And as clock ticks

The iClock is a synchronizable, clock which is designed to be the reference in digital audio and video studios as well as broadcast stations. Based on a totally new concept of frequency generation, developed by MUTEC, the unit offers an unchallanged flexibility for synchronization of different devices to one house clock. On this occasion iClock breaks traditional and unflexible forms of chaining input and output signals and allows for the first time their completely free combination and scalability. - Synchronizable reference clock synthesizer for PAL/NTSC video, Word Clock, AES11 and S/P-DIF syncs - High-accurate and lowest-jitter clock base with - Redundant (fail-safe) clock supply in all operation modes - DDS-based jitter elimination of incoming reference signals - Synchronization and generation of 36 different Word Clocks rates - DSD64, DSD128 + DXD clock rates standardly supported - Synchronization and generation of all AES3/11 and S/P-DIF clock rates up to 192.0 kHz - Generation of different pilot tones - No limitation of input assignment at the universal inputs - SoftReLock functionality for recurring reference signals - CYCLESYNC functionality for automatic re-synchronization between different references - Generation of multiple clock rates at the same time - Drop out compensation of incoming reference signals - Totally free scalability of all output clock signals - Automatically working signal management aligned to AES11 and EBU R83 - Digital varispeed up to ±20% availabel during internal and external synchronization - Supports all US and European pull up/pull down rates for film, audio and video transfers - Follows external references up to ±20 % (reducible) - Eeasy and convenient operation through large display - Soft and hardware upgradeability and recalibratability - Front panel lock-out for preventing misuse - Alimentation interne - Format rack 19" - 1U Très Bon état général Bon état de fonctionnement AV.OCCASE - since 2001 Audio-Vidéo-Broadcast-Hifi Equipment and Accessories - NEW -USED ACHAT.VENTE.NEGOCE NOUS SOMMES UNE ENTREPRISE SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL A LA PIECE OU AU LOT OCCASION / NEUF A PRIX DISCOUNT SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE / ACCESSOIRES 40 rue Edmond Rostang (fond a droite) 94500 CHAMPIGNY FRANCEUNIQUEMENT SUR RDV TEL: 06.21.27.75.55 Matériel vendu avec Facture et TVA récupérable pour les assujettis, le prix étant TTC. **** Récupération possible sans frais dans nos locaux A CHAMPIGNY 94,merci de nous consulter avant, pour la disponibilité **** Expédition: L'envoi est effectué de 1 jour a 7 jours ouvrables à réception de votre paiement. Livraison par la poste ou transporteur, numéro de suivi envoyé par email sur votre adresse paypal, ou si paiement par chèque sur votre adresse. Emballage soigné. Frais de port: Si vous achetez plusieurs objets, je recalcule les frais de port en fonction du poids et de la taille du colis Facture: Au bout de 7 jours, sans réception de paiement, l'enchérisseur sera bloqué et une demande de litige faite auprès d’. Retour En cas de retour, une demande par email doit nous être adressée au préalable sous 14 jours suivant l’achat pour les particuliers uniquement en France, sinon aucun retour ne sera accepté. Le retour doit être effectué dans l'emballage utilisé pour l'expédition initiale et l'objet doit être en parfait etat de revente. Le remboursement sera effectué après réception et vérification. **** Votre satisfaction est importante. Si vous avez un problème ou une question concernant votre transaction, merci de me contacter avant de donner une évaluation négative. Une évaluation négative n'a jamais résolu un problème. Je ferai le nécessaire afin de résoudre le litige. Réf

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

GENESIS DIGITAL LENS / Jitter killer and reclocker.  In good state and fully working condition The Genesis Digital Lens is a jitter killer that is used between your cd transport or streaming device and the DAC. It makes the music sound as coming from a blacker background and increases rhythm and timing. It has an enormous added value when you are using sources with high jitter levels, such as computer based streaming devices or cd transports without the very best clock devices. It also has both AT&T in- and outputs, so it makes an ideal match with Wadia’s.  This late version comes with the optional metal remote control  Amazing piece of digital technologie. I had 3, sold one and i keep one.

Up for sale is a collectible PROTOTYPE TESSINA Automatic 35 !!  Tessin Kanton Flag engraved !! No serial number Polished finish on front and rear camera. No "R" engraved on the rewind wheel. Comes with spool. The camera as just been restored. Clock motor works and 1 charge gives about 10-12 shots. Shutter fires at all speeds and sounds great but not tested with film so accurate is not guaranteed. Focusing works well. Insigniant haze or stain in lens. The Tessina 35, a camera created in 1957 by Dr. Rudolph Steineck, in Lugano, in the canton of Tessin (hence the name of the camera), in Switzerland. This device was manufactured by the precision mechanics manufactory Siegrist AG in Grenchen, Switzerland (which originally specialized in pinions and wheels for the watch industry and which still exists today). The device was marketed by its creator through the company Concava SA of Lugano.The Tessina is probably the smallest half-frame 35mm film camera. Unfindable camera ! Worldwide Shipping Trackcing number inclued Safe packaging France = 13 euros UE = 17 euros Out UE = 30 euros

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

KORG Volca FM Synthesizer Please Read Description.  This fun little fm synth works fine and as it should but has to be synced to other gear as the internal clock does not seem to work. Don’t know why, but chances are if you are looking at this you will be syncing it to other gear anyhow. Can still be played real-time without the clock. Will throw in some rechargeable batteries and a stereo out lead. Comes with box as well. More pics to follow Condition is Used. Dispatched with Royal Mail 1st Class. Synthétiseur FM KORG Volca Veuillez lire la description.  Ce petit synthé fm amusant fonctionne bien et comme il se doit, mais doit être synchronisé avec d'autres équipements car l'horloge interne ne semble pas fonctionner. Je ne sais pas pourquoi, mais il est probable que si vous regardez cela, vous le synchroniserez de toute façon avec d'autres équipements. Peut toujours être joué en temps réel sans horloge. Va jeter des piles rechargeables et un fil de sortie stéréo. Livré avec boîte également. Plus de photos à suivre La condition est utilisée. Expédié avec Royal Mail 1ère classe.

Kenwood DMC-P55 MDLP Minidisc Player + Docking Station + Remote Minidisc player with docking station from Kenwood, in very good condition. Safely stored away for some time. There are a couple of light marks however it is in perfect working order -- please take a good look at the photos. Comes with a docking station that has built-in speakers and a clock, along with a wired remote control (backlit) and an AC adapter (EU plug). Please note that the speakers work via a 3.5mm jack, so you could also connect another audio player, and the adapter has a patch cable to make connection easier (see last photo). I've tested this with my own NiMH gumstick battery, but please note that NO battery is included with the sale, it's just the player, docking station, remote control and adapter as pictured.   Shipped from France. If you do have any questions then please drop me a line. [Traduit par google] Lecteur Minidisc MDLP Kenwood DMC-P55 + Station d'Accueil + Télécommande Lecteur minidisc avec station d'accueil de Kenwood, en très bon état. Stocké en toute sécurité pendant un certain temps. Il y a une ou deux légères marques mais il est en parfait état de fonctionnement -- veuillez bien regarder les photos. Livré avec une station d'accueil qui a des haut-parleurs et une horloge intégrés, avec une télécommande câblée (rétroéclairée) et un adaptateur secteur (prise UE). Veuillez noter que les haut-parleurs fonctionnent via une prise jack 3,5 mm, donc vous pourriez également connecter un autre lecteur audio, et l'adaptateur dispose d'un câble de raccordement pour la connexion (voir la dernière photo). J'ai testé avec ma propre batterie NiMH gumstick, mais veuillez noter qu'aucune batterie n'est incluse dans la vente, c'est juste le lecteur, station d'accueil, télécommande et adaptateur comme sur les photos. Expédiés de la France. Merci de demander si vous avez des questions.

Hifime UH1 Digital permet d'écouter de la musique en qualité (horloges TCXO, isolement galvanique) depuis un ordinateur via la sortie USB de celui-ci. La sortie HDMI I2S est compatible avec les 3D LAB Nano DAC. Entrées: optique, HDMI (I2S) et USB: un switch permet le choix entre Low (limite la fréquence à 96 kHz mais ne nécessite aucun driver sous windows) et High (driver windows 10 disponible sur le site de Hifime). Sorties: coaxial, optique, HDMI I2S compatible avec le 3D LAB Nano DAC. Un switch à 2 positions permet de rendre le DSD compatible avec plusieurs marques (pas essayé avec le 3D LAB). Spécifications (issues du site de Hifime): This is the UH1 without the DAC part. It is a pure high quality USB to i2s/DSD (over HDMI), COAX and OPT. This also has i2s/HDMI input (HDMI to USB). It is based on the Savitech SA9227 asynchronous USB receiver clocked by two TCXO oscillators which are used as the master clock to control the timing. This asynchronous USB transfer mode will give this device the responsibility to clock the data transfer instead of of your computer which has a clock of lesser quality with more noise and jitter introduced. It accepts up to 384kHz sample rates and 16/24/32 bit. No drivers are necessary on MAC and linux computers ! On Windows it can work without drivers up to 96kHz/24bit and with ASIO drivers up to 384/32. (Note that not all programs support ASIO). There is a switch that switches between Low and High sample rate mode. When set to Low, it works up to 96/24 with no drivers needed in Windows. It utilises the USB port for power, so no external power supply is required. Also the outputs and inputs are ground isolated from USB. USB INPUT: Asynchronous USB transfer with two TCXO as master clock USB receiver Savitech SA9227 Inputs are ground isolated from USB Supported sample rates: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384kHz Supported bitrates: 16, 24 and 32 bits Works in either Full speed or High Speed USB transfer mode selectable with a switch (“L” “H”). No drivers required in MAC/Linux in both full and high speed modes. Windows ASIO needs drivers for High Speed mode only. We are using two (expensive) TCXO to act as master clock. 45.1584MHz for 44.1, 88.2, 176.4, 352.8MHz sample rates, and 49.152MHz for 32,48, 96, 192, 384kHz sample rates. The USB transfer is clocked by the TCXO directly. This is better than PLL async mode and offers close to zero jitter. PLL async mode has ~30ps jitter, which is already quite low, but not as good as when clocked from TCXO directly. SPDIF/OPTICAL/i2s(HDMI) INPUT: To USB/computer only! It doesn’t convert i2s to the COAX/SPDIF outputs. SPDIF Support samples rates up to 192kHz and 16/24/32 bit. DIGITAL OUTPUTS: DSD/I2S using HDMI port. Here is a linked drawing with the pinout for DSD and I2s. Note – this it not compatible with “normal” HDMI devices. The HDMI port is only used as a convenient connector and a way to send i2s balanced which improves signal quality. The DSD signal is also balanced. The pinout is made so that there is no harm done if you should connect it to a normal HDMI device. Optical output Coaxial output? Outputs are ground isolated from USB Size: 85x70x24mm

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Etat Neuf frais de port offert via UPS pour la France. RedNet D16 AES is a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provide synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. 16 Channel RedNet AES3 Interface for Dante Network AES3 connectivity allows connection of external converters, effects units, mixing consoles or any other AES3 equipped audio equipment to the Dante audio network Dual rear-panel Ethernet connectors (primary and secondary connectors) allow maximum network reliability with seamless switchover to a standby network in the unlikely event of a network failure. The ports can alternatively be used to daisy-chain additional units. SRC allows external equipment to run at any sample rate, irrespective of the sample rate or clocking of the Dante audio network Compact design allows maximum functionality in minimum rack space, with a full 16 channels of I/O in 1U. RedNet D16 AES features the standard trademark red anodised front panel RedNet D16 provides two 8-channel AES59 combined I/O DB25 connections. In addition, a pair of XLR3 connectors duplicates channels 1 & 2 The rear panel XLR input connector can either be used as a DARS input or as a traditional AES3 audio input, replacing channels 1‰ÛÒ2 of the DB25 inputs S/PDIF input and outputs are provided on RCA connectors; ideal for connecting CD players or solid-state recorders. The input replaces channels 3 & 4 in the DB25 connector while the output can be assigned to replicate any adjacent odd/even output pair Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network RedNet Control 2 software provides comprehensive remote control capability via a powerful tabbed browser-like graphic user interface, handling up to 600 devices

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig

Kemp Elektroniks MAXiiMUS P40 b'"'AUDIOPHILEb'"' Ultimate Standalone Version with RHODIUM plugs, in and out (not cheaper gold, check pics) PUBLIC PRICE: € 3,490 The electromagnetic field of planet earth Leaving aside the religious and spiritual beliefs, we can still see that every living is an energetic life form absorbing energy from the electromagnetic field surrounding the Earth. This field works in concordance with the Law of Nature. Through research we are aware of the Earths electromagnetic field and its measurement of approximately 200’000 Volt which exists between the Earth's surface and the ionosphere. This electric energy consists of an electron stream which continuously supplies us with energy from the ionosphere. The electrons spin in a counter clockwise direction and contain biological information which ensures that life is possible. The electrons have their own spin, moving in a counter clockwise direction. Through the constant inflow over the line of electric flux, a reaction is formed as a constant magnetic field (vertical magnetic flux) which moves from earth to the ionosphere in its own clockwise direction. If biological systems are being permeated with electromagnetic energy in accordance to the above mentioned facts, we stay healthy. It is important to mention that the spin of the electrons depend on the information which is contained in the electron. Predominantly biologically positive information leads to the electrons spinning in an anticlockwise direction. Unfortunately the electromagnetic fields created by technical systems work/operate in exactly the opposite way. The electrons spin in a clock wise manner around their own axis, the magnetic lines of flux rotate in a counter clock wise direction. This is against the b'"'Law of Natureb'"'! Exactly these described facts are the cause of electro smog. The body is being permeated in a converse way; instead of development and support degeneration is produced. What are the causes of Electrosmog? The most well known causes at the moment are mobile phone antennas. Further sources of interferences that radiate from outside into living spaces (depending on the distance to the building) are transformer stations, short-wave antennas, radar, Radio/TV antennas, power lines, train-, bus and tramlines. Sources of interferences inside living areas are electrical wiring, electrical appliances, mobile phones, wireless phones and baby monitors. The base station of wireless phones acts like a small mobile phone antenna. Electrosmog is harmful for human beings and animals The effects of electrosmog/Electrosmog-symptoms present themselves in humans and animals in their weakest point. Generally known symptoms or effects caused by electromagnetic radiation are: - poor/interrupted sleep patterns, fatigue even after adequate sleep - Tendency to nervousness and irritation, lack of concentration - Tumours, leukaemia - Altered blood structure, persistent headaches Why is UMTS so harmful? UMTS is a pulsed high-frequency micro-wave radiation. This itself is already alarming for the health even in the smallest quantities of exposure. Hundreds of scientific reports that have been published about this subject speak for themselves. In addition this technology transmits a high density of data volume, a process which biological systems can’t cope with. With the technology in the past it was possible to transmit approx. 14 Kilobytes data/second. With UMTS at the present state of the technology (November 2005) it is already possible to transmit 121 megabytes/second. This means depending on the level of development a quantity 200-1500 fold. After completion UMTS is expected to transmit 1 Gigabyte/second. As a result the collapse of biological systems is inevitable/pre-programmed. Effective and proven solutions Studying these processes enabled FOSTAC AG in Bichwil to develop a technology which En savoir plus

SAGEM My dual radio 700 (internet radio) FM / Internet wifi and Ethernet / Usb only - no Dab - No Bluetooth Très bon état avec alimentation pour UK et Europe - Very good state like new with psu for UK and continental europe. Genuine remote controle - Télécommande d'origine fournie Fonctionne parfaitement, très bon son - Working perfectely, good sound. All the time the Sagem MyDual Radio700 is powered up even without a station selected the front screen will display a small top line of year, date and day with a large (four time the size) bottom line showing the time in 24 hour format. It is 20x10x14cm maximum, the right side is the larger being circular and the single speaker with a fine silver/grey mesh the rest of the unit is grey. The display is 7.3x3.5cm with white lettering on a blue background. Outputs on the back are for earbuds, liner out, Ethernet, FM aerial (supplied) and the power lead. There is a status LED that glows green but in most cases this will not even be seen and finally a push button on/off switch. Neither side or the bottom have any connections while the front has a USB stick socket between the LCD display and the speaker. This leaves the top this has a total of eight buttons, five arranged in the ubiquitous joystick combination and three others all clearly labelled. There is a 30 key remote control, however for most actions the eight buttons on top of the unit are all you need. The one exception I have found is entering your WEP or WPA code that needs the numeric (mobile phone type) input on the remote. It finds all the wireless networks in range you select the one you want and assuming it is encrypted then you enter your passcode. It remembers this so next time you return power to the unit although you need to move through the same screens and select the wireless network it then shows the passcode, here I think it should not display the actual code maybe just some dots as the passcode is there for anyone to see. Ethernet is simpler as it is just a matter of connecting an Ethernet cable between the unit and a router. There are literally thousands of Internet radio stations are these are split into Genres. On the Station list there are four choices Locations, New Stations, Popular Stations and Genres. There are 56 Genres listed, as regular readers will know jazz is my passion and there are 100 or these. Select what you want and after a few seconds of buffering you will be listening to what you have chosen, it could be in UK or America or New Zealand in fact anywhere in the world. I found the sound quality good. The FM radio was not as brilliant, there are two sensitivities and even with the supplied wire lead extended fully on the lesser setting it found three stations and thirteen in most sensitive so lots of stations are not found. It then lists the frequencies and in some cases the name of the station beside them. The actual reception quality varied. Lack of space prevents me from giving much detail about the other features, the Alarm Clock (choice of two) is easily set as in the Sleep Timer. The MP3 player works without problem and using it as a Media Server is logical. There is a twenty page Installation Guide that should get you going and also covers using Windows Media Player 11 on your PC. My one real gripe is your passcode being displayed anytime power is restored note I mean the back on/off switch and not the power switch on the top that is really only standby mode.

PRODYS Pronto 2 ISDN Codec USED Good condition Pronto 2 ISDN Audio Codec: Pronto2-ISDN is designed for those users who demand higher quality in their ISDN connections. It includes the two ISO MPEG Layer II compression modes most widely-used in broadcasting: MONO 64 Kbps (10.5 Khz) and Joint Stereo 128 Kbps (20Khz). The last one with the J52 standard for transmission via two independent 64 Kbps channels. It also includes a digital audio I/0 AES/EBU signal and a connector for transmitting and receiving auxiliary data simultaneously with the MPEG audio. It is also possible to replace the ISDN communications interface with two X21 ports. This expands the possibilities for connecting the equipment to other digital communication networks (dedicated networks, satellite communications etc.) In G711 mode, the Pronto2 ISDN provides an alternative to normal telephone hybrids, by allowing standard voice communications on the ISDN network as well as on analogue telephone networks. A conventional analogue telephone connected to the front panel, allows to make, receive and transfer calls or put them on hold or on air in the same way as conventional telephone hybrids. When G722 mode is selected, the unit permits high quality voice communications via the ISDN network, with the advantage over other audio encoding systems of having a low coding delay. Its most important features are: • ISDN universal terminal adapter (S0) and X21 interface. • Analogue or digital audio (AES/EBU). The AES/EBU interface provides input for external clock. • Dual operation (two fully independent communications) in G711, G722 and MPEG ayer II MONO 64 Kbps. • Independent operating encoding and decoding modes. • Automatic detection of the encoding mode used by the remote unit. • Compatibility in all modes (G722 and MPEG Layer II) with CCS and TELOS. • Auxiliary data in MPEG Layer II modes. • Electrical echo canceller and multiplex (conferencing) in G711. EXTERNAL TELEPHONE: The Prontos also feature the ability, accessed through a simple front panel menu, to remote control the unit with a standard analogue telephone (connected to the RJ11 socket on the front panel) using the DTMF (multifrequency) tones generated by the dial pad. The same telephone can also replace an audio I/O channel in G711/G722 modes to act, for example, as a talkback system. PORT 20 EUROS EN SUS COLISSIMO LE PRIX EST TTC ET LA TVA EST RECUPERABLE NON SERIEUX S'ABSTENIR

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N