Adjustable microphone

Accessoire Instruments Code EAN: 0709388783726 En-tête / Fabricant: Dynwave Instrument / Type: Accessoire Tranche de poids: 100 à 250 g Titre: Adjustable Iron Microphone Gooseneck MIC Neck Mic Replacement Parts Black Length 30cm

Electrovoice RE2 Wireless System + ND/767a handheld microphone D Band 798 – 822 MHz RE-2 Receiver Features: • One touch Auto-ClearScan • Programmable in 25kHz steps across 28 MHz operating bandwidth • Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters • Balanced XLR audio output for Microphone or Line level signals and a 1/4 inch line level jack • Fourth generation Secure-phaseTM diversity and advanced audio circuits • Unique “Guitar” setting • Detachable 1/4 wave antennas RE-2 UHF HandheldUFeatures: • NDYM® 767a Dynamic premium vocal microphone with VOBTM (Vocal-Optimized-Bass) • Internal 1/2 wave antenna Detailed specifications: RE-2 RECEIVER RECEIVER Receiver Type Synthesized PLL Frequency Range (RF) D Band 798 – 822 MHz Number of Channels 1112 possible channels Programmable in 25 kHz steps Power Requirements 12 V AC/DC 300 mA Antennas Detachable 1/4 wave Dimensions (H x W x D) 1.72” x 7.50” x 5.90” 43.7 mm x 190 mm x 150 mm Audio parameters: Frequency Response 50 – 15 kHz +/- 2 dB Balanced Output (max @ 40 kHz deviation) Mic Position -10 dBV Line Position Adjustable 10 mV-2V RMS Unbalanced Output Adjustable 10 mV-1V RMS Distortion b' '100 dB A Weighted Signal-to-Noise Ratio b'>'100 dB HANDHELD Radiated Output 30 mW typical Microphone Head Electro-Voice 767a N/D 767a Supercardioid N/DYM Dynamic Power Requirements 9 Volt Alkaline Battery Battery Life (Typical) b'>' 8 hours with 9-Volt Alkaline Typical Handheld (L) Dimensions 9.4” (240 mm) long Delivered in its original case. Warning: This system uses D Band 798 – 822 MHz. Please check in your country if this frequency range is free to use. Please contact me first to adjust delivery cost to your country. En savoir plus Collaboration commerciale.

(#144) Mic Kit Condenser Microphone with Adjustable Mic Suspension Scissor Arm, Shock Mount and Double-layer Pop Filter(Pink) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Mic Kit Condenser Microphone with Adjustable Mic Suspension Scissor Arm, Shock Mount and Double-layer Pop Filter(White) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Mic Kit Condenser Microphone with Adjustable Mic Suspension Scissor Arm, Shock Mount and Double-layer Pop Filter.(Black) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Mic Kit Condenser Microphone with Adjustable Mic Suspension Scissor Arm, Shock Mount and Double-layer Pop Filter.(Blue) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Desktop Gooseneck Adjustable 3.5mm Plug Wired Omnidirectional Mic Audio Microphone (Red) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Desktop Gooseneck Adjustable 3.5mm Plug Wired Omnidirectional Mic Audio Microphone (White) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Desktop Gooseneck Adjustable USB Wired Audio Microphone, Built-in Sound Card(Red) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

(#144) Desktop Gooseneck Adjustable USB Wired Audio Microphone, Built-in Sound Card(White) pas cher +4 Expédié sous 48H Livraison sous 10 à 20 jours ouvrés

Le Blue Microphones Yeti Nano est un microphone USB compact et élégant, idéal pour les enregistrements de haute qualité de voix et de musique à domicile ou en studio. Ce microphone intègre une technologie tri-capsule qui permet de capturer des sons précis et dynamiques, avec une réduction de bruits efficace grâce à son enceinte d'isolation acoustique. Il est équipé d'un gain adjustable et d'un contrôle de sensibilité pour répondre aux besoins de chaque utilisateur, et intègre un système d'amplification intégré pour une utilisation directe sans autre équipement. Le Yeti Nano est également doté d'un design compact et robuste, avec un support intégré et des jambes extensibles pour une positionnement adapté à toutes les situations. Il est disponible en gris ombré et est compatible avec les systèmes d'exploitation les plus récents, y compris Windows et Mac. Avec son son exceptionnel et sa conception élégante, le Blue Microphones Yeti Nano est un microphone USB idéal pour les enregistrements de voix et de musique de qualité professionnelle. En savoir plus

Le JLB1979 est un excellent casque Bluetooth 5.0 avec un microphone intégré parfaitement adapté aux utilisateurs à la recherche d'une expérience d'écoute et de communication sans fil confortable et de haute qualité. Ce casque est équipé de la dernière technologie Bluetooth 5.0, ce qui assure une connexion stable et rapide avec tous vos appareils Bluetooth, y compris les smartphones, tablettes, ordinateurs portatifs et autres appareils Bluetooth. Il dispose également d'une autonomie de batterie impressionnante de 12 heures, ce qui vous permet de passer des heures à faire des appels, écouter de la musique ou regarder des vidéos sans avoir à recharger constamment. La conception ergonomique du casque JLB1979 vous offre un confort maximal grâce à son design léger et à son réglage de pression facilement adjustable. Il est également muni de petits écouteurs qui réduisent le bruit extérieur et vous permettent d'isoler totalement votre environnement pour une expérience d'écoute immersive. Le microphone intégré assure une qualité de son parfaite pour vos appels et vidéoconférences, grâce à sa capacité de réduction de bruits et de filtrage de hautes fréquences. Ce casque Bluetooth est également équipé de fonctionnalités avancées telles que la réponse aux gestes, la commande vocale et la compatibilité avec Siri et Google Assistant. Cela vous permet de contrôler facilement votre appareil, jouer/pausser la musique, répondre aux appels, lire vos messages et bien plus sans avoir à sortir votre smartphone de votre poche. Le casque JLB1979 est également muni d'un système de connectivité Bluetooth stable et rapide, ce qui vous permet de passer facilement de l'un à l'autre de vos appareils sans avoir à redémarrer votre casque. Il est également compatible avec la technologie HFP/HSP/HFP/A2DP, ce qui vous permet d'utiliser les fonctionnalités de transmission audio et de communication simultanées. Enfin, ce casque Bluetooth est livré avec une boîte à charger, une câble USB de charge, un câble d'entrée audio 3.5mm, des boucles d'oreille et une instruction d'utilisation détaillée. Il est disponible en deux couleurs: bleu et noir. Achetez le JLB1979 aujourd'hui et découvrez l'expérience d'écoute et de communication sans fil parfaite! En savoir plus

Casque/Micros Casques/Micros Code EAN: 0791409011222 En-tête / Fabricant: Kubite Origine_import: All-in-one Titre: KUBITE K-15 Gaming Headset 3.5mm + USB Plug Stereo Over-Ear Headset with Slashing RGB Light Adjustable Microphone Volume Control for PC Laptop Smart Phone

Casque/Micros Casques/Micros Code EAN: 0791409599485 En-tête / Fabricant: Kubite Origine_import: All-in-one Titre: KUBITE K-15 Gaming Headset 3.5mm + USB Plug Stereo Over-Ear Headset with Slashing RGB Light Adjustable Microphone Volume Control for PC Laptop Smart Phone

Vds enceintes amplifiées BEHRINGER MS16 neuves photos site BEHRINGER peut être pas de sigle face avant 4" Woofer + Tweeter Two separate 8 W amplifiers Frequency range: 80 Hz up to 20 kHz Stereo RCA inputs for sound cards, keyboards, etc. A mini jack input (3.5 mm) for CD/MD player is used 1 Adjustable microphone input (6.3 mm jack) for playback applications or for vocal monitoring Headphone output (3.5 mm stereo jack) Rotary knobs: Volume, Bass and Treble Magnetically shielded Dimensions: 140 x 150 x 241 mm Weight: Right box 2.1 kg, left box 1.4 kg

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Walimex Pro Aptaris Universal XL MK II cage system to DSLM and DSLR Caméras Excellent état, comme neuf Dans sa boite d'origine avec sa documentation - innovative cage system that makes system and DSLR cameras suitable for accessories - height adjustable and therefore suitable for all common cameras such as Panasonic GH-4, Nikon D800, Canon 5D Mark III, etc. - new and larger handle with additional 1/4 inch and 3/8 inch tapped holes - Eight new 1/4 inch tapped holes on the TopPlate for added convenience - A variety of mounting options around the rig - Height adjustable between 81mm and 133mm inside dimensions - Many expansion and combination options - Made in Germany - Made of extremely light and stable aerospace aluminum PRODUCT INFORMATION Aptaris - makes system and DSLR cameras suitable for accessories The "Made in Germany" Cage-System Aptaris makes your system or DSLR camera suitable for accessories and thus enables professional results when filming and photographing. Suitable for all common cameras The walimex Pro Aptaris Universal XL Mark II Cage opens up even more possibilities. With its additional 1/4 inch and 3/8 inch threaded holes, accessories such as microphone or film light can be attached even more flexibly. The new and larger handle ensures even more wearing comfort. It also has two 1/4 inch and four 3/6 inch tapped holes. The Universal XL Mk II is suitable for all common cameras such as the Panasonic GH-4, Nikon D800 or Canon 5D Mark III. In short, for those whose hot shoe and tripod threads lie on one axis and do not exceed or fall short of the inside dimensions of the cage. Aptaris is simply attached to the camera via the hot shoe of the camera and the camera screw (1/4 inch thread). An absolute highlight is the height adjustment of the cage, which is done with four Allen screws. This fits the version for a lot of cameras. In addition, two small hooks on the camera plate, which can be individually adjusted depending on the camera, ensure an absolutely non-slip grip. Greatest flexibility in use Thanks to a large number of 1/4 inch threads on all sides and a 3/8 inch thread on the underside, a lot of accessories such as microphones or LED lights can be attached as desired. Additional flexibility in use is provided by the adjustable, supplied handle, which can be mounted at the top, bottom or side as needed. This is also the shooting near the ground possible. With the Manfrotto PL 501 standard adapter plate, Aptaris can also be mounted on a Manfrotto tripod. In any case, access to the battery compartment, memory card etc. remains unrestricted. Many expansion and combination options Aptaris is a system. That's why you can extend the cage with any number of accessories such as the Aptaris rod module or the shoulder rest module. The Rod Module gives you plenty of room to attach additional accessories such as a Follow Focus and a Mattebox. With a diameter of 15mm, the rods comply with the industry standard, so that the combination with all common accessories is possible. Thanks to the included Rodmodulplatte the rod module can easily be attached via a sliding mechanism on the Aptaris system. With the Aptaris shoulder rest module, you can cast a complete rig out of the cage with just a few simple steps - for even more flexibility, especially in mobile use. Of course, you can also extend Aptaris at any time eg with additional hot shoe adapters or a separate L-bracket. Livraison rapide et soignée

Moving Effect with 6 light beams and Mood Light Strips on the edges - Beam effect with 6 lenses and 10 W quadcolor LEDs in RGBW colors and 12 LED mood light strips with 4 RGB SMD LEDs each - Compact lightweight - With infinity function for unlimited TILT movement - Positioning within 630° PAN and 200° TILT - PAN-angle switchable between 630° and 540° - 14 or 16 DMX channels selectable - Functions: Colored beams, LED mood light strips, auto mode, sound control, color presets, color change, Master/Slave function, built-in programs, stepless RGBW color mixture - Masterdimmer - Strobe effect with 1-25 flashes per second and with adjustable speed - Random strobe effect - Automatic position correction - Exact positioning via 16 bit PAN/TILT movement resolution - DMX-controlled operation or stand-alone operation with Master/Slave function - Sound-controlled via built-in microphone, sensitivity adjustable - Addressing via control panel with 4-digit LED display - Switch-mode power supply for operation between 100 and 240 volts - Ready for connection with power cord and safety plug - Control: DMX; Sound to light via Microphone; Stand-alone - Projection: flicker-free - Effect: Multi beam effect

New - Jabra Elite 85t Earbuds Unwanted present. Never opened. Audio Audio Noise isolating fit -  Yes Noise reduction on calls -  Yes, 6-microphone technology Wind noise protection -  Yes Audio codecs supported -  SBC, AAC Speaker size -  12 mm / 0.47 in Speaker bandwidth (music playback) -  20Hz to 20kHz Speaker bandwidth (calls) -  100 Hz to 10 kHz Microphone type -  6 x MEMS Microphone bandwidth -  100 Hz to 10 kHz ANC (Active Noise-Cancellation) -  Jabra Advanced ANC™ using 4 of the device’s 6 microphones ANC -  Yes, adjustable HearThrough -  Yes, adjustable In-ear pressure relief -  Yes Fit & comfort Form factor - In-ear true wireless earbuds EarGels™ - Yes, oval silicon eargels (S, M, L) Battery Music time with ANC - Up to 25 hours total (Earbud 5.5 hrs and charging case 19.5 hrs) Music time without ANC - Up to 31 hours total (Earbud 7 hrs and charging case 24 hrs) Sleep mode - Auto off after 15 minutes without connection, 30 minutes without activity, configurable in the Sound+ app Wireless charging enabled - Works with Qi-certified wireless chargers (min. 5 watts) - wireless charger not included Corded charging - USB-C Charging time - Up to 3 hours for full charge with dedicated USB wall charger (500mA) Charging time (wireless) - Up to 3.5 hours at 25°C / 77°F (Wireless charging device dependent) Fast charge - Up to 60 minutes use, when charging earbuds for 15 minutes in charging case Standby time - 6 months Battery - Rechargeable lithium-ion battery Connectivity Connectivity -  Bluetooth 5.1 Supported Bluetooth profiles -  HSP v1.2, HFP v1.7, A2DP v1.3, AVRCP v1.6, SPP v1.2 Operating range -  Up to 10 m Paired devices -  Up to 8 Multi-connect -  Two devices can be connected simultaneously Auto power on/off -  “ON” when earbuds are out of charging case,  “OFF” after 15 minutes without connection or 30 minutes without activity Auto pause music -  Yes, when one earbud is removed from ear

produit * 2-in-1 headphones: works wirelessly with all smartphones, tablets, or other devices equipped with the bluetooth function. Thanks to its rechargeable battery, enjoy up to 12 hours of playing time in wireless mode, and unlimited use in wired mode. Foldable and adjustable, it features a built-in microphone to answer calls with control buttons. * headphones to listen to music wirelessly via bluetooth 5.0 or wired with the audio cable. * kids safe! 85 db max volume to protect children's ears! * can answer calls. With microphone and control buttons (play/pause and volume adjustment). * foldable! Very light, it fits easily in a bag. * adjustable to fit all heads. * up to 12 hours of playing time in wireless mode and unlimited use in wired mode thanks to its sturdy and detachable cable. * compatible with smartphones, tablets, and other multimedia players with bluetooth or audio jack. * high capacity rechargeable battery. Rechargeable via usb-c port (cable included). Générales EAN 3380743086866 Marque LEXIBOOK Couleur du produit Rouge

RØDE NTH-100M Professional Over-Ear Headset for Media, Broadcast, Podcasting, Content Creation, Streaming RODE NTH-100M Gaming Headphones in perfect condition, extremely little used, almost like new. Comes in original box with all the accessories, most of them never used. Highly regarded gaming and music headphones, offering some of the best audio quality in their class. The RØDE NTH-100M professional over-ear headset delivers exceptional sonic performance and superior comfort that inspires creativity. Featuring a broadcast-quality headset microphone. Whether you’re working in media or broadcasting, podcasting, streaming, gaming or working from home or in the office, the NTH-100M delivers crystal-clear voice capture and pristine audio in an incredibly comfortable and sleek package. With custom-tuned drivers that deliver incredibly accurate frequency response and ultra-low distortion, and a precision-engineered acoustic design optimised for exceptional detail and clarity, they’re ideal for all forms of content creation, including music production, mixing and audio editing, podcasting, streaming and location recording. Luxurious Alcantara® cushions with CoolTech™ gel ensure maximum comfort, especially for creating large-format content, and the fully adjustable headband with our innovative FitLok™ locking system ensures the perfect fit every time. Key Features: Detachable microphone for crystal-clear voice capture in any environment Custom-made drivers deliver incredibly accurate frequency response and low distortion - ideal for monitoring and mixing Precisely engineered acoustic construction optimized for exceptional detail, clarity and a very natural sound Alcantara® ear cups and headband cushions for superior comfort Revolutionary CoolTech™ gel reduces wearing fatigue Fully adjustable headband with FitLok™ locking system Unique contoured ear cups for superior acoustic performance and comfort, with memory foam cushions for excellent sound isolation Detachable cable with locking connector that can be connected to either ear cup for maximum flexibility and convenience y o u t u b e. c o m / w a t c h ? v = V a 7 f W k N a K q c Corsair, sennheiser, astro, philips, akg, audio-technica, hyperx, xbox, playstation, steelseries, sony, logitech, razer, Beyerdynamic En savoir plus Collaboration commerciale.

Le microphone U857QU est un microphone conçu par Audio-Technica, spécialement destiné aux professionnels du son et à ceux qui recherchent des performances exceptionnelles dans leur travail. Ce microphone est équipé d'un diaphragme large de 63 mm, ce qui lui permet de capter des sons avec grande sensibilité et précision. Il dispose également d'une résonance naturelle élevée grâce à son corps robuste en métal et sa suspension acoustique interne. Ce dernier réduit les vibrations mécaniques et garantit ainsi un son net et pur sans pertes d'information./ Cette technologie avancée est combinée avec une polarisation cardioïde directionnelle, ce qui signifie que le microphone capte principalement les sons venus devant lui, tout en réduisant efficacement les bruits et les interférences provenant des côtés. Cela rend le microphone idéal pour l'enregistrement de voix, instruments acoustiques ou autres sources de sons pointues./ De plus, le microphone U857QU dispose d'un gain adjustable sur le corps du microphone lui-même, ce qui vous permet de régler facilement le niveau de sensibilité selon vos besoins. Il est également livré avec un adaptateur XLR-3F pour connecter facilement le microphone à vos équipements professionnels./ Les caractéristiques techniques de ce microphone sont:/ - Diaphragme: 63 mm/ - Type de polarisation: Cardioïde/ - Fréquence de résonance: 100 Hz/ - Fréquence de coupure haute: 15 kHz/ - Sensibilité: -59 dB (1 Pa at 1 kHz)/ - Impédiment: 200 ohms (balanced)/ - Connexion: XLR-3F/ Avec sa conception robuste, sa technologie avancée et sa capacité exceptionnelle à capter les sons subtils et précis, le microphone U857QU est l'outil idéal pour tous ceux qui cherchent à obtenir des résultats professionnels dans leur travail audio. En savoir plus

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Le pack de sonorisation Nsb168 est un ensemble complet d'équipement audio conçu par PreSonus, spécialisé dans l'élaboration de matériels professionnels pour les studios d'enregistrement. Ce pack est idéal pour ceux qui veulent commencer à créer leur propre studio ou améliorer leur configuration actuelle. Il comprend tous les éléments nécessaires pour capturer, traiter et diffuser des sons de haute qualité avec facilité et efficacité. L'élément central du pack est le StudioLive AR22 USB mixeur numérique intègre, doté de deux canaux analogiques avec prise XLR et gain adjustable, ainsi que seize entrées USB pour claviers MIDI ou autres sources numériques. Ce mixeur offre également des fonctionnalités avancées telles qu'un égalisateur paramétrique sur chaque canal, un filtre haute fréquence sur chaque groupe, des effets intégrés (réverb, chorus, etc.) et une interface intuitif avec écran tactile coloré. Il permet également de fonctionner sans ordinateur grâce à sa fonctionnalité Studio One Prime intégrée, ce qui rend ce mixeur particulièreyment pratique lors de performances live./ Le pack comprend également deux moniteurs Eris E5 montés sur pieds, offrant une réponse fréquentielle précise entre 55 Hz et 22 kHz et une puissance totale de 5 W chacun. Ils sont équipés de tweeters magnétiques neodymium et de sous-basses porteurs de membranes MDF. Ces moniteurs sont conçus pour offrir une référence précise lors du mixage et de la production audio./ Pour capturer des sons directement depuis des sources analogiques tels qu'une guitare électrique ou un microphone dynamique, le pack comprend deux préamplificateurs StudioLive AR22, chacun doté d'une prise XLR et gain adjustable. Ces préamplificateurs offrent une grande sensibilité et une faible distorsion, ce qui permet de capturer des sons clairs et précis./ Pour traiter les signaux numériques provenant de sources telles qu'ordinateurs ou claviers MIDI, le pack comprend une interface Audiobox iTwo, offrant deux entrées XLR/TRS combinées avec prises XLR et TRS séparées, ainsi qu'une sortie XLR principale et une sortie headphones 1/4 pouces. Cette interface offre une latence basse grâce à sa conversion audio à faible latence et offre une compatibilité universelle avec tous les logiciels DAW (Digital Audio Workstation) grâce à sa fonctionnalité ASIO, CoreAudio et WDM./ Enfin, le pack comprend également une boîte à disquettes USB externe de 2 TB, offrant suffisamment d'espace pour stocker des milliers de fichiers audio et vidéo. Cette boîte à disquettes est compatible avec tous les systèmes d'exploitation modernes et offre des vitesses de transferts rapides grâce à sa connexion USB 3.0./ Avec ce pack complet de sonorisation Nsb168, vous disposerez de tout ce dont vous avez besoin pour créer votre propre studio d'enregistrement ou améliorer votre configuration actuelle. Il offre une grande flexibilité grâce à ses fonctionnalités avancées et offre une haute qualité audio grâce aux équipements inclus. En savoir plus

Le microphone ACT 5T de Mipro est un microphone conçu pour les enregistrements professionnels. Il est équipé d'un capsule condenser de haute qualité, ce qui permet de capturer des sons précis et détaillés. Ce microphone est doté d'un rendu naturel et transparent, idéal pour les enregistrements de voix, instruments acoustiques et enregistrements de studio. Il dispose d'un gain adjustable, ce qui permet de régler la sensibilité du microphone en fonction de l'environnement d'enregistrement. Le microphone ACT 5T est équipé d'un connecteur XLR, ce qui permet de l'utiliser directement avec des enregistreurs professionnels et des consoles de mixage. Il est livré avec un support de stand et une protection de microphone. Ce microphone est un outil indispensable pour les musiciens, les enregistreurs et les studios de production qui recherchent une qualité sonore exceptionnelle. En savoir plus

Je vends une enceinte OMNITROIC MOM10BT sous garantie équipée d'un récepteur micro sans fil, d'un micro sans fil avec écran, d'un pack de deux batterie. Le tout dans le carton d'origine de l'enceinte protégé par les polystyrène sur mesure. Le système est idéal pour les discours et la diffusion d'un fond sonore grâce a son module bluetooth intégré. Voici le contenu du pack:  OMNITRONIC MOM-10BT4 Modular Wireless PA System Quantity: 1 UP: 379,00 € TUP: 379,00 €   OMNITRONIC MOM-10BT4 Receiver Module Quantity: 1 UP: 39,90 € TUP: 39,90 €   OMNITRONIC MOM-10BT4 Wireless Microphone Quantity: 1 UP: 49,90 € TUP: 49,90 €   Battery 12V/7000mAh Quantity: 2 UP: 29,90 € TUP: 59,80 € Dans le cas de l'achat de deux enceintes j'offre le kit de liaison sans fil pour interconnecter les deux enceintes. Mobile PA system with battery operation and different equipment options - Wireless PA system with modular structure for maximum flexibility - For mobile applications, e.g. events, sales presentations and lectures - Wireless audio link operation of several MOM-10BT4 systems for larger events - Flexible use: mono operation with several systems or stereo operation with 2 systems linked together - 80 watts output power - Power-efficient and battery-saving class D amplifier - High-power 2-way speaker system with 25 cm (10") woofer - Mains operation or battery operation for 6-8 hours of music playing - 3 extension slots for retrofitting wireless receivers - 1 extension slot for retrofitting an audio link module - 1 extension slot for retrofitting a CD/MP3 player with SD slot and USB port - Integrated Bluetooth audio streaming for your smartphones and tablets - 2 microphone inputs (combination XLR/6.3 mm jack) with adjustable reverb effect - 1 line input (XLR und Cinch), switchable stereo/mono - Microphone inputs, line input and Bluetooth module with separate volume controls - Mixer section with common master control and 2-band tone control - Stereo/mono switch for the master signal during audio link operation - Additional XLR output for linking several systems via cable - Switchable microphone priority circuit - ideal for presentations - Built-in fast charger (5 V/2 A) for convenient charging of your mobile USB devices - 5-digit battery level indicator - Integrated automatic charging of the batteries - 2 rechargeable lead gel batteries are required for battery operation (item 13106993) - Ergonomic design - Light-weight black plastic enclosure with metal grille - Flange for speaker stand installation - Transport aid: Trolley Receiver - Control: Bluetooth built-in Power supply:230 V AC, 50 Hzor 12 V DCPower consumption:100 WBattery pack type:2 x Lead 12 V, 7000 mAh, 84 WhAccumulator:battery operation up to 8h recharging time 5hFrequency range:50 - 18000 HzPower connection:Mains input IEC connector (M) mounting version Power supply cord with safety plug (M) (provided)Battery/battery pack (not included)Output power:80 W RMSType:Compact cabinet speakerSize of woofer:(10") ca. 25 cmWidth:33,5 cmHeight:53,5 cmDepth:37,5 cmWeight:15,05 kgReceiverFrequency band:2.4 GHzControl:Bluetooth built-inAmplifier power:80 W RMS, 160 W max.Inputs:Mic:combination XLR/6.3 mm jackLine:XLR and RCA Cinch L/ROutput:Line:XLRLF speaker:25 cm (10")HF speaker:2.5 cm (1")Distortion factor:1 %

Nagra VII - 2 Channel Universal Digital Audio Recorder with Time Code + Nagra Leather Case Seven TC: Stereo digital recorder, 24/192 with AES 42 and internal 16GB memory delivered with: Battery box and charger, power supply, QCTCU time code cable and instruction manual. In great working and cosmetic condition, like new! Technical specification   RECORDING Internal storage:  Micro SD Flash memory card Removable media:  SD Flash memorycard Disk format:  FAT 16 / 32 Recording Method:   Linear digital PCM, optional:MPEG 1 layer II File type:   16 / 24 bit Broadcast Wave File BWF (WAV) A/D & D/A:  24 Bit Sigma Delta Bit rates:  32 kbits/s up to 384 kbits/sec Tracks: 2 individual Sampling Rate:  44.1, 48, 88.2, 96, 176.4 and 192kHz Recording capacity:   1hr at 24 bit 48 kHz per GB of memory Pre-recording buffer: Programmable Display:  Color LCD touchscreen Level meters:  On colour display   INPUTS Digital input:   XLR 3-pole / AES 42 Analogue inputs:   2 x XLR Microphone (Dynamic, +48V Phantom) / line Mic. input sensitivity: 2.8, 10 and 40 mV/Pa selectable Mic. input noise:  Uin Limiters:   On microphone inputs Line input sensitivity: Adjustable from -6 dBm up to +24 dBm for 0 dBFS recording THD at 1 kHz:  2.8mV Mic Frequency response:  Mic, 10Hz – 75 kHz (+0 – 3dB), Line 10 Hz – 90 kHz (+0 -1dB) (measured on AES out) Signal-to-noise ratio: >110 dB ASA “A” Input level adj. range: 42 dB Mic and from -6 to +24 dB Line Input filters: LFA Internal microphone: On the front panel Crosstalk: Mic >70dB: Line > 110dB   OUTPUTS Analogue line output: XLR 4.4V max (+15 dBm) Crosstalk:  >110 dB Signal-to-noise ratio: >100 dB Digital output: XLR AES-3 (24 bit or 16 bit) THD+N:   Frequency response:  10 Hz – 75 kHz (+0-3dB) Headphones:  Stereo 6.3mm (¼”) Jack 50 Ω Internal speaker:  0.3W   OTHER USB: Micro AB connector M/S Decoder:  Switchable Ethernet:  RJ 45   GENERAL Dimensions:    165 x 175 x 65mm (W x H x D) (Incl. battery box) Weight:   800g (1.75 lbs) (Incl. battery pack) Power supply: External 15V Power Consumption:  Approximately 5W Charge time: Approximately 3 hours Battery life: >5 hours Relative humidity:  From 10% to 99% (non condensing)

AER Colourizer Pocket Tool Preamp/Direct Box for Line & Mic Input Used - Excellent Condition Description The AER Colourizer is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement - your signal will be stronger, richer and more stable. Specifications SKUAERCOLOURBarcode #930037012770GTIN #846614090743BrandAERSeriesPocket ToolsTypeLine/Mic PreampUnique FeaturesGain control, phase, parametric equalizer - level, bandwidth and switchable frequency, line out, switchable 24V phantom power, adjustable DI-out, lineWeight420g (0.92 lbs)EQParametric equalizer with switchable frequency range. Level (15 dB), bandwidth (1 octave - 1/6 octave), Frequency - f1= 90 Hz to 1.6 kHz, f2=680 Hz tH X W X D65mm (2.56") x 105mm (4.13") x 135mm (5.31")Power Requirementmains voltage - 24V DC (external power supply), Power consumption - 4 wattToneEQ balance shift. This allows bass or treble accentuation or a combination of bothEffectsEnhancer - widens and colourizes the sound by using the AER enhancer-technologyCabinet SpecificationsaluminumCabinet Finishanodized blackInput 1 & 2combined XLR/6.3mm (1/4") jack sockets. Switchable inputs for instruments (line-level sources) or phantom-powered sources (e.g. Microphones)PhaseInverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees.

de tres bonne facture  comme neuf                Argus 113,33 €  MES ARTICLE SONT STOCKEE DANS UNE PIECE PROPRE ET CHAUFFE    PHOTO A L APPUI Multimix 12R TABLE MIXAGE. État : "Occasion" NIKEL       COULEUR    BLEU  Très peu servis et toujours racké.      Console Multimix 12R dans un état proche du neuf, entièrement fonctionnelle,   protege danspiece chauffee photo a  l appui  Matériel de qualité, fiable, tout métal et d'une belle finition. Envoi en Colissimo  Paiement par paypal  Alesis 1800737 Table de mixage 12 canaux Multimix 12R  RACK19 DE tres bonne facture  comme neuf  voir mes evaluations    SPÉCIFICATIONS PRODUIT Mixer 12 canaux rackable au format 3U 8 entrées micro XLR avec alimentation fantôme, et gain ajustable, Insert sur chaque entrée micro, L'introduction d'un jack jusqu'au premier "click" de l'insert permet d'obtenir un direct out par tranche sans coupure audio, Egalisation 2 bandes, 2 départs auxiliaires jacks 6,35 mm symétriques, 2 entrées ligne stéréo, jack 6,35 mm symétrique, 2 retours stéréo jacks 6,35 mm symétriques, Entrée "tape" RCA Sortie casque en face avant, Sortie générale jack 6,35 mm symétrique et RCA, Faders linéaires 60 mm par tranche, Dimensions: l34 x 483 x 108 mm, Poids 3,6 kg. https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.html Alesis est à l'origine un constructeur d'instruments électroniques basé à Cumberland, Rhode Island qui s'est diversifié ensuite dans l'équipement audio. Créée en 1980, la marque est la première a avoir vendu un processeur d'effets 16 bit numérique à moins de 1000$, le Midiverb. En 1991, Alesis introduit l'enregistreur ADAT. Depuis 2001, la marque appartient à Jack O'Donnell. Consoles analogiques Qu'il s'agisse d'une mixette de home studiste ou d'une grosse console vintage professionnelle, les tables de mixage analogiques sont beaucoup plus courantes que leurs homologues numériques et sont encore les plus utilisées sur scène comme en studio. Leurs avantages ? Une entrée de gamme très abordable et un haut de gamme au son inégalable. very good quality like newArgus € 113.33 MY ITEMS ARE STORED IN A CLEAN ROOM AND HEATED PHOTO ON THE SUPPORTMultimix 12R MIXING TABLE. Condition: "Used" NIKEL COULEUR BLEUVery little used and always racked. Multimix 12R console in near new condition, fully functional, protected in heated room photo support Quality material, reliable, all metal and a beautiful finish.Sending by ColissimoPayment by paypalAlesis 1800737 Multimix 12R RACK19 12-channel mixerVery good quality like new see my evaluations PRODUCT SPECIFICATIONS12-channel rack-mountable mixer in 3U format8 XLR microphone inputs with phantom power, and adjustable gain,Insert on each microphone input,The introduction of a jack until the first "click" of the insert makes it possible to obtain a direct out per section without audio cutting,2-band equalization,2 auxiliary sends, balanced 6.35 mm jacks,2 stereo line inputs, balanced 6.35 mm jack,2 balanced stereo 6.35 mm jacks,RCA "tape" inputHeadphone output on the front panel,General output jack 6.35 mm balanced and RCA,Linear faders 60 mm per slice,Dimensions: l34 x 483 x 108 mm,Weight 3.6 kg.https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.htmlAlesis was originally an electronic instrument builder based in Cumberland, Rhode Island which then branched out into audio equipment. Founded in 1980, the brand was the first to sell a 16-bit digital effects processor for less than $ 1000, the Midiverb. In 1991, Alesis introduced the ADAT recorder. Since 2001, the brand has been owned by Jack O'Donnell.Analog consolesWhether it is a home studio mixer or a large professional vintage console, analog mixers are much more common than their digital counterparts and are still the most used on stage and in the studio. Their advantages? A very affordable entry le