Around and even inside

Walimex Pro Aptaris Universal XL MK II cage system to DSLM and DSLR Caméras Excellent état, comme neuf Dans sa boite d'origine avec sa documentation - innovative cage system that makes system and DSLR cameras suitable for accessories - height adjustable and therefore suitable for all common cameras such as Panasonic GH-4, Nikon D800, Canon 5D Mark III, etc. - new and larger handle with additional 1/4 inch and 3/8 inch tapped holes - Eight new 1/4 inch tapped holes on the TopPlate for added convenience - A variety of mounting options around the rig - Height adjustable between 81mm and 133mm inside dimensions - Many expansion and combination options - Made in Germany - Made of extremely light and stable aerospace aluminum PRODUCT INFORMATION Aptaris - makes system and DSLR cameras suitable for accessories The "Made in Germany" Cage-System Aptaris makes your system or DSLR camera suitable for accessories and thus enables professional results when filming and photographing. Suitable for all common cameras The walimex Pro Aptaris Universal XL Mark II Cage opens up even more possibilities. With its additional 1/4 inch and 3/8 inch threaded holes, accessories such as microphone or film light can be attached even more flexibly. The new and larger handle ensures even more wearing comfort. It also has two 1/4 inch and four 3/6 inch tapped holes. The Universal XL Mk II is suitable for all common cameras such as the Panasonic GH-4, Nikon D800 or Canon 5D Mark III. In short, for those whose hot shoe and tripod threads lie on one axis and do not exceed or fall short of the inside dimensions of the cage. Aptaris is simply attached to the camera via the hot shoe of the camera and the camera screw (1/4 inch thread). An absolute highlight is the height adjustment of the cage, which is done with four Allen screws. This fits the version for a lot of cameras. In addition, two small hooks on the camera plate, which can be individually adjusted depending on the camera, ensure an absolutely non-slip grip. Greatest flexibility in use Thanks to a large number of 1/4 inch threads on all sides and a 3/8 inch thread on the underside, a lot of accessories such as microphones or LED lights can be attached as desired. Additional flexibility in use is provided by the adjustable, supplied handle, which can be mounted at the top, bottom or side as needed. This is also the shooting near the ground possible. With the Manfrotto PL 501 standard adapter plate, Aptaris can also be mounted on a Manfrotto tripod. In any case, access to the battery compartment, memory card etc. remains unrestricted. Many expansion and combination options Aptaris is a system. That's why you can extend the cage with any number of accessories such as the Aptaris rod module or the shoulder rest module. The Rod Module gives you plenty of room to attach additional accessories such as a Follow Focus and a Mattebox. With a diameter of 15mm, the rods comply with the industry standard, so that the combination with all common accessories is possible. Thanks to the included Rodmodulplatte the rod module can easily be attached via a sliding mechanism on the Aptaris system. With the Aptaris shoulder rest module, you can cast a complete rig out of the cage with just a few simple steps - for even more flexibility, especially in mobile use. Of course, you can also extend Aptaris at any time eg with additional hot shoe adapters or a separate L-bracket. Livraison rapide et soignée

TC electronic DB4 Introducing DB-4 & DB-8 Consistency in loudness is the single most important audio issue to get right in broadcast. That is the reason why DB-8, around the world, is the most widely used digital transmission processor today. It has set a new standard for real-time loudness control and format conversion, and pioneered support of both analog and digital feeds from one and the same machine. Both DB-4 and DB-8 employ cutting edge technology to enable stations get rid of listener complaints about jumping levels, and to transmit in analog and digital with optimum processing for both feeds. DB-4 includes the same processing and I/O capabilities as DB-8, except for holding two separate processors, instead of the four inside DB-8. For example, one DB-4 can apply different processing to four mono, two stereo or two 5.1signals, or to a combination such as one stereo and one 5.1 signal. Compatibility between DB-4 and DB-8 DB-4 and DB-8 are preset compatible. If you know how to operate one of the them, you know how to operate both. DB-8 is primarily designed for large broadcast centers, while DB-4 may be a more appropriate match for OB linking or a regional station, but they share the same processing, the same presets and the same physical I/O structure - and even the same program to control them. DB-4 and Your Broadcast Environment On the audio side, DB-4 gets the most out of any data reduction system your station or country has chosen, be it MPEG4, Dolby AC3, MP3, AAC, DTS etc. At the station, it can route and delay Dolby E encoded signals, so the same signal-path can be used partly for linear stereo, partly for data-reduced audio. On the control side, DB-4 interfaces directly with standard master control applications. Changes are applied using serial control, GPI or ethernet, and multiple units can be monitored via SNMP trapping. Local or remotely located DB-4 and DB-8 units can also be controlled from the Icon program included with the machine. (Icon runs under Windows 2k, XP and NT, Mac OS9 and OSX). Identify Your Opportunities If your station is an early mover in digital, and seeking to identify advantages, DB-8 and DB-4 will provide you with all the possibilities you need to transmit in 5.1 now, as well as to experiment and find the right competitive angle for the future. These processors can easily adapt to your audience's changing needs. Technical Integrity Synchronous 48kHz sampling and 48 bit processing throughout, in combination with massive jitter rejection, ensures high audio resolution and perfect timing, even when long, digital transmission lines are used to feed a processor. The DB-8/DB-4 platform is without compromises. In fact, hundreds of machines can be cascaded without degrading the transmitted sound. If optional analog interfacing cards are added, they too represent state of the art technology with 96kHz sampling and mastering quality dynamic range, far exceeding any US, Japanese or EU broadcast standard. Foundation TC's involvement with high quality digital audio dates back to the mid eighties with pre-DSD technology being employed in the still ubiquitous delay, 2290. TC's commitment to digital excellence continued over the years with equipment for the music, film and mastering industries. The multichannel processing in DB-8 and DB-4, for instance, was originally developed for film. Those tools have been adjusted for broadcast use and are now part of your arsenal. Or dynamics control, where some of the latest end-listener distortion canceling methods originally invented for mastering have been build in. Ten years experience with analog and digital broadcast combined with the know-how of skilled engineers is the strong base of the DB-8/DB-4 platform. From the purist and quality

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...        Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: More details at: http://audio.starting-point-systems.com/   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...   Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: USB Audio DAC with jitter killer reclocker crowdfunding pitch - YouTube Video will open in a new window [isdntekvideo]   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.        Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.     

Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.        Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.      Le 24-juil.-19 à 16:47:06 Paris, le vendeur a ajouté les informations suivantes:

  2pcs Car Vehicle Parking Ticket Permit Holder Clip Sticker Windscreen WindowCRD a.imagelink {color:#333333;} a:hover.imagelink {color:#333333;} a:visited.imagelink {color:#999999;} a.imagelink img.auctionimage { border: 2px solid #333333; } a:visited.imagelink img.auctionimage { border: 2px solid #999999; } Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.      -Nous acceptons seulement le paiement Paypal. - acheteurs   internationaux - veuillez   noter: a) les taxes et frais d'importation ne sont pas inclus dans le prix de l'article ou les frais d'expédition.  Ces   charges   sont   la   responsabilité   de   l' acheteur. b) Veuillez vérifier auprès du Bureau de douane de votre pays pour déterminer ce que ces coûts supplémentaires seront avant d'enchérir/acheter. * Nous ne pouvons pas expédier aux cases postales ou aux adresses d'APO/FPO Merci!   Description Feature:   Sticker back, good quality.  Just stick it to your windscreen! so easy.  Stick one on your fridge, a handy note holder.  Easily attached with double-sided adhesive tape on the inside of the windscreen.  Also great for holding a few of your business cards, and even your shopping list too.  Type:Ticket Clip  Color:Clear  Material:Plastic  Quantity:2pcs/Bag  Size: 7.4mmx3.95mmx0.10mm Package Include: 2 pcs x Ticket Clip    Note:   1.Please allow 1-3cm   differences due to manual measurement, thanks. 2.Please understand because of the light irradiation or computer display difference, so I  can't guarantee photos and real color is 100% the same.      PAYMENT -Nous acceptons seulement le paiement Paypal. - acheteurs   internationaux - veuillez   noter: a) les taxes et frais d'importation ne sont pas inclus dans le prix de l'article ou les frais d'expédition.  Ces   charges   sont   la   responsabilité   de   l' acheteur. b) Veuillez vérifier auprès du Bureau de douane de votre pays pour déterminer ce que ces coûts supplémentaires seront avant d'enchérir/acheter. * Nous ne pouvons pas expédier aux cases postales ou aux adresses d'APO/FPO Merci! SHIPPING Terms of Sale ABOUT US Le 23-juil.-19 à 17:12:56 Paris, le vendeur a ajouté les informations suivantes:

      KitSound KitSound Buddy Haut Parleur Universel avec 3.5mm Jack, Compatible avec tous les iPhones, iPads, iPods, Samsung, Nexus, BlackBerry, Nokia, Windows 8 et HTC - Abeille Jaune/Noir Introducing the KitSound Mini BuddiesAdorable and portable, what the KS Mini Buddy speakers lack in size, they make up for in volume.Big Sound'Less is more'; 'Don't judge a book by its cover'; 'Good things come in small packages'. There are many sayings we could use to describe the KS Mini Buddies, but for the sake of simplicity we'll just say they're surprisingly loud.Bigger soundOn its own a Mini Buddy sounds impressive, but if you want even more volume, you can connect two or more of them together for increased impact. With the Mini Buddies coming in a variety of cute designs, it's a good excuse to collect the whole family.Ultra portableJust because a Mini Buddy boasts big sound, it doesn't mean the speaker itself has to be big. Measuring around 50mm wide, 55mm high and 48mm across, they're ultra-portable and even come with a keyring attachment, so you can hear your music out loud wherever you are.Easy to UseSimple to use, you just plug it into your mobile, tablet, PC or music device using the 3.5mm headphone jack and turn it on. Charging the built-in Li-ion battery can be done by simply plugging the supplied USB cable into a PC, laptop, USB mains charger or USB car charger.About KitSoundWe are craftspeople. We are musicians. We are KitSound and we all commit ourselves to achieving one shared goal: Bringing people closer to their music. By understanding music we stay true to its craft. Pure, rich, incredible sound. We settle for nothing less.Specifications: - Frequency response: 100 Hz -20 kHz - Driver size: 36mm - S/N: 85 dB - Output: 2 W RMS @ 4 ohms - Cable length: 8.5cm Sonorité dynamique pour sa taille Buddy jack associable pour un son encore plus développé Batterie rechargeable intégrée Fixation de porte-clés pour une meilleure portabilité Aspect amusant et destiné pour toute la famille Type: Appareils électroniques Fabricant: KitSound -> Nous ne livrons pas les destinations suivantes: la Corse, les départements/pays/territoires d'outre-mer, les bases militaires Couleur Abeille Jaune/noir Modèle KSNMBBEE Photos non contractuelles

