Library of ragtime

The Library of Isaac Newton Ammareal Visit our store Description Titlee  : The Library of Isaac Newton Author(s)  : John Harrison Publisher  : Cambridge University Press Publishing year  : 1978 Sate  : Second Hand – Good ISBN: 9780521218689 Comment  : Former library book. Edition 1978. Soiling on the side. Stamp or mark on the inside cover page. Slight signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations. Ammareal sells online second hand books provided by our partners which are associations and lbraries. A portion of the price of each book is donated to our partners or to charities. What we do not sell is given, what we do not give is recycled. Shipping Our books are shipped within one business day of your order. We ship from France. Delivery to the UK typically takes 5 to 10 business days. International Shipping International economy shipping is available worldwide within 5 to 30 business days. Payment Paypal & credit card. Terms of sales You have 14 days to ask for a return. Return shipping fees are at the customer's expense. Come visit our store ! Ammareal

Jazz: The gold collection 2 CD, 40 titres, 20 titres de chaque artiste Compositeur: Scott Joplin, The kings of ragtime Année: 1997 Poids: 170g CONSULTEZ MES AUTRES OBJETS A VENDRE Réajustement des frais de port en cas d'achats multiples.

THE OXFORD LIBRARY OF WORDS AND PHRASES QUOTATIONS PROVERBS WORD ORIGINS TRÈS BON ÉTAT frais de port gratuit uniquement sur la france métropolitaine Postal charges are free only for metropolitan France for the rest of the world they are paying, please contact me for the prices. PAIEMENT PAYPAL OK SUR DEMANDE

CD Album CD Code EAN: 0822019010210 Rubrique principale CD: CD Album Genre musical: Jazz Titre: Live At The Library Of Congr Date: 10/01/2012

Library Daylight Tracings of Modern Librarianship, 1874-1922 Rory Litwin Suzanne Stauffer Auteur: Rory Litwin Suzanne Stauffer Editeur: Library Juice Press Broché: 264 pages Format: Broche Createur: Sous la direction de Rory, Litwin Introduction Suzanne, Stauffer Publication: 13/12/2006 Dimensions: 23 x 15 x 2 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais   Classement: Livres anglais et étrangers > Subjects > Nonfiction > Education > Education Theory > History Mot Clef: Library science - United States - History - Public libraries - United States - History - EDUCATION History Language Arts & Disciplines Library & Information Science Language Arts & Disciplines Language teaching & learning material & coursework Social history Verlagswesen Education Library & information sciences Language Library & Information Science History Library & Information Science - General Reference

The Paston Letters D: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 1 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 350 pages paperback Publication: 11/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Cet ouvrage est une SOMME, la référence sur la théorie de l'évolution. The world's most revered and eloquent interpreter of evolutionary ideas offers here a work of explanatory force unprecedented in our time—a landmark publication, both for its historical sweep and for its scientific vision. With characteristic attention to detail, Stephen Jay Gould first describes the content and discusses the history and origins of the three core commitments of classical Darwinism: that natural selection works on organisms, not genes or species; that it is almost exclusively the mechanism of adaptive evolutionary change; and that these changes are incremental, not drastic. Next, he examines the three critiques that currently challenge this classic Darwinian edifice: that selection operates on multiple levels, from the gene to the group; that evolution proceeds by a variety of mechanisms, not just natural selection; and that causes operating at broader scales, including catastrophes, have figured prominently in the course of evolution. Then, in a stunning tour de force that will likely stimulate discussion arid debate for decades, Gould proposes his own system for integrating these classical commitments and contemporary critiques into a new structure of evolutionary thought. In 2001 the Library of Congress named Stephen Jay Gould one of America's eighty-three Living Legends—people who embody the "quintessentially American ideal of individual creativity, conviction, dedication, and exuberance." Each of these qualities finds full expression in this peerless work, the likes of which the scientific world has not seen—and may not see again—for well over a century. L'interprète de la théorie de l'évolution le plus éloquent et révéré présente un travail dont la puissance d'explication est sans précédent à notre époque - une publication de référence, à la fois pour sa portée historique et sa vision scientifique. Avec toute l'attention portée au détail, S. J. Gould décrit d'abord le contenu et discute l'histoire et l'origine des trois exigences au cœur du darwinisme classique: que la sélection naturelle agit sur les organismes, pas les gènes ou les espèces; qu'il s'agit presque exclusivement du mécanisme des changements adaptatifs; et que ces changements sont graduels, pas drastiques. Puis il examine les trois critiques qui défient couramment cet édifice darwinien classique: que la sélection opère à de multiples niveaux, du gène au groupe; que l'évolution procède par une variété de mécanismes, pas seulement la sélection naturelle; et que des causes opérant à de plus larges échelles, incluant les catastrophes, ont joué un rôle prééminent au cours de l'évolution. Puis, par un tour de force renversant, qui sans doute stimulera discussions et débat arides pendant des décennies, Gould propose son propre système pour intégrer ces exigences classiques et ces critiques contemporaines dans une nouvelle structure pour la pensée évolutionniste. In 2001 la Bibliothèque du Congrès désigna Gould comme l’une des 83 légendes vivantes de l'Amérique -   des gens qui personnifient " la quintessence de l'idéal américain de créativité individuelle, de conviction, dévouement et exubérance." Chacune de ces qualités trouve sa pleine expression dans ce travail sans pareil, dont le monde scientifique n'a pas vu et ne verra peut-être pas d'équivalent sur un siècle. Ayant acquis la traduction française, je cède l'original américain.   Si vous remportez les enchères et que vous choisissez une livraison par Mondial Relay, n'oubliez pas de choisir le relais où vous voulez être livré et de me communiquer votre email et un n° de téléphone (réclamés par Mondial Relay pour la livraison).

Cet ouvrage est une SOMME, la référence sur la théorie de l'évolution. The world's most revered and eloquent interpreter of evolutionary ideas offers here a work of explanatory force unprecedented in our time—a landmark publication, both for its historical sweep and for its scientific vision. With characteristic attention to detail, Stephen Jay Gould first describes the content and discusses the history and origins of the three core commitments of classical Darwinism: that natural selection works on organisms, not genes or species; that it is almost exclusively the mechanism of adaptive evolutionary change; and that these changes are incremental, not drastic. Next, he examines the three critiques that currently challenge this classic Darwinian edifice: that selection operates on multiple levels, from the gene to the group; that evolution proceeds by a variety of mechanisms, not just natural selection; and that causes operating at broader scales, including catastrophes, have figured prominently in the course of evolution. Then, in a stunning tour de force that will likely stimulate discussion arid debate for decades, Gould proposes his own system for integrating these classical commitments and contemporary critiques into a new structure of evolutionary thought. In 2001 the Library of Congress named Stephen Jay Gould one of America's eighty-three Living Legends—people who embody the "quintessentially American ideal of individual creativity, conviction, dedication, and exuberance." Each of these qualities finds full expression in this peerless work, the likes of which the scientific world has not seen—and may not see again—for well over a century. L'interprète de la théorie de l'évolution le plus éloquent et révéré présente un travail dont la puissance d'explication est sans précédent à notre époque - une publication de référence, à la fois pour sa portée historique et sa vision scientifique. Avec toute l'attention portée au détail, S. J. Gould décrit d'abord le contenu et discute l'histoire et l'origine des trois exigences au cœur du darwinisme classique: que la sélection naturelle agit sur les organismes, pas les gènes ou les espèces; qu'il s'agit presque exclusivement du mécanisme des changements adaptatifs; et que ces changements sont graduels, pas drastiques. Puis il examine les trois critiques qui défient couramment cet édifice darwinien classique: que la sélection opère à de multiples niveaux, du gène au groupe; que l'évolution procède par une variété de mécanismes, pas seulement la sélection naturelle; et que des causes opérant à de plus larges échelles, incluant les catastrophes, ont joué un rôle prééminent au cours de l'évolution. Puis, par un tour de force renversant, qui sans doute stimulera discussions et débat arides pendant des décennies, Gould propose son propre système pour intégrer ces exigences classiques et ces critiques contemporaines dans une nouvelle structure pour la pensée évolutionniste. In 2001 la Bibliothèque du Congrès désigna Gould comme l’une des 83 légendes vivantes de l'Amérique -   des gens qui personnifient " la quintessence de l'idéal américain de créativité individuelle, de conviction, dévouement et exubérance." Chacune de ces qualités trouve sa pleine expression dans ce travail sans pareil, dont le monde scientifique n'a pas vu et ne verra peut-être pas d'équivalent sur un siècle. Ayant acquis la traduction française, je cède l'original américain.   Si vous remportez les enchères et que vous choisissez une livraison par Mondial Relay, n'oubliez pas de choisir le relais où vous voulez être livré. Pour la Belgique, livraison par Mondial Relay. En cas d'achat de plusieurs livres, les frais de port seront recalculés au plus juste.

David Laibman & Eric Schoenberg ‎– The New Ragtime Guitar ASCH Records ‎– 3528 Vinyl, LP US, 1971 Jazz, Blues, Folk, World, & Country, Ragtime A1     Maple Leaf Rag     2:52 A2     Castle House Rag     2:43 A3     Stop Time Rag     3:05 A4     Red Carpet Rag     4:08 A5     Ragtime Oriole     2:42 A6     Wedding Of The Painted Dolls     2:50 B1     Kitten On The Keys     3:44 B2     At A Georgia Camp Meeting     1:42 B3     Temptation Rag     3:15 B4     Eccentricity Rag     2:36 B5     Dill Pickles     2:47     Artwork – David Goard     Design, Cover – Ronald Clyne     Recorded By – Samuel B. Charters Notes Licensed from Folkways Records Inc, U.S.A. Très bon état, avec le livret ! Regardez mes autres disques en vente ! Je groupe les frais de port pour plusieurs disques achetés. I ship worldwide.

This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the text that can both be accessed online and used to create new print copies. This book and thousands of others can be found in the digital collections of the University of Michigan Library. The University Library also understands and values the utility of print, and makes reprints available through its Scholarly Publishing Office. Relié:  96 pages Editeur :  Floris Books;  Édition :  New Ed (1 février 1992) Langue :  Anglais ISBN-10:  0863151396 ISBN-13:  978-0863151392 Dimensions du produit:  21,1 x 1,3 x 28,7 cm

CLAUDE BOLLING lot de 2 LPs   piano LABEL: PHILIPS REF: 6311 041 COUNTRY: FRANCE VYNIL: VG++/VG+ (petits crépitements) SLEEVE/POCHETTE: VG+ (petits plis, usure des coins et de la tranche de gauche, traces de frottements, une étiquette devant)     original ragtime LABEL: PHILIPS REF: 849.454 BY COUNTRY: FRANCE VYNIL: VG+ (petits crépitements, 2 marques que l'on peut enlever je pense, le disque passe parfaitement) SLEEVE/POCHETTE: VG+/VG++ (petits plis, usure des coins,traces de frottements)   FRANCE                             4,00€ (mondial relay) FRANCE:                            6,10€ (colissimo la poste) envoi par "mondial relay" (pas kiala, il passe pas vers chez moi) ATTENTION!!! le premier point relais est à 12 km de chez moi, je ne m'y déplace qu'une ou deux fois par semaine, généralement le vendredi. pensez à vérifier si vous avez un point relai près de chez vous. EUROPE  SHIPPING BY MONDIAL RELAY: (relay point) BELGIUM & LUXEMBOURG  4,50€ SPAIN                                          8,40€ MONDIAL RELAY directely to your home GERMANY, BELGIUM & LUXEMBOURG   9,50€ UK & SPAIN                                                      10,20€ AUSTRIA, ITALY & PORTUGAL                   11,20€ SHIPPING by french post: EUROPEAN UNION:      12,15€ EASTERN EUROPE  :      16,20€ REST OF THE WORLD: 23,70€ To foreign buyers, please, wait your invoice before to pay. thanx in advance. Vous achetez ce que vous voyez, if vous désirez plus d'info ou photos, n'hésitez pas à me contacter. You buy what you see, if you need more info, picture...feel free to ask. le payment doit être effectué sous 7 jours maximum apres la fin de la vente. payment must be done within 7 days after the end of auction. bonnes enchères... happy bidding... Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Joe Fingers carr of Course ! "Mister Ragtime " EP Capitol EAP 2 - 760 1Entertainer's rag2St. Louis Blues3Temptation Rag4Jelly Roll Blues Disque VG et pochette VG+. Grouper vos achats pour réduire les frais d'expédition.

33 TOURS EUBIE BLAKE The wizard of the ragtime piano 20TH CENTURY FOX DISQUES VG+/M DISQUE VINYLE NEUF Vinyle neuf à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

Syntony and Spark: The Origins of Radio (Princeton Legacy Library) Ammareal Visit our store Description Titlee  : Syntony and Spark: The Origins of Radio (Princeton Legacy Library) Author(s)  : Hugh G.J. Aitken Publisher  : Princeton University Press Publishing year  : 1985 Sate  : Second Hand – Good ISBN: 9780691023922 Comment  : Former library book. Edition 1985. Soiling on the side. Stamp or mark on the inside cover page. Slight signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations. Ammareal sells online second hand books provided by our partners which are associations and lbraries. A portion of the price of each book is donated to our partners or to charities. What we do not sell is given, what we do not give is recycled. Shipping Our books are shipped within one business day of your order. We ship from France. Delivery to the UK typically takes 5 to 10 business days. International Shipping International economy shipping is available worldwide within 5 to 30 business days. Payment Paypal & credit card. Terms of sales You have 14 days to ask for a return. Return shipping fees are at the customer's expense. Come visit our store ! Ammareal

33 TOURS ALBERT NICHOLAS et le new ragtime band THE MANY FACES OF JAZZ VOL.47 DISQUES MODE BIEM NEUF