And sound

Party light and sound PLS1250USB-RC pas cher: retrouvez tous les produits disponibles à l'achat dans notre catégorie amplificateur

Monitores de campo cercano idem a Rogers Ls3/5a LS3 LS35A. sonido muy equilibrado y con la magia de desaparecer el altavoz cuando reproduce música. Estado nuevo

"The A-3s are the most perfect embodiment to date of my ideal loudspeaker system. Never in my life have I lived with a speaker that has brought, and continues to bring, as much pleasure, excitement, and satisfaction. In short, I am madly, passionately in love with their sound, and I hereby give notice to Roger West that he is going to have a hell of a hard time prying them loose from me." J. Gordon Holt - The founder of Stereophile I'm selling a beautiful pair of Sound Lab A-3 electrostatic speakers in better-than-new condition. New mylar membranes have been installed the last year. Electronic parts have been upgraded by Roger West himself to Toroid 2 level one month ago. I've made a custom wood frame to accomodate new transformers (which are too big to get inside the original frame). Speaker's impendance has been raised as well.   This is the only pair of A3 upgraded to Toroid 2 level worldwide (as Toroid 2 upgrade has never been made before for A3 speakers). New toroidal transformers and higher sensibility make them easy to drive with any decent amplifier. So, this particular pair of A3 is not only in a virtualy new condition, they also sound better than new. The sound can be described by one word only: glorious !  I have compared Soundlab A3 to Quad ESL 2912 and Stax ELS 8X in my room. Soundlab are MUCH better in every possible way. They have completely different sound dispersion pattern, which makes them sound more lively, more organic, more life-like, and more dynamic. They will create in your room a spectacular gigantic immersion-space, much bigger and more lively than any other speaker regardless of the price. I have original crates so I can ship anywhere (on two pallets). Please contact me to discuss about shipping options and costs. If you live in Paris, you are welcome to test them in my home. After hearing them you will immediately sell your Quad, Martin Logan, Apogee, Magnepan... or any other speakers you currently have. Keep in mind that the current line of Soundlab speakers starts at 22.000 $ price tag.

Vend mixette de reportage Sound Devices 442 + sacoche Petrol + 2 cables de connection camera 4 Balanced XLR Inputs The mixer's flexibility begins with it's 4 balanced XLR inputs. All 4 inputs are individually switchable to accept line or microphone level signals. Direct Outputs Every input features a dedicated output via TA3-male connectors. The direct outs are ideal for feeding individual channel signal to external devices. M-S Decoding Channels 1-2 can be linked for stereo capturing and M-S stereo monitoring. Channel 1 features a phase reverse switch. Variable Gain Continuously variable gain allows level contouring on every channel, resulting in higher signal to noise ratio. Variable Low-Cut Filter Continuously variable low-cut filter dials are located on each channel, eliminating low frequency noise between 80 - 240Hz Peak Limiting Input and output peak limiters eliminate signal over load that can cause noise and distortion.

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

UK Sound 1173 Preampli Micro-Line Compresseur. Le UK Sound 1173 est un compresseur et prampli micro/ligne mono canal avec 70dB de gain, filtre passe-haut sidechain, alimentation fantme, DI, impdance commutable et inverseur de polarit. C'est le fruit d'une collaboration entre le producteur de Los Angeles Warren Huart et le designer Michael Stucker. Il runit dans un seul appareil un prampli micro de type Neve 1073 et un compresseur de type UA 1176. En très bon état utilisé rarement UK Sound 1173 Preamp Micro-Line Compressor. The UK Sound 1173 is a single channel micro/line compressor and prampl with 70dB of gain, sidechain high-pass filter, fantme power supply, DI, switchable impdance and polarity inverter. It is the result of a collaboration between Los Angeles producer Warren Huart and designer Michael Stucker. It runs in a single device a Neve 1073 type microphone pramp and a UA 1176 type compressor. In very good condition rarely used En savoir plus Collaboration commerciale.

Technics SH-GE90 DSP - Equalizer - Digital Sound Processor. Hi, I'm selling this Technics DSP because I have no use for it anymore. It's a Technics SH-GE90 Digital Sound Processor. The unit has some scratches due to usage and storage, especially on the plastic parts. There's some paint missing at the back of the unit (see pictures). The DSP display flickers slightly. This is a typical fault of this unit, which can easily be remedied by replacing a dry capacitor. You can find information about this in the net. The audio functions are not affected by this. I'm not good at soldering, I don't want to damage it by trying to repair it. It has never been serviced. The unit is sold with a power cord. I'll send the unit using the UPS standard service, sorry for the high shipping cost. I never had any issues shipping fragile items with them and I don't want the unit damaged because I've used another service. The unit will be well protected and all moving parts will be secured. The shipping costs takes into account the packaging itself I have to provide and the fact that I have to drive 60km, round trip, to go to the nearest UPS Access Point. So that's why the shipping cost is a bit higher than you should expect (I added approx 5€ for packaging and fuel). Sorry non-European buyers, the shipping cost is too high for non-European countries (almost 120€ !) and I don't want to take the risk to send the unit that far, I'm sorry. If you want more photos (or even videos) or more info, feel free to send me a message. I'll answer as soon as I can. If you have any doubt, ask me, I don't accept returns. Thank you and happy biding.

cymbale PAiSTE Sound Creation Dark Ride taille 20b'"' poids 2485g. numéro de série: 903528 = année 1979. magnifique Paiste sound creation dark ride 1ere série (scdr) de 20b'"' sonorité métallique et à la fois profonde grave, a la Dejohnette, Al Foster, Paul Motian. expédition dans un emballage sérieux. ------- PAiSTE Sound Creation Dark Ride cymbal size: 20b'"' weights 2485g. serial number: 903528 = year 1979. splendid Paiste sound creation dark ride 1st line (scdr) 20b'"' sounds metallic and in the same time deep and dark, alla Dejohnette, Al Foster, Paul Motian. shipping to Fr, UE Swiss and UK in a solid package. En savoir plus Collaboration commerciale.

Roland Sound Canvas SC-55 General MIDI / GS expander module In great condition, 100% tested and working ! Provided in complete box and package with: - Original Roland power supply - User manuals, instrument lists, Roland MIDI guide - Remote control (CR2025 battery, may need to be replaced) - One MIDI DIN cable - Original cardboard box and internal protection materials Cosmetic condition is excellent with no visible sign of use, except from a light sign of normal use on the top cover LCD and front  panel are perfect ! Please see picture for details. Even the box is in perfect condition ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. Please see pictures for details. It is really great ! The pictures show the "Doom II" MS-DOS game session with excellent MIDI music ! And as always, please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-55 General MIDI / GS expander module In very good condition, 100% tested and working ! Cosmetic condition is very good with little and normal sign of use on top metal cover. LCD and front panel are virtually perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed and composed specifically for this Sound Canvas module. Please see pictures for details. It is really great ! Provided with: - Roland user manual in excellent condition, English language. - Original Roland power supply, Europe 230V - Original Roland remote control (quite rare now and hard to find), with brand new CR2025 battery installed. Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-88 PRO General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is excellent with nearly no visible sign of use. LCD and front panel are perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-88 PRO is a vastly improved version of the original SC-55 Sound Canvas but remains 100% compatible. Please see pictures for details. It is really great ! Provided with Roland user manual in excellent condition, French language. Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-55 mk2 General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is excellent with nearly no visible sign of use. LCD and front panel are perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-55 MK2 is an improved version of the original SC-55 Sound Canvas but remains 100% compatible. Please see pictures for details. It is really great ! Provided with: - Roland user manual in excellent condition, French language. - Original Roland power supply, Europe 230V - Original box with styrofoam protections - MIDI cable (about 2m long) Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-88 PRO General MIDI / GS expander module In overall very good condition, 100% tested and working ! Cosmetic condition is good with light marks and signs of use. LCD display is excellent ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-88 PRO is a vastly improved version of the original SC-55 Sound Canvas but remains 100% compatible. Please see pictures for details. It is really great ! Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-50 (similar to the SC-55) General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is very good with nearly no visible sign of use. LCD and front panel are virtually perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-50 is a variant of the original SC-55 Sound Canvas but remains 100% compatible. Improved quality with 18bit DAC converter. Please see pictures for details. It is really great ! Provided with: - Roland user manual in excellent condition, French language. - Original Roland power supply, Europe 230V Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-55 mk2 General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is very good with very little visible sign of use on top cover. LCD and front panel are perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-55 MK2 is an improved version of the original SC-55 Sound Canvas but remains 100% compatible. Please see pictures for details. It is really great ! Provided with original Roland power supply, Europe 230V. If you need a matching Roland remote control for this device, I can include it for an additional 35 euro. Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-55 mk2 General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is very good with very little visible sign of use on top cover. LCD display and keys / buttons work perfectly ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. This SC-55 MK2 is an improved version of the original SC-55 Sound Canvas but remains 100% compatible. Please see pictures for details. It is really great ! Provided with original Roland power supply, Europe 230V. If you need a matching Roland remote control for this device, I can include it for an additional 35 euro. Also please see my other MIDI related items and computing vintage stuff listed on...

Roland Sound Canvas SC-55 MK2 General MIDI / GS expander module The MK2 is a vastly improved version with additional sound banks and a new DAC with 18bit converter. 100% tested and working ! Cosmetic condition is very good with little signs of normal use on the top (see pictures for exact cosmetics). LCD display in excellent condition ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. Please see pictures for details. It is really great ! Provided with: - Genuine Roland power supply (Europe, 230V) - Roland remote control (requires a new CR2025 battery) - Original Roland manual (French language) - MIDI DIN cable Anything else shown on picture is not included, there are presented for illustration purpose! Also please see my other MIDI related items and computing vintage stuff listed on... En savoir plus Collaboration commerciale.

USED FOCAL XS 2.1 Multimedia Sound System IPod dock + digital-to-analogue conversion in good condition. • High-end Multimedia solution with integrated USB soundcard • Dock for listening and recharging for iPod with synchronization via iTunes  • 2 x 30W amplifier for speakers and 70W for subwoofer • Remote control of volume and iPod                                                                                                                                                                • Low consumption in standby mode (• High-quality Burr-Brown (DAC) converter • Dynamic and powerful studio-quality Focal sound Original packaging.

The SR-JV80-10 Bass & Drums Wave Expansion Board contains cutting-edge bass and drum sounds meticulously sampled from renowned studio musicians, adding a high-powered rhythm section to your music. High-quality sound expansion board for expandable Roland synths (see compatibility guide for details) Features realistic, sampler-equivalent bass and drum sounds from top studio musicians including Marcus Miller, Abraham Laboriel, John Patitucci, Abraham Laboriel Jr. and Bob Wilson Adds 241 waveforms and 204 patches Acoustic and electric bass sounds include various playing techniques such as slapping, fingering and picking, as well as slides, harmonics and assorted playing noises Dynamic drum waveforms with expressive velocity control Cutting-edge acoustic drum phrase loops can be easily sync'd to MIDI clock using Tempo Sync function

Roland Sound Canvas SC-55 General MIDI / GS expander module In great condition, 100% tested and working ! Cosmetic condition is very good with barely visible sign of normal use on top cover. LCD and front panel are perfect ! Fully compatible with all the great MS-DOS games of the 90's Their MIDI music was designed specifically for this Sound Canvas module. Please see pictures for details. It is really great ! Provided with very original Roland power supply in like new condition (Europe, 230V). Also please see my other MIDI related items and computing vintage stuff listed on...

PROJECTEUR SUPER 8 MM SONORE OPTIQUE ET MAGNÉTIQUE CHINON SOUND 9000 FONCTIONNE SUR LE 220 V CAPACITÉ 180 MÈTRES LAMPE 15 V 150 W OBJECTIF CHINON ZOOM LENS  1.3 F= 15-30 MM  HAUT-PARLEUR INCORPORÉ PRISE POUR HAUT-PARLEUR EXTÉRIEUR CADENCES 18 ET 24 IMAGES SECONDES PLUS VARIATEUR D'AFFINEMENT DE LA VITESSE FONCTION ENREGISTREMENT PRISE MICRO MINI JACK PRISE MICRO DIN AUX PRISE LINE OUT MANQUE LA NOTICE PROJECTEUR TRÈS FACILE D'EMPLOI A CHARGEMENT AUTOMATIQUE DU FILM QUELQUES TRÈS LÉGÈRES TRACES D'USURES DE PEINTURE PROJECTEUR EN PARFAIT ÉTAT DE FONCTIONNEMENT FOURNI AVEC SON CORDON D'ALIMENTATION UNE BOBINE VIDE DE 180 MÈTRES VOIR PHOTOS SUPER 8 MM OPTICAL AND MAGNETIC SOUND PROJECTOR CHINON SOUND 9000 WORKS ON 220 V CAPACITY 180 METERS 15 V 150 W LAMP CHINON ZOOM LENS OBJECTIVE 1.3 F = 15-30 MM INCORPORATED SPEAKER OUTDOOR SPEAKER SOCKET 18 AND 24 SECOND IMAGES MORE SPEED REFINING VARIATOR RECORDING FUNCTION MIC JACK MINI JACK MIC AUX SOCKET LINE OUT SOCKET LACK THE INSTRUCTIONS VERY EASY TO USE PROJECTOR AUTOMATIC FILM LOADING SOME VERY LIGHT TRACES OF PAINT WEAR PROJECTOR IN PERFECT OPERATING CONDITION SUPPLIED WITH ITS POWER CORD AN EMPTY COIL OF 180 METERS SEE PHOTOS

FICHIERS ROLAND ORIGINAUX, VENDU SUR UNE CLÉ  USB GÉNÉRIQUE GENUINE ROLAND FILES, SOLD ON A GENERIC USB DRIVE  The Alpine expansion for the FR-7x, FR-8x, FR-4X, FR-1X, FR-3x,FR-7xb, FR-8xb, FR-4Xb, FR-1Xb, FR-3xb and FR-18 diatonic V-Accordions contains the sounds of German folk acoustic accordions and typical Oberkrainer orchestral instruments. These sounds are dedicated to Oberkrainer music, the traditional music genre of Slovenia, Austria, and Germany. This sound expansion contains special samples of characteristic instruments for this kind of music, like baritone horn, clarinet, guitar, trumpet, and bass tuba. Dedicated sets are also included so users can play Oberkrainer music without any pre-programming work. Sur le lien ci dessous vous trouverez le detail de tous les sons et styles: On link below you will find all details about the sounds and styles on the Alpine Roland V Accordeon Extension: ///////////////////////////////////////////// https://www.dropbox.com/s/lqwtikeea6f85up/Alpine%20Exp%20Manual01.pdf?dl=0 ////////////////////////////////////////////

Great vintage guitar, amazing sound very SG. Hofner 174 from 1972, Serial number: 8847 made in Germany a comes with two "Blade" pickups with an amazing vintage sound (got to be careful with the gain settings on your amp!) standard 3 way switch, 2 tones, 2 volumes for every mic which gives you several great combinations. Neck and body are made of solid mahogany, set neck. It´s very lightweight (as an SG should be, i guess) but it sounds killer, plenty of mid-lows, mids and highs. Excellent player, it´s a very easy to play guitar, set up with low action and sounds amazing. Come with the original hardcase.

ROTEL RSP-1098 SURROUND SOUND PROCESSOR Fonctionne parfaitement, bon état ! Works perfectly, good condition ! * Vendu comme sur les photos - Sold as in the photo * Achat hors Union Européenne me contacter - Buy outside the European Union contact me- Possibilité de livraison international économique réalisé par Mondial Relay en point de retrait, à demander pour ces pays:  Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Portugal, Royaume-Uni Possibility of economic international delivery made by Mondial Relay at a collection point, to request for these countries: Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Portugal, Royaume-Uni Condition General de Vente - General Condition of Sale: Mode de réglement – Payment choice: Paiement par virement bancaire et Paypal, (chèque bancaire: France uniquement). ====== Payment by bank transfer and Paypal (bank check: French only). ====== Pour les règlements par chèque bancaire (France) et après encaissement de celui-ci, un délai de 8 jours  supplémentaires sera appliqué avant l’envoi de la marchandise. Expédition - insurance: Les envois sont expédiés 3 jours après validation du paiement (hors week-end et jours fériés). Un numéro de suivi sera communiqué par le biais d’. Aucune responsabilté ne sera assumé concernant les dommages et ou pertes pouvant survenir pendant le transport. Aucun remboursement ne pourra être réclamé, sauf si vous avez assurer votre envoi. Si vous souhaitez assuré votre envoi il vous faudra en faire la demande avant de valider votre panier. Le cout de celle-ci vous sera alors transmit. l'assurance couvre uniquement le prix d'achat de l'objet commandé si le colis est perdu seulement. ====== Shipments are dispatched 3 days after payment validation (excluding weekends and holidays). A tracking number will be communicated through. No liability will be assumed for damages and / or losses that may occur during transport. No reimbursement can be claimed, unless you have insured your shipment .If you want to insure your shipment, you will need to request it before validating your basket. The cost of this will then be transmitted to you. the insurance only covers the purchase price of the item ordered if the package is lost only. Autres – Others: A l'attention de la clientèle un peu trop exigeante: Vous êtes ici sur une plateforme spécialisé dans la vente d'occasion !! Les instruments proposés ici ont parfois plusieurs décennies d'existence. Même si ces derniers sont nettoyés et révisés globalement il est probable qu'il y ai de légère déviance; à méditer… ====== For the attention of customers a little too demanding: You are here on a platform specialized in second hand sales !! The instruments proposed here sometimes have several decades of existence. Even if these are cleaned and revised globally it is likely that there is slight deviance; to meditate… Les demandes de retours de marchandise ne sont pas acceptées. Aucune garantie sur les articles vendus ici. ====== Requests for merchandise returns are not accepted. No warranty on the items sold here.

COLLECTION: Paris, 75003, FRANCE. ENGLISH: LIFESTYLE 650 SYSTEM with OMNIJEWEL SPEAKERS -360-degree output, Bose's most spacious satellite speakers -Powerful, 21" center channel speaker  FRANCAIS: SYSTÈME LIFESTYLE 650 avec ENCEINTES OMNIJEWEL -Sortie à 360 degrés, les enceintes satellites les plus spacieuses de Bose -Puissant haut-parleur central de 21" INCLUDES Console 4 OmniJewel speakers (2 front, 2 rear) OmniJewel center speaker Acoustimass wireless bass module Universal remote control Front speaker cable 2 rear speaker cables Center speaker cable 2 wireless receivers HDMI cable 4 AA batteries Console power supply 4 Power cords with UK plugs (I have UK to EU plug adopters for 1 euro each) 4 Adhesive feet (Owner’s guide is online) COMPREND Console 4 haut-parleurs OmniJewel (2 à l'avant, 2 à l'arrière) Enceinte centrale OmniJewel Module de basses sans fil Acoustimass Télécommande universelle Câble d'enceinte avant 2 câbles d'enceintes arrière Câble d'enceinte centrale 2 récepteurs sans fil câble HDMI 4 piles AA Alimentation de la console 4 cordons d'alimentation avec prises britanniques (j'ai des adoptants de prises du Royaume-Uni vers l'UE pour 1 euro chacun) 4 pieds adhésifs (Le guide du propriétaire est en ligne). Additional details: Supported audio formats: Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, Multichannel PCM; Video source compatibility: Support for six 4K/60 video sources (HDMI 2.0/HDCP 2.2). ---- SPECIFICATIONS DIMENSIONS/WEIGHT Console:15.98" W x 2.56" H x 10.16" D (8.8 lbs) OmniJewel speakers (each):1.84" W x 5.77" H x 1.84" D (0.78 lbs) OmniJewel center speaker:21.34" W x 1.9" H x 1.84" D (2.66 lbs) Acoustimass wireless bass module:11.61" W x 12.8" H x 11.61" D (30 lbs) Wireless receivers for rear speakers:6.54" W x 1.6" H x 3.07" D (9.8 oz) Additional details Supported audio formats: Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, Multichannel PCM. Video source compatibility: Support for six 4K/60 video sources (HDMI 2.0/HDCP 2.2) INPUTS & OUTPUTS (ENTRÉES ET SORTIES) ENGLISH: Rear panel of the console 1 HDMI™ output with Audio Return Channel (ARC) 5 HDMI inputs 2 optical digital audio connections 2 coaxial digital audio connections 2 analog L/R audio inputs 1 3.5 mm connection for the Acoustimass module 1 data port 1 IR repeater port 1 Ethernet port for SoundTouch and software updates via a network 1 USB connection for software updates only FRANCAIS: Panneau arrière de la console 1 sortie HDMI™ avec canal de retour audio (ARC) 5 entrées HDMI 2 connexions audio numériques optiques 2 connexions audio numériques coaxiales 2 entrées audio analogiques L/R 1 connexion 3,5 mm pour le module Acoustimass 1 port de données 1 port répéteur IR 1 port Ethernet pour SoundTouch et mises à jour logicielles via un réseau 1 connexion USB pour les mises à jour logicielles uniquement ENGLISH: Front of the console 1 HDMI input 1 3.5 mm jack for ADAPTiQ system and headphones 1 power button 1 source button 1 system setup button FRANCAIS: Avant de la console 1 entrée HDMI 1 prise jack 3,5 mm pour système ADAPTiQ et casque 1 bouton d'alimentation 1 bouton source 1 bouton de configuration du système ---- DESCRIPTION - DESIGN: Beauty’s in the eye—and ear—of the beholder. So we designed the Lifestyle 650 home entertainment system to be beautiful in every way. Acoustics. Aesthetics. Craftsmanship. Simplicity. For your movies and music, it’s the most uncompromising 5-speaker home theater system we’ve ever made. - SPEAKERS: Bose has a long history of creating big sound from small packages. With OmniJewel satell