And extremely well equipped

Almost perfect condition (very little signs of use) Leica M black leather Ever Ready case 14870 to fit the Leica M6/M6 TTL/M7 and MP film cameras. This case can also be used on most earlier M film cameras, excluding the M5.  This is the standard front version and can accommodate most Leica-M lenses up to 50mm - excluding the 50mm Noctilux and the WATE/MATE Tri-Elmar lenses - without lens hood. Extremely sturdy yet elegant and very well made, this is a beautiful addition to your Leica M film camera. It come with original leica strap in very good condition. *Please be aware that the leica M6 camera in pictures is not included (only for demonstration purposes) *Please refer to the pictures for cosmetic condition (the camera pictures are part of the description) *Please do not hesitate to contact me if you have any questions or require further information. *Please see my previous evaluations i used to sell leica staff from my personal collection *Important: Leica brand name belongs to its owners and is used here exclusively for the correct description of the article.

CANON 600D with ZOOM 70-300mm LENS and KIT KIT INCLUDES: Yongnuo flash and cover lens cover Light hood Super wide angle lens with macro Canon 600d body  Canon Zoom 70 - 300mm  Canon charger Two Neewer filter kits Boxes * all 58mm fittings This camera is equipped with a powerful CMOS sensor with an 18 MP APS-C size.  This translates to better photos and enhanced light capturing. I bought this as an enthusiast and now I have turned pro and I do believe it has to do with the camera quality.    The Canon EOS 600D is an advanced entry level DSLR that is extremely user friendly. PLEASE NOTE:  I will not ship to the UK.

Bushman Gobi V2 Yetti panoramique 360° NEUF Pour DSLR et hybrides, 320 grammes ! YETTI Multiclick rotator et XTENSION-U Arca compatible inclus. Matériel neuf de démonstration, quelques infimes petites traces, vous recevez ce qui est photographié. New demo item from stock, some very light marks, You get what is on pictures. Gobi is extremely light 320g and fits in your pocket. It is the second panoramic head of our series and is intended for photographers that use DSLR’s and small lightweight cameras. Gobi offers simple solutions to achieve standard panoramas, to multirow panoramas, to complete spherical 360°x180° photography. Once again we facilitated the photographers work by bringing new solutions with simple ideas. The unique solution is a simple groove that allows you to rotate the vertical arm to shoot the nadir. No other head offers such ease of use. The greatest ideas are the simplest, and Gobi is great by its simplicity. It is a complete spherical head and will achieve more than you can expect. On the Gobi head the upper rotator uses our standard clicking rings allowing you to use the same rings as the Kalahari v1 head. It is equipped with a double sided ring 15° on one side and free rotation on the other side. The plates used are identical so the quick release plate, the rail stops and the accessorie Xtension are compatible between each other. Switch easily from vertical to horizontal position by screwing on your quick release plate directly on the base plate and voilà! The Gobi head comes with a YETTI bottom rotator and XTN-U quick release plate. The Gobi head is well equipped and it has all the details, the design and the quality of the brand in a compact solution. Package includes: - 1x Gobi Panoramic Head - 2x Rail Stops - 3x Screw - 1x 5mm Allen wrench - 1x 2,5mm Allen wrench - 1x Female adaptor

Little jewel, one of the greatest headphones amplifiers ever, extremely rare on sale, in perfect working condition and aesthetics, almost like new. Trully impressive, addicting sound. Higly regarded by audiophiles, a true reference and a collectible item. Would loved to keep this one, I'm selling it reluctantly... Comes with original box and accessories, well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"' In terms of the criteria that I listen for in any amp, transparency, noise, dynamics and the ability to get me out of my head and into the music, Prime is well, prime. All in all, a seemingly impressive effort that covers all the bases.b'"' From Neil Gader's review in The Absolute Sound head-fi.org/threads/meridian-prime-headphone-amplifier-review.691392/ Headfonia: MERIDIAN PRIME - ENGLISH EXCELLENCE b'"'Does The Prime Live Up To The Meridian Name? First I tried the Prime as an Amp/Dac combo (with PSU) and I immediately loved the sound from this demo unit: Enormous Clarity, great detail retrieval from bass to treble, top precision and dynamic sound. All presented with just the right amount of air between the instruments. Musical and detailed sound with a superb flow. The Prime sounds fast and is neutrally tuned but the best solid state kind there is. Maybe it is just slightly forward sounding, but not that much. Bass is tight, goes deep, is well layered and has a lot of detail but doesn’t have the big body of say the Beyerdynamic A20 amplifier (but it has far better quality). The Prime is a linear tuned unit and I find the bass to be perfect (and that’s an understatement) with the Audeze and Hifiman headphones but more on those later. The Prime’s mids are slightly more forward sounding, especially the vocals, but they are not bright. Don’t get me wrong on that because they sound incredibly good: perfect separation, great timbre, heaps of detail but never over-analytical and always musical and dynamic. Treble is extended and detailed but never harsh sounding. I do like my treble and the Prime does a splendid job for my taste. Treble is on the same level as the mids and bass: clarity, detail and sparkle. The Prime’s sound stage is wide and deep with a perfect balance and 3-dimensionality. I fell in love with the Prime’s sound as a DAC/Amp unit. For me this is top audiophile sound.b'"' The Prime can also be used as a DAC and Pre Amp in combination with a power amp, headphone amp or active speakers. There is no disappointment here, the Meridian DAC delivers a stunning performance in combination with my desktop sized solid state and tube amps. I love a clear, detailed and neutral DAC with a huge sound stage. Who wouldn’t? Well this is one of those DACs I could live happily ever after with. It ads nothing to the sound, in a good way that is, and using it as a pre amp boosts the performance of your amplifier. headfonia.com/meridian-prime-english-excellence/ The Prime is a top-class headphone amplifier and a surprisingly talented stereo preamp. Meridian is a master at signal processing, so it’s no surprise to find ‘Analogue Spatial Processing’ on board the Prime. It’s a function designed to counteract the fact that stereo recordings are designed to be played over speakers, not headphones. ASP blends the left and right channels to varying degrees – there are three options – to try to create a more natural presentation. These features can often compromise clarity and focus to improve sound staging, but ASP sounds pretty convincing. The Prime also works well as a dedicated stereo preamp. It’s certainly right up there with some of the best preamps we’ve heard at around the £1000 mark. En savoir plus

Nakamichi ST-7E tuner vintage en très bel état very nice ! International bidders are welcome: English version of the announcement and German lower.. I note that the shipping costs are exactly what I pay, I do not take commission. Je mets en vente avec regret une partie de ma collection Hi-Fi vintage afin de financer de nouveaux achats et continue avec un de mes systèmes préférés le Nakamichi 7. Je vends donc dès maintenant deux des pièces maitresses de ce système d’exception fabriqué de 1987 à 1989. En premier lieu le Tuner ST-7E ; sur une autre annonce vous pourrez acquérir le fabuleux préampli CA-7E. Face avant, face arrière sont extrêmement propres. Le seul petit « éclat » significatif a été pris en photo. Techniquement, il fonctionne très bien : c’est un tuner étonnant doté d’un circuit exclusif  le son est excellent car la réception est très propre et le tuner est sensible et extrêmement sélectif. Son seul souci technique est que les digits des led indiquant la fréquence sont pour certaines affaiblies en luminosité voir manquantes j’ai essayé de rendre ce problème en photos ce n’est pas simple ! et l'entourage été nettoyé depuis. C’est malheureusement un mal courant à tous les tuners de cette époque (j’ai un Sony STA 5ES devenu « aveugle » au niveau des led alors qu’il fonctionne toujours parfaitement).   Pour l’heure c’est encore largement lisible et le nombre de présélections permettra de palier au problème s’il devait s’accroître, mais je préfère l’indiquer car j’ai pour habitude de toujours décrire au mieux les objets que je vends. Comme vous pourrez le constater à l’étude des photos montrant l’intérieur de l’appareil qui est très propre d’origine, non modifié, non bricolé. Je possède cet appareil depuis une plus de 20 ans et en suis le second propriétaire j’ai même la facture originale  du 10 01 1989 pour un montant de 7800 francs ! C’était réellement du haut de gamme comme toute la série 7 de Nakamichi. Il sera livré avec : -        Sur un CD vous aurez la notice, le service manuel et des documents Nakamichi. Nakamichi ST-7 AM/FM Stereo tuner with digital display (1987-89) Description The Nakamichi ST-7 / ST-7E is a digital synthesis tuner with the latest Schotz Noise Reduction technology. Specifications This revolutionary system improves effective stereo sensitivity by about 9db and lets you enjoy clean stereo on broadcasts that previously could only be received in mono. Other features include seek and manual tuning as well as 16 FM/AM presets that can be programmed at random, thus combining convenience with top-level capability. Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Digital FM Tuning Range: 87.5 to 108 MHz MW Tuning Range: 520 to 1710 kHz Sensitivity: 1.7uV (FM) Signal to Noise Ratio: 76dB (FM), 48dB (MW) Distortion: 0.08% (FM), 0.4% (MW) Selectivity: 60dB (FM), 20dB (MW) Frequency response: 20Hz to 15kHz (FM) Output: 500mV (FM), 200mV (MW) Dimensions: 435 x 63 x 289mm Weight: 4.7kg I am reluctantly selling a portion of my vintage Hi-Fi collection to fund new purchases and continuing with one of my favorite Nakamichi 7 systems. I am selling now two of the masterpieces of this exceptional system manufactured from 1987 to 1989. First, the ST-7E Tuner; on another ad you can acquire the fabulous preamp CA-7E. Front face, back side are extremely clean. The only small, significant "shine" was photographed. Technically, it works very well: it is an amazing tuner with an exclusive circuit the sound is excellent because the reception is very clean and the tuner is sensitive and extremely selective. His only technical concern is that the digits of the LEDs indicating the frequency are for some weakened in brightness see missing I tried to make this problem in photos it is not simple! and the entourage has been busy ever since. It is unfortunately a common evil to all

Yamaha R-N500 Network Amplifier Streaming System. État : "Occasion" Selling my beloved Yamaha R-N500 Network Streaming system in excellent working condition and esthetics, no scratches, no dents, not a single issue, it just runs perfectly. Huge amplification power, big and spacious sound. All the connections that someone may want, including PHONO. Internet radio is just a pure joy and a very good control app from Yamaha. Comes in original box with all the accessories, AM/FM antenna, remote control and manuals. Please don't hesitate to ask me any questions regarding the item before the purchase, unfortunately I can't accept any returns, considering the weight of the item and the shipping costs. Je met en vente mon système de streaming réseau Yamaha R-N500 en excellent état de fonctionnement et esthétique, pas de rayures, pas de bosses, pas un seul problème, il fonctionne parfaitement. Énorme puissance d'amplification, son grand et spacieux. Toutes les connexions que quelqu'un peut souhaiter, y compris PHONO. La radio Internet n'est qu'un pur bonheur et une très bonne application de contrôle de Yamaha. Livré dans la boîte d'origine avec tous les accessoires, antenne AM / FM, télécommande et manuels. N'hésitez pas à me poser des questions concernant l'article avant l'achat, malheureusement je ne peux accepter aucun retour, compte tenu du poids de l'article et des frais d'expédition. WHAT HI-FI: "With Alt-J’s Breezeblocks streaming from our server, we’re immediately struck by how big and spacious the R-N500 sounds. Instruments and voices are easy to place in the airy soundstage. It has a warm, full-bodied balance that’s characteristic of Yamaha’s sound, combined with a squeaky-clean, smooth presentation that’s lovely to listen to. There’s little this Yamaha can’t do. Plug it into your home network (via ethernet only, there’s no wi-fi), and you can seamlessly stream all your music files stored across laptops, smartphones, tablets and NAS devices. File compatibility is extensive: you can play anything from standard MP3s to hi-res 24-bit/192kHz FLAC and WAV files through the R-N500. AirPlay and DLNA support are also available, and with Spotify Connect, vTuner internet radio, and FM and AM tuners on board, you have access to more music than you can shake a glow stick at. This is an extremely well featured system. Stream quality is stable, everything works without a hitch, and we didn’t experience any dropouts during testing. We’re puzzled every time we look at the R-N500’s relatively budget price tag, as it looks every inch a premium quality piece of hi-fi kit. The all-metal construction is built well, and the unit is sturdy and classy in equal measure. It feels like an expensive product, too. Those beautifully machined dials and tonal controls on the front panel are wonderful to use. They’re weighted just right, and turn so smoothly. They also bear more than a passing resemblance to the ones on Yamaha’s retro-styled flagship A-S3000 amplifier (£4000) – it’s no wonder we keep thinking the R-N500 costs more than it does..." Amplification Puissance maximale (4 ohms, 1 kHz, 0,7 % THD): 105 W + 105 W Puissance nominale (8 ohms, 20 Hz—20 kHz, 0.04% THD): 80 W + 80 W Puissance maximale (JEITA) (8 ohms, 1 kHz, 10% THD): 115 W + 115 W Puissance dynamique/cn. (8/6/4/2 ohms): 105 W/125 W/150 W/178 W Construction Conception ToPART (Total Purity Audio Reproduction Technology): architecture d’entrées/sorties symétrique et directe Alimentations séparées pour la section numérique et la section analogique Mode Pure Direct Mesures Sensibilité/Impédance d’entrée: - CD etc: 200 mV / 47 k-ohms - Phono MM: 3.5 mV / 47 k-ohms Réponse en fréquence: CD,etc. (20 Hz–20 kHz / 10 Hz–100 kHz) 0 ± 0.5 dB / 0 ± 1.0 dB Distorsion harmonique totale (20 Hz–20 kHz): - CD, etc. vers Speaker Out: 0,015% (40 W / 8 ohms) - Phono MM vers Rec Out: 0,025% (3 V) Ratio Signal/Bruit: - CD, etc. (200 mV, Entrée C

The legendary Noctilux F1 This is the third variant of the Noctilux (after Noctilux F/1.2 and Noctilux F/1 E58) and the second variant of the F1 Noctilux, so it has a E60 filter thread and a removable lens hood The lens is in excellent cosmetic and functional condition It was sent to Leica Germany last year for CLA, digital optimization and 6 bits coding. So it performs extremely well if you can focus F1, especially when focussing is not an issue like on Leica SL or SL2. Extremely shallow depth of field, vintage Leica glow and soft transition between in and out of focus areas. This one is sold with lens caps, lens hood and its box. Please note that the box has some visible signs of age.

Yamaha R-N500 Network Amplifier Streaming System. État : "Occasion" Selling my beloved Yamaha R-N500 Network Streaming system in excellent working condition and esthetics, no scratches, no dents, not a single issue, it just runs perfectly. Huge amplification power, big and spacious sound. All the connections that someone may want, including PHONO. Internet radio is just a pure joy and a very good control app from Yamaha. Comes in original box with all the accessories, AM/FM antenna, remote control and manuals. Please don't hesitate to ask me any questions regarding the item before the purchase, unfortunately I can't accept any returns, considering the weight of the item and the postage costs. I can also dispatch it with Mondial Relays, it's a little cheaper, we can find the best quote for the shipping. Je met en vente mon système de streaming réseau Yamaha R-N500 en excellent état de fonctionnement et esthétique, pas de rayures, pas de bosses, pas un seul problème, il fonctionne parfaitement. Énorme puissance d'amplification, son grand et spacieux. Toutes les connexions que quelqu'un peut souhaiter, y compris PHONO. La radio Internet n'est qu'un pur bonheur et une très bonne application de contrôle de Yamaha. Livré dans la boîte d'origine avec tous les accessoires, antenne AM / FM, télécommande et manuels. N'hésitez pas à me poser des questions concernant l'article avant l'achat, malheureusement je ne peux accepter aucun retour, compte tenu du poids de l'article et des frais d'expédition. WHAT HI-FI: "With Alt-J’s Breezeblocks streaming from our server, we’re immediately struck by how big and spacious the R-N500 sounds. Instruments and voices are easy to place in the airy soundstage. It has a warm, full-bodied balance that’s characteristic of Yamaha’s sound, combined with a squeaky-clean, smooth presentation that’s lovely to listen to. There’s little this Yamaha can’t do. Plug it into your home network (via ethernet only, there’s no wi-fi), and you can seamlessly stream all your music files stored across laptops, smartphones, tablets and NAS devices. File compatibility is extensive: you can play anything from standard MP3s to hi-res 24-bit/192kHz FLAC and WAV files through the R-N500. AirPlay and DLNA support are also available, and with Spotify Connect, vTuner internet radio, and FM and AM tuners on board, you have access to more music than you can shake a glow stick at. This is an extremely well featured system. Stream quality is stable, everything works without a hitch, and we didn’t experience any dropouts during testing. We’re puzzled every time we look at the R-N500’s relatively budget price tag, as it looks every inch a premium quality piece of hi-fi kit. The all-metal construction is built well, and the unit is sturdy and classy in equal measure. It feels like an expensive product, too. Those beautifully machined dials and tonal controls on the front panel are wonderful to use. They’re weighted just right, and turn so smoothly. They also bear more than a passing resemblance to the ones on Yamaha’s retro-styled flagship A-S3000 amplifier (£4000) – it’s no wonder we keep thinking the R-N500 costs more than it does..." Amplification Puissance maximale (4 ohms, 1 kHz, 0,7 % THD): 105 W + 105 W Puissance nominale (8 ohms, 20 Hz—20 kHz, 0.04% THD): 80 W + 80 W Puissance maximale (JEITA) (8 ohms, 1 kHz, 10% THD): 115 W + 115 W Puissance dynamique/cn. (8/6/4/2 ohms): 105 W/125 W/150 W/178 W Construction Conception ToPART (Total Purity Audio Reproduction Technology): architecture d’entrées/sorties symétrique et directe Alimentations séparées pour la section numérique et la section analogique Mode Pure Direct Mesures Sensibilité/Impédance d’entrée: - CD etc: 200 mV / 47 k-ohms - Phono MM: 3.5 mV / 47 k-ohms Réponse en fréquence: CD,etc. (20 Hz–20 kHz / 10 Hz–100 kHz) 0 ± 0.5 dB / 0 ± 1.0 dB Distorsion harmonique totale (20 Hz–20 kHz): - CD, etc. vers Speaker Out: 0,0

For sale is an original first-issue, and extremely rare 5Ω version of the Beyer DT-48S, from 1964, perfectly working with original box and NOS/never used replacement earpads (oval and round). - Made in Western Germany Unique Opportunity to own a piece of audio history ! DT-48S (S for Stereo) were the first stereophonic headphones built with Nagra-Kudelski specifications, to be used in tandem with the Nagra IV-S or Nagra SN tape recorders. At the time it was a largely hand-made production and cost 224 deutschmarks (price list). 
Some DT48S were even OEM’d as Kudelski instead of Beyer.

 Condition: They are not mint but for 56 years-old headphones, they are in excellent shape. The actual silver metal drivers are intact without a single scratch, no rust or anything on the metal headband. It was gently used, and very well taken care of. It is terminated by a standard stereo 6,35mm jack.

 There is only visible wear on the upper headband coated-foam material (that tends to dry overtime) but this is still one the most well-preserved (and complete!) original DT-48S set I have ever seen. Some history: 

 The most famous user of those headphones, is without any doubt Stanley Kubrick. You can see him on a photograph from the set of Clockwork Orange, wearing the 25Ω version of those, with oval ear-pads. 
In fact, those were designed for monitoring dialogues and ‘concrete’ sounds in mind, as well as very surgical applications like lab-work, aural testing and the like.
 Usage: Music comes out dramatically different and unhyped as they are very medium oriented, bass is present but depends on the way it was recorded, and it is known that oval ear-pads are adding bass due to the way they isolate the ears. 
With very transparently recorded music, like some albums from the ECM label (think Arvo Pärt) or ethnographic records, jazz and some classical and experimental music (and with the right preamp of your choice to drive them) those Beyers are unbeatable and still a reference today in revealing the naked truth. Perfect for hyper-critical mixing, and obvisouly monitoring. Be ware that it really takes getting used-to but the reward is unmatched. 

This is a reluctant sale, but I have to finance studio gear.

 Will be safely packed and shipped with insurance. Thank you for your interest!

DAC 100 SE Atoll USB 24 bits/192 kHz PCM 1796. Audiophile design, Made in France. The construction of the case is solid, the connections and switches/selectors are of quality. The experience with this device is summed up in precision, naturalness and striking sound realism (and yet my sources are already references). If you want to move from your listening room to the concert hall: this is the device you need. And in more detail:. a beauty of timbres with perfect neutrality. a broad sound image, with depth, we position the musicians very well in space. well-defined treble up to the extreme treble. deep, accurate bass, without superfluous roundness. breathtaking dynamism These qualities will particularly make the difference on classical music and jazz. To be combined with good quality connection cables to get all the benefits. In excellent working and aesthetical condition, comes with power cord and original box, extremely well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. The Atoll DAC 100 SE DAC is a digital/analog converter with three coaxial inputs, three optical inputs and one USB input. Coaxial and optical inputs support resolutions up to 24-bit/192kHz. For the USB input, it accepts resolutions up to 24 bit/96 kHz. For connection to an integrated amplifier, a stereo RCA output is located on the left of the rear panel. On the front a series of LEDs indicates the input used. This front is in brushed anodized aluminum, either natural or black. The converters are Burr Brown PCM 1796. Two power supplies, one of which is reserved exclusively for the analog audio part, equip this DAC. The output stages are provided by discrete components without feedback. The brand Atoll has designed a very well-built DAC. The DAC 100 SE occupies a relatively small space while still being able to enhance up to seven digital sources. Digital inputs: 3 x optical, 3 x coaxial and 1x USB Analog outputs: 1 x stereo RCA USB: Type B Resolutions and sampling rates: optical and coaxial: 16-24 bits (44.1 kHz, 48 kHz, 96 kHz and 192 kHz) USB: 24-bit (32kHz, 44.1 kHz, 48 kHz, 96 kHz) Dual power supply Converters: Burr Brown PCM 1796 Output stages with discrete components and no feedback Dimensions: 320 x 210 x 60 mm Weight: 2kg Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis, sony, eversolo, wiim, topping, aune, gustard, smsl, volumio, matrix En savoir plus

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

An excellent  Sony Network Walkman NW-HD5, almost entirely unused and in as new condition. Comes with software, charging cable (UK but also works with others) and soft carrying case. It has a large 20 GB capacity for MP3s and  ATRAC3, ATRAC3plus, WAV, and WMA files. Battery life is excellent and lasts up to 40 hours on one charge. The device itself is extremely well made and has a rugged metal body. Please contact me if you want any more information.

1 Kit de remembranage JBL C8R122A-1 pour boomers 30cm Alnico 122A ou 122A-1 que l'on trouve dans les enceintes  Horizon L166  et  Jubal L65A.  Convient aussi pour les versions ferrite 129H (des Jubal L65B), 128H et 128H-1 que l'on trouve dans les L112, L150, L150A, 4411, 4412. Attention: ne convient pas pour le 126A des premières L65 ni pour les 123A-1, 2212, 2213A, 2213H, des enceintes L100, L100A, 4310, 4311, 4312 (la largeur de l'entrefer est plus étroite). Ce kit est extrêmement rare (d'où son prix). Il est fourni avec une suspension mousse neuve, dôme, joints avant et arrière, cales, anneau de contrôle de masse. Contrairement à ce que pourraient laisser supposer les photos, la suspension n'est pas collée mais posée sur le cône. Il faudra prévoir d'acheter une colle spécifique (la même pour coller la suspension sur le cône, puis après séchage le spider et la suspension sur le châssis): colle vendue sur par Simply Speakers USA ou BOSTIK Nitrile 1220 vendue en France. 1 Recone kit JBL C8R122A-1 for Alnico 12" woofers 122A or 122A-1 found in the enclosures L166 and L65A. Well suited also for ferrite versions 129H (from L65B), 128H and 128H-1 found in L112, L150, L150A, 4411, 4412. Warning: not suited for the 126A found in the early L65, nor for the 123A-1, 2212, 2213A, 2213H found in L100, L100A Century, 4310, 4311, 4312 enclosures (the gap width is narrower). This kit is extremely rare (yielding its price). It is supplied with a new foam edge, dome, rear and front gaskets, shims, control mass ring. Contrary to what the photos might suggest, the foam edge is not glued but placed on the cone. you will have to purchase specific glue (the same for glueing the foam edge on the cone, and after drying the spider and foam edge on the frame): glue sold on by Simply Speakers USA, or BOSTIK Nitrile 1220.

I have owned this from new 1987. It has been extremely well looked after, though a bit dusty. No marks or scratches anywhere. Plays lovely, though the cartridge will now need changing. I still have the original packaging, so if you really want it posted, this is possible. All the bits come apart and are packaged separately in their own special packaging. The whole thing weighs about 10kg plus packaging of course. We will have to discuss this separately. I would of course prefer it to be picked up, but you will have to come to Brittany in France for that. If you want any other photos, just ask. I changed the belt about 5 years ago and it is still perfect.  I don't need to explain what a lovely piece of engineering this is and how rarely they come up for sale. Even after all these years it runs as new. You can see my record collection on Discogs (Hotspicytea) to know I am a serious record collector.

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés Référence: LDVIBZ8DC 219,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés 4 entrées Micro symétriques  avec préamplis de haute qualité,  2 voies stéréo compatibles mono, un  compresseur intégré  et un multieffet numérique de résolution 24 bits offrant 100 presets : grâce à sa souplesse, la VIBZ 8 DC est le point central d'une configuration audio. Ses voies micro, commutables ligne, sont équipées de  préamplis de haute qualité  et d'un filtre passe-haut et deux d'entre elles disposent de plus d'un point d'insertion. Afin de travailler le son efficacement, la VIBZ 8 DC possède des  égaliseurs 3 bandes très efficaces, dont la fréquence d'intervention dans le médium a été choisie avec soin La section Master de la console est équipée d'un  retour effet, de sorties Monitor à niveau réglable et d'une prise casque. La VIBZ 8 DC possède aussi une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser, et possède un son transparent et détaillé. Elle est idéale pour les petits groupes, l'installation fixe, le home studio et les prémixages. La VIBZ 8 DC est livrée avec un bloc secteur externe, qui se visse sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 8 sur un pied de micro. Référence: LDVIBZ8DC Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 8 Canaux Micro/Ligne Mono: 4 Connecteurs Entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono:    +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau, PAN (panoramique), départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut (Low Cut): 95 Hz Compresseur: réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo: 3 Connecteurs Entrée Ligne Stéréo: 2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (Voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau, Balance, départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8, filtre Low-Cut, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stéréo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Sortie Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 100 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Réglage de niveau DFX To Main, touche DFX Mute, DFX Presets, volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18 V AC / 1 A via bloc secteur externe Largeur: 265 mm Hauteur: 77 mm Profondeur: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Reference: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Referencia: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Artikel-Nr: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Riferimento: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)