Sense of priorities and

From the author of When Bad Things Happen to Good People comes an inspiring new bestseller that puts human feelings of guilt and inadequacy in perspective - and teaches us how we can learn to accept ourselves and others even when we and they are less than perfect. How Good Do We Have to Be? is for everyone who experiences that sense of guilt and disappointment. This copy slightly used as been signed by the author.

Van MORRISON "A Sense of Wonder": Tore down a la Rimbaud - Ancient of days - Evening meditation - The master’s eyes - What would I do - A sense of wonder - Boffyflow and spike - I you only knew - Let the Slave - A new kind of man LP / MERCURY - 822 895-1 (1984) Pochette entre VG++ & EX / Disque EX (Envoi soigné et sécurisé avec suivi) POUR UN ENVOI EN FRANCE, LES FRAIS DE PORT SERONT RAMENÉS À 5€00 (ATTENDRE LA FACTURE AVANT DE FINALISER) /// Pochette ou Disque EX ne veut pas dire NEUF, mais proche du neuf // Pochette VG ++ marques discrètes d’usure ou trace étiquette ou petite écriture // Pochette VG + cumul ou accentuation usure, écritures, étiquettes // Disque VG ++ signale qq imperfections peu génantes // Disque VG + imperfections plus audibles et/ou plus nombreuses // voir précisions pour chaque disque // Tous mes disques sont vérifiés à l’écoute Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Maxi G/VG+ Mute - The sense of utter desolation and the need for desperate revenge

* Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Stand Up And Fight Turisas Century Media Records CD Cd Description Buoyed By The Support Of Their Ever-Growing Legion Of Acolytes, Turisas Return To Action In The Rudest Of Health And With Supreme Confidence Driving Them Forward. The Triumphs Of Old Have All Been Documented And Used As Fuel To Propel The Band To New Creative Heights, And Now, As 2011 Dawns, The Time Has Come To Plot A New Course And To Unleash A New Album. Now It Is Time To Stand Up And Fight. The Biggest, Boldest And Most Gloriously Extravagant Album Of The Band'S Career, Stand Up And Fight Erupts Like The Ultimate Heavy Metal Musical, With Many Layers Of Orchestration And Choral Harmonies Adding To These Songs' Intense Sense Of Drama And Mischief. Although Remaining True To The Spirit Of Past Turisas Records, The New Album, Which Was Mixed By Jens Bogren (Opeth/Katatonia) At Fascination Street In Sweden, Takes The Finns To A Whole New Level Of Depth And Bravado, As Their Unmistakable Sound Expands Before Our Very Ears, Consistently Conjuring Up Vivid Images Of The Vikings' Ongoing Adventures. Year Of Release 2011 Par Odin ! Voila bien un album que j'attendais avec impatience ! J'avais adore les deux premiers albums de Turisas. Sur ce troisieme opus, Mathias Nygard, chanteur et leader du groupe a encore fait un boulot fabuleux de composition. Les dieux scandinaves ont du se pencher au dessus de son berceau a sa naissance, je ne vois pas d'autre explication. Des le premier titre, c'est la grosse claque. Superbe melodie, des choeurs impressionnants de puissance... et une orchestration phenomenale. D'ailleurs, ce qui saute aux oreilles en premier lieu, ce sont ces arrangements orchestraux. Les titres sont encore plus epiques qu'avant (ce qui n'est pas peu dire car ceux qui connaissent le groupe savent que c'etait deja assez epique). On a parfois l'impression d'ecouter la BO d'un film. Sur "Venetoi, prasinoi", on se croirait carrement dans un peplum (et c'est voulu) des cuivres partout ! Mathias alterne toujours plusieurs types de chants meme s'il laisse de plus en plus son chant clair s'exprimer. Mais ce nouvel album va peut-etre en derouter quelques uns. Turisas sait toujours nous pondre des morceaux bien festifs comme ce "Hunting pirates" avec violon et accordeon en avant. Mais c'est vrai que ce type de morceau est moins present sur ce nouvel opus. Ces instruments sont un peu relegues au second plan, au depend des orchestrations. On s'eloigne donc du "Battle Metal" des debuts pour une musique de plus en plus symphonique. Certains risquent de ne pas y retrouver leurs petits. D'autres (comme moi) apprecieront car Turisas propose toujours des compos de qualite. Evidemment, si on est refractaire au Metal symphonique, ca va coincer. Par contre, le groupe va peut-etre conquerir de nouveaux fans avec une telle demarche. L'edition limitee est indispensable. Elle est presentee dans un superbe digibook avec couverture en imitation cuir et contient un second CD. Celui-ci nous propose deux reprises "Broadsword" de Jethro Tull et "Supernaut" de Black Sabbath, cette derniere arrangee facon T

Overview Improving Aid; The Challenge to Donors and African Governments by Nicolas Van De Walle, Timothy A. Johnston As foreign aid flows decline and skepticism toward the effectiveness of aid to Africa grows, a major reassessment of aid is needed. While the ineffectiveness of aid to Africa is a long-standing concern, past studies typically have been driven bydonor priorities and have rarely focused on recipient governments. This neglect of the role of African governments is remarkable, since aid constitutes 10 to 15 percent of GNP in many African countries and often represents over half of all public investment. If the impact of official development assistance (ODA) is to be improved, recipient governments must become more involved in the reform of aid.  This essay presents the policy findings of a collaborative project of field research and analyses of how African countries use aid resources and of donor/African relations. Binding:  Paperback Weight:  1.47 lbs Author:  Nicolas Van De Walle; Timothy A. Johnston Product Group:  Book Publisher:  Johns Hopkins University Press IsTextBook:  No Publication Year:  1996 Language:  English ISBN:  9781565170247 EAN:  9781565170247

EUROVISION 2006 Andorre: JENNY Sense tu 2-track digipack MAXI CD Global 8436000982732 2006 Spain EX/EX 1) Sense tu 2) Nacho chapadd remix. Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! PORT GRATUIT POUR ARTICLES SUPPLEMENTAIRES !  (Vous ne payez le port que pour le premier article acheté) Free shipping for additional items !!  (You will pay postage only for the first item !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

The New Laokoon: An Essay on the Confusion of the Arts (Classic Reprint) Irving Babbitt Auteur: Irving Babbitt Editeur: Forgotten Books Broché: 272 pages paperback Publication: 10/08/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? The title I have taken for this book expresses my sense of what needs doing rather than what I myself would claim to have done. I have suffered, both in selecting a title and in treating my subject itself, from a certain poverty in our English critical vocabulary. The word genre seems to be gaining some currency in English. The same can scarcely be said of the melange des genres;and yet it is around the melange des genres and allied topics that my main argument revolves. Napoleon is reported to have said to Goethe in the course of a conversation on a problem very similar to the one I have attempted, Je m6tonne qu un aussi grand esprit que vous naime pas les genres tranches. I have often been forced to borrow Napoleon sterm and speak of the genre tranche for lack of a suitable English equivalent. Lessing published his Laokoon in 1766, toward the very end of the neo-classical movement. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at The title I have taken for this book expresses my sense of what needs doing rather than what I myself would claim to have done. I have suffered, both in selecting a title and in treating my subject itself, from a certain poverty in our English critical vocabulary. The word genre seems to be gaining some currency in English. The same can scarcely be said of the melange des genres;and yet it is around the melange des genres and allied topics that my main argument revolves. Napoleon is reported to have said to Goethe in the course of a conversation on a problem very similar to the one I have attempted, Je m6tonne qu un aussi grand esprit que vous naime pas les genres tranches. I have often been forced to borrow Napoleon sterm and speak of the genre tranche for lack of a suitable English equivalent. Lessing published his Laokoon in 1766, toward the very end of the neo-classical movement. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Mot Clef: Nonfiction Education Education Theory

Pressage RCA PB 1190 (Allemagne 1978). Pochette en bon état. vinyle en excellent état. "Sense of doubt" en B side. Je vends quelques autres Bowie. N'hésitez pas à consulter ma petite boutique. Sleeve in good condition / Record in EX condition I do sell some other Bowie's stuff. Please check out my other auctions. An international non tracked service is available. It is cheaper and longer but not tracked. It's 5 euros worldwide.

lot 6 albums vinyles: -klaxons: love frequency -2 lp -5 060281 618504- NM/NM -the lotus eaters: no sense of sin -206 301 -VG/VG+ -love and rockets: express-4D211- VG+/VG+ -Psycho squatt: tant de crise-mini journal inclus-NM/NM -Orchestral Man?uvre in the Dark (OMD): organisation-70137-G/G -Public Image Limited (PIL): this is what you want-70257-VG+/VG envoi par mondial relay des que possible

The Art Of Noise ‎– In No Sense? Nonsense! Label: China Records ‎– 832 811-1 Format: Vinyl, LP, Album, Stereo Pays: France Sortie: 1987 Genre: Electronic Style: Leftfield, Modern Classical, Synth-pop, Experimental Tracklist A1     Galleons Of Stone     A2     Dragnet     Bass – George WebleyGuitar – Robert AhwaiMixed By [Assistant] – Dietmar Schillinger     A3     Fin Du Temps     Engineer [Recording] – Bob Kraushaar     A4     How Rapid?     A5     Opus For Four     A6     Debut     Conductor [Orchestra] – Colin SheenEngineer [Recording] – Richard Lewzy*Leader [Orchestra] – John Giorgiadis*Mixed By – Bob Kraushaar     A7     E.F.L.     B1     Ode To Don Jose     B2     A Day At The Races     B3     Counterpoint     Recorded By – Ted Hayton     B4     Roundabout 727     B5     Ransom On The Sand     B6     Roller 1     Saxophone – Jamie TalbotTrombone – Colin SheenTrumpet – Maurice Murphy, Tony Fisher (2)     B7     Nothing Was Going To Stop Them, Anyway     B8     Crusoe     B9     One Earth     Engineer [Recording] – Barry ClempsonVoice – Peter Rowan     Sociétés, etc.     Distributed By – Phonogram     Phonographic Copyright (p) – Chrysalis Records Ltd.     Copyright (c) – Chrysalis Records Ltd. Crédits     Arranged By, Producer – An Art Of Noise*     Art Direction – John Pasche     Bass – Dave Bronze (tracks: A5, A7)     Choir – Ely Cathedral Choir (tracks: A4, B3, B7)     Conductor [Choir] – Dr. Arthur Wills* (tracks: A4, B3, B7)     Design, Typography – Roland Williams (2)     Drums – Paul Robinson (6) (tracks: A5, A7)     Engineer [Recording Assistant] – Lance Phillips (tracks: A5, A7)     Engineer [Recording] – Roger Dudley (tracks: A2, B1, B8), Stuart Breed (tracks: A5, A7), Ted Hayton (tracks: A4, B7)     Mixed By – Jon Jacobs (tracks: A3, B1), Ted Hayton (tracks: A2, A5, A7, B3, B8)     Mixed By [Assistant] – Jay Bee (2) (tracks: A3, B1), Nick Varack (tracks: A5, A6, A7, B9)     Percussion – Frank Ricotti (tracks: A2, A5, A7)     Photography By [Sleeve] – Alan David-Tu     Recorded By, Mixed By – Bob Kraushaar (tracks: A1, B2, B5, B9), Roger Dudley (tracks: B4, B6)     Written-By, Performer – Anne Dudley, J.J. Jeczalik   Dans le cas d'achat multiple et aussi pour bénéficier du port gratuit (destination France) à partir de 5 objets, attendez votre facture avant paiement !     Les frais d'expédition comprennent l'emballage, la manutention et les frais postaux.   Versand und Zahlungsmethoden / Envíos y pagos / Postage and payments / Spedizione e pagamenti Home delivery by Mondial Relay Belgique – Deutschland - España - Italia - United Kingdom   §  1 –   8 vinyls (10 €) §  9 – 20 vinyls (gratuit – kostenlos – gratis – free)

Saul Leiter: Here's more, why not Auteur:  Saul Leiter Broché:  76 pages Editeur :  Gallery Fifty One;  Édition :  02 (01 10 2016) Langue :  Anglais ISBN-10:  9081772511 ISBN-13:  978-9081772518           Neuf  When this catalog was first published in 2013, Saul Leiter wast still alive. Sadly he passed away on November 26th 2013. In loving memory of Saul. Saul Leiter has been digging in his archive and selected 34 unpublished color photographs for his fourth solo exhibition at Roger Szmulewicz's GALLERY FIFTY ONE, in Antwerp. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color: to the rapid recording of the spontaneous unfolding of life on the street, Leiter adds an unconventional sense of form and a brilliantly improvisational, and frequently almost abstract, use of found colors and tones. Leiter’s visual language of fragmentation, ambiguity and contingency is evoked in Saul Leiter: Early Color by one hundred subtle, painterly images that stretched the boundaries of photography in the second half of the twentieth-century.

Le siecle de la raison ou recherches sur la vraie theologie et sur la theologie fabuleuse Thomas Paine Auteur: Thomas Paine Editeur: Editions L'Harmattan Broché: 254 pages Format: Broche Edition: HARMATTAN Publication: 01/03/2003 Réédition: 01/03/2003 Collection: Ouverture Philosophique Dimensions: 21 x 13 x 2 Langue: Francais Publier en: Français Languages d'origine: Français Genre: Religion Thomas PAINE (1737-1809) est le premier revolutionnaire " internationaliste " de l'histoire moderne. Enfant du Siecle des Lumieres, son action politique a commence en Angleterre et s'est poursuivie en Amerique - son role a ete determinant pendant la Guerre d'Independance - puis en France - il a ete membre de la Convention - pour se terminer apres son retour en Amerique. Ses pamphlets ont ete lus par des centaines de milliers de personnes - chiffre considerable pour l'epoque - en Europe et en Amerique. Aux yeux du monde occidental, il est l'acteur infatigable de toutes les revolutions. Mais c'est a l'ombre de la guillotine, alors qu'il croit sa derniere heure venue, que le citoyen Thomas PAINE, depute " brissotin " a la Convention, ecrit Le Siecle de la Raison, improprement appele " la Bible des Athees ". Pourtant, dans ce pamphlet qui entend refuter la Bible point par point, Thomas PAINE affirme ne pas etre athee. Il se reclame du deisme et croit en l'existence d'un " Etre Supreme ", createur de l'Univers, protecteur de la democratie et bienfaiteur de l'humanite. Les Droits de l'Homme et du Citoyen n'ont-ils pas ete proclames " en presence de l'Etre Supreme " ? Dans cette oeuvre anti-dogmatique concue comme un testament, Thomas PAINE livre ses reflexions philosophiques. Aboutissement des Lumieres, Le Siecle de la Raison marque aussi le debut d'une critique materialiste scientifique de la Bible et des religions monotheistes. C'est donc une oeuvre qui reste d'une remarquable actualite. Biographie de l'auteur Sam AYACHE (ne en 1949), apres avoir ete instituteur a Paris, enseigne l'anglais dans un college de la banlieue ouest de Paris. Eliane PENICAUD est documentaliste dans un college de Seine St Denis. tres bien Ce produit comme le precedent (les droits de l'homme) a ete traite avec diligence. Merci au vendeur et a pour le respect des delais Thomas PAINE (1737-1809) est le premier revolutionnaire " internationaliste " de l'histoire moderne. Enfant du Siecle des Lumieres, son action politique a commence en Angleterre et s'est poursuivie en Amerique - son role a ete determinant pendant la Guerre d'Independance - puis en France - il a ete membre de la Convention - pour se terminer apres son retour en Amerique. Ses pamphlets ont ete lus par des centaines de milliers de personnes - chiffre considerable pour l'epoque - en Europe et en Amerique. Aux yeux du monde occidental, il est l'acteur infatigable de toutes les revolutions. Mais c'est a l'ombre de la guillotine, alors qu'il croit sa derniere heure venue, que le citoyen Thomas PAINE, depute " brissotin " a la Convention, ecrit Le Siecle de la Raison, improprement appele " la Bible des Athees ". Pourtant, dans ce pamphlet qui entend refuter la Bible point par point, Thomas PAINE affirme ne pas etre athee. Il se reclame du deisme et croit en l'existence d'un " Etre Supreme ", createur de l'Univers, protecteur de la democratie et bienfaiteur de l'humanite. Les Droits de l'Homme et du Citoyen n'ont-ils pas ete proclames " en presence de l'Etre Supreme " ? Dans cette oeuvre anti-dogmatique concue comme un testament, Thomas PAINE livre ses reflexions philosophiques. Aboutissement des Lumieres, Le Siecle de la Raison marque aussi le debut d'une critique materialiste scientifique de la Bible et des religions monotheistes. C'est donc une oeuvre qui reste d'une remarquable actualite. Sam AYACHE (ne en 1949), apres avoir ete instituteur a Paris, enseigne l'anglais dans un college de la banlieue ouest de Paris. Eliane PENICAUD est documentaliste dans un college de Seine St Denis.   D'autre titre de Thomas Paine The Theological Works of Thomas Paine; To Which Are Added the Profession of Faith of a Savoyard Vicar Rights of Man and Common Sense The Crisis Droits de L'Homme: En Reponse A L'Attaque de M. Burke (1791) Common Sense: With the Whole Appendix: the Address to the Quakers: Also, the Large Additions Rights of Man: Being an Answer to Mr. Burke's Attack on the French Revolution The Age of Reason: Being an Investigation of True and Fabulous Theology Common Sense Common Sense [EasyRead Large Edition] The American Crisis: 16 Revolutionary War Pampthlets Common Sense The Age of Reason Additions to Common Sense: Addressed to the Inhabitants of America (Classic Reprint) The Rights of Man Thomas Paine Collection: Common Sense, Rights of Man, Age of Reason, An Essay on Dream, Biblical Blasphemy, Examination Of The Prophecies Common Sense Common Sense The Age of Reason: Being an Investigation of True and Fabulous Theology A Letter Addressed To The Abbe Raynal Common Sense: Addressed to the Inhabitants of America Common Sense Thomas Paine: Collected Writings: Common Sense / The American Crisis / Rights of: (Library of America #76) The Age of Reason: Part I & II Common Sense Classement: Livres > Thèmes > Etudes supérieures > Université > Sciences religieuses Mot Clef: Religion Theologie

