Alto baroque

VINYL RECORD IN EXCELLENT CONDITION (CLOSE TO NEAR MINT) / SLEEVE vg+ J.S. Bach* - Elly Ameling, Helen Watts, Peter Pears, Tom Krause, Manécanterie De Lubeck*, Hans-Jürgen Wille, Orchestre De Chambre De Stuttgart*, Karl Münchinger ‎– Oratorio De Noël Label: Decca ‎– 7.054, Decca ‎– 7.054 B Série: Aristocrate – Format: Vinyl, LP, Reissue, Stereo Country: France Sortie:   Genre: Classical Style: Baroque, Oratorio, Religious Tracklist I - 1re Partie: (3:20) A1 Chœur: Jauchzet Frohlocket ! II - 1re Partie: (7:05) A2 4. Air (Alto): Bereite Dich, Zion A3 5. Choral (Chœur): Wie Soll Ich Dich Empfangen III - 1re Partie: (6:45) A4 8. Air (Basse): Grosser Herr Und Starker König A5 9. Choral (Chœur): Ach, Mein Herzliebes Jesulein IV - 2e Partie: (14:15) A6 10. Symphonie Pastorale (Orchestre) A7 11. Récitatif: (Evangéliste - Ténor) A8 12. Choral (Chœur): Brich An, O Schönes Morgenlicht A9 13. Récitatif (Soprano & Ténor) A10 14. Récitatif (Basse) A11 15. Air (Ténor): Frohe Hirten, Eilt, Ach, Eilet I - 2e Partie: (4:37) B1 19. Air (Alto): Schlafe, Mein Liebster II - 3e Partie: (7:45) B2 29. Duo (Soprano & Basse): Herr, Dein Mitleid, Dein Erbarmen III - 4e Partie: (15:25) B3 36. Chœur: Fallt Mit Danken B4 37. Récitatif (Evangéliste - Ténor) B5 38. Récitatif Et Arioso (Basse Et Soprano) B6 39. Air (Soprano): Flösst, Mein Heiland IV - 6e Partie: (4:05) B7 63. Récitatif (Soprano, Ténor, Alto & Basse) B8 64. Choral (Chœur): Nun Seid Ihr Wohl Gerochen Entreprises, etc. - Recorded By – The Decca Record Company Limited - Pressed By – A.R.E.A.C.E.M. - Distributed By – Sofrason Crédits - Artwork ["Rétable Baumgartner", Munich] – Dürer* - Chorus – Manécanterie De Lubeck* - Chorus Master [Chef Des Chœurs] – Hans-Jürgen Wille - Composed By – Johann Sebastian Bach - Conductor [Direction] – Karl Münchinger - Orchestra – Orchestre De Chambre De Stuttgart* - Photography By [Front Photo] – Giraudon* - Sleeve Notes – Michel - R. Hofmann* Notes - No "Stereo" mention printed on front cover. - Glossy sleeve. Gatefold sleeve with notes in French printed inside. Made in France. (P) 1969. Code-Barres et Autres Identifiants - Matrix / Runout (Side A, stamped): AREACEM ZAL 9129 T8 L◇ - Matrix / Runout (Side B, stamped): AREACEM ZAL 9130 L5 - Matrix / Runout (Both sides, hand-etched): XX - Matrix / Runout (Printed on A-side label): ZAL 9.129 - Matrix / Runout (Printed on B-side label): ZAL 9.130 - Other (Printed on front cover, back and center labels): SET 423 - Price Code (Printed on labels): Ⓐ - Price Code (Printed on back cover): GP 359 - Rights Society (Public Domain): DP

Lot de 4 Cassette Audio K7 LES GRANDS COMPOSITEURS ET LEUR MUSIQUE * N°12 LISZT Concertos pour piano Orchestre symphonique de Pittsburgh Face 1: Concerto n°1 pour piano et orchestre, en mi bémol majeur (Allegro maestoso - Quasi adagio - Allegretto vivace - Allegro animato - Allegro marziale animato) Face 2: Concerto n°2 pour piano et orchestre, en la majeur (Adagio sostenuto assai - Allegro agitato assai - Allegro moderato - Allegro deciso - Marziale un poco meno allegro - Allegro animato) * N°28 FESTIVAL BAROQUE Face 1: Purcell: Trumpet Overture, extrait de The Indian Queen - Albinoni/Giazotto, Adagio en sol mineur pour cordes et voix, Maria Teresa Garatti, voix - Telemann, Concerto en sol majeur pour alto, cordes et basse continue. Cino Ghedin, alto - Rameau, La Poule. Face 2: Pachelbel, Canon et Gigue - Corelli, Concerto grosso en sol mineur, opus 6 n°8 - Haendel Solomon, Arrival of the Queen of Sheba * N°1 BEETHOVEN Symphonie n°5 en ut mineur, opus 67 sous la direction de Rafael KUBELIK Face 1: 1er mouvement Allegro con brio; 2e mouvement Andante con moto Face 2: 3e mouvement Allegro-attacca; 4e mouvement Allegro * N° 26 BACH morceaux pour orgue Karl Richter Face 1: Toccata et Fugue en ré mineur, BWV 565; Fantaisie et Fugue en sol mineur, BWV 542 Face 2: Prélude et Fugue en mi mineur, BWV 548; Passacaille et Fugue en ut mineur, BWV 582 OCCASIONS - NON ECOUTEES Boitiers avec traces de stockages Les frais de ports pour les DOM-TOM étant différents des autres ceux-ci sont à calculer. Merci de demander une estimation que l'on puisse calculer au plus juste en fonction du poids total En savoir plus Collaboration commerciale.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

LA STEREO LA VOIX DE SON MAITRE LP MEDIA EX / SLEEVE EX. État : "Occasion" MEDIA CONDITION: EX SLEEVE CONDITION: EX La Voix De Son Maître ‎– CV 2289 Format: Vinyl, LP, Album, Special Edition Country: France Sortie:   Genre: Non-Music, Classical, Stage & Screen Style: Promotional, Baroque, Classical, Modern, Romantic, Technical TracklistMasquer Crédits A1–Max Pol Fouchet*IntroductionNarrator – Max Pol Fouchet*A2–No ArtistBruit Blanc Au CentreA3–Varese*Hyperprisme (Extrait)Conductor – Konstantin SimonovitchOrchestra – Ensemble Instrumental De Musique Contemporaine De Paris*A4–Vivaldi*Les Quatre Saisons (L'Automne, Mt 2: Adagio)Conductor – Louis AuriacombeOrchestra – Orchestre De Chambre De ToulouseA5–Moussorgsky*Les Tableaux D'Une Exposition (La Grande Porte De Kiev)Conductor – Serge BaudoOrchestra – Orchestre De ParisOrchestrated By – Ravel*A6–Roussel*Psaume LXXXChoir – Chorale Stéphane Caillat*Conductor – Serge BaudoOrchestra – Orchestre De ParisB1–Max Pol Fouchet*IntroductionNarrator – Max Pol Fouchet*B2–Chabrier*EspañaConductor – Jean-Pierre JacquillatOrchestra – Orchestre De ParisB3–Ganne*Les Saltimbanques (Acte 1, 1er Tableau: Trio)Baritone Vocals – Dominique TirmontConductor – Jean-Pierre MartyLyrics By – Maurice OrdonneauOrchestra – Orchestre De L'Association Des Concerts Lamoureux*Soprano Vocals – Mady MespléTenor Vocals – Raymond AmadeB4–Chopin*Rondo En Ut Majeur, Op. 73 (Pour 2 Pianos)Piano – Pierre Barbizet, Samson FrançoisB5–Schoenberg*Trio Op. 45 (Mt 1) (Pour Violon, Alto Et Violoncelle)Ensemble – Le Trio À Cordes FrançaisPerformer – Gérard Jarry, Michel Tournus, Serge CollotB6–Poulenc*Trio (Pour Piano, Hautbois Et Basson, Mt 1)Performer – Gérard Faisandier, Jacques Février, Robert CasierB7–Vivaldi*Concerto En Ut Majeur Op. 46 N°1 Pour 2 Trompettes (Final)Conductor – Louis AuriacombeOrchestra – Orchestre De Chambre De ToulouseTrumpet – Albert Calvayrac, André BernesB8–Xenakis*Atrées (Pour 10 Instr.) (3e Partie)Conductor – Konstantin SimonovitchOrchestra – Ensemble Instrumental De Musique Contemporaine De Paris*B9–Poulenc*Suite Française (D'Après Claude Gervaise) (Bransle De Bourgogne)Conductor – Georges Pretre*Orchestra – Orchestre De Paris

Disque NM: surface brillante, labels NM.  Ecoute A, bruit de fond très discret, sur couple Rega / Nagaoka. [Echelle:  A Très discret - B Discret - C Légèrement bruyant  - D Bruyant]. Disque livré nettoyé avec sous-pochette et pochette cartonnée neutre neuves. Record condition: NM, shiny surfaces, rare spindle nails. Plays A, very low noise, on Rega / Nagaoka [Scale: A Very low background noise - B Low noise - C Noise - D High noise]. Record delivered cleaned, in new inner sleeve and new neutral card sleeve. Note du mélomane: un tel disque nous plonge dans un univers sonore évidemment révolu mais qui puisait sa légitimité à bonne source; dans la petite plaquette, par ailleurs remarquablement informée (analyse de chaque air par M. de Courville), Claude Crussard justifie le recours au piano par Carl Philipp Emanuel Bach lui-même; quant à Yvon Le Marc’Hadour, il serait bon de rappeler qu'il appartient à cette lignée exceptionnelle de chanteurs français et suisses de l’entre deux guerres qui, autour de Nadia Boulanger, se lancèrent à la redécouverte du chant baroque: Hugues Cuénod, Doda Conrad, Paul Derenne, et ce bien avant la révolution baroqueuse. Mme Ortmans-Bach, Mr Godard &  Mlle Blot (vl) Mlle Meynieu (alto) Mme Thibout (cello) Paris 7/11/34

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

Le disque b'"'Messe en si mineurb'"' est un album CD consacré à l'œuvre majeure du compositeur baroque allemand Johann Sebastian Bach (1685-1750). Ce chef-d'œuvre choral est composé entre 1723 et 1727 et est considéré comme l'une des plus grandes compositions sacrées de l'histoire de la musique classique occidentale. Cet ensemble de chants sacrés est composé de six parties: Kyrie, Gloria, Credo, Sanctus, Agnus Dei et Benedictus (qui est parfois considéré comme une partie séparée ou intégrée au Sanctus). La messe est écrite dans la tonalité de mi mineur et est destinée à être exécutée par un grand orchestre symphonique et un grand chœur mixte. Cet album est enregistré par l'Orchestre Philharmonique de Berlin dirigé par Herbert von Karajan, considéré comme l'un des plus grands interprètes de cette œuvre. Les solistes invités sont Elisabeth Schwarzkopf (soprano), Elisabeth Höngen (alto), Dietrich Fischer-Dieskau (ténor) et Gerhard Unger (basse). Les enregistrements ont été effectués entre 1954 et 1955 au Salzburger Festspielhaus et au Philharmonie de Berlin. Ils ont été réalisés avec les moyens techniques les plus avancés de l'époque, ce qui permet aux auditeurs d'apprécier les subtilités et la richesse sonore de cette composition complexe et riche en harmonies. L'album est édité sous le label Philips Classics et comporte deux disques audio avec une durée totale d'environ 1 h 45 min. Il est disponible depuis le 13 novembre 2015 sous le référentiel CD: G49.A315.023 et possède le code EAN: 0843183072224. Il comprend six titres correspondants aux différentes parties de la messe. Si vous êtes passionné(e) de la musique classique sacrée ou de l'oeuvre de Johann Sebastian Bach, ce disque b'"'Messe en si mineurb'"' est sans doute un ajout indispensable à votre collection. Son interprétation par Herbert von Karajan et les solistes invités offre une expérience sonore exceptionnelle et inoubliable. En savoir plus

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.