Drifting in visions

CD Album CD Code EAN: 4015698133721 Rubrique principale CD: CD Album Genre musical: Musique du monde Titre: Drifting in visions (1994)

Visions Of The Past Vol. 3 - English Beat And R&B Obscurities _ Various LP Vinyl = Red colour Label: Disc de Luxe - AS 711 252 Year: ? Condition: Vinyl = Near Mint / Sleeve = VG+ PAYMENT: - Acheteurs français = PayPal, transfert bancaire ou chèque bancaire. - Foreign buyers = PayPal (prefered), bank transfert (ask for Iban and Bic code), or IMO. POSTAGE: I will ship worldwide: See shipping costs below. I will combine and reduce shipping costs on multiple buys. - France: - 1 x LP = 7,25 EUR (envoi en Colissimo). - 2 à 3 x LP = 7,95 EUR (envoi en Colissimo = jusqu?à 1 kg). Si vous voulez que cet envoi soit en recommandé (conseillé = signature à la livraison + assurance sur la totalité du prix de l'objet): rajouter 2,50 EUR (valeur jusqu?à 50 EUR) ou 4,00 EUR (valeur jusqu?à 200 EUR). Si plus de trois LP, me contacter pour le prix (tarif Colissimo). Nota: un double LP compte pour 2 x LP. Envoi possible aussi via Mondial Relay: dans ce cas me le préciser lors de la commande. - 1 x 45T / EP ou 1 x CD = 4,33 EUR (envoi en Lettre Suivie). Si vous souhaitez un recommandé avec assurance (conseillé): rajouter 2,37 EUR (valeur jusqu?à 16 EUR) ou 3,12 EUR (valeur jusqu?à 153 EUR). - 2 à 5 x 45T / EP = 6,35 EUR (envoi en Colissimo). Si vous voulez que cet envoi soit en recommandé (conseillé = signature à la livraison + assurance sur la totalité du prix de l'objet): rajouter 2,50 EUR (valeur jusqu?à 50 EUR) ou 4,00 EUR (valeur jusqu?à 200 EUR). Au-delà de 5, me contacter pour le prix (tarif Colissimo). Envoi possible aussi via Mondial Relay: dans ce cas me le préciser lors de la commande. - Europe (except Norway): - 1 x LP = 12,55 EUR. - 2 at 3 x LP = 15,50 EUR (up to 1kg). Sending in Colissimo International (tracking). If you want insurance, add 4 EUR. For more of three, please question me (up to 2kg = 17,55 EUR). A double LP = same as 2 x LP. - 1 x 7" / EP or 1 x CD = 9,50 EUR. Sending in Priority with tracking. If you want insurance (recommended): 11,50 EUR (up to 45 EUR), and 12,50 EUR (up to 150 EUR). - 2 at 5 x 7" / EP = 12,55 EUR (up to 500g). Sending in Colissimo International (tracking). If you want insurance, add 4 EUR. For more of five, please question me (sending in Colissimo International). - All others countries (+ Norway): - 1 x LP = 13,70 EUR. Sending in Priority with tracking. If you want insurance (recommended): 15,70 EUR (up to 45 EUR), and 16,70 EUR (up to 150 EUR). - 2 at 6 x LP = 22,10 EUR (up to 2kg). Sending in Priority with tracking. If you want insurance (recommended): 24,10 EUR (up to 45 EUR), and 25,10 EUR (up to 150 EUR). For more of six, please question me. A double LP = same as 2 x LP. - 1 x 7" / EP or 1 x CD = 9,50 EUR. Sending in Priority with tracking. If you want insurance (recommended): 11,50 EUR (up to 45 EUR), and 12,50 EUR (up to 150 EUR). - 2 at 5 x 7" / EP = 13,70 EUR (up to 500g). Sending in Priority with tracking. If you want insurance (recommended): 15,70 EUR (up to 45 EUR), and 16,70 EUR (up to 150 EUR). For more of five, please question me. Attention: I cannot be responsible for lost or damaged package. While i make every effort to package items securely and safely, i cannot guarantee how your package will be handled during shipping. For this, it is recommanded to take insurance (see shipping policies above). Note that a 2x record is considered 2 LPs and a 3x record is considered 3 LPs.

JIMI HENDRIX EZY RIDER, DRIFTING BARCLAY, 061.428L, MADE IN FRANCE 1972 DISQUE RARE CONDITIONS Envoi exclusivement en Mondial Relay en France métropolitaine Si vous avez un point Mondial Relay de prédilection, veuillez me le faire savoir AVANT le paiement. Si le prix de l’envoi figure dans l’annonce, il ne peut y avoir d’expédition gratuite. Lorsque je propose l’expédition gratuite, les conditions sont exclusivement celles-ci: paiement par Paypal (pas de chèque, pas de virement) et envoi par Mondial Relay en France métropolitaine (pas de colissimo, ni de lettre suivie, ni d’envoi hors France métropolitaine). Merci de me faire parvenir le règlement sous trois jours, faute de quoi je devrai remettre l’objet en vente. Tous les tarifs d’envoi indiqués s’entendent pour la FRANCE MÉTROPOLITAINE. Pour l’international me contacter.

Hank Williams & his Drifting Cowboys A: I'm a long gone daddy B: The blues come around Original US pressing: MGM 10212 Condition: E- / Excellente écoute. Tous les disques ont été joués. Emballage soigné (voir image 3). Port France colissimo: 1 disque: 8€ / jusqu'à 5 disques: 9€ / Au delà: 15€ Port France Mondial Relay: 1 disque: 5€ / jusqu'à 10 disques: 7€ / All records have been played I know how to pack 78s records ! (see image 3) Shipping INSIDE EU: 1 record: 16€ / up to 5 records: 18€ / more than 5 records: 24€ Shipping to Italy needs extra insurance (sorry, too much troubles in the past) Shipping OUTSIDE EU starts at 23€. Feel free to contact me for quotes.

THE CURE Visions of domino Lp Live 84-85 Vynil Couleur Titres: in between days, close to me (live camden palace londres 85), 10,15 saturday night, piggy in the mirror (live in recording studio), shake dog shake, piggy in the mirror, banana fishbones (live munich 84), primary, the walk, the hanging garden, a hundred years (live glasgow 84), play for today (munich 84), carnage visiors (alt studio version) Etat: Excellent Pochette & Vynil International shipment same from 2 to 6 LP. (wait for invoice)   France suivi: 6,50e 1Lp, 1,50e pour Lp additionnel Rest of the world airmail with tracking number: 1LP 14 e, 2to 6 LP 24e   Reglement par cheque, paypal, bank transfert  ou....  Bonne journée.

Ezra - Underground Visions - Not on Label (Ezra Self-released) - France - 1985 Ezra was an obscur French Progressive rock group formed in middle 80s by Jean Paul Goguillot(drums),Samuel Boissenin(bass),Gilles Coulot(guitar),Jean-Marc Collet(vocal) & Charley Bournel-Bosson(keyboard)... The group was playing in concert with their own compositions,long tracks more or less atmospheric that may remind us of Marillion at the begining. An atmosphere that can be found on this album. After the keyboard & drummer's departure in 1989,the other three members continued and recorded another album(CD): Days of Tumult Vinyl in great shape,no hairlines,no pop,noisy!!! Cover have very small damage on a corners,small folds,wears front/back due a storage.Little peeling along back opening edge. With lyrics insert. Nice copy and hard to find!!!!!! *VINYL: NM *COVER: VG++/EXC.

K7 AUDIO SEPULTURA - SCHIZOPHRENIA / MORBID VISIONS - 2 LP's on 1 / MC SHARK MC017 . État : Bon état    Sepultura ‎– Schizophrenia / Morbid Visions Genre: Rock Style: Death Metal Année: 1988 Tracklist IntroFrom The Past Comes The StormsTo The WallEscape To The VoidInquistion SymphonyScreams Behind The ShadowsSeptic SchizoThe AbyssR.I.P. (Rest In Pain)IntroMorbid VisionsMayhemTroops Of DoomWarCrucifixionShow Me The WrathFuneral RitesEmpire Of The Damned Testée sans soucis boitier fatigué mais d'origine

ADX ‎– Weird Visions Label:Noise International ‎– NO 161-1 Format:Vinyl, LP, Album  Pays: Germany 1990 Etat pochette: EX * Etat disque: NM *  with postal card insert and OIS   Tracklist A1 Weird Visions 1:37 A2 King Of Pain 4:10 A3 Lost Generation 4:20 A4 Sacrifice In The Ice 4:09 A5 Mystical Warfare 5:40 B1 Fortunetelling 4:29 B2 Behind The Mirror 5:20 B3 Sign Of The Time 5:28 B4 Trouble 2:42 B5 Invasion 3:52 * - S : "Sealed","Scellé", il s'agit d'un produit encore scellé dans son emballage d'origine. Il est considéré comme neuf du point de vue de l'usage. - M : "Mint", il s'agit d'un produit qui est descellé mais dont l'état est assimilable à un produit neuf. - NM : "Near Mint", il s'agi d'un produit très proche de son état neuf, avec quelques traces mineures sur la pochette ou sur le disque. - EX : "Excellent" il s'agit d'un produit qui présente des traces d'usure limitées mais qui n'affecte pas la restitution d'origine. - VG+ / VG / VG-: "Very Good", il s'agit d'un produit dont les traces d'usure sont visbles et audibles, mais la restitution reste correcte. Dans la pratique ces disques vont restituer des crachottements ou craquements résiduels à l'écoute, mais ils ne seront pas rayés. On considère que l'album est jouable dans de bonnes conditions. La pochette peut être abîmée. - G+ / G / G- : "Good", il s'agit là d'un état plus avancé de détérioration du son ou de la pochette, le disque reste jouable dans des conditions limites, et le disque n'est pas rayé. La pochette peut avoir des griffures importantes, des déchirures partielles ou des écritures - B : "Bad". Pour le disque cela signifie qu'il est rayé. Pour la pochette cela signifie qu'elle n'est pas la pochette originale ou qu'elle n'est pas intégrale. La vente de tels articles n'est motivée que pour la valeur de collection de l'article et non pour sa jouabilité.

MEKONG DELTA "Visions Fugitives" Label: Zardoz Music ‎– 2150058, Zardoz Music ‎– Zardoz 05 Série: New Mixed & Mastered – Format: CD, Album, Reissue, Remastered Country: Germany Sortie: 2002 Genre: Rock Style: Symphonic Rock, Progressive Metal TracklistMasquer Crédits 1Them5:052Imagination4:47Suite For Group & Orchestra3Introduction (The Danger In Dreams / The Chronicle Of Doubts - Book 3 / Chapter 1)2:114Preludium ("Lord Kevin's Lament" / The Chronicle Of Doubts - Book 2 / Chapter 8)5:015Allegro ("Mhorams Victory" / The Chronicle Of Doubts - Book 3 / Chapter 15)4:236Dance ("The Corrupt" / The Chronicle Of Doubts - Book 3 / Chapter 18)Arranged By [Arranged For Group And Orchestra] – Ralph HubertMusic By – Christopher Young2:337Fugue ("Knowledge" / The Chronicle Of Doubts - Book 2 / Chapter 23)4:238Postludium ("Lena's Daughter" / The Chronicle Of Doubts - Book 2 / Chapter 21)2:35-9The Healer7:3410Days Of Sorrow5:03 Sociétés, etc. - Phonographic Copyright (p) – Intercord Tonträger GmbH - Copyright (c) – Zardoz Music - Published By – Zardoz Music - Published By – Warner/Chappell - Recorded At – Phoenix Studio Crédits - Arranged By – Mekong Delta - Bass, Acoustic Guitar [Acc. Guitar] – Ralph Hubert - Drums – Peter Haas - Electric Guitar – Uwe Baltrusch - Engineer – Ralph Hubert - Engineer [Assistant] – Erik Grösch - Graphics – Peter Lohde - Lyrics By – Ralph Hubert - Music By – Ralph Hubert (tracks: 1 to 5, 7 to 10) - Photography By – Volker Beusshausen* - Producer – Ralph Hubert - Remix, Remastered By – Erik Grösch, Ralph Hubert - Vocals – Doug Lee Notes Issued in a jewel case, with 8-page booklet. Part of the "New Mixed & Mastered" reissue series. © Zardoz Music 9725 Published by Zardoz Music/Warner - Chappell ℗ Intercord Tonträger GmbH Recorded at Phoenix Studio November / December 1993 Remixed and remastered 1997 1st catalog# from spines. 2nd catalog# from disc. Code-Barres et Autres Identifiants - Barcode (Printed): 4 019521 500582 - Barcode (Scanned - EAN_13): 4019521500582 - Matrix / Runout (Variant 1): MELA0303131 - Mastering SID Code (Variant 1): none - Matrix / Runout (Variant 2): MELA.030313.003 - Mastering SID Code (Variant 2): IFPI LY22 - Rights Society: GEMA - Label Code: LC 2498

état: NM / Ex Blasphereion ‎– Rest In Peace Label: Osmose Productions ‎– OPLP 003 Format: Vinyl, LP, Album Country: France Released: 1991 Genre: Rock Style: Death Metal Tracklist A1 Church Of Lies A2 Dells Of Pain A3 Demon's Blood A4 Decadence Life A5 Apocalyptic Visions B1 It's Still There B2 R.I.P. B3 Inside My Eyes B4 At The Bound Of Madness B5 Future Earth Companies, etc. - Distributed By – SPV GmbH Credits - Artwork By [Cover] – Van Lancker - Artwork By [Logo] – Szajdel Christophe - Drums – Fabrice Depireux - Guitar – Eddy Satin, Patrick Rosa - Photography – D'haeyaert Daniel - Vocals, Bass – Dan Vandenplas

Album CD Dormir profondément (programme musical scientifique pour le sommeil) 1.Twilight Fades 2.Gentle Descent 3.First Star in the Sky 4.Worlds Away 5.An Angel's Caress 6.Midnight Blue 7.Drifting in Dreamland 8.Safe and Sound Durée du programme: 58:50 composé et arrangé par Daniel May 2014 Excellent état !

SCORPIONS               BEST MASTERS of the 70's speedy's coming fly to the rainbow drifting sun they need a million far away in trance dark lady robot man top of the bill longing for fire evening Wind pictured life Virgin killer catch your train in your park crying days yellow raven compilation sony music 2009

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

PRESSAGE EUROPÉENCD de 16 titres1 - Top of the bill2 - Drifting sun3 - Sun in my hand4 - Longing for fire5 - Catch your train6 - Virgin killer7 - Hell cat8 - Polar nights9 - I've got to be free10 - The riot of your time11 - He's a woman - She's a man12 - Steamrock fever13- Suspender love (Live)14 -Hound dog (Live)15 - Long tall sally (Live)16 - Fly to the rainbow (Live)Réf: RCA 74321151192Etat: M/EXAnnée: 1993

Folkways 2409 - Country Gentlemen - Country Songs Old And New -  1959 Issue   Nous sommes très fiers de vous présenter la Version Originale 1959 (et non réédition) du: Folkways 2409 - Print in New York U.S.A. en 1959 - Magnifique pochette épaisse Cartonnée, avec livret avec textes de toutes les chansons:  Roving Gambler, The Little Sparrow, Drifting too Far, Weeping Willow, Tomorrow's my Wedding Day,  The Story of Charlie Lawson, Turkey Knob, Paul and Silas, Ellen Smith, The Long Black Veil,  Honky Tong Rag, Jesse James + 4 titres. Le tout comme neuf. Pochette et Disque comme neufs