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Your Portal to Completion Every Future Press guide is designed to maximise the gaming experience--regardless of the player's skill. In the case of  Portal 2, this is a difficult task: only those who can solve the test chambers will get to feel that true sense of accomplishment. If players look up the solution in a book or even watch it as a movie on YouTube, then they'll bypass this feeling completely. This is why our  Portal 2  guide follows a new concept: the solution will only give away as much as the player wants to know, no less, and no more. Thanks to a multi-layered walkthrough consisting of different levels of information, the official  Portal 2  guide lets players decide for themselves how much help they receive. From just a small hint right up to a complete solution--everything is there. This guarantees a maximised gaming experience, just as you would expect from a Future Press guide. In addition the guide also offers lots of extras, including a huge on-location interview with the game's producers, a whole chapter devoted to previously unpublished concept drawings and artwork from  Portal  and  Portal 2, as well as a comprehensive section on Trophies/Achievements, for all of those who wish to fully master the game. Multilevel walkthrough |  Offers expert guidance while avoiding unnecessary spoilers--allowing mastery of the game without ruining the experience. Extended co-op coverage |  Comprehensive walkthrough for the co-op game, including shortcuts and alternate solutions, with contributions from the current world record holder for the fastest run through  Portal. Simplified isometric maps |  Each test chamber is presented in a uniquely created 3D illustration which deliberately shows as little detail as possible, but also as much as is necessary. This means that players can easily and quickly understand the solution and avoid the confusion of overloaded screenshot maps. The Art of Portal |  Stunning computer graphics, early concept drawings and wonderful illustrations show  Portal  and  Portal 2  in breathtaking style and beauty. Artwork that has been made public exclusively and for the very first time in the official guide. An audience with Valve |  An in-depth interview with the key figures from the development team of  Portal  and  Portal 2. More than 20 pages filled with background information and also about the making of the two games. Trophies/Achievements |  For the complete gaming experience; a detailed step-by-step guide to unlocking all 50 Trophies/Achievements. Although many of them are very challenging, having a complete collection doesn't have to be the sole privilege of advanced players. Exclusive strategy videos |  Access to countless game videos which perfectly show the guide's pro techniques and strategies for every chamber. Exclusive to the Collector's Edition Guide Additional content  |  An expanded 'The Art of Portal' with additional render images - for real fans. Hardcover Binding  |  So it will last forever. A cover illustration created for true Portal fans as well as a fine back cover with a removable info sheet for that pristine look. Two bookmarks  |  Each bot--Blue and Orange--possesses its own ribbon bookmark (colored...you might have guessed...blue and orange). So that you can keep track of both sections, the single player and the co-op game.

Yard - The Life and Magnificent Jewelry of Raymond C. Yard 223 pages Color photos Hard cover 29 x 29 cm 1,826 kg English A classic rags-to-riches tale, Raymond C. Yard began his career in the jewelry business in 1898 as a door boy at Marcus & Co., and was encouraged by John D. Rockefeller, Jr., to open his own company; shortly Yard was creating jewels for the Woolworth, DuPont, and Vanderbilt families. As seen in this handsomely produced book, the creations of Yard and his company were characterized by quality gems, intricate settings, and a sly sense of whimsy. The more than 300 photographs here include images—often posed in carefully staged tableaux—of a dazzling diamond and platinum hummingbird pin; a matching set of yellow diamond earclips and brooch in the form of leaping salmon; and a trio of jewel-encrusted brooches shaped like rabbit-headed waiters.