Volna-9 50mm f2.8. Il s'agit de l'unique ancien objectif russe produit pour la photo macro. Ce 50mm s'allonge pour obtenir un rapport de grossissement 1:2 à 24cm. Il est réputé pour son piqué en fermant un peu (ce qui est normal pour un macro) et pour son bokeh original: à f2.8 le bokeh est plutôt doux (en proxy), à f4 légèrement hexagonal, mais à f5.6/f8 il prend la forme d'une étoile.  Cet objectif est avant tout conçu pour photographie les plantes, les insectes et petits objets, mais il excelle aussi en portrait. En usage généraliste, il devient bon en fermant (homogène en paysage à f11). C'est un 50mm en plein format (75mm en APS-C, ce qui peut être encore plus intéressant en macro). Il est entièrement manuel. La monture m42 s'adapte sur les appareils photo numériques, en particulier les hybrides, avec une bague d'adaptation (pas cher sur internet). L'objectif est dans un excellent état extérieur et mécanique (comme neuf). Les optiques sont claires (à la loupe peut-être une minuscule marque à l'intérieur sans conséquences). Il a très peu servi. Il est complet avec son capuchon frontal, sa boîte d'origine (il se visse sur le couvercle) et même les instructions...  en russe ! ----------------------- Volna-9 50mm f2.8. This is the only old Russian lens produced for macro photography. This 50mm extends to a magnification ratio of 1:2 at 24cm. It is known for its sharpness when closing a little (which is normal for a macro) and for its original bokeh: at f2.8 the bokeh is rather smooth (in proxy), at f4 slightly hexagonal, but at f5.6/f8 it takes the shape of a star.  This lens is primarily designed to photograph plants, insects and small objects, but it also excels in portrait. In general use, it becomes good when closed (homogeneous in landscape at f11). It is a 50mm in full frame (75mm in APS-C, which can be even more interesting in macro). It is entirely manual. The m42 mount fits on digital cameras, especially mirrorless, with an adapter ring (cheap on the internet). The lens is in excellent external and mechanical condition (like new). The optics are clear (with a magnifying glass maybe a tiny mark inside without consequences). It has been used very little. It is complete with its front cap, its original box (it is screwed on the lid) and even the instructions... in Russian !

- It was gifted to me but I will not use them, box just opened, never used, in excellent condition - [Flagship-level DLC diamond diaphragm, for an amazing, powerful sound]: The FD3 headphones benefits from the numerous advantages of FiiO's new dynamic driver. The diaphragm is made of Diamond Like Carbon (DLC) which is both impressively rigid and helps to reduce unneeded distortion yet also surprisingly light, allowing the driver to have excellent transient response. The result is a driver with excellent sound quality and minimal distortion with the added bonus of being ultra-sensitive. - [Flagship-grade acoustic prism, take your breath away]: The acoustic prism so effectively used in the flagship FD5 for great sound quality is also featured in the FD3. Like with the FD5, the acoustic prism system brings numerous benefits such as eliminating high frequency standing waves, enhancing overall sound wave diffusion, and even effectively solving the problem of time delay caused by sound wave propagation path in the cavity. This all leads to marvelous sound quality. - [Better sound with semi-open design,makes you less tiring and the sound less forced]: The semi-open design of the FD3 based on FiiO's patented technology for balanced air pressure within brings several advantages. Not only does such a design lead to more natural sound, but it also effectively protects your hearing by balancing air pressure within the FD3 leading to less pressure on your eardrums. - [2.5D film coating glass faceplate] The unique celluloid panel is covered with 2.5D film coating glass for a pure yet fresh transparent look. And the aluminum-magnesium alloy of the body makes the FD3 exceptionally light, making it easier and more pleasurable to carry around. And the aluminum-magnesium alloy main body is made in an industrial process combining five-axis CNC processing and hand polishing. - [Well-equipped just for you] The well-received interchangeable sound tubes also make an appearance on the FD3, The cable adopts an expanded MMCX connector for easier cable changes; the curved audio plug design makes it easier to plug into; and 4 strands of high-purity monocrystalline copper wires for a total of 120 wires make your music and vocals simply vivid.

