version) - 2-9b My Name Is Jesus Smith (Previously Unreleased Track - Extended Vocal Version) CD3: MAN Live In London 1975 CD Eagle Records 1998. Très légères traces de frottements sur le CD (sans souci de lecture). - 1 7171-551 10:30 - 2 Hard Way To Die 5:53 - 3 Breaking Up Once Again 3:30 - 4 Life On The Road 7:07 - 5 Day And Night 4:18 - 6 Someone Is Calling 2:53 - 7 Many Are Called But Few Get Up 9:36 - 8 Brazilian Cucumber Meets Deke's New Nose 7:34 CD4: MAN The Twang Dynasty CD 1999 Remastered 11 Titres Eagle Records GAS 0000065 EAM. Très bon état du CD (très légères traces de frottements sans souci de lecture) et du boitier. - 1 A Feather On The Scales Of Justice 7:28 - 2 Mad On Her 6:56 - 3 Jumpin' Like A Kangaroo 4:47 - 4 The Chimes At Midnight 5:26 - 5 The Price 5:58 - 6 Circumstances 4:47 - 7 Women 4:31 - 8 The Chinese Cut 3:55 - 9 Out Of The Darkness 5:37 - 10 Fast And Dangerous 5:35 - 11 The Wings Of Mercury 5:22 CD5: MAN Back Into The Future CD 2001 Remastered 9 Titres BGO Records BGOCD211. - 1 A Night In Dad's Bag - 2 Just For You - 3 Back Into The Future - 4 Don't Go Away - 5 Ain't Their Fight - 6 Never Say Nups To Nepalese - 7 Sospan Fach - 8 C'mon - 9 Jam Up Jelly Tight / Oh No, Not Again (Spunk Rock '73)

ATOMIC ROOSTER In The Hearing Of 1st 1971 PHILIPS 6319100 ●EXCELLENT vinyl● LP ATOMIC ROOSTER - IN THE HEARING OF PHILIPS 6319 100  1st FRENCH RELEASE (1971) PLEASE READ CAREFULLY DESCRIPTION AND WATCH PICS:  SLEEVE: VG+ GATEFOLD SLEEVE KEEPS A STRAIGHT & NICE ASPECT  LIGHT WEAR, LIGHT TEARS/LIGHT MARKS BUT IT STAYS VERY ACCEPTABLE. COMES WITH THE ORIGINAL WHITE INNER SLEEVE. SPINE FULLY READABLE. NO WRITINGS. VINYL: EX LABELS ARE IN EXCELLENT CONDITION WITH ONLY A VERY DISCRET INSCRIPTION ON SIDE 2. MATRICES WELL PRESERVED & EASILY READABLE. VINYL HAS A SHINY ASPECT & ONLY LIGHT MARKS/LIGHT SCUFFS. LISTENING IS EXCELLENT+ WITH ONLY A VERY LIGHT BACKGROUND NOISE IN QUIESTEST SECTIONS (GENERALLY AT THE BEGINNING/END OF TRACKS). NO « POPS » , NO JUMPS, NO SKIPS…. MATRICES/STAMPERS  SIDE 1: 6319100  1 + 380     A2 (all stamped) SIDE 2: 6319100  2 + 380     A2 (all stamped) A1BreaktroughWritten-By – Darnell, Crane6:17A2Break The Ice Written-By –Cann5:05A3Decision/indecision Written-By –Darnell, Crane3:51A4A Spoonful Of Bromide Helps The Pulse Rate Go Down Written-By –Crane4:34 B1Black Snake Written-By –Darnell, Crane5:58B2Head In The Sky Written-By –Cann5:14B3The RockWritten-By –Crane4:31B4The Price Written-By -Darnell, Crane4:35 POLICY/SHIPPING  If you're not satisfied by the item, I offer a full refund (except for return postal cost).  So please be indulgent if you're not happy with this item, whatever the reason.  Please pay within 5 days or the purchase will be cancelled. Payment by paypal prefered.   I would be happy to combine delivery price if multiple purchases. The LP will be packed carefully. RECORD/SLEEVE GRADING SYSTEM:  MINT (M) Never been played or item still sealed. NEAR MINT (NM) In brand new condition with no surface marks or deterioration in sound quality. Cover and contents nearly perfect. EXCELLENT (EX) Shows some signs of being played but very little lessening in sound quality. Cover and contents might have slight wear and/or creasing. VERY GOOD + (VG+) Better than Very Good: Obviously been played but no significant deterioration in sound quality despite light surface marks. Very little wear and tear on cover and contents, no major defects. VERY GOOD (VG) Obviously been played many times but no major deterioration in sound quality despite noticeable surface marks and occasional light scratch. Normal wear and tear on cover or contents, no major defects. Good + (G+) Better than Good: Sound quality has deteriorated but with no distortion. Light scratches and occasional mild scratch. Cover and contents suffer from folding, scuffing of edges but not spine splits or discoloration. Good (G) Sound quality has noticeably deteriorated, perhaps with some distortion. Mild scratches. Cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc. Fair (F) Still just playable but has not been cared for properly and displays considerable surface noise - it may even jump. Cover and contents will be torn, stained and/or defaced.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

très belle paire de candélabres d’autel d’église à 5 bras de lumière en bronze doré, à décor de volutes et de feuillages. Ils reposent sur un piètement tripode.     Époque : Fin XIXème Dimensions : H :54 x l :38cm   Le chandelier est une pièce de mobilier d’église présent dans chaque église et posé sur l’autel.    Le grand chandelier à plusieurs branches prend le nom de candélabre.   Son utilisation remonte aux origines même de l’église et est lié de manière évidente et indissoluble au symbole de la Lumière comme expression de Foi, Espoir et Résurrection du Christ. Le chandelier était autrefois posé par terre et uniquement dans une période successive a été disposé sur l’autel avant le début de la célébration pour être rangé après la Messe.    Au Xème siècle les Statuta Ecclesiae antiquae décrétèrent que l’acolyte sur le point de prononcer ses vœux devait recevoir dans ses mains un chandelier avec le cierge.   Le Concile de Trente établit une codification très précise pour le service d’autel, composé de six chandeliers à utiliser pendant la Messe et sept chandeliers pour le Pontifical du Pape ou pour celui d’un Évêque. La forme du chandelier dérive de son utilisation initiale en tant que pièce de mobilier profane à l’époque préchrétienne: un pied, une tige, un plateau pour la cire et une pique sur laquelle coincer la bougie.   Au cours du temps, les chandeliers atteignirent des dimensions de plus en plus grandes et un soin de plus en plus poussé de la forme et des décorations.    Les matériaux de fabrication aussi ont évolué avec un ample usage de l’or, de l’argent et d’autres métaux précieux, mais aussi de matériaux plus simples comme le bois et le laiton, selon les moyens de l’église.   Au XVI siècle d’autres règles précises concernant le chandelier furent codifiées: son aspect devait rappeler la croix d’autel ; les matériaux précieux devaient être réservés aux célébrations officielles; sa forme devait être simple, linéaire, avec un pied rond ou triangulaire, la tige ciselée, le plateau circulaire avec une pique pour la bougie.   Le chandelier a conservé ces caractéristiques jusqu’à aujourd’hui avec d’inévitables variantes artistiques et formelles liées aux différentes périodes historiques. A very nice pair of church altar candelabras with 5 gilt bronze arms, decorated with scrolls and foliage. They stand on a tripod base.     Period: End of the 19th century Dimensions: H:54 x W:38cm   The candlestick is a piece of church furniture present in every church and placed on the altar.    The large multi-branched candlestick is called a candelabra.   Its use goes back to the very origins of the church and is clearly and indissolubly linked to the symbol of Light as an expression of Faith, Hope and Resurrection of Christ. The candlestick was once placed on the floor and only in a successive period was it placed on the altar before the beginning of the celebration to be put away after the Mass.    In the tenth century the Statuta Ecclesiae antiquae decreed that the acolyte about to pronounce his vows should receive in his hands a candlestick with the candle.   The Council of Trent established a very precise codification for the altar service, consisting of six candlesticks to be used during Mass and seven candlesticks for the Pontifical of the Pope or of a Bishop. The form of the candlestick derives from its initial use as a piece of secular furniture in pre-Christian times: a foot, a stem, a tray for the wax and a spike on which to wedge the candle.   In the course of time, candlesticks became larger and larger, and more and more care was taken with their shape and decoration.    The materials used to make them also evolved, with extensive use of gold, silver and other precious metals, but also simpler materials such as wood and brass, depending on the means of the church.   In the 16th

DAVID BOWIE The Rise and Fall of Ziggy Stardust and the Spiders from Mars CD + Booklet 70 pages in a Box Set 1990 EMI This is the excellent 1990 EMI remastered edition of Ziggy Stardust featuring 5 bonus tracks, a 70-page booklet featuring extensive Ziggy Stardust history, band  biography and photos presented in a sturdy printed box.   Condition: (see pictures) CD: excellent état (pas de rayure) Boitier CD : excellent état (présence au verso du sticker rond) Livret (à l’intérieur du boitier CD) : excellent état. Se déplie en 4, d’un côté des photos couleur et de l’autre les paroles avec en fond des images noir et blanc. Livret 70 pages : excellent état (comme neuf) : dans un état de conservation au top. Le livret étant fragile au départ, aucune page dégrafée. Complet. Superbe état. Boîtier carton : bon état général. Voir photos. Le boitier est très solide au niveau matériau, carton épais avec finition vernis. Sur la tranche extérieure, le coin est un peu corné. A l’intérieur présence d’un tampon avec nom et prénom de l’ancien propriétaire. Et une légère déchirure sur 1,5 cm (voir photo). Lorsque le boitier est fermé cela ne se voit pas et ne gêne nullement. Au final cela fait un petit pet et une déchirure mais qui n’entache en rien la beauté de cette édition. CD: excellent condition (no scratches)CD case: excellent condition (presence on the back of the round sticker)Booklet (inside the CD box): excellent condition. Unfolds in 4, on one side color photos and on the other lyrics with black and white images in the background.70 pages booklet: excellent condition (like new): in a state of conservation at the top. The booklet being fragile at the beginning, no page unfastened. Full. Superb state.Cardboard box: good general condition. See photos. The case is very solid at the material level, thick cardboard with varnish finish. On the outer edge, the corner is a little horny. Inside there is a stamp with last name and first name of the former owner. And a slight tear on 1.5 cm (see photo). When the case is closed it does not show and does not interfere. In the end it is a little fart and a tear but does not in any way affect the beauty of this edition.  CD TRACKLISTING 1. Five Years 2. Soul Love 3. Moonage Daydream 4. Starman 5. It Ain't Easy 6. Lady Stardust 7. Star 8. Hang On to Yourself 9. Ziggy Stardust 10. Suffragette City 11. Rock 'N' Roll Suicide Bonus Tracks 12. John, I'm Only Dancing (Single B-side) 13. Velvet Goldmine (Single B-side) 14 Sweet Head (Previously unreleased track) 15 Ziggy Stardust (Previously unreleased original demo) 16 Lady Stardust (Previously unreleased original demo)   A noter que cette édtion de 1990 avec une réédition de 2002 est à la seule à contenir les superbes démo de Ziggy et Lady Stardust.   Note that this edition of 1990 with a reissue of 2002 is the only one to contain the superb demo of Ziggy and Lady Stardust.   ENVOI EN LETTRE SUIVIE LE TOUT PARFAITEMENT EMBALLE ET BIEN PROTEGE, REGARDER MES EVALUATIONS. Quick and neat delivery

---WE CONSIDER OFFERS ONLY IN LOT---***PLAY TESTED***G+ TO VG+/PLAY WITH SURFACE NOISE & COUPLE LIGHT POPS & CRACKLES HERE & THERE/A2 PLAYS WITH COUPLE MODERATE POPS ON A MARK FIRST HALF/SECOND HALF OF A3 & BEGINNING OF A4 PLAYS WITH CRACKLES OVER THE MUSIC FROM PRESS/WOL A&B/VG TO VG+ COVER WITH TRANSPARENT TAPE/WOC FRONT/SWOC BACK

Manilla Road "Mystification", Album, vynil 33T LP ENGLISH BELOW Description: Manilla Road est un groupe de heavy metal américain, originaire de Wichita, dans le Kansas. Il est formé par Mark « The Shark » Shelton (chant et guitare). Cet album est leur 6ème! C'est un excellent album avec pleins de hits! Ce vynil est le 1er pressage de la maison de disque Black Dragon. Site du groupe: site officiel Site de l'article vendu: Metal Archives Nombre de chansons: 9. Maison de disques: Black Dragon Records. Format: 33T LP. Date de sortie: 1987. EAN: pas d'EAN. Condition du disque: Vynile noir, en assez bonne condition, pas poussiérieux, avec une marque. Condition de la jaquette intérieure: pochette en papier blanc, en bon état, avec paroles et infos. Condition de la jaquette extérieure: en couleurs, bon état. Pourquoi je le vends: Manilla Road est mon groupe préféré! Mais je n'ai plus de tourne disque et je ne compte pas en acheter un! Alors avec un coeur lourd je dis au revoir à cette pièce maîtresse de ma collection. Manilla Road "Mystification", Album, vynil 33rpm LP Manilla Road was an American heavy metal band from Wichita, Kansas, founded by Mark "The Shark" Shelton (vocals and guitar) and Scott "Scooter" Park (bass guitar). Beginning in 1977, the early years of Manilla Road were spent playing mostly progressive rock and space rock but eventually became noticeably heavier with time, the band's later heavy metal sound becoming more and more apparent with the release of Metal in 1982. This is the 6th album released by Manilla Road. It's a great album featuring several hit songs! This vynil is the first edition of the album, out on Black Dragon Records. Group's web site: official site Site de l'article vendu: Metal Archives Number of tracks: 9. Record label: Black Dragon Records Format: 33rpm LP. Release date: 1987. EAN: none. Disc condition: black vynil in good condition, not dusty, has one scratch. Inner sleeve condition: white sleeve in good condition, with the lyrics and information. Outer sleeve condition: in color, in good condition. Why I sell it: Manilla Road is my fave band! But I don't have any working record player and don't plan to buy one. So it's with a heavy heart I say goodbye to this masterpiece.

Manilla Road "Open The Gates", Album, vynil 33T LP + 45T 30cm EP ENGLISH BELOW Description: Manilla Road est un groupe de heavy metal américain, originaire de Wichita, dans le Kansas. Il est formé par Mark « The Shark » Shelton (chant et guitare). Cet album est leur 4ème! A mon avis c'est leur meilleur album, toutes les chansons sont super! Ce double vynil contient 2 chansons sur un 45T grand format. 1er pressage de la maison de disque Black Dragon. Site du groupe: site officiel Site de l'article vendu: Metal Archives Nombre de chansons: 10. Maison de disques: Black Dragon Records. Format: 33T LP. Date de sortie: 1984. EAN: pas d'EAN. Condition du disque: Vynile noir, en bonne condition, un peu poussiérieux. Condition de la jaquette intérieure: pochette en papier blanc, en bon état, avec paroles et infos. Condition de la jaquette extérieure: en couleurs, bon état. Pourquoi je le vends: Manilla Road est mon groupe préféré! Mais je n'ai plus de tourne disque et je ne compte pas en acheter un! Alors avec un coeur lourd je dis au revoir à cette pièce maîtresse de ma collection. Manilla Road "Open The Gates", Album, vynil 33rpm 12" LP + 45rpm 12" EP Manilla Road was an American heavy metal band from Wichita, Kansas, founded by Mark "The Shark" Shelton (vocals and guitar) and Scott "Scooter" Park (bass guitar). Beginning in 1977, the early years of Manilla Road were spent playing mostly progressive rock and space rock but eventually became noticeably heavier with time, the band's later heavy metal sound becoming more and more apparent with the release of Metal in 1982. Open The Gates is the 4th album released by Manilla Road in 1984. In my opinion, it's their best album on which all tracks are amazing!! This double vynil has 2 tracks on a 30cm, 45rpm disc. It's the very first edition of the album, out on Black Dragon Records. Group's web site: official site Site de l'article vendu: Metal Archives Number of tracks: 10 Record label: Black Dragon Records Format: 33rpm LP. Release date: 1984. EAN: none. Disc condition: black vynil in good condition, a bit dusty. Inner sleeve condition: white sleeve in good condition, with the lyrics and information. Outer sleeve condition: in color, in fairly good condition. Why I sell it: Manilla Road is my fave band! But I don't have any working record player and don't plan to buy one. So it's with a heavy heart I say goodbye to this masterpiece.

The bible of all fundamental algorithms and the work that taught many of today's software developers most of what they know about computer programming. -Byte, September 1995 Countless readers have spoken about the profound personal influence of Knuth's work. Scientists have marveled at the beauty and elegance of his analysis, while ordinary programmers have successfully applied his "cookbook" solutions to their day-to-day problems. All have admired Knuth for the breadth, clarity, accuracy, and good humor found in his books. I can't begin to tell you how many pleasurable hours of study and recreation they have afforded me! I have pored over them in cars, restaurants, at work, at home...and even at a Little League game when my son wasn't in the line-up. -Charles Long Primarily written as a reference, some people have nevertheless found it possible and interesting to read each volume from beginning to end. A programmer in China even compared the experience to reading a poem. If you think you're a really good programmer...read [Knuth's] Art of Computer Programming...You should definitely send me a resume if you can read the whole thing.-Bill Gates Whatever your background, if you need to do any serious computer programming, you will find your own good reason to make each volume in this series a readily accessible part of your scholarly or professional library. It's always a pleasure when a problem is hard enough that you have to get the Knuths off the shelf. I find that merely opening one has a very useful terrorizing effect on computers. -Jonathan Laventhol In describing the new fourth volume, one reviewer listed the qualities that distinguish all of Knuth's work. [In sum:] detailed coverage of the basics, illustrated with well-chosen examples; occasional forays into more esoteric topics and problems at the frontiers of research; impeccable writing peppered with occasional bits of humor; extensive collections of exercises, all with solutions or helpful hints; a care Mis en ligne via Market Invaders: Application de gestion de places de marché.

Children's book: Honey Bunch, her first little garden (1924), en anglais  by  Helen Louise Thorndyke Hard cover. Pages yellow with age. 1924. 182 pages. Dimensions: 19cm x 13cm x 3cm Still readable, ideal for a collector. Young Gertrude Marion Morton, known as “Honey Bunch,” lives with her father and mother  somewhere  in the northeastern United States. Her best friend is Ida Camp, and the neighbor boy is Norman Clark.  The “Honey Bunch” series, from the publisher of Nancy Drew, the Hardy Boys, and the Bobbsey Twins, was written under the pseudonym  Helen Louise Thorndyke.  The first sixteen were actually written by Josephine Lawrence,  beginning in 1923 with Honey Bunch: Just a Little Girl,  and chronicled Honey Bunch on various trips and adventures throughout the series. The  34th book was published in 1955.   Honey Bunch: Her First Little Garden, #5 in the series, was obviously intended for a younger set than Nancy Drew or the Hardy Boys,  Maison sans animaux ni fumée. Emballage soigné. Envoi rapide.     Envoi lettre verte ou Colissimo (en fonction du poids, tarif de La Poste) ou par Mondial Relais.  Remise en main propre possible sur Remiremont ou Nancy.  

RARE SINGLE US Etat général: original occasion  / Format: 45T (2 titres) / 7 inch (SP) / Etat pochette / disque: NA / VG+ / POCHETTE GENERIQUE ET VINYLE EN BON ETAT AVEC QUELQUES MICRORAYURES MAIS AVEC UNE PETITE FELURE SUR LA TRANCHE (LE VINYLE A DU TOMBER) SANS AUCUNE INCIDENCE SUR L'ECOUTE EN DEBUT DE TITRE MAIS FRAGILISATION DU DISQUE. / VINYL IN GOOD CONDITION WITH SOME SCRATCHES BUT WITH A LITTLE CRACK ON THE SLICE (THE VINYL HAD TO FALL) WITHOUT ANY IMPACT ON LISTENING AT THE BEGINNING OF THE TITLE BUT WEAKENED THE RECORD. Label: Dud Sound Records.4707 / Pressage: US / 1968 /   A LIRE AVANT D'ENCHERIR OU D'ACHETER: READ BEFORE BIDDING OR BUYING: SI TOUTEFOIS VOUS CONSTATEZ UN PROBLEME AVEC MES OBJETS, NE METTEZ PAS DES EVALUATIONS FANTAISISTES : CONTACTEZ MOI !!!! IL Y A DES SOLUTIONS (REMBOURSSEMENT, ECHANGE...) HOWEVER IF YOU SEE ANY PROBLEM WITH MY ITEMS, DON'T PUT A BAD FEEDBACK: CONTACT ME !!!! THERE IS MANY SOLUTIONS (REFUND, CHANGE...)     VINYLE:   EX    :   Pas de rayure et brillance d'origine du vinyle VG+ :  Rayures visibles mais peu audibles (rayure d'usage) VG   :    Rayures perceptibles à l'écoute G   :     Disque rayé (il peut sauté, avec des craquements importants)   POCHETTE / COVER :   EX    :   Excellent (ou bien "comme neuf") VG+ :  état d'usage (bien pour l'age), usure des tranches VG :    Marque du disque ou / et petites écritures voire petites déchirures sur pochette G :   grosse écriture visible sur pochette ou / et pochette très abîmées ATTENTION ! Seuls les paquets recommandés ou colissimo ou suivis pourront faire l'objet de remboursement en cas de perte ou dégradation. Le prix de la livraison comprend:  tarif lettre + enveloppe à bulles renforcée avec du carton. Livraison lettre non garantie par La Poste. Pour un achat au-delà de 10 euros, envoi systématique en envoi suivi garanti. POSSIBILITE DE REMISE EN MAIN PROPRE BANLIEUE (EST) ET MARNE LA VALLEE. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Lou REED New York - MINI LP REPLICA - CD BMG 08122797447 1 EU   NEW NOT SEALED - NEUF NON SCELLE - 1. Romeo Had Juliette 2. Halloween Parade 3. Dirty Blvd 4. Endless Cycle 5. There Is No Time 6. Last Great American Whale 7. Beginning Of A Great Adventure 8. Busload Of Faith 9. Sick Of You 10. Hold On 11. Good Evening Mr. Waldheim 12. Xmas In February 13. Strawman 14. Dime Store Mystery °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

AMAZING TROPICAL DANCEFLOOR from HAITI compiled in "Disques Debs International Vol..1" (STRUT Records) Grading: record: VG to VG- (beginning of both sides with small noise, it's better after, "SIDE 1 is ENJOYABLE" listen sampler)                cover:VG/VG+ just water stain on back (look pics) LISTEN:https://clyp.it/p044xygd FIRST TIME FOR SALE ON IN THIS SHAPE SHIPPING (tracking number & safe package): FRANCE: 5€20, EUROPE: 12€80, WORLD: 13€60 please always wait for your invoice with shipping cost.

---WE CONSIDER OFFERS ONLY IN LOT---***PLAY TESTED***VG TO VG+ TO PRESS/PLAY WITH BACKGROUND NOISE & LIGHT POPS & CRACKLES HERE & THERE/VG+ LOOK/VG+ COVER WITH BEGINNING OF RINGWEAR ON FRONT/BACK IS A LITTLE BIT DIRTY/SPEED-O GRAPHIC PRINTERS LTD WRITTEN ON BOTTOM LEFT COVER OF THE BACKSIDE

Bruford ‎– Feels Good To Me Label: Polydor ‎– 2302 075, Polydor ‎– 2302-075 Format: Vinyl, LP, Album Country: UK Sortie: 05 Jan 1978 Genre: Jazz, Rock Style: Art Rock, Jazz-Rock, Prog Rock, Fusion TracklistMasquer Crédits A1 Beelzebub Written-By – Bill Bruford 3:16 A2 Back To The Beginning Music By – Bill Bruford Words By – Bill Bruford 7:09 A3 Seems Like A Lifetime Ago (Part One) Music By – Bill Bruford Words By – Bill Bruford 2:30 A4 Seems Like A Lifetime Ago (Part Two) Written-By – Bill Bruford 4:25 A5 Sample And Hold Written-By – Bill Bruford, Dave Stewart 5:12 B1 Feels Good To Me Guitar [Additional] – John Goodsall Written-By – Bill Bruford 3:49 B2 Either End Of August Written-By – Bill Bruford 5:27 B3 If You Can't Stand The Heat... Written-By – Bill Bruford, Dave Stewart 3:20 B4 Springtime In Siberia Written-By – Bill Bruford, Dave Stewart 2:43 B5 Adios A La Pasada (Goodbye To The Past) Music By – Bill Bruford Words By – Annette Peacock 7:55 Entreprises, etc. Phonographic Copyright (p) – E.G. Records Ltd. Copyright (c) – E.G. Records Ltd. Copyright (c) – Virgin Music (Publishers) Ltd. Manufactured By – Polydor Ltd. Distributed By – Polydor Ltd. Recorded At – Trident Studios Mixed At – Trident Studios Produced For – E.G. Records Ltd. Printed By – James Upton Ltd. Crédits Bass – Jeff Berlin Bass [Additional] – Neil Murray Design [Sleeve Design] – Cream (7) Engineer – Steve W. Tayler* Flugelhorn – Kenny Wheeler Guitar – Allan Holdsworth Keyboards, Performer [Reasonably Advanced Harmonic Advice] – Dave Stewart Percussion [Tuned And Untuned], Drums [Kit], Performer [Tunes And Final Say] – Bill Bruford Photography By [Inner Sleeve] – Jacquie Deegan, Dick Wallis* Photography By [Sleeve] – Gered Mankowitz Producer – Bill Bruford, Robin Lumley Sleeve Notes – Richard Williams (5) Tape Op – Colin Green, John Brand, Stephen Short* Technician [Equipment] – Mick Rossi, Pete Revill* Technician [Polymoog Consultant] – Val Joseph Vocals – Annette Peacock Notes Thanks to Neil Murray: A bass player when I needed one. The music on this album was written between January and June 1977 rehearsed for three weeks and recorded and mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex. This sound recording was made for E.G Records Ltd., 63a King's Road, SW3 4NT, and first published in 1977 in the U.K. Manufactured and distributed in the U.K. by Polydor Ltd., 17/18 Stratford Place, London W1B 0BL Cassette 3100 417 Code-Barres et Autres Identifiants Price Code: Deluxe Matrix / Runout (Variant 1, Side A): A//1 T 1 ? 2302075 A// 1 Matrix / Runout (Variant 1, Side B): B//1 T 1 1 2302075 B/ 1 1 2 Matrix / Runout (Variant 2, Side A): A//1 T 1 1 2302075 A/1 1 0 Matrix / Runout (Variant 2, Side B): B//1 T 1 1 2302075 B/1 1 0 Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer).