Where things

33 Tours Vinyles Code EAN: 0690897268012 Rubrique principale Vinyle: 33 Tours Titre: Where The Wild Things Are Genre musical: Rock

Funko Pop Max 1 Where The Wild Things Are Books Vaulted Rare + Pop Protector / Voir toutes les photos, la boite est abîmée, notamment à l'arrière. N'hésitez pas à consulter mes autres annonces, je peux regrouper les frais de port sur simple demande.

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

CD Sammy Davis Jr - Mr Entertainment - NEUF sous cellophane Pensez à grouper vos achats pour obtenir une réduction sur les frais de port (voir détail des frais de livraison) !   Prix: 7,99€   Date de sortie: 15/02/2012 Support: CD   Genres: Variété Internationale   Editeur: RDM Edition Présentation: "Mr Entertainment", voilà un titre bien adapté à cet album de Sammy Davis Jr., et à Sammy Davis Jr. lui-même. C'est un artiste complet, aux talents multiples, un chanteur, un acteur, un imitateur, un musicien... un véritable "entertainer", comme disent les Anglo-Saxons. Cet album reflète l'étendue des talents de Sammy Davis Jr., la première partie soulignant toutes les cordes à son arc musical pendant que la deuxième comprend des petits bijoux issus des comédies musicales de Broadway, particulièrement difficile à interpréter, ce que Sammy Davis Jr. fait pourtant avec brio.  Titres: 1. Song and dance man 2. Let's face the music and dance 3. How are things in glocca morra 4. Just in time 5. Traps and taps 6. Time after time 7. My heart is so full of you 8. Soliloquy 9. Where is the life that late I led 10. Gesticulate ! 11. Ya got trouble   Frais de livraison en lettre simple (*): 1 à 2 CD: 2,30€ 3 à 4 CD: 3,13€ 5 à 6 CD: 4,06€ Plus de 6 CD: Colissimo Frais de livraison en colissimo: 1 à 5 CD: 5,75€ 6 à 9 CD: 7,75€ Plus de 10 CD: nous contacter pour les frais exact Frais de livraison en chronopost: 12€ Frais de livraison pour les pays autres que la France: nous contacter pour les frais exact (*): IMPORTANT: RDM Edition propose plusieurs modes d'envoi des commandes: - envoi en lettre simple - colissimo suivi - chronopost Lors d'envoi en Colissimo suivi ou en Chronopost, il est possible de tracer les colis en cas de perte ou de se retourner contre le transporteur si le colis arrive en mauvais état. Cependant, si vous choisissez l'envoi en lettre simple, lors de votre commande, le transport du ou des produit(s) se fait sous votre propre responsabilité. Une commande en "lettre simple" ne pourra donner lieu à aucun remboursement si la commande n'arrive pas à destination ou en état. Nous ne pourrons en aucun cas être tenus responsables de la perte ou du mauvais état d'une commande lorsque le client a demandé un envoi non suivi tel que Colissimo et Chronopost. En règle générale, pour éviter tout problème lors de la livraison, nous conseillons de choisir Colissimo suivi ou Chronopost, en particulier pour les colis comptant plusieurs produits, un ou plusieurs produits volumineux, ou dépassant un certain montant.)

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Just Enough French How to get by and be easily understood BOOK Livre de langues   153 p.   Accomodation General shopping Shop talk Shopping for food Eating and drinking out Health Problems complaints loss theft The post office Phoning Changing checks and money Car travel Public transport Leisure Asking if things are allowed   Livre Book vintage   En lettre suivie pour la France Métropolitaine & les DOM TOM Ile de la Réunion, Martinique Guadeloupe/ I Send it every where in Europe

COINS ABIMES  Blackdrop Island Klara Källström Poem by  Viktor Johansson B-B-B-Books   Hardcover 160 pages 241×304 mm 2011 ISBN: Not available   ‘In Klara Källströms’ Blackdrop Island, she plays with the idiom “to dig where you stand”. What happens if you do that? You come to the other side of the planet.’ – Sinziana Ravini, Microfictions, 2009 The photographs were taken during a stay in Tokyo in 2008 and a revisit in 2010. Documenting things at night, when darkness creates black backdrops and only allows us see a bit of the scenery, is something that occupies Klaras’ interest. It becomes “partially a fictional documentation”, she says. Viktor Johansson has written a poetic suite accompanying the images and the result is shown in the book as two parallel worlds, encapsulated in double-folded sheets. Klara Källström, born April 15, 1984, is a Swedish photographer and artist living in Stockholm.  

ALBUM CD 20T de SOUTHSIDE JOHNNY and THE ASBURY JUKES intitulé I DON'T WANT TO GO HOME & THIS TIME IT's FOR REAL     Southside Johnny est un chanteur et harmoniciste de blues et de rock 'n' roll américain. Leader du groupe The Asbury Jukes, où a débuté Steven Van Zandt, il a également accompagné Bruce Springsteen. Tracklist    I Don't Want To Go Home1I Don't Want To Go HomeWritten-By – Van Zandt*3:402Got To Get You Off My MindWritten-By – Burke*, Moore*, Burke*3:113How Come You Treat Me So BadVocals [Duet, Uncredited] – Lee DorseyWritten-By – Van Zandt*3:214The FeverBacking Vocals – Revelation (2)Backing Vocals [Revelation (2)] – Arnold McCuller, Arthur Freeman, Benny Diggs, Phillip BallouBass Vocals – The One And Only (We Hope) Selmon T. Sachs*Written-By – Springsteen*5:055Broke Down Piece Of ManVocals [Duet, Uncredited] – Steve Van ZandtWritten-By – Shamwell*, Cropper*3:276Sweeter Than HoneyWritten-By – Van Zandt*3:327Fannie MaeWritten-By – Glasco*3:228It Ain't The Meat (It's The Motion)Vocals [Duet; Uncredited] – Kenny PentifalloWritten-By – Glover*, Mann*2:469I Choose To Sing The BluesWritten-By – Holiday*, Charles*2:4410You Mean So Much To Me BabyVocals [Duet, Uncredited] – Ronnie SpectorWritten-By – Springsteen*3:44This Time It's For Real11This Time It's For RealWritten-By – Steve Van Zandt4:0712Without LoveWritten-By – Franklin*, Hunter*4:3113Check Mr. PopeyeBacking Vocals [Uncredited] – The CoastersVocals [Duet, Uncredited] – Kenny PentifalloWritten-By – Johnson*3:5414First NightBacking Vocals [Uncredited] – The Five SatinsVocals [Duet, Uncredited] – Steve Van ZandtWritten-By – Van Zandt*4:3515She Got Me Where She Wants MeWritten-By – Van Zandt*4:0316Some Things Just Don't ChangeWritten-By – Van Zandt*3:3717Little Girl So FineBacking Vocals [Uncredited] – The DriftersWritten-By – Springsteen*, Van Zandt*3:5018I Ain't Got The Fever No MoreWritten-By – Van Zandt*5:2719Love On The Wrong Side Of TownTenor Saxophone [Solo, Special Guest] – Bobby Magic Malach*Written-By – Springsteen*, Van Zandt*3:1020When You DanceWritten-By – Springsteen*, Van Zandt*5:24   Two original albums on one CD             PAIEMENT SOUS 5 JOURS SINON TRANSACTION ANNULEE!!! Evaluation 0, paiement sous 3 jours I DON'T SELL & SHIP TO ITALY

1960 Les Harmonizing Four - Chantent... Label: Top Rank International ‎- RLP 102 Promotion à partir de 5 vinyles achetés ! 12" Made in France État du disque: Near Mint (NM) State of the disc État de la pochette: Very Good Plus Plus Plus (VG+++) Condition of the cover - - - - - - - - - - Promotion à partir de 5 vinyles achetés ! Bénéficiez des Frais de Port offerts* à partir de 49,95€ d'achats, ou 5 vinyles achetés du 01/03/2020 au 31/03/2020 - Groupez vos achats durant tout le mois de Mars pour profiter des Frais de port Gratuits* (une seule facture à la fin du mois de Mars) [*via Mondial Relay Suivi et pour la France Métropolitaine uniquement, La Belgique et le Luxembourg également - Les Lots ne sont pas pris en compte dans la promotion - Possible via Colissimo suivi avec supplément, Prière de se reporter au tableau joint dans les photos]. - - - - - - - - - - Les Harmonizing Four - Chantent... Label: Top Rank International ‎- RLP 102 Format: Vinyl, LP, Mono Country: France Sortie: 1960 Genre: Funk / Soul Style: Gospel Tracklist A1 All Things Are Possible A2 Farther Along A3 Motherless Child A4 Where Could I Go But To The Lord A5 Happy Home A6 In Jerusalem B1 I Shall Not Be Moved B2 Lived And He Loved Me B3 His Eye Is On The Sparrow B4 When I've Done My Best B5 Go Down Moses B6 Will He Welcome Me - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri Renaud Henry Allen Junior Herbert Pagani Herbert Pepper Herbie Mann Herman Humphrey Lyttelton And His Band Ian Menzies Ike Quebec Jimmy Hamilton John Hardee Benny Morton Intenational Jazz Group Jack Diéval Jack Lemmon Jack Melrose Jack Teagarden Jacques Denjean Jacques Loussier Christian Garros Pierre Michelot James Price Johnson & Perry Bradford James Rushing Avec Buck Clayton Et Son Orchestre Jay And Kai Winding Jef Gilson Jelly Roll Morton Jimmie Lunceford Jimmy Rushing Jimmy Smith Joe Bushkin Joe Turner John Coltrane John Lewis Art Farmer Benny Golson Johnny Dodds Kid Ory Johnny Hodges Jonah Jones King Oliver Lambi Lavern Baker Les Double Six Les Mississipix Louis Armstrong Lione

Filter ‎– Title Of Record Label: Reprise Records ‎– 9362-47388-2, Reprise Records ‎– 000 9 47388-2 Format: CD, Album Country: Europe Released: 23 Aug 1999 Genre: Electronic, Rock Style: Alternative Rock, Industrial Tracklist 1 Sand 0:37 2 Welcome To The Fold 7:40 3 Captain Bligh 5:12 4 It's Gonna Kill Me 5:04 5 The Best Things 4:26 6 Take A Picture 6:03 7 Skinny 5:43 8 I Will Lead You 3:23 9 Cancer 6:39 10 I'm Not The Only One 5:49 11.1 Miss Blue 5:36 11.2 (silence) 13:01 11.3 Untitled 1:12 Companies, etc. - Record Company – Time Warner - Copyright (c) – Reprise Records - Phonographic Copyright (p) – Reprise Records - Copyright (c) – WEA International Inc. - Phonographic Copyright (p) – WEA International Inc. - Made By – Warner Music Manufacturing Europe - Recorded At – Abyssinian Sons Studio - Engineered At – Abyssinian Sons Studio - Recorded At – The Mix Room - Engineered At – The Mix Room - Recorded At – Ocean Way Recording - Mixed At – The Mix Room - Mastered At – Gateway Mastering - Copyright (c) – EMI April Music Inc. - Copyright (c) – Happy Ditties From Paradise - Copyright (c) – Geno Lenardo - Copyright (c) – Frank Cavanagh Credits - Art Direction, Design – Deborah Norcross - Bass – Frank Cavanagh - Booking [Live Representation, Outside The U.S. At] – Free Trade Agency - Booking [Live Representation, Outside The U.S.] – Paul Boswell - Booking [Live Representation, U.S. At] – Pinnacle Entertainment - Booking [Live Representation, U.S.] – John Ditmar - Cello [Acoustic & Zeta Electric Cello] – Eric Remschneider - Co-producer – Geno Lenardo, Rae DiLeo - Drums [Live], Percussion – Steven Gillis - Edited By [Digital Editing] – Blumpy, Rae DiLeo - Engineer [Assistant] – Alan Mason, John Tyree, Keith Armstrong - Guitar, Bass, Sitar [Chorale Sitar], Mandolin, Programmed By – Geno Lenardo - Legal – Michael Bloom, Esq. - Management – Gail Perry, Richard Bishop - Management [Business] – Lew Patrick, Patrick Management Group - Management [For] – 3 Artist Management* - Mastered By – Bob Ludwig - Mixed By – Ben Grosse - Percussion – Christopher Simmons, Jim McGraff - Photography By – Ralf Strathmann - Producer – Ben Grosse, Richard Patrick - Programmed By – Ben Grosse, Rae DiLeo - Recorded By, Engineer – Rae DiLeo, Richard Patrick - Songwriter – Frank Cavanagh (tracks: 9), Geno Lenardo (tracks: 4, 7, 8), Richard Patrick - Trumpet – Elliot Caine - Vocals [Additional] – Miss Wutt - Vocals, Guitar, Bass, Programmed By – Richard Patrick Notes Track 11 contains a hidden track (track 11.3). Track 11.1 lasts for 5:36 before a period of silence. Complete duration of track 11 is 19:49. ©℗ 1999 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. Made in Germany by Warner Music Manufacturing Europe. Released in a standard jewel case. Filter ‎– The Amalgamut Label: Reprise Records ‎– 9362-48337-2 Format: CD, Album, Enhanced Country: Germany Released: 2002 Genre: Rock Style: Alternative Rock Tracklist 1 You Walk Away 4:36 2 American Cliché 3:37 3 Where Do We Go From Here 5:35 4 Columind 3:36 5 The Missing 4:47 6 The Only Way (Is The Wrong Way) 5:13 7 My Long Walk To Jail 4:07 8 So I Quit 3:24 9 God Damn Me 4:15 10 It Can Never Be The Same 4:32 11 World Today 5:50 12 The 4th 8:05 Companies, etc. - Recorded At – Ocean Way Recording - Recorded At – Abyssinian Sons Studio - Recorded At – The Mix Room - Engineered At – Abyssinian Sons Studio - Engineered At – The Mix Room - Mixed At – The Mix Room - Mastered At – Gateway Mastering Credits - A&R – Mio Vukovic - Bass – Frank Cavanagh - Co-producer – Geno Lenardo, Rae DiLeo - Drums – Steven Gillis - Edited By [Digital] – Blumpy, Rae DiLeo - Engineer [Assistant] – Chuck Bailey,

1987 US Déjà Disque: Very Good Plus (VG+) Pochette: Very Good Plus (VG+) grille evaluation vinyles Déjà A1Serious5:15A2Some Things Turn Around4:34A3That's Where You'll Find Me4:45A4Heart Beat4:39A5Premonition4:15B1Life5:13B2What To Do Now4:19B3Summer Love5:30B4Straight To The Point4:25B5You And Me Tonight4:23 Prestalia e-commerce solutions.

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid