Image Vidéo à Nieul Sur Mer

Vends appareil photo MINOLTA SRT 1:1 B - Objectif Makinon 1:1.7 F = 50 (avec étui) avec: - zoom Makinon 1: 3.5 - F 80-200 (avec étui) - objectif Makinon 1:2,8 F 28 (avec étui) - flash AGFATRONIC 280 CB - flash SUNPAK 2000 BZ Thristor - 1 commande de déclenchement manuel - 1 pied télescopique - 1 sacoche pour appareil + objectifs - 1 sacoche spéciale voyage. Photos/Video/TV occasion à vendre à Nieul-sur-Mer (17137)

Accordéon piermaria touche piano Modèle 212. avec sa boite de transport et ses clés rt courroie. 4 voix (3 flutes/basson) 41 touches /11 registres. 120 bases à 5 voies Instruments de musique occasion à vendre à Nieul-sur-Mer (17137)

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Neumann KMS 105 BK Used, like new. Padded case, clamp and manual included. €390

Tuner radio à tube Dynaco Dynatuner FM-3 Rare tuner stéréo à tubes Dynatuner FM-3 en version Europe 220 V. Entièrement restauré et réaligné en 2016. Façade noire neuve (attention: pas de boîtier). Très bonne réception, un son excellent.

English version below À vendre, une paire d’enceintes Hi-Fi deux voies Spica TC-50 en excellent état. Condensateurs des filtres crossover et borniers changés chez « La maison du haut-parleur » à Paris en 2016 (facture disponible). For sale a pair of Spica TC-50 two-way Hi-Fi speakers in excellent condition. Speakers crossover capacitors upgraded in 2016 at « La maison du haut-parleur » in Paris in 2016 (invoice available). Specs: Released: 1983 Description: Two-way, stand-mounted loudspeaker. Drive-units: 1" soft-dome tweeter, 6.5" pulp-cone woofer.  Low-frequency alignment: sealed-box Q=0.78.  Crossover frequency: 2kHz.  Crossover: high-pass slope, approximately first-order, 6dB/octave; low-pass slope, fourth-order, 24dB/octave, Bessel; both drivers connected with the same polarity.  Frequency response: 60Hz-17kHz (-3dB).  Sensitivity: 84dB/W/m.  Nominal impedance: 4 ohms (3.6 ohms min. at 4kHz).  Amplifier requirements: 25-100W.  Maximum power handling: 50W continuous, 100W peak. Dimensions: 15.5" (394mm) H x 13" (330mm) W x 11.6" (295mm) D.  Weight: 20 lbs (9.07 kg) each.

Étui (flight-case) haut de gamme Kariso pour tuba Grönitz PF125 (ou tout autre tuba de dimensions équivalentes). Acheté neuf en 2007. A perdu une roue, que j’ai gardée pour réparation. (Prix neuf: 650 €) kariso-etuis dot com Prix: 300 € à débattre.

Stand Koenig & Meyer 14941 pour tuba, baryton, euphonium, saxhorn alto État neuf, utilisé deux fois. Modèle réglable pour recevoir aussi bien un baryton, un saxhorn ou un euphonium. Deux bras viennent enserrer l'instrument dont la culasse repose sur une base télescopique. Quatre pieds assurent la stabilité du stand. Support pour baryton, euphonium et saxhorn alto Surfaces de contact revêtues de matière plastique Hauteur réglable de 310 à 415 mm Largeur réglable de 200 à 305 mm Support pliable Poids: 2,1 kg Couleur: Noir 70 €

Je vends mon Nord Stage 88 revision B.  Excellent état, méticuleusement entretenu (une petite rayure sur le bois du côté gauche, voir photo). Il est vendu avec son piétage, un pupitre, une pédale de sustain dont j’ai refait le câblage, et sa housse. C’est un instrument fantastique que j’ai adoré jouer. Malheureusement je dois m’en séparer car je déménage dans un espace trop petit pour pouvoir le garder. Je vais passer à une version plus petite… Prix: 2000 € (prix neuf avec accessoires: 3500 €)

English version below Microphone canon Sennheiser MKH 70 P48 & protection anti-vent Rycote WS 6 kit je vends un ensemble comprenant un microphone canon Sennheiser MKH 70 P48 et une cage anti-vent avec suspension Rycote WS 6 kit; les deux dans leur cartons d’origines avec leurs accessoires. Très peu utilisés et toujours stockés dans un lieu sec et à température constante avec du silica gel, l’ensemble est dans un état comme neuf. Prix de l’ensemble 1500 €. –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Sennheiser MKH 70 P48 shotgun microphone & Rycote WS 6 kit windshield For sale a set consisting of a “Sennheiser MKH 70 P48”shotgun microphone and a “Rycote WS 6 kit” windshield and shock mount, both in pristine condition, like new. Sold in their original boxes with their accessories. Rarely used and always stored in a dry place and at constant temperature with silica gel.  Price for the set: 1500 €.

English version below Casque audio CN-112 Blaupunkt à suppression de bruit active  Casque filaire supra-auriculaire à suppression de bruit active de la marque audio allemande haut de gamme Blaupunkt. La vente comprend le câble audio, l'adaptateur pour prise avion, l'adaptateur jack 6,3 mm, l'étui de transport rigide et le manuel d'origine. Peut être utilisé pour l’écoute audio (avec ou sans piles) ou simplement comme casque antibruit avec le câble détaché. Demande 2 piles AAA 15v (non incluses). –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Blaupunkt CN-112 Active Noise Cancelling Over-Ear Wired Headphones Quality wired noise-cancelling headphones from premium German audio brand Blaupunkt. Sale includes audio cable, airplane adaptor, 6.3mm jack adaptor, hard carry case and original instructions. Can be used for audio (with or without batteries) or simply as noise-cancelling ear protectors with the cable detached.  Takes 2 x AAA 15v batteries.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.