Audio and midi effects

Bonjour, je vends mon interface audio je m’en suis peu servi (cela se voit) car je travaille « à l’ancienne » sur des enregistreurs multipistes... Tout fonctionne, par contre il vous appartient de vérifier la bonne compatibilité avec votre matériel logiciel et informatique, pas de retour pour une non compatibilité. Ceci dit en USB elle est en général reconnue sans difficulté. Il y a évidemment des traces d’utilisations, puisque occasion, voir photos. Vous achetez ce qu’il y a en photo: la FCA1616 + l’alimentation EU plug + câble USB + 2 oreilles pour rack 1U Les 2 oreilles pour rack 1U deviennent rares... car spécifiques. Pas de logiciel. Le colisage en colissimo sera soigné avec COMME TOUJOURS en ce qui me concerne / une protection optimum de l’appareil. Voir mes évaluations en tant que vendeur. Numéro de suivi fourni. Merci. DESCRIPTION TECHNIQUE: Fabricant: Behringer Modèle: Firepower FCA1616 Catégorie: Interfaces audionumériques FireWire + USB Audiophile audio interface with 24-Bit/96 kHz resolution for virtually any digital recording/mixing environment 4 state-of-the-art MIDAS designed mic preamplifiers, with phantom power, individual Pad, Low Cut and Hi-Z Multi-channel audio and MIDI operation via FireWire or USB2.0 Streams 16 inputs / 16 outputs plus 1x MIDI I/O with ultra-low latency to your computer, supporting Mac OS X and Windows XP or higher All standard I/O formats supported – analog, S/PDIF (coaxial and optical), ADAT, S/MUX Direct Monitoring and Main Volume control with “near-zero” latency 2 powerful Headphone outputs with individual Volume control, Mono and Source signal select Level control of your stereo or 7.1 active speaker system with a single knob turn 8 analog Inserts for use of external effects such as compressors, etc. Get 8 additional MIDAS designed microphone inputs and line outputs Status and signal presence indication for all analog and digital I/O Powered via external power supply (included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Vends expandeur Korg M3r Multitimbral: 16 canaux Polyphonie: 32 voix Synthèse AI 90 formes d'ondes et 45 sets de batterie, 16 bits Filtre passe bas 24 dB/octave 4 pôles avec résonance dédié (hauteur, filtre, amplitude) 3 enveloppes ADSR dédiées (hauteur, filtre et LFO) 2 processeurs d'effets stéréo (33 effets) Sorties stéréo, individuelles et MIDI. 100 patchs et 100 multipatchs modifiables peuvent être sauvegardés via MIDI SysEx ou carte mémoire. Dimensions (LxPxH): 430 x 320 x 45 mm Poids: 5.9 kg Envoi rapide et soigné. I'm selling my Korg M3r expander Multitimbral: 16 channels Polyphony: 32 voices AI Synthesis 90 waveforms and 45 drum sets 24 dB/octave 4-pole low pass filter with dedicated resonance (pitch, filter, amplitude) 3 dedicated ADSR envelopes (pitch, filter and LFO) 2 stereo effects processors (33 effects) Stereo, individual and MIDI outputs 100 patches and 100 editable multipatches that can be saved via MIDI SysEx or memory card. Dimensions (LxDxH): 430 x 320 x 45 mm Weight: 5.9 kg Fast and careful shipping. En savoir plus Collaboration commerciale.