Reflex argentique OLYMPUS OM2 MD noir + G-Zuiko Auto-S 1,4/50mm    Boitier fonctionnant parfaitement,cellule précise,viseur très clair avec quelques "micro" poussières surement sur le verre de visée(interchangeable) et 2 très léger début de moisissure dans le bas du viseur(on peut remédier a cela en démontant la coque supérieure).    Ce boitier noir est un peu usé aux endroits habituels d'utilisation, le bouton vissant des 2 piles boutons type LR(SR)44 est assez usagé mais fonctionnel.    Le boitier a une prise synchro flash (X et M) mais pas de griffe HotShoe N°2(démontable).On se sert d'un flash avec la prise synchro et un cable.    Il serait nécessaire de changer toutes les mousses d’étanchéités du dos par précaution.    Ce reflex de renommée utilise tous les objectifs OM Zuiko de la marque,il sera livré avec ce célèbre 1,4/50mm.    L'optique fonctionne bien,le dia est bien sec et cranté,la bague de MAP est très douce et sans a coup.    le filetage du filtre a été arrangé suite a un léger choc les filtres peuvent se remettre mais en forçant légèrement,(la mise au point est juste).    les lentilles sont relativement propres(vu l'âge du boitier) mais il existe une petite rayure sur la lentille arrière qui ne gêne en rien le résultat final(j'ai fait des essais avec un hybride et une bague ad hoc et rien n’apparaît a toutes les ouvertures et MAP.     *** a l'intérieur ce n'est pas un début de fungus mais un minuscule insecte qui est sur la lentille ! je n'ai pas pu le faire bougé et au vu des photos prises il n’apparaît pas....    Livré avec sa sangle d'origine,sans les bouchons ni les 2 petites piles boutons LR44 que l'on trouvent très facilement même en supermarché!    Possibilité d'envoi en colissimo: 9€.          J'accepte chèque,virement,Paypal avec adresse.                   *************             **************                   ****************                **************             OLYMPUS OM2 MD Film Reflex Black + G-Zuiko Auto-S 1.4 / 50mm    Case working perfectly, precise cell, very clear viewfinder with some "micro" dust probably on the aiming glass (interchangeable) and 2 very slight beginning of mold in the bottom of the viewfinder (we can remedy this by dismantling the upper shell).    This black box is a little worn in the usual places of use, the button screwing 2 button batteries type LR (SR) 44 is quite used but functional.    The case has a flash sync socket (X and M) but no hot shoe No. 2 (removable). We use a flash with the sync socket and a cable.    It would be necessary to change all foams seals back as a precaution.    This famous SLR uses all OM Zuiko lenses of the brand, it will be delivered with this famous 1.4 / 50mm.    The optics works well, the dia is dry and notched, the MAP ring is very smooth and smooth.      *** inside it is not a fungus start but a tiny insect that is on the lens! I could not move it and in view of the pictures taken it does not appear....    the thread of the filter has been arranged after a slight shock the filters can recover but forcing slightly, (the focus is right).    the lenses are relatively clean (given the age of the case) but there is a small scratch on the rear lens that does not interfere with the final result (I tested with a hybrid and an ad hoc ring and nothing n ' appears at all openings and MAP.    Comes with its original strap, without the plugs or 2 small button batteries LR44 that can be found very easily even in the supermarket!    Possibility of sending in colissimo: 9 €.          I accept check, transfer, Paypal with address.

The Talky Walky is a small, portable radio receiver designed for optimal reception within a 500-meter radius. This radio boasts an impressive reaction time, with its integrated circuitry of equivalence and the use of ten transistors. Its high sensitivity reception is ideal for those who want to stay connected in their local area. The receiver features a micro electret for enhanced sound quality and an extendable antenna for optimal signal reception. It also includes a code morse function for those who prefer this method of communication. The Talky Walky comes with nine pieces in total, including two lots of 20 euros each for those who want to expand their collection. This compact and efficient radio is perfect for anyone who wants to stay connected with friends or family in their community. With its high sensitivity reception and extendable antenna, it ensures that you never miss an important message. Whether you're hiking in the mountains or working in the garden, the Talky Walky is the perfect companion for your communication needs. Its small size makes it easy to carry around, and its durable construction ensures that it can withstand even the toughest conditions. So why wait? Get your Talky Walky today and start staying connected!

3.0  ji-nashi   shakuhachi  tuned in  F for A at 440 htz, solid and beautifull Tiger Chinese Madake, good playability and volume,  goes easely in Kan and even Daikan-possible to get the F on the third octave!-, 3 rings of roots, 9 nodes, kinko insert and black laquer inside, offset holes for right player, holes mm....   Professionnal musician, i'ved sold and builded a lot of ji-nashis and ji-noris... you can have more detail here:   ask for more audio or more pictures! Cordually Vends shakuhachi bass Roots-end(3 anneaux de racines)  accordé  en Fa pour La à 440 htz  bambou en madake Tigré Chinois, Trous décallés pour joueur droitier  ,bon joueur, gros volume grave, monte facilement en kan et daikan (jusqu'au fa 3ème octave!), insert kinko, laqué noir  .Musicien et compositeur, j'ai fabriqué et vendu de nombreux shakuhachis.. visibles sur mon blog: MP3 et vidéo sur demande

NIKON FE2 (Black) 35MM SLR CAMERA WITH NIKON NIKKOR 35MM F2 LENS AND 35-105MM. IN GOOD FULLY WORKING CONDITION. BODY ALMOST MINT GRADE A (Please check out the photos for condition) LIGHT METER WORKING CORRECTLY.  AUTO MODE FIRES ON ALL SPEEDS. OPTICS CLEAN AND CLEAR. PLEASE THE 35MM SHOWS LIGHT ESTETHIC DAMAGES  AROUND THE LENS INSIDE BUT DOES NOT IMPACT THE USE  (LOOK AT THE 11 PICTURES) BARREL SHOWS LIGHT TO NORMAL SIGNS OF USE. IRIS NICE AND SNAPPY. COMPLETE WITH: -FOCA HR7 -USERS MANUALS -DUST PUMP  -COMPACT FLASH SUNPAK -LENS AND BODY CAPS

English below. Bec vintage pour saxophone alto de marque Otto Link, made in USA, modèle "Super Tone Master", ouverture 7, de type "Early Babbitt", c'est-à-dire fabriqué à Elkhart, Indiana, entre 1975 et 1980. Ce modèle, recherché pour ses attaques plus directes que celles des Super Tone Master "Florida", avec sa grosse sonorité typique, ne se trouve plus, en alto qu'entre 350 et 600 euros, et pas forcément complet, alors que celui-ci est vendu avec sa ligature d'origine et son protège-bec en laiton (à la dorure très usée). On repère bien sur sa table la trame "denim" due à l'usinage spécifique des bec terminés à Elkhart entre 1973 (date du déménagement d'Otto Link de la Floride à l'Indiana) à 1980, et le chiffre de l'ouverture est frappé sur le côté du corps. A la différence des modèles Florida et Transitional antérieurs qui étaient dorés sur un nickelage du corps de bronze, la dorure a bien tenu sur la sous-couche d'argenture.  L'état du bec lui-même est très bon (table, rails, état cosmétique), il n'a pas été retouché. Cette ouverture 7 correspond à environ 0.085", c'est-à-dire F chez Selmer, ou 8 chez Meyer et Dukoff, ou 90 chez Berg Larsen (Larsen annonçant généralement une demie-taille de plus que le rendu réel). C'est donc un bec très professionnel, adapté pour un bon niveau de jazz. Port en colissimo.  Vintage alto saxophone mouthpiece, Otto Link, made in USA (Elkhart, Indiana), "Super Tone Master", opening 7, aera "Early Babbitt", made between 1975 and 1980. This modell, famour for his more direct sound than the Super Tone Master "Florida", with a big fat sonority, cost actually, in alto, around 400-600 $, even uncomplete. This one has its original ligature and its used cap. The mouthpiece is in good shape (table, cosmetics), untouched. This opening, 7, is about 0.085" (I haven't gauge to check it), as F / Selmer, or 8 / Meyer and Dukoff, or 90 / Berg Larsen (Larsen stamps a bigger opening than the real one). So, it is a real professional mouthpiece, for a good level in jazz. Registred insured shipping.