Strength through death in

STRENGTH THROUGH JOY (Death in June) - The force of truth and lies - CD First Édition. État: "Très bon état" Service de livraison: Colissimo

DEATH Scream Bloody Gore CD 1987   Under One Flag ‎– CD FLAG 12 issued under licence from combat / MADE  IN FRANCE - Barcode: 5 016583 201227 - Matrix / Runout: FLAG CD 12 MPO 02 @@       CONDITION: CD*:  mint / near mint               top surface: mint booklet :  near mint back inlay:      mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one. shipping worlwide with tracking number: withOUT jewel box:  7€     PORT avec boitier:      colissimo: 6€

In Flames ‎– Come Clarity Label: Nuclear Blast ‎– NB 1309-2, Nuclear Blast ‎– 27361 13092 Format: CD, Album Country: Germany Released: 03 Feb 2006 Genre: Rock Style: Melodic Death Metal Tracklist 01 Take This Life 3:35 02 Leeches 2:55 03 Reflect The Storm 4:16 04       Dead End Vocals – Lisa Miskovsky 3:22 05 Scream 3:12 06 Come Clarity 4:15 07 Vacuum 3:39 08 Pacing Death's Trail 3:00 09 Crawl Through Knives 4:03 10 Versus Terminus 3:19 11 Our Infinite Struggle 3:46 12 Vanishing Light 3:14 13 Your Bedtime Story Is Scaring Everyone 5:19 Companies, etc. - Phonographic Copyright (p) – Nuclear Blast GmbH - Copyright (c) – Nuclear Blast GmbH - Pressed By – Technicolor – LU030642 Credits - Bass – Peter Iwers - Drums – Daniel Svensson - Guitar – Björn Gelotte, Jesper Strömblad - Illustration – Derek Hess (2) - Producer – Daniel Bergstrand - Vocals – Anders Fridén In Flames ‎– Sounds Of A Playground Fading Label: Century Media ‎– 9977472 Format: CD, Album Country: Germany Released: 15 Jun 2011 Genre: Rock Style: Alternative Rock, Metalcore Tracklist 01 Sounds Of A Playground Fading 4:42 02 Deliver Us 3:31 03 All For Me 4:32 04 The Puzzle 4:35 05 Fear Is The Weakness 4:03 06 Where The Dead Ships Dwell 4:28 07 The Attic 3:16 08 Darker Times 3:25 09 Ropes 3:43 10 Enter Tragedy 3:59 11 Jester's Door 2:37 12 A New Dawn 5:53 13 Liberation 5:12 Companies, etc. - Phonographic Copyright (p) – Century Media Records - Copyright (c) – Century Media Records - Recorded At – IF Studios - Mastered At – Studio Bohus - Glass Mastered At – Arvato Digital Services – 54622564 Credits - Bass – Peter Iwers - Co-producer – Daniel Bergstrand, In Flames - Drums – Daniel Svensson - Guitar – Björn Gelotte, Niclas Engelin - Producer, Recorded By, Mixed By – Roberto Laghi - Vocals – Anders Fridén Notes Comes in a jewel case with a black sticker and white letters. Comes with a 16 page booklet including lyrics and a 2 page sheet of advertisement. ℗ & © Century Media Records Ltd. 2011 under exclusive license from IF Music

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Michael Jackson The Immortal Tour Program 2013 Japanese Edition Collector officiel. Programme officiel japonais (30,50x26cm, 64 pages) du spectacle "The Immortal World Tour", l'hommage du Cirque du Soleil à Michael Jackson, de passage au Japon en 2013. Notez que ce spectacle (le plus gros succès du Cirque du Soleil) tourna à travers le monde du 2 octobre 2011 au 31 août 2014, pour un total de 501 spectacles dans 141 villes différentes.  Nombreuses photos et interviews. Textes en japonais et en anglais. Bon état général. VISIONNEZ MES AUTRES OBJETS EN VENTE (Plus de collectors Michael Jackson / Frais de port adaptés) !!! The Michael Jackson Company LLC partnered with Cirque du Soleil in order to create “Michael Jackson: The Immortal World Tour" after it was reported that Michael Jackson had been a fan of the performance empire’s many shows and had wanted to collaborate with it before his death in 2009. Written and directed by Jamie King, the show began its tour on October 2, 2011, in Montreal. After touring North America for one year, Immortal continued through Europe, Asia, Australia, New Zealand and the Middle East before returning to North America in February 2014 for a total of 501 shows from 141 cities. It is the most financially successful Cirque production and highest grossing tribute show in history. You're bidding here on the official program from the Japanese leg of the tribute show in 2013. The show was held at Saitama May 9-12 (4 performances), Yokohama May 16-19 (4 performances), Nagoya May 23-26 (4 performances), Fukuoka May 30-June 2 (4 performances) and Osaka Jun 6-16 (8 performances). This Michael Jackson THE IMMORTAL WORLD TOUR program from Japan is filled with high-quality photographs of the show and behind the scenes photographs of the making of the show. It also includes a complete list of artists and creators (photographs, interviews). Texts in Japanese & English. Soft giant cover book. 30.5x26cm (= 12" x 10 1/4"). 64 pages. Good overall condition. CHECK OUT MY OTHER AUCTIONS (More Michael Jackson items / Combined shipping costs) !!! Paiement par CHEQUE, VIREMENT BANCAIRE, CASH ou PAYPAL Frais de port France = 8,80 EUR (La Poste) ou 5,30 EUR (Point Relais) I accept PAYPAL, CASH or BANK TRANSFER (IBAN / BIC-SWIFT) Shipping to Europe = EUR 4.75 / Rest of the World = EUR 7.75

**THIS IS AN EBOOK NOT THE PHYSICAL BOOK. (AVAILABLE IN PDF MOBI AND EPUB VERSIONS)** What is An eBook? An eBook is an electronic book, one you read digitally on your computer, laptop screen or on devices called eBook readers. You will find them in various formats and until the industry has a standard accessible in all devices these various formats will exist. PDF format is a popular format for eBooks. All platforms are able to gain access and read PDF formatting. So regardless if you have a PC or Mac, you are in business! PDF requires the Acrobat Reader but this software comes on many new computers and if not included, it's a free downloaded from Adobe web site. Do you have crud in the blood? Millions of people suffer from autoimmunity whether they know it or not. The root cause of most weight gain, brain and mood problems, and fatigue, autoimmunity can take years—or even decades—for symptoms and a clear diagnosis to arise. Through years of research, Dr. Tom O’Bryan has discovered that autoimmunity is actually a spectrum, and many people experiencing general malaise are already on it. And while autoimmune diseases, such as Alzheimer’s, Multiple Sclerosis, osteoporosis, diabetes, and lupus, have become the third leading cause of death behind heart disease and cancer, many people affected are left in the dark. The good news is that many autoimmune conditions can be reversed through a targeted protocol designed to heal the autoimmune system, 70 percent of which is located in the gut.  The Autoimmune Fix includes two comprehensive 3-week plans: In the first 3 weeks, you’ll follow a Paleo-inspired diet during which you cut out gluten, sweets, and dairy—the three primary culprits behind autoimmunity. Once the dietary changes have been addressed,  The Autoimmune Fix  focuses on the other causes of autoimmunity such as genetics, other dietary issues, and microbiome.  The Autoimmune Fix  provides a practical and much-needed guide to navigating these increasingly common conditions to help you feel better and develop a plan that works for you.

Dropdead: ‎ Discography Label: Clearview Records ‎ CRVW 39 Format: Vinyl, 11" Country: US    Sortie: 1994 A1 Unjustified Murder A2 Doorway To Extinction A3 Strength In Your Conviction A4 Protest A5 At The Cost Of An Animal A6 Direct Action A7 Power A8 Chosen Path A9 Survival A10 Bullshit Tradition A11 Wound Run Deep A12 Do You Choose Life A13 Ignorant A14 Only A Fool A15 You Have A Voice A16 Washed Away A17 Living In Fear A18 Confused A19 Attention A20 Deliver Yourself A21 Control B1 Life In Chains B2 End The Slaughter B3 I Will Defy B4 The Truth Behind B5 Fucking Assholes B6 Legacy Of Death B7 No Glory B8 Still You Follow Blindly B9 Wake Of Deception B10 Swedish Medley B11 New World Slaughter B12 Sheep B13 Belly Full Of Lies B14 Requiem B15 Bosnia B16 Nazi Atrocities B17 Whatever I Do B18 The Circle Complete - Bass  Lee - Drums  Brian - Guitar  Ben - Recorded By  Bill Miller - Vocals  Bob All songs recorded at Headroom, Boston, MA. - A1-A14: recorded February 2nd, 1992 (originally released on their first 7") - A15-B8: recorded August 11th and 12th, 1992 (originally released on the Drop Dead/Rupture split 8") - B9: no recording infos (later released on the Big Pants Waste Precious Fabric comp. CD) - B10: no recording infos (snippets of covers from Mob47, Protes Bengt, Headcleaners, "Anti-Cimex and the Shitlickers) - B11-B16: no recording infos (originally released on the Drop Dead/Crossed Out split 5") - B17: no recording infos (Negative Approach cover, later released on the Reproach comp. 7") - B18, recorded August 11th and 12th, 1992 (originally released on the Crust and Anguished Life comp. CD) On the tracklisting printed on the back of the record sleeve, track (A10), "Bullshit Tradition" is not included. 1st pressing: 2200 copies État Vinyl: VG / Vinyl Condition: VG État Pochette: VG / Sleeve Condition: VG France :  Envoi recommandé: 7 € Postage E.E.C.:  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 15,50 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment

Dropdead: ‎ Discography Label: Clearview Records ‎ CRVW 39 Format: Vinyl, 11" Country: US    Sortie: 1994 A1 Unjustified Murder A2 Doorway To Extinction A3 Strength In Your Conviction A4 Protest A5 At The Cost Of An Animal A6 Direct Action A7 Power A8 Chosen Path A9 Survival A10 Bullshit Tradition A11 Wound Run Deep A12 Do You Choose Life A13 Ignorant A14 Only A Fool A15 You Have A Voice A16 Washed Away A17 Living In Fear A18 Confused A19 Attention A20 Deliver Yourself A21 Control B1 Life In Chains B2 End The Slaughter B3 I Will Defy B4 The Truth Behind B5 Fucking Assholes B6 Legacy Of Death B7 No Glory B8 Still You Follow Blindly B9 Wake Of Deception B10 Swedish Medley B11 New World Slaughter B12 Sheep B13 Belly Full Of Lies B14 Requiem B15 Bosnia B16 Nazi Atrocities B17 Whatever I Do B18 The Circle Complete - Bass  Lee - Drums  Brian - Guitar  Ben - Recorded By  Bill Miller - Vocals  Bob All songs recorded at Headroom, Boston, MA. - A1-A14: recorded February 2nd, 1992 (originally released on their first 7") - A15-B8: recorded August 11th and 12th, 1992 (originally released on the Drop Dead/Rupture split 8") - B9: no recording infos (later released on the Big Pants Waste Precious Fabric comp. CD) - B10: no recording infos (snippets of covers from Mob47, Protes Bengt, Headcleaners, "Anti-Cimex and the Shitlickers) - B11-B16: no recording infos (originally released on the Drop Dead/Crossed Out split 5") - B17: no recording infos (Negative Approach cover, later released on the Reproach comp. 7") - B18, recorded August 11th and 12th, 1992 (originally released on the Crust and Anguished Life comp. CD) On the tracklisting printed on the back of the record sleeve, track (A10), "Bullshit Tradition" is not included. 1st pressing: 2200 copies État Vinyl: VG / Vinyl Condition: VG État Pochette: VG / Sleeve Condition: VG France :  Envoi recommandé: 7 € Postage E.E.C.:  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 16 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment

Prince Ultimate mixes  2xLP Near Mint  Beautiful copy!!!  Rare original NPG Records 1995!!! Great condition!! First hand from my own collection !!! Any questions feel free to contact me!!! A1Prince–Little Red Corvette (Dance Remix)A2Prince And The Revolution–Raspberry Beret (12" Version)B1Prince–Let's Work (Dance Remix)B2Prince–U Got The Look (Long Look Version)C1Prince And The Revolution–Pop Life (Fresh Dance Mix)C2Prince And The Revolution–She's Always In My Hair (12" Version)D1Prince–Thieves In The Temple (Remix)D2Prince And The New Power Generation–Cream (NPG Remix) Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, multi-instrumentalist, record producer, actor, and director. Regarded as one of the greatest musicians of his generation, and guitar virtuoso, he worked across multiple genres performing in a flamboyant and androgynous persona, with a wide vocal range which included a far-reaching falsetto and high-pitched screams.[Prince's music integrated a wide variety of styles, including funk, R&B, Latin, rock, new wave, classical, soul, synth-pop, psychedelia, pop, jazz, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media.[He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as "Nothing Compares 2 U" and "Manic Monday". Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. Prince went on to achieve critical success with the innovative albums Dirty Mind (1980), Controversy (1981), and 1999 (1982). His sixth album, Purple Rain (1984), was recorded with his backup band the Revolution, and was the soundtrack to his film acting debut of the same name. Purple Rain spent six consecutive months atop the Billboard 200. Prince won the Academy Award for Best Original Song Score. After disbanding the Revolution, Prince went on to achieve continued critical success with Sign o' the Times (1987). In the midst of a contractual dispute with Warner Bros in 1993, he changed his stage name to the unpronounceable symbol  (known to fans as the "Love Symbol"), and was sometimes referred to as The Artist Formerly Known as Prince or TAFKAP, or simply the Artist. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. After returning to mainstream prominence following a performance at the Grammy Awards ceremony in 2004, he scored six US top ten albums over the following decade. Joni Mitchell said of Prince, "He's driven like an artist. His motivations are growth and experimentation as opposed to formula and hits." In mid-life, Prince reportedly experienced considerable pain from injuries to his body (mainly hips) sustained through his dynamic stage performances (which included leaping off speaker stacks in high heels), and was sometimes seen using a cane. In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. Prince sold over 150 million records worldwide, ranking him among the best-selling music artists of all time. His awards included the Grammy President's Merit Award, the American Music Awards for Achievement and of Merit, the Billboard Icon Award, an Academy Award, and a Golden Globe Award. He was inducted into the Rock and Roll Hall of F

1 –Paramore That's What You Get 3:37 2 –Forever Young (4) Almost Too Easy 3:46 3 –Missing Girl The Air Is Flying Through The Crack 4:01 4 –Simplyd4rk No Escape 4:03 5 –Show Me The Glorious Death Baseball Furies 5:24 6 –Fall Of Death Blood Brothers 4:17 7 –Admirals Arms The Cavalier 5:22 8 –Planey Eyes Of Hate 3:57 9 –Doyle (7) In(k)ject 3:39 10 –Thump (4) Peace And Die 2:25 11 –Les Vilains Clowns La Photo Satellite 3:47 12 –The Slugz Faculty 2:44 13 –80Blast I Confess 3:28 14 –Hell Well Honest Freak 4:09 15 –The Guggenheimers Peacock Syndrome 3:08

Joan Baez ‎LP Baptism - France Label: Vanguard ‎– 519 005 Format: Vinyl, LP, Album Pays: France Sortie: 1968 Genre: Blues, Non-Music, Classical, Folk, World, & Country Style: Country Blues, Poetry, Folk, Classical Code-barres: Liste des titres:     Part One A1     Old Welsh Song     1:16 A2     I Saw The Vision Of Armies     1:16 A3     Minister Of War     1:10 A4     Song In The Blood     4:28 A5     Casida Of The Lament     1:01 A6     Of The Dark Past [Ecce Puer]     1:59 A7     London     1:19 A8     In Guernica     1:00 A9     Who Murdered The Minutes     3:21 A10     Oh, Little Child     1:25 A11     No Man Is An Iland     0:56     Part Two B1     From Portrait Of The Artist As A Young Man     2:14 B2     All The Pretty Little Horses     1:14 B3     Childhood III     1:08 B4     The Magic Wood     2:27 B5     Poems From The Japanese     2:21 B6     Colours     1:13 B7     All In Green Went My Love Riding     3:24 B8     Gacela Of The Dark Death     2:09 B9     The Parable Of The Old Man And The Young     0:51 B10     Evil     1:30 B11     Epitaph For A Poet     1:15 B12     Old Welsh Song     1:17 Baptism – A Journey Through Our Time, Sung and Spoken by Joan Baez. Recorded at Vanguard's 23rd St. Studio, New York. Copyright © 1968 Vanguard Recording Society Inc., 71 West 23rd St., New York, N. Y. 10010 All material published by Fennario Music Publishers Inc., ASCAP Etat: VG/VG+ Format: Vinyl LP Album / Album Vinyle 33 Tours Visitez notre boutique en ligne: www.ultra-disc.fr Tous nos articles sont minutieusement sélectionnés et contrôlés. L'état est spécifié juste à la fin de la description par une abréviation: Nous désignons d'abord l'état de la pochette / puis celui du disque Exemple: M/EX = pochette neuve (M) / disque en état excellent (EX). M (Mint/Neuf): 100% de la cote EX (Excellent): 90% de la cote VG (Very Good/Très bon): 70% de la cote G (Good/Bon): 50% de la cote F (Fair/Moyen): 30% de la cote P (Poor/Pauvre): 15% de la cote B (Bad/Mauvais): 5% de la cote Frais de livraison: Ceux-ci sont calculés au plus juste et comprennent les frais de transport et d'emballage. Pensez à grouper vos achats en utilisant le panier et économisez sur les frais de port ! Envoi soigné: Nous utilisons des emballages spéciaux brevetés afin de vous expédier vos disques dans les meilleures conditions. Emballage soigné garanti !   Assurance incluse : Tous nos envois incluent une assurance contre la perte, le vol ou la détérioration.  Satisfaction garantie ! Vous êtes satisfait ou remboursé. Quelle que soit la raison pour laquelle vous n'êtes pas satisfait, nous vous garantissons la reprise et le remboursement intégral de vos articles pendant la durée indiquée plus bas dans les détails de l'annonce.   All our items are generally in mint or excellent condition. The condition is at the end of the description: Condition of sleeve / Condition of record  M = Mint EX = Excellent VG = Very Good G = Good F = Fair P = Poor B = Bad  Sending care: We use special packaging to ship your items in the best conditions. Careful Packing guaranteed! Shipping: Remember to group your purchases and buy several items! The charges will come back much cheaper Insurance included: All shipments include insurance against loss, theft or damage.   Satisfaction Guaranteed! You're money back. Whatever the reason you are not satisfied, we guarantee the return and full refund of your items for the duration specified in the details below.

S.N.F.U.:...And No One Else Wanted To Play Label: Better Youth Organization ‎ BYO 009 Format: Vinyl  LP  Green Labels Pays: US    Sortie: 1985 A1 Broken Toy A2 She's Not On The Menu A3 Money Matters A4 I'm Real Scared A5 Joyride A6 Seein' Life Through The Bottom Of A Bottle A7 Cannibal Cafe B1 Misfortune B2 Plastic Surgery Kept Her Beautiful B3 The Gravedigger B4 Bodies In The Wall B5 Get Off Your Ass B6 Loser At Life/Loser At Death B7 This Is The End With Insert (photos & lyrics) État Vinyl: NM / Vinyl Condition: Near Mint ;  État Pochette: EX / Sleeve Condition: EX France :  Envoi recommandé: 9 € Postage E.E.C. :  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 17 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment