Chambers brothers time has

45 TOURS THE CHAMBERS BROTHERS Time has come today ORIGINAL USA COLUMBIA 13 33136 M-/M-

45 TOURS THE CHAMBERS BROTHERS Time has come today ORIGINAL USA COLUMBIA 13 33136 M-/M- Vinyle neuf à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

Pochette: ex. (voir photos). Face1: Petits grésillements réguliers plus présents sur le dernier morceaux vg+. Face2: Petits grésillements réguliers vg++. L'écoute n'est pas affectée. Pressage USA. 33 Tours Vinyles Distributeur: CL 2722 Auteur: the chambers brothers Editeur: columbia Genre musical: Rock psychédélique Support / Quantité fournie: 1 Rubrique principale Vinyle: 33 Tours

Boitier cartonné avec des petites traces d'usure aux coins. Le CD comporte de rares micro-rayures. Identique à la photo. 14 titres. 2003. Large choix de CD dans ma boutique. Envoi rapide (sous 24H) et soigné (sous bulles). CD Album CD Auteur: Chambers Brothers (The) Editeur: Sony Music Rubrique principale CD: CD Album Date: 2003-09-04 00 Genre musical: Rock Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales Support / Quantité fournie: 1 Product scoring: E

Boitier cartonné avec des petites traces d'usure aux coins. Le CD comporte de rares micro-rayures. Identique à la photo. 14 titres. 2003. Large choix de CD dans ma boutique. Envoi rapide (sous 24H) et soigné (sous bulles). CD Album CD Auteur: Chambers Brothers (The) Editeur: Sony Music Code EAN: 5099751282723 Rubrique principale CD: CD Album Genre musical: Rock Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales Support / Quantité fournie: 1)

COVER/POCHETTE:  EX  RECORD/DISQUE: EX LABEL: CBS YEAR/ANNEE: 1969   Listed here are sometimes  30 years  to  50 years old.Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170).I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains !if you have any doubt, don't bid I will not in any case accept any returns ! .Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans.Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour  !!Pour achats groupés (3 disques 45t) port identique.                 Up to three records (EP:SP) same postal price.  Tous mes disques sont expédiés avec pochette plastique de protection emballage soigné

Attention: COLLECTOR!!!!! Ceci est le tout premier enregistrement des Beatles, sorti en Allemagne en 1961 sous le nom de Tony Sheridan & the Beat Brothers, l'entourage Allemand de l'époque ne trouvant pas le nom de Beatles très "vendeur". Ce disque sortira quelques mois plus tard en Angleterre sous le nom de Tony Sheridan & The Beatles, puis sera réédité sous le nom simple de The Beatles. Pochette générique originale "Polydor". Quelques petites rayures et des légers craquements, mais le disque sonne vraiment bien car le pressage est très bon (comme souvent les pressages Allemands). Des écritures sur les labels. Warning: COLLECTOR ITEM!!!!! This is the very first Beatles recording, released in Germany in 1961 under the name Tony Sheridan & the Beat Brothers, as the German entourage at the time did not find the Beatles name very "selling". This disc will be released a few months later in England under the name Tony Sheridan & The Beatles, then will be reissued under the single name of The Beatles. "Polydor" original generic sleeve. Some small scratches and a light crackling, but the record plays great, thanks to a very good pressing (as often with the German ones). Writings on the record labels. N'hésitez pas à regrouper vos achats pour limiter les frais de port. Dans ce cas, demandez une nouvelle facture au moment de finaliser votre achat (attendre cette nouvelle facture AVANT de payer!). Pour la France, 4,65€ en Mondial Relay de 0 à 2kg (emballage compris). ATTENTION: Depuis juillet 2021, la législation concernant les douanes, la TVA et les frais d'importation a évolué. Si vous commandez depuis un pays hors Union Européenne, vous pouvez être amené à payer une taxe supplémentaire, soit directement facturée par, soit à la réception du colis. Do not hesitate to group your purchases to limit the shipping costs. In this case, ask for a new invoice when finalizing your purchase (wait for this new invoice BEFORE paying!). PLEASE NOTE: Since July 2021, the legislation concerning customs, VAT and import costs has changed. If you order from a country outside the European Union, you may have to pay an additional tax, either directly invoiced by, or upon receipt of the package.

CD THE MILLS BROTHERS THE VERY BEST OF BIEM / STEMRA DGC 1002 14 TRACKS MADE IN FRANCE 1986       LES TITRES DU CD SONT : 1 : PAPER DOLL / 2: GLOWWORM / 3: MOOD INDIGO / 4: ANY TIME / 5: I’LL SEE YOU IN MY DREAMS / 6: POOR BUTTERFLY / 7: TEA FOR TWO / 8: MISTER SANDMAN / 9: YOU ALWAYS HURT THE ONE YOU LOVE / 10: TILL THEN / 11: HE’LL HAVE TO GO / 12: I STILL GET A THRILL / 13: STARDUST / 14: AUTUMN LEAVES /   ETAT CD: Bon état général.(la jaquette a des légères taches mais elle reste correct). Good general condition (the jacket has light spots but it remains correct).

The best of SAN FRANCISCO LIVE - CD (1997)   CD d'occasion mais en très bon état !  Afin de réduire vos frais de port, regardez mes autres CD en vente. En cas d'achat multiple, contactez-moi afin de connaitre le montant des frais de port Pas d'envoi pour l'étranger / no sending abroad Titres sur CD 1 –John Hammond* Who Do You Love 5:42 2 –Gordon Lightfoot Early Morning Rain 3:19 3 –Commander Cody Diggy Liggy Lou 1:55 4 –It's A Beautiful Day White Bird 8:23 5 –Elvin Bishop So Fine 4:05 6 –Grateful Dead Morning Dew 8:37 7 –Boz Scaggs Near You 5:17 8 –Jefferson Airplane White Rabbit 2:13 9 –Jesse Winchester The Brand New Tennessee Waltz 4:15 10 –Taj Mahal Stagger Lee 3:01 11 –Grateful Dead* And Janis Joplin Turn On Your Love Light 10:36 12 –Jefferson Airplane Plastic Fantastic Lover 3:25 13 –Chambers Brothers Time Has Come Today 9:51 14 –Town Cryers and Marty Balin Hell Bound Train 3:51

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Your Portal to Completion Every Future Press guide is designed to maximise the gaming experience--regardless of the player's skill. In the case of  Portal 2, this is a difficult task: only those who can solve the test chambers will get to feel that true sense of accomplishment. If players look up the solution in a book or even watch it as a movie on YouTube, then they'll bypass this feeling completely. This is why our  Portal 2  guide follows a new concept: the solution will only give away as much as the player wants to know, no less, and no more. Thanks to a multi-layered walkthrough consisting of different levels of information, the official  Portal 2  guide lets players decide for themselves how much help they receive. From just a small hint right up to a complete solution--everything is there. This guarantees a maximised gaming experience, just as you would expect from a Future Press guide. In addition the guide also offers lots of extras, including a huge on-location interview with the game's producers, a whole chapter devoted to previously unpublished concept drawings and artwork from  Portal  and  Portal 2, as well as a comprehensive section on Trophies/Achievements, for all of those who wish to fully master the game. Multilevel walkthrough |  Offers expert guidance while avoiding unnecessary spoilers--allowing mastery of the game without ruining the experience. Extended co-op coverage |  Comprehensive walkthrough for the co-op game, including shortcuts and alternate solutions, with contributions from the current world record holder for the fastest run through  Portal. Simplified isometric maps |  Each test chamber is presented in a uniquely created 3D illustration which deliberately shows as little detail as possible, but also as much as is necessary. This means that players can easily and quickly understand the solution and avoid the confusion of overloaded screenshot maps. The Art of Portal |  Stunning computer graphics, early concept drawings and wonderful illustrations show  Portal  and  Portal 2  in breathtaking style and beauty. Artwork that has been made public exclusively and for the very first time in the official guide. An audience with Valve |  An in-depth interview with the key figures from the development team of  Portal  and  Portal 2. More than 20 pages filled with background information and also about the making of the two games. Trophies/Achievements |  For the complete gaming experience; a detailed step-by-step guide to unlocking all 50 Trophies/Achievements. Although many of them are very challenging, having a complete collection doesn't have to be the sole privilege of advanced players. Exclusive strategy videos |  Access to countless game videos which perfectly show the guide's pro techniques and strategies for every chamber. Exclusive to the Collector's Edition Guide Additional content  |  An expanded 'The Art of Portal' with additional render images - for real fans. Hardcover Binding  |  So it will last forever. A cover illustration created for true Portal fans as well as a fine back cover with a removable info sheet for that pristine look. Two bookmarks  |  Each bot--Blue and Orange--possesses its own ribbon bookmark (colored...you might have guessed...blue and orange). So that you can keep track of both sections, the single player and the co-op game.