Human after all remixes

Human After All Remixes CD DAFT PUNK KUBRICK 100% Set Figure Medicom. Service de livraison : Colissimo Opened, but figures and cd never used. Box has some marks. Cd and figure are mint.

Vinyle 33 Tours Vinyles Code EAN: 0724356356214 Classification Vinyles Secondaire: House Music Classification Vinyles Primaire: Electro Genre musical: Musique électronique Crawler: Spyfind Artiste: Daft Punk Titre: Human After All Rubrique principale Vinyle: 33 Tours Lieu de parution: Angleterre

Vinyle 33 Tours Vinyles Code EAN: 0724356356214 Lieu de parution: Angleterre Classification Vinyles Primaire: Electro Classification Vinyles Secondaire: House Music Genre musical: Musique électronique Titre: Human After All Rubrique principale Vinyle: 33 Tours Crawler: Spyfind Artiste: Daft Punk

CD Album CD Code EAN: 0724356356207 Rubrique principale CD: CD Album Genre musical: Musique électronique Ressum: 2 Titre: Human after all Référence fabricant CD: 5635620

CD DAFT PUNK  HUMAN AFTER ALL EN TRES BON ETAT VOIR SCAN VOIR SCAN

CD Album CD Code EAN: 5099972966303 Rubrique principale CD: CD Album Titre: Discovery/Human After All Genre musical: Dance

Vends 2 LP 33 tours du groupe DAFT PUNK.  POCHETTE; NEUF ET SCELLE VINYLS; NEUFS 10 TITRES (Environ 42 minutes) Frais de livraison France; 7,80 euros en lettre suivie Frais de livraison europe; 21 euros in registred letter reste du monde; 25,70 euros in registred letter Posez vos éventuelles questions.

Il y a aussi d'autres CD U2 de ma collection à vendre dans mon  There is also others CD U2's own collection to sell in my U2 - THE REST OF REMIXES 1990 - 2000 CD SINGLE PROMO MEXICO Très bon état (Very good condition)    INFORMATION CD PUBLICATION : 2002 LABEL: Island CATALOGUE NUMBER: CDP 01199 2   1. The lounge fly mix 2. Who's gonna ride your wild horses (The templebar remix) 3. Stay (Underdog mix) 4. Bottoms (Zoo station remix) 5. Mofo (Mother's mix) 6. Beautiful day (Quincey & sonance remix - radio edit) 7. Elevation (Quincey & sonance remix)       INFORMATIONS GENERALES SUR LA VENTE Le total de la vente englobe: - l'article acheté - les frais postaux - l'enveloppe à bulles - les frais paypal  - les frais de gestion Pour le meilleur enchérisseur, merci de payer instantanément après la fin de la vente. IMPORTANT: Tout achat, inclus les frais d'envoi, supérieur de 39 € est envoyé en lettre suivie ou recommandée. FRANCE – PAIEMENT ET LES OPTIONS DE POSTAGE   FRANCE PAIEMENT:  merci de payer instantanément après le fin de la vente. J'accepte les chèques personnels ou paypal. L'article sera envoyé dès la réception du paiement, et au plus tard dans les 3 jours.    FRANCE POSTAGE OPTION 1: Lettre standard =    FRANCE POSTAGE OPTION 2: Lettre suivie =     FRANCE POSTAGE OPTION 3: Lettre recommandée = 9 €   ACHATS MULTIPLES: 2 € pour chaque CD additionnel Habitant près de la frontière belge, les frais postaux pour les amis belges sont au même tarif que pour les français     GENERAL INFORMATION ON THE SALE The total of the sale contain: - the bought item - the mail expenses - the envelope with bubbles - the expenses paypal - the management charges   For the best foreign bidder, please pay immediately only by Paypal after the end of the sale. IMPORTANT: any purchase, included the expenses of sending, 39 € superior is sent to Mail International Signed For Airmail. EUROPE - PAYMENT AND POSTAGE OPTIONS  EUROPE PAYMENT: PAYPAL ONLY. Payments expected immediately. All items will be mailed within 3 days of payment being received.   EUROPE POSTAGE OPTION 1: Royal Mail Standard Airmail =    EUROPE POSTAGE OPTION 2: Royal Mail International Signed For Airmail = 13 €   MULTIPLE PURCHASES: 2 € for each additional CD.     REST OF THE WORLD - PAYMENT AND POSTAGE OPTIONS   REST OF THE WORLD PAYMENT: PAYPAL ONLY. Payments expected immediately. All items will be mailed within 3 days of payment being received   REST OF THE WORLD POSTAGE OPTION 1: Royal Mail Standard Airmail =     REST OF THE WORLD POSTAGE OPTION 2: Royal Mail International Signed For Airmail = 15 €   MULTIPLE PURCHASES: 2 € for each additional CD. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Les Innocents Colore (Remixes EP) Label: Virgin Référence: VISA 8141 Date de sortie: 1996 > Rare Maxi PROMO – Vinyle Bleu transparent État: Pochette: VG+ (Very Good +) => Très Bon État + Disque: VG+ (Very Good +) => Très Bon État + Face A: A1 - Colore (Le After Mix By Ocean Now!) (6:21) A2 - Colore (Version Demo Maquette Mix) (4:23) Face B: B1 - Colore (Brian Pop Mix By Ocean Now!) (5:07) B2 - Colore (Ultramarine Mix) (6:11) > Possible de cumuler plusieurs articles afin de réduire le coup des frais de port Paiement / Payment: Seulement par PayPal / Only by PayPal Frais d'envoi (pour la France) : 5,00 € en Relais Mondial Relay Frais d'envoi (pour la France) : 8,00 € en Colissimo Frais d'envoi (pour la France) : 15,00 € en Colissimo Recommandé Shipping cost (European Union) : 18,00 € International Colissimo + Tracking number. Shipping cost (Rest of the World) : 24,00 € Prioritary sending + Tracking number. Expédition / Shipping :  - Tous mes articles sont envoyé dans un colis en carton rigide afin d'éviter toutes casses pendant le transport. Pour éviter toutes pertes et pour un suivi rigoureux, tous mes envoies sont affranchies avec un numéro de suivi que je transmettrais a l'acheteur lors de l'envoi afin qu'il puisse suivre sont colis via Internet.  - All my items are sent in a cardboard package in order to avoid any breakage during. To avoid losses and close monitoring, are all my send franked with a tracking number that I transmettrais the buyer when sending so they can monitor packages are via the Internet.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

SHAKIRA WAKA WAKA / DID IT AGAIN UNRELEASED VERSION: SHARAM WORLD CUP MIX 9'55 ! OF WAKA WAKA 2 REMIXES BY BENNY BENASSI OF DID IT AGAIN   BEAUTIFUL RECORD "Waka Waka (This Time for Africa)", called "Waka Waka (Esto es África)" in Spanish, is a song by Colombian singer Shakira, featuring the South African band Freshlyground. It was released on 7 May 2010 by Epic Records as the official song of the 2010 FIFA World Cup, which was held in South Africa. Written, composed, and produced by Shakira and John Hill, "Waka Waka (This Time for Africa)" is a song whose lyrics encourage one to aim for their goals like a soldier on a battlefield. It garnered generally favourable reviews from critics, receiving praise for its production. The song, however, generated controversy after numerous South Africans expressed disappointment in FIFA's decision to select Shakira to sing the song, arguing that a native artist should have been assigned the role. "Waka Waka (This Time for Africa)" peaked at number one on record charts of fifteen countries worldwide. In the United States, the song peaked at number 38 on the Billboard Hot 100 chart and was later certified platinum by the Recording Industry Association of America (RIAA) for selling over one million units in the country. The single similarly attained multiplatinum certifications in eleven countries, including a double diamond certification in India and diamond certifications in France and Sweden. It was the biggest song of 2010 in seven countries, is the seventh bestselling song of all-time in Switzerland, and the tenth in Belgium and France. "Waka Waka (This Time for Africa)" has sold 15 million downloads worldwide, becoming one of the best-selling singles of all time. The music video for "Waka Waka (This Time for Africa)" was directed by Marcus Raboy and shows Shakira and a group of dancers and children dancing to the song together. It features cameos by various footballers like Cristiano Ronaldo and Lionel Messi. It became popular on YouTube, receiving more than 2.8 billion views as of May 2021 and becoming the 29th most-watched video of all time on the site. Shakira performed the song at the 2010 FIFA World Cup opening ceremony on 10 June as well as at the closing ceremony on 11 July. It was also included on the set list of her The Sun Comes Out World Tour (2010–11) and El Dorado World Tour (2018).

-ROBERT FRIPP: Pie Jesus (Mini Cd)                                                                            GENESIS: Supper's ready tribute                                                    THE SMITHS: Meat Is Murder -DAVID BOWIE: Outside                                                                                                 GENESIS: Live The Way We Walk                                                  MAD SEASON: Above -DAVID BOWIE: Earthling                                                                                               GENESIS: We Can't Dance                                                             INXS: Live Baby Live   -DAVID BOWIE: Heathen                                                                                               GENESIS: And The Word Was....                                                    CELINE DION: Let's Talk About Love -RICHARD PINHAS: East West                                                                                        GENESIS: The Lamb lies Down On Broadway                                LOU REED: Magic And loss -PRINCE: Around The World In A Day                                                                            BRIAN ENO: Before And After Science                                           SCHOOL OF FISH: Human Cannonball -PRINCE: Emancipation (3 cd)                                                                                       DEEP PURPLE: Made In Japan                                                      DWEEZIL & AHMET ZAPPA: Shampoo Horn -PRINCE: Sign O The Times (2 cd + livret)                                                                    SHANIA TWAIN: Come On Over                                                      SPIN DOCTORS:Pocket Full Of Kryptonite -PRINCE:Diamond And Pearls                                                                                       PIXIES: SURFER ROSA                                                                  SMASHING PUMPKINS: 1978 -ADRAN BELEW: Prints                                                                                                  PIXIES: Subbacultca                                                                      ANDY SUMMERS:Synaesthesia -NIK KERSHAW: 15 Minutes                                                                                          JIMI HENDRIX: Coffret 3 cd BOX                                                    PETE TOWNSHEND: The Iron Man -BRAND X: Unorthodox Behaviour                                                                                 ROBERT WYATT: Peel Sessions                                                     PINK FLOYD: London 66-67 -PETER GABRIEL: Lovetown (3 titres)                                                                           ROBERT WYATT: Dondestan                                                          BRIAN ENO: Nerve Net    -RADIOHEAD: Climbing Up The Walls                                                                          CAPTAIN BEEFHEART: The Best Beefheart                                   LE MEILLEUR DU ROCK PROGRESSIF  -JACQUES BREL: Vol.1                                                                                                 ALL CITY: Metropolis Gold                                                             INDRA: Best Of -TIBETAN FREEDOM CONCERT                                                                                  ECHOBELLY: Every's Got One                                                         PAUL SIMON: Graceland     -THE THE: Hank                                                                                                           LAMBERT WILSON: Nuit Américaine -STEVE VAI: Alien Love Secrets                                                                                   NATIONAL HEALTH: Missing Pieces                                              XTC: Non Such -STEVE VAI: F

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid