Analog audio demultiplexer with sync

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

RCA to HDMI, GANA AV to HDMI Video Adapter Mini AV to HDMI Converter   Description Color: AV to HDMI Plastic Introduction: This mini RCA to HDMI converter converts RCA signals (AV, composites, CVBS) to HDMI signals, so you can watch your videos on a modern TV with HDMI ports. The analog-to-digital conversion of this module uses a maximum sampling of 162 MSPS over 10 bits Black / white level expansion, color transition improvement, dynamic range expansion, blue stretch, automatically detect and convert composite signal to 1080p (60Hz) output. Bring video to life, delivering the most vivid, most realistic HD visuals available. Characteristics: 1. Input ports: 1xRCA (yellow, white, red), USB power. 2. Output ports: 1xHDMI (standard) 3. NTSC / PAL compatible 4. Composite input: PAL, NTSC3.58, NTSC4.43, SECAM, PAL / M, PAL / N 5. HDMI output: 1080p / 60Hz, 720p / 60Hz 6. Dimensions (mm): 66 (D) x55 (L) x20 (H) 7. Weight (g): 40g 8. Power supply: USB port Features: No need to install drivers, portable, flexible, plug and play. Support PAL, NTSC3.58, NTSC4.43, SECAM, PAL / M, PAL / N standard TV formats. Audio sync output with video. Can be displayed on monitor / TV with high bandwidth capability of 1920x1080 @ 60Hz To note: 1.May experience lag of less than three seconds. It will not only convert audio. 2. In order for the converter to work properly, all cables must be connected and used (yellow: video, white: left audio and red: right audio) 3.Supported audio format: 2ch analog audio, does not support 3D. Package contents: 1x RCA to HDMI Converter 1x USB cable 1x User manual Please pay attention: This product does not include RCA cable, not include HDMI cable, not include a adapter. RCA to HDMI: Signal sending device must have composite video ports (yellow, white, red), such as PS3 / HD Player (RCA); The signal receiving device must have an HDMI port, such as TV / Monitor., Compatibility: Support Two TV Output Formats: NTSC and PAL.RCA to HDMI adapter for input of standard TV formats PAL, NTSC3.58, NTSC4. 43, SECAM, PAL / M, PAL / N., Resolution 1080P / 720P: Support HDMI 1080p / 720p output. Converts analog composite input to 1080p (60HZ) HDMI output, displayed on 1080p (60HZ) HDTV / Monitor, Video and Audio output., Plug & Play: Provide advanced signal processing with high precision, colors, resolutions and details. No Need to Install Drivers, portable, flexible., Note: 1.Please connect your USB power cable before use to make this video converter work perfectly (AC adapter not included). 2. All GANA products with 12 months warranty and lifetime technical support. About us We are at your service, presenting you our best products in all categories. We do our best to deliver to you as quickly as possible. Payment We accept payment by any of the following methods: PayPal Please pay as soon as possible after winning an auction, as this will allow us to post your item sooner! Shipping We ship within 3 business days of payment, usually sooner. We use a selection of local shipping services. We do not ship to PO boxes. Local pickups and combined shipping options are not provided at this time. Return You can return a product up to 30 days from the date of purchase. Any product you return must be in the same condition you received it and in the original packaging. Please keep the receipt. Copyright © GetProduct.io 2020.

TAC-8 Thunderbolt Audio Converter. État: "Occasion" Très bon état, Zoom TAC-8 Convertisseur Audio Thunderbolt avec alimentation 18 entrées & 20 sorties, au format rack 1U. Elle dispose de 8 entrées et 10 sorties analogiques, ainsi que des entrées / sorties numériques au format ADAT. Elle pourra donc gérer au total 18 sources en entrée, et renvoyer le signal sur 20 sorties. Le format Thunderbolt lui confère une des latences les plus faibles du marché (ce format autorise des transferts 10 fois plus rapides que le FireWire). Il présente l'avantage d'être directement compatible avec tous les ordinateurs de la marque Apple équipés en Thunderbolt (à partir de Mac OSX 10.8.5). Cette interface peut être utilisée avec un logiciel gratuit: MixEfx, idéal pour le monitoring et le traitement en temps réel. En plus de sa connectique Thunderbolt, et de ses nombreuses entrées et sorties, elle dispose d'une prise sync WordClock, d'une interface MIDI, et d'une entrée sortie SP/DIF. Cerise sur le gâteau, vous pourrez l'utiliser en mode standalone, sans PC donc, en tant que préamplificateur et/ou convertisseur. Zoom Tac-8 Thunderbolt Audio Converter with alimentation. The rack-mountable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, 10 digital inputs and outputs (in both S/PDIF and ADAT Optical formats), and both Word Clock and MIDI I/O. Whether you want to record large scale multi-channel 24-bit/192 kHz sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take full advantage of today's latest technology.

About the Arcam rDock-uni: almost like new, very light use, in original box with all the accessories. A dock for audiophiles, a docking station for iPhone/Pad/Pod, that allows the highest quality and easiest fixed connection to any form of Hi-Fi, Home Cinema or Audio system. Featuring the Lightning connector for all current iDevices and USB for older ones, just Dock b'&' Play! owned music AND stream Spotify, Qobuz, RDio, Deezer, Tune-in Radio etc. Get the highest quality audio from your Apple portable with the Arcam rSeries rDock-uni. The dock's Lightning connector is compatible with the latest generation iPhone, iPad, iPad mini® and iPod touch®. When connected, the dock bypasses the digital-to-analog converter (DAC) inside your player, and feeds pure, unprocessed digital data to its own built-in high-performance DAC, which provides more accurate, musical sound. Arcam rDock-uni Lightning connector dock Compatible with Lightning connector iPhone or iPad. Exceptional audio The rDock-uni has a pair of RCA analog stereo outputs, so you can plug it into your home theater receiver or desktop speaker system and enjoy great sound. Does your system already have an outstanding DAC of its own? Then use the rDock-uni 's coaxial digital output to send the signal straight to your outboard DAC. An important part of the Arcam ecosystem The rDock-uni comes with its own remote, which lets you play, pause and skip tracks from your connected Apple portable. You can use the rDock-uni with the Arcam Solo Mini compact stereo receiver, making it even more versatile. Or couple it with the Arcam SonLink DAC for Sonos®. Both of these devices let you control the rDock-uni through their own remotes. Pass-through syncing The rDock-uni's power adapter has a USB plug, so you can either connect it to a wall outlet, or connect it to your computer via a USB port. This also lets you sync your docked player. A USB port in the dock lets you connect older 30-pin Apple portables to the rDock-uni. Just use your portable's charging cable. You'll be able to recharge your older iPod, iPhone, or iPad through the port. What must be said from the off is the rDock is a product for the mature audiophile. It assumes you already have the high end AV system and/or top notch TV (ideally) with surround sound system… and if you do you will be in dream land. Arcam has a well established tradition for producing top notch DACs and here it again lives up to its reputation. By taking the circuitry of an Apple device out the equation the rDock’s DAC is able to process the files without interference. Attach it to a good HiFi with some quality speakers and the DAC adds noticeable richness, drive and detail compared to the bog standard delivery from the iPod/iPhone/iPad alone. Most impressive is the boost to the midrange and bass which bring markedly improved depth and with it a keenly felt layer of emotional involvement. Use the digital SPDIF output and you’re of course reliant on whatever DAC you use further down the line in your AV setup, but it’s a useful addition for if you want to feed your device’s audio to multiple rooms, for instance. Arcam MD Charlie Brennan told StereoNET “Amidst all the fuss about wireless connectivity (including ours:-) the simplest and best solutions can often be ignored. The rDock is the best way to get killer sound from an iPhone/Pod/Pad”. You can safely assume Arcam’s nicely priced rDock-uni will sound terrific. What else would you expect from this UK pedigree brand which has notched up more awards for its ranges of discrete audio-video gear than just about any of its rivals? In perfect working condition and looks. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. Product highlights: stylish and robust cast aluminium case, provides stable support for Pads/Phones and Pods compatible with Lightning connector iPhone, iPad, i En savoir plus Collaboration commerciale.

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

TAC-8 Thunderbolt-18 in/20 out Audio Converter TAC-8 - Dans la boîte d'origine   Zoom TAC-8 Convertisseur Audio Thunderbolt avec alimentation 18 entrées & 20 sorties, au format rack 1U. Elle dispose de 8 entrées et 10 sorties analogiques, ainsi que des entrées / sorties numériques au format ADAT. Elle pourra donc gérer au total 18 sources en entrée, et renvoyer le signal sur 20 sorties. Le format Thunderbolt lui confère une des latences les plus faibles du marché (ce format autorise des transferts 10 fois plus rapides que le FireWire). Il présente l'avantage d'être directement compatible avec tous les ordinateurs de la marque Apple équipés en Thunderbolt (à partir de Mac OSX 10.8.5). Cette interface peut être utilisée avec un logiciel gratuit: MixEfx, idéal pour le monitoring et le traitement en temps réel. En plus de sa connectique Thunderbolt, et de ses nombreuses entrées et sorties, elle dispose d'une prise sync WordClock, d'une interface MIDI, et d'une entrée sortie SP/DIF. Cerise sur le gâteau, vous pourrez l'utiliser en mode standalone, sans PC donc, en tant que préamplificateur et/ou convertisseur. Zoom Tac-8 Thunderbolt Audio Converter with alimentation. The rack-mountable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, 10 digital inputs and outputs (in both S/PDIF and ADAT Optical formats), and both Word Clock and MIDI I/O. Whether you want to record large scale multi-channel 24-bit/192 kHz sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take full advantage of today's latest technology.

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

Vends vidéo projecteur SANYO PLC-XU88 3000 Lumens très peu servi, excellent état. Livré avec télécommande, notice d'emploi et sac de transport adapté. Caractéristiques: Resolution XGA (1024 x 768) Brightness 3000 ANSI Lumens LCD Panel System 0.63” TFT p-Si x 3 w/Micro Lens Number of Pixels 2,359,296 (786,432 x 3) Contrast Ratio 500:1 (Lamp Mode ”Auto”, Image Mode ”Dynamic”) Image Size (diagonal) 40” – 300” Aspect Ratio 4:3 Zoom/Focus Manual Zoom Ratio 1:1.57 Up/Down Ratio 9:1 Digital Keystone Correction Vertical: +/- 20 w/Auto Keystone correction Projection System Dichroic mirror & X prism system w/PBS Projection Lens F1.6-2.5 / f0.70”-1.11” Lens Throw Ratio 1.38-2.17:1 Projection Lamp 220W UHP Scanning Frequency H Sync: 15-100kHz, V Sync: 50-100Hz Dot Clock 140MHz Color System PAL/PAL-M/PAL-N/SECAM/NTSC/NTSC4.43 Computer Compatibility UXGA, WXGA, SXGA, XGA, SVGA, VGA, MAC Sound Output One-piece, 1-watt Mono Voltage 100-120 200-240V AC (auto Voltage); 50/60 Hz Power Consumption 275W / 195W (Eco mode) Dimensions (WxHxD) 13.2” x 3.1” x 9.4” Net Weight 7.5 lbs User Maintenance Clean air filters, replace lamp assembly PC Input Terminals DVI-I x 1 (Digital with HDCP / Analog) • D-sub15 x 1(In/Monitor out) • Audio x 1 (Stereo mini-jack: common) Video Input Terminals Composite Video (RCA x 1)• S-Video (Mini-DIN 4-pin) • R & L/mono audio (RCA x 2) • Component Video (D-Sub15 input w/optional cable) • Audio for Component Video(stereo mini-jack) Included Accessories I/R Remote Control • 2 AAA Batteries • Owner’s Manual(CD-ROM & Quick Reference Guide)

Nous vendons notre matériel suite à un changement d'activité. Parfait état bon matériel. Coté 446 € d'occasion à l'argus. Carte digitale offerte ! ---- Features: 24-bit A/D and D/A converters yield over 110dB dynamic rangeInstant recall of all major mixer settings (EQ, dynamics, snapshots, etc.) via 200 memory locationsAnalog-style 1-step functionality (common mixer functions are only 1 step away, so you don't have to page through menus)38 channels (32 analog or digital inputs plus 6 aux returns) plus 8 busesSurround Sound: 5.1 mixing is built-in4-band parametric EQ on each channel (a total of 48 EQs)Dynamics section on every channel, including compressor/limiter, gate, expander and delayAutomation: both dynamic and snapshot automation for all mixer parameters is built-in, with an optional automation expansion software package availableMultiple interfaces: 3 rear panel expansion slots for up to 24 channels of ADAT, TDIF or AES/EBU connections are availableOther option cards allow SMPTE and video sync, tandem connection of 2 DA7s and analog A/D and D/A connections4 fader layers: 21 high quality moving faders do triple duty as level controls for channels 1?16 (layer 1), 7?32 (layer 2), or aux sends 1?6, aux returns 1?6, and buses 1?8 (layer 3); the fourth layer allows you to customize your work surface by reassigning any of the audio faders Instruments de musique occasion à vendre à Paris (75116)