Her own kind of

CD Album CD Code EAN: 5099952256424 Rubrique principale CD: CD Album Genre musical: Pop Titre: Her own kind of light

IKE & TINA TURNER Her Man...His Woman 1969 ST-571 Original US 1st Press NM/EX More Soul, Funk, Rythm & Blues, Northern Soul,… records in my store. Pochette / PS: NMint Encore dans son cellophane de protection. Still in shrink. Vinyl: EX Rarement joué mais présente de petites traces de surfaces (cheveux) et de frottement de la pochette intérieure. Barely played but shows slight surface marks (hairlines) and traces due to inner sleeve. L'énorme majorité des disques en vente n'a été que rarement, voire jamais, jouée. Ces disques ont été gardé à l'abri de l'humidité et de la lumière mais pas forcément de la poussière. Un bon nettoyage devrait définitivement accroître la qualité acoustique de ces vinyles en ôtant la poussière qui pourrait y rester. Dans la mesure où chaque collectionneur a sa propre méthode de nettoyage (machines VPI ou Okki Nokki, pâte LGL, sprays, etc...), nous laissons le soin d'exécuter cette délicate opération à son futur propriétaire. The huge majority of these records has rarely (sometimes never) been played. They have been stored away from moisture and light but, sometimes, not from dust. A good cleaning will definitely increase the sound quality by taking off some of the dust that might still be there. As every record collector has his own way to do it (VPI or Okki Nokki cleaning machines, LGL paste, sprays, etc...) we leave this delicate operation to its next owner. Grading system in english here Système de gradation visuelle dérivé du Goldmine Standard: M (MINT) Scellé, jamais joué, neuf dans son emballage d'origine. NM (NEAR MINT) Copie quasi parfaite, jamais ou très rarement joué. Au pire, une ou deux traces de surface insignifiantes généralement dues à la pochette intérieure. C'est le qualificatif le plus haut donné pour un disque non scellé. EX (EXCELLENT) Copie très propre, quelques marques de surfaces (cheveux) insignifiantes. Ce disque a rarement été joué, toujours sur du bon matériel et traité avec soin. La pochette a des défauts très mineurs: des initiales ou un nom discrets, faible usure des coins, très léger ringwear. VG++ (VERY GOOD++) Des marques de surface plus nombreuses pour le vinyl. Quelques défauts ou traces d'usage de la pochette. C’est, en général, le qualificatif donné à un disque de 20 à 50 ans ayant eu une vie “normale”, traité avec soin, mais écouté et manipulé régulièrement par son ancien propriétaire. VG+ (VERY GOOD +) A été joué souvent, traces d'usage et multiples micros rayures générant un bruit de fond au départ ou entre deux titres, mais le disque ne saute pas à la lecture. La pochette présente des traces d'usage ou de stockage importantes (coins ou tranche usés, noms, date, dédicace, déchirure, etc...). En général, ce disque a fait partie des favoris de la discothèque de son ancien propriétaire, est passé de mains en mains, a dû animer quelques soirées et porte les stigmates d’une vie bien remplie. VG (VERY GOOD) Disque très usé, a été joué de nombreuses fois, des rayures importantes provoquant un bruit de fond permanent mais ne saute pas à la lecture. Encore écoutable (notamment à fort volume pour du gros son). La pochette est bien abîmée, déchirure importante, coins et tranche usés, importantes traces de stylo ou marqueur...bref, le qualificatif précédent mais bien plus accentué. G (GOOD) A été joué jusqu'à la corde (mais encore jouable sur certains titres), rayures multiples, craquements, sauts pendant la lecture. La pochette est très abîmée. Cette gradation ne concerne que les disques d'exception pouvant intéresser un collectionneur souhaitant récupérer le vinyl ou la pochette afin de compléter un exemplaire déjà présent dans sa discothèque. Nous avons plutôt tendance à exagérer nos gradations, cependant, en cas de doute, n’hésitez pas à poser vos questions avant d’enchérir. Nettoyage Les pochettes sont, en général, nettoyées. Chaque collectionneur ayant sa propre méthode de nettoyage des vinyls, ce

CD KRIS KRISTOFFERSON SONGS OF KRISTOFFERSON Tracklisting  1 The Silver-tongued Devil 4:16 2 Loving Her Was Easier (Than Anything I'll Ever Do Again) 3:46 3 Me And Bobby McGee Written-By – Fred Foster, Kris Kristofferson 4:18 4 Help Me Make It Through The Night 2:23 5 For The Good Times 3:22 6 Sunday Mornin' Comin' Down 4:31 7 You Show Me Yours (And I'll Show You Mine) 3:27 8 The Pilgrim: Chapter 33 (Hang In, Hopper) 3:10 9 Stranger 3:08 10 I Got A Life Of My Own 3:35 11 Why Me 3:27 12 Who's To Bless And Who's To Blame 3:32 poids: 115 G En excellent état ATTENTION IMPORTANT LIVRAISON Les frais de livraison sont recalculés si vous achetez plusieurs articles N’hésitez pas à consulter mes autres objets, merci POUR L'INTERNATIONAL: LA LIVRAISON VERS L’INTERNATIONAL EN EXPEDITION  MONDIAL RELAY DANS 1 POINT RELAY POUR  LES PAYS SUIVANTS  BELGIQUE, LUXEMBOURG EST AU PRIX TRES INTERESSANT DE 4,20€ (choix autre livraison internationale économique) Dans ce cas, il faudra m’indiquer un point relay choisi où j’expédie votre colis, merci. L'objet est à régler dans les 5 jours maximum après l'achat. Le colis sera emballé avec soin et expédié dans les plus brefs délais. Nous vous souhaitons à tous de bonnes enchères et merci de votre visite

Pour améliorer l'anglais il faut lire en anglais livres conseillés par la section anglophone prix du livre 4 euros ou PRIX DU LOT 10 EUROS Helen Fielding Bridget Jones JANE SETTERFIELD the thirteenth vote internet 4 etoiles All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. (less)

Pour améliorer l'anglais il faut lire en anglais livres conseillés par la section anglophone  PRIX DU LOT 8  EUROS Helen Fielding Bridget Jones JANE SETTERFIELD the thirteenth vote internet 4 etoiles All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. (less)

2 CDs BOX: Martika + Martika's Kitchen (with input by PRINCE)  ! Rare ! 1°)  Martika Après un premier album Martika vendu à plus de quatre millions grâce à son plus grand succès Toy Soldiers, chanson arrivée numéro un dans les palmarès américains, et dont le refrain fut utilisé comme échantillon pour le single Like Toy Soldiers d'Eminem. Tracklisting: photos 2, 3, 5 2°) Martika's Kitchen est son second album. The album contained four tracks with writing and production input by Prince: Martika's Kitchen, Spirit, Love... Thy Will Be Done and Don't Say U Love Me.. Prince became involved after Martika had already recorded most of the album. She had seen the Graffiti Bridge movie several times and had contacted Prince saying the movie spoke to her and reflected things she had written in her own notebook. He recorded and submitted Love... Thy Will Be Done in December 1990, and Martika loved what she heard; her record company encouraged her to work further with Prince, and he quickly recorded further tracks. Martika's Kitchen, Spirit and Don't Say U Love Me were recorded in December 1990, or January 1991. Martika simply replaced Prince's vocals with her own in early 1991 (adding some additional lyrics, resulting in her co-writing credit), and additional instrumentation and background vocals were recorded by her musicians in New York. 1. Martika's Kitchen (5:08) * 2. Spirit (4:37) # 3. Love... Thy Will Be Done (5:02) + 4. A Magical Place 5. Coloured Kisses 6. Safe In The Arms Of Love 7. Pride & Prejudice 8. Take Me To Forever 9. Temptation 10. Don't Say U Love Me (4:24) + 11. Broken Heart 12. Mi Tierra * Written by Prince # Written by Prince, Frankie Blue, Martika and Levi Seacer, Jr. + Written by Prince and Martika (voir mes autres CD de Martika)

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY PAULA COLE Harbinger (14 titres) Track Listing 1. Happy Home 2. I Am So Ordinary 3. Saturn Girl 4. Watch the Woman's Hands 5. Bethlehem 6. Chiaroscuro 7. Black Boots 8. Oh John 9. Our Revenge 10. Dear Gertrude 11. Hitler's Brothers 12. She Can't Feel Anything Anymore 13. Garden of Eden 14. Ladder, The DetailsProducer:Kevin KillenDistributor:WEA (Distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:n/a Album Notes Personnel: Paula Cole (vocals, piano, keyboards, percussion, whistle); Kevin Barry, Gerry Leonard (acoustic & electric guitars); Eileen Ivers, Laura Seaton, Mary Rowell (violin); Juliette Hafner (viola); Erik Friedlander (cello); Jon Dryden (piano); Paul Bushnell (bass); Jay Bellerose (drums, percussion); Mark Hutchins (tambourine, percussion, programming).Recorded at Bearsville Studios, Bearsville, New York.The first thing you feel is the voice: dark, earthy, ethereal. Paula Cole brings a lifetime of training and ambition to her first set of songs, HARBINGER, and from the haunted alienation of "Black Boots" to the incense-scented imagery of "Chiaroscuro," the singer transcends mere technical gifts to craft some of the most singular, deeply felt confessionals in all of pop.With her dusky contralto, and ringing upper register ellisions, she had all the formal tools to be a jazz diva, but by and by Cole realized that her true source of expression lay in the arty, progressive rock stylings of Kate Bush and Peter Gabriel--she had to be the singer and the song to discover her own true voice.An offspring of '60s baby boomers, Cole feels something of her parents' desperation and ambivalence in the troubling memories of "Happy Home," as children begat children and struggle to maintain a family edifice in the teeth of poverty and backwards glances of resignation. Producer Kevin Killen couches her moody tales of guilt ("She Can't Feel Anything Anymore"), isolation ("The Ladder") and sensuality ("Oh John") in spare, ambient textures that shade Cole's voice like dancing shadows. When he does allow the rhythm and other voices to rise and joust with her voice ("Garden Of Eden," "Revenge") it is with the understated ethnicity of Gabriel and U2 or a taut chamber-like verve, allowing Cole's complex emotions to bubble to the surface and stand naked in the light of revelation. Warner Bros records / 1994 / Printed in Germany Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Titres: 1. I got a woman 2. Yes indeed 3. Swanee river rock (Talkin' 'bout that river) 4. Lonely avenue 5. Hallelujah I love her 6. I had a dream 7. Drown in my own tears 8. My bonnie 9. Jumpin' in the mornin' 10. A fool for you 11. What'd I say (Teil 1 / Teil 2) 12. This little girl of mine 13. I want to know 14. Early in the mornin' 15. Leave my woman alone 16. The right time 17. What kind of man are you 18. That's enough 19. Mary Ann 20. I'm moving on envoi soigné et rapide

P.S. I love you & If you could see me now Cecelia Ahern 2008 Prix: 1,50 € Livre en bon état (livre très épais) 4ème de couverture: P.S. I love you. Some people wait their lives to find their soul mates? But not Holly and Gerry. They were childhood happens. Gerry's death devastated Holly. But as her 30th birthday looms Holly discovers that Gerry has left her a bundle of notes, gently guiding her into her new life without him, each signed 'PS, I love you". With some help from her friends, and her noisy and loving family, Holly finds herself laughing, crying, singing, dancing - and being braver than ever before. Life is for living, she realises - but it always helps if there's an angel watching over you. If you could see me now What if love was right there in from of you - you just couldn't see it ? Elizabeth Egan is too busy for friends. As a reluctant mother to her sister Saoirse's young son Luke and with her own business to run, every precious moment is made to count. But with Saoirse crashing in and out off their lives, leaving them both reeling, Luke and Elizabeth are desperately in need of some magic. Enter Ivan. Wild, spontaneous and always looking for adventure, Ivan changes Elizabeth in ways she could never have imagined. With her newly open eyes and heart, Elizabeth sees what she's beenmissing all along. As for Ivan, he thought he was there to help Luke, not Elizabeth - or himself... Catégorie(s): Anglais (Langues), Romans divers Référence du livre: R07930 Pour retrouver tous mes livres tapez loccasiondelire dans la barre de recherche (ou ailleurs sur le net).

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

The Fifty Shades Trilogy EL James 2012 Prix: 7,00 € Livres en bon état 4ème de couverture: Romantic, liberating and totally addictive, this is a novel that will absess you, possess you, and stay with you forever. When literature student Anastasia Steele interviews successful entrepreneur Christian Grey, she find him very attractive and seeply intimidating. Convinced that their meeting went badly, she tries to put him out of her mind - until he turns up at the store where she works part-time, and invites her out. Unworldly and innocent, Ana is shocked to find she wants this man. And, when he warns her to keep her distance, it only makes her want him more. Bet Grey is tormented by inner demons, and consumed by the need to control. Az they embark on a passionate love affair, Ana discovers more about her own desires, as well as the dark secrets Grey keeps hidden away from public view... Catégorie(s): Anglais (Langues), Romans divers, Erotisme, Romance Référence du livre: R07931 Pour retrouver tous mes livres tapez loccasiondelire dans la barre de recherche (ou ailleurs sur le net).

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

This was given to me by a family in Montreal, Canada after their elderly mother passed away. During the last few years of her life, she was no longer able to get around on her own and became bedridden.

SELL MY ENTIRE COLLECTION OF RARE MUSIC CD !!! VENDS MA COLLECTION COMPLETE DE RARE CD MUSICAUX !!! Very rare CD of MARILYN MANSON titled "THE FINAL SOLUTION" in excellent condition !!! Très rare CD de MARILYN MANSON intitulé "THE FINAL SOLUTION" en excellent etat !!! POUR LES ACHETEURS FRANCAIS SEUL "L'ENVOI EN SUIVI EST PAYABLE PAR PAYPAL", LES AUTRES OPTIONS PAR CHEQUE OU VIREMENT BANCAIRE !!! 2 KIND OF SHIPMENTS: BY PRIORITY MAIL WITH TRACKING NUMBER BY PRIORITY (economic) MAIL: no tracking number and has your own risk concerning the reception of your item and PAYMENT ONLY MADE by "Bank Transfer" or "Money Order" or "Cashier Check" (NO PAYPAL !!!) I REDUCE SHIPPING COST FOR MULTIPLE PURCHASES AND ASK 1,00€ FOR EACH ITEMS ADDITIONAL DEPENDING ON WEIGHT !!! I AM NOT RESPONSIBLE IF THE ITEM IS LOST OR DAMAGED DURING POST AND THE DELAY OF RECEPTION OF THIS ONE !!! 2 OPTIONS D'EXPEDITION: EN LETTRE SUIVIE: Paiement par PAYPAL ou CHEQUE ou VIREMENT BANCAIRE EN LETTRE VERTE / ECOPLI: seulement par CHEQUE ou VIREMENT BANCAIRE PLEASE WAIT MY INVOICE BEFORE SENDING YOUR PAYMENT !!! ATTENDEZ LA FACTURE AVANT DE PAYER, MERCI !!!

Vol 1 Soul Man (Sam & Dave) So Sad The Song (Gladys Knight And The Pips) Drift Away (Dobie Gray) It's Just A Matter Of Time (Brook Benton) Cold Sweat / I Can't Stand Myself (James Brown) Love On A Two Way Street (The Moments) Hotel Happiness (Brook Benton) Something You Got (Ramsey Lewis) I Thank You (Sam & Dave) Trust In You (Gladys Knight And The Pips) Save The Last Dance For Me (The Drifters) Barefootin' (Robert Parker) Georgia On My Mind (Gladys Knight And The Pips) Since You've Been Gone (Ramsey Lewis) Don't Pull Your Love Out On Me Baby (Sam & Dave) Honey Love (The Drifters) Backfield In Motion (Mel & Tim) It's Too Late (Wilson Pickett) Please Please Please (James Brown) Oh No! Not My Baby (Maxine Brown) My Guy (Mary Wells) I, Who Have Nothing (Ben E. King) Take Time To Know Her (Percy Sledge) This Magic Moment (The Drifters) Up Tight (Ramsey Lewis) Vol 2 Operator (Gladys Knight & The Pips) Behind Closed Doors (Percy Sledge) Under The Broadwalk (The Drifters) You Don't Know Like I Know (Sam & Dave) Dancing In The Street (Ramsey Lewis) Duke Of Earl (Gene Chandler) I've Never Found A Girl (Eddie Floyd) Some Kind Of Wonderful (The Drifters) Expressway To Your Heart (Soul Survivors) The 'In' Crowd (Dobie Gray) Papa's Got A Brand New Dog (James Brown) You Don't Know What You Mean T ETC... Bon état: 4 Disques Vérifiés 100 Titres Durée: 279,49 (4H39) Épaisseur 5,1 cm 250gr CD occasion à vendre à Antony (92160): cd et vinyles à acheter dans les Hauts-de-Seine (92)