NEW OLD STOCK. RARE. Device that recognises tempo from audio signal and turns it into MIDI signal.  For example you can synchronise two turntables with a synth or a drum machine.  VOYAGER 1 analyzes audio signals from vinyl, CD or tape and calculates the BPM of two tracks simultaneously. Both BPMs are displayed but, more importantly, the beat information from one channel is used to generate a MIDI Clock signal, which runs in synchronization with the audio track. In original box and comes with manual.   FEATURES: • Performance: BPM Range = 60 - 230 BPM Audio/MIDI synchronisation delay = less than 3mS • Lock-in time = 2 to 4 sec's (from introduction of readable beat information). • Displays: 2 x 7 Segments, 3 character (LED). 1 x MIDI Clock rotating display (8 x LED's). Beat Tracking indicator (3 x LED's). • Controls: Channel 1 select, Channel 2 select, Run/Pause, Cue, Beat. One Re-Set, Tap (Stop) Tempo edit, Sync Pull/Push adjust. • MIDI Implementation: System Real Time/Clock commands = Transmitted. • Connectors: Channel 1 Input/Output, Channel 2 Input/Output, MIDI Clock Out, AC adaptor. • Power Supply: 9vDC, 250mA (RED PSU) included. • Dimensions/Weight 180(W) x 132(D) x 50(H) mm, 1.65 Kg. • Intelligent Software: Constantly analyses and calculates the BPM of two audio inputs (vinyl or CD/tape). • Channel 1 & 2 Displays: The BPM readings from the audio inputs are shown clearly on 3 digit LED displays. • Run/Pause Button: Controls the running status of the external MIDI sequencer. • Cue Button: Pre-sets the VOYAGER 1 to the BPM of your next audio track prior to performance. • The MIDI sequencer and audio track can then be started simultaneously from a predetermined cue point in the audio track. • Beat One Reset Button: Re-aligns the start point (beat1/bar1) of the current pattern in the MIDI sequencer with any chosen point in the audio track. • MIDI Clock Display: 8 LED display rotates' at the detected BPM rate when the VOYAGER 1 is in RUN mode. • Beat Tracking Indicator: 3 LED display shows any beat synchronisation adjustments made by the VOYAGER 1. • Tap (Stop) Button: Used to manually enter a BPM and/or STOP the MIDI Clock.

Studio 88 Pro 8 entrées combo (XLR + jack 6,35 mm) 8 sorties jack 6,35mm dont 2 (canaux 1 et 2) couplées à 2 connecteurs RCA 1 entrée 1 sortie MIDI 1 entrée / 1 sortie S/PDIF Connexion USB (compatible 1.1 et 2.0) Plug and play (aucun pilote nécessaire) Avec Cubase 5 LE, enregistrez votre voix, branchez votre guitare ou tout autre instrument et profitez de la sonorité d’un véritable orchestre. Avec PRODIPE VE, disposez d’un expandeur professionnel de plus de 300 sonorités sans aucune latence. Avec TIMESTRETCH, changez les tempos de vos CD audio, fichiers WAV, MP3 ou WMA sans modifier la hauteur des sons et vice-versa. Transposez, adaptez, sélectionnez une partie, sauvegardez, gravez... Pour les chanteurs, les musiciens, les copistes, les professeurs de musique, les élèves… Et avec le NOUVEAU Driver Asio 2 multicartes utilisez simultanément plusieurs interfaces Prodipe (Prodipe ASIO Merge®). PRODIPE STUDIO 88 PRO: 8 entrées / 8 sorties audio 1 entrée / 1 sortie S/PDIF (canaux 1 et 2) 1 entrée / 1 sortie MIDI Qualité sonore professionnelle (électronique de haute qualité) Connexion USB (compatible 1.1 et 2.0) "Plug and play" (aucun pilote nécessaire) 8 entrées combo (XLR + jack TRS 6,35 mm) THD+N: 0,01% (Distorsion Harmonique Totale + Bruit) SNR: 89 dB (Rapport signal/bruit) Préamplis micro avec filtres antialias et LCF Alimentation fantôme sélectionnable sur chaque entrée Bouton haute impédance (HiZ) sélectionnable sur chaque entrée Réglage de gain sur chaque entrée Indicateur de saturation sur chaque entrée 2 entrées ligne RCA, mixées avec les entrées frontales 1et 2 8 sorties jack TRS 6,35mm dont 2 (canaux 1 et 2) couplées à 2 connecteurs RCA THD+N: 0,005% (Distorsion Harmonique Totale + Bruit) SNR: 96dB (Rapport signal/bruit) Dynamique: 93 dB Filtre LPF 1 sortie casque 6,35mm stéréo Réglage de mix monitoring direct lecture 1 entrée MIDI (16 canaux) 1 sortie MIDI (16 canaux) Autoalimentée par le connecteur USB (adaptateur secteur optionnel, selon la puissance du port USB de l'ordinateur) Compatible Windows XP, Vista, 7 ou supérieur et MAC OS X (pas de pilote nécessaire) Fournie avec le pilote "Prodipe ASIO 2" pour Windows avec fonction "Audio Merge" intégrée (vous permet d'utiliser plusieurs interfaces audio Prodipe simultanément dans vos applications compatibles ASIO 2) Latence ASIO 2 inférieure à 2ms en entrée et en sortie Livrée avec Cubase LE (Windows / MAC) Prodipe VE (Windows) Prodipe VE: uniquement pour PC Multitimbral 64 canaux MIDI sur 4 ports MIDI indépendants. Polyphonie illimitée (en fonction de la puissance de votre ordinateur). Effets: Réverbération, Chorus et Egaliseur paramétrables. Synthèse sonore 44,1 kHz, 16 bits. Superposition de 4 sonorités minimum (‘layer’). Clavier splitable jusqu’à 4 zones différentes (‘split’). Bibliothèque sonore GM2 de très haute qualité. Compatible VST. Compatible GS et XG. TimeStretch: uniquement pour PC WINDOWS XP, VISTA OU SUPÉRIEUR PROCESSEUR PENTIUM IV 1GHZ ET 512 MO de mémoire vive pour utiliser la transposition et le changement de tempo en temps réel. Cubase LE: PC / Mac Cubase LE est basé sur le système de production musicale avancé Cubase utilisé par de nombreux professionels de part le monde. Moteur audio 32 bits en virgule flottante. Jusqu'à 48 pistes audio (24 bits/96 kHz) et 64 pistes MIDI. Enregistrement, édition et mixage parfaits en audio et MIDI. Suite complète de 23 processeurs d'effets audio VST. 25 sons d'instruments livrés avec l'échantilloneur HALION ONE. Système "Audiowarp" pour les transpositions et changements de tempo en temps réel. Edition et impression de partitions. Compatible Windows et Mac OS X (Universal binary). ASIO 2: Toutes les interfaces audio Prodipe sont livrées avec le pilote "Prodipe ASIO 2". Ce pilote peut être utilisé par toutes les applications (Cubase par exemple) nécessitant une faible latence. Il est équipé de la fonction "Prodip

TAC-8 Thunderbolt Audio Converter. État: "Occasion" Très bon état, Zoom TAC-8 Convertisseur Audio Thunderbolt avec alimentation 18 entrées & 20 sorties, au format rack 1U. Elle dispose de 8 entrées et 10 sorties analogiques, ainsi que des entrées / sorties numériques au format ADAT. Elle pourra donc gérer au total 18 sources en entrée, et renvoyer le signal sur 20 sorties. Le format Thunderbolt lui confère une des latences les plus faibles du marché (ce format autorise des transferts 10 fois plus rapides que le FireWire). Il présente l'avantage d'être directement compatible avec tous les ordinateurs de la marque Apple équipés en Thunderbolt (à partir de Mac OSX 10.8.5). Cette interface peut être utilisée avec un logiciel gratuit: MixEfx, idéal pour le monitoring et le traitement en temps réel. En plus de sa connectique Thunderbolt, et de ses nombreuses entrées et sorties, elle dispose d'une prise sync WordClock, d'une interface MIDI, et d'une entrée sortie SP/DIF. Cerise sur le gâteau, vous pourrez l'utiliser en mode standalone, sans PC donc, en tant que préamplificateur et/ou convertisseur. Zoom Tac-8 Thunderbolt Audio Converter with alimentation. The rack-mountable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, 10 digital inputs and outputs (in both S/PDIF and ADAT Optical formats), and both Word Clock and MIDI I/O. Whether you want to record large scale multi-channel 24-bit/192 kHz sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take full advantage of today's latest technology.

COCONUT AUDIO 's Elite audio / video tweaks For ultra high-end audio systems, made using natural based substances; semi-precious stones, clay, tree fibers... No technical or medical claim is made, but japanese competitors like FURUTECH, and ACOUSTIC REVIVE, among others, now also use black tourmaline, quartz, and the like, to obtain definitely audible and visible effects on an audio visual system. Too many positive reviews online to list, make a google search for yourself, thanks ! This auction is for one collector RATTLESNAKE SATA WHITE BEACH CABLE RETAIL PRICE: $ 495 SEE PIC WITH MANUFACTURER'S INFOS I SELL IT HERE AT -90% !!! HYPER LOW PRICING ONCE IN A LIFETIME OFFER RAPPEL BIENVEILLANT DES REGLES LEGALES CONCERNANT TRANSPORT ET LIVRAISON: Pour pouvoir engager la responsabilité du transporteur en cas exceptionnel de dégâts causés à une marchandise reçue, vous devez impérativement ouvrir les colis en présence du livreur, et formuler des réserves précises et explicites sur le bon de livraison. Porter la mention « sous réserve de déballage » sur le bon de livraison n’a aucune valeur juridique. Si le transporteur est toujours présumé responsable des dégâts causés à la marchandise (Code de commerce article L 133-1), encore faut-il le notifier par écrit lors de la réception, chez vous ou en bureau de poste. À défaut d’avoir ouvert les colis et noté précisément les dégâts, les marchandises seront réputées livrées en bon état. LA POSTE refuse toute réclamation de plus sans photos des dégâts et de l'emballage externe prises justement lors de la livraison. Deuxième étape: vous devez ensuite adresser au transporteur, dans un délai de trois jours, (Code de commerce article L 133-3). un courrier en recommandé avec accusé de réception, dans lequel vous rappellerez les dégâts causés aux marchandises et demanderez la réparation du préjudice. Je vous donnerai accès au document complété d'envoi LA POSTE avec toutes les informations nécessaires, évidemment. permet juste de laisser un numéro de tracking, pas suffisant. Toute enchère signifie que vous avez lu et compris ces termes légaux, qui l'emportent sur toute autre considération propre à ce site. Merci pour votre compréhension ! INTERNATIONAL BIDDERS, PLEASE NOTE: NO SALES TO: Russia, North Korea, Belarus, Syria, Eritrea, Algeria, Angola, Armenia, Bangladesh, Bolivia, Burundi, Central African Republic, China, Congo, Cuba, El Salvador, Equatorial Guinea, India, Iran, Iraq, Kazakhstan, Kyrgyzstan, Laos, Madagascar, Mali, Mongolia, Mozambique, Namibia, Nicaragua, Pakistan, Senegal, South Africa, South Sudan, Sri Lanka, Sudan, Tajikistan, Tanzania, Uganda, Vietnam, Zimbabwe, Azerbaijan, Burkina Faso, Cameroon, Ethiopia, Eswatini, Guinea, Guinea-Bissau, Morocco, Togo, Turkmenistan, Uzbekistan, Venezuela. No need to explain why... Anyone arguing with this rule will get no answer, and just earn a definite and immediate ban from my sales. KIND REMINDER OF THE LEGAL RULES CONCERNING TRANSPORT AND DELIVERY: To be able to engage the carrier's liability in the exceptional case of damage caused to goods received, you must imperatively open the packages in the presence of the deliverer, and make precise and explicit reservations on the delivery note. The mention b'"'subject to unpackingb'"' on the delivery note has no legal value. If the carrier is still presumed responsible for damage caused to the goods (French Commercial Code article L 133-1), it is still necessary to notify it in writing upon receipt, at your home or at the post office. Failing to have opened the packages and noted precisely the damage, the goods will be deemed delivered in good condition. LA POSTE refuses any further claim without photos of the damage and the external packaging taken precisely during delivery. Second step: you must then contact the carrier, within three days, (French Commercial Code article L 133-3). a registered letter with acknowledgment of receipt, in which you will recall the damage caused to the goods and re En savoir plus Collaboration commerciale.

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

The Korg D8 is a portable multitrack recording device.  The device is compact enough to be transported on the road, but also powerful enough to hold multi-layered song recordings for mixing and post-production. The D8 contains both analog and digital capabilities, and is therefore suitable as part of an electronic MIDI chain or as a traditional recording device. Registration The Korg D8 lets you record up to eight individual audio tracks per song. Tracks 1 through 6 are designated for monophonic recording - or using a single audio input (like a guitar cable) - while tracks 7 and 8 are used exclusively for stereo recording (left and right). Hard disk The D8 packs 1.4 GB of hard drive space, which translates to 34 minutes of recording using the total capacity of 8 tracks. Since the D8 does not use tapes or CDs, you can transfer your recordings from the hard drive to an external source such as a computer, tape recorder or external disc player, using the RCA outputs (red and white), the SCSI port or the digital S / PDIF interface. Display screen The black and white LCD screen allows you to browse and access your saved song files, edit and delete the contents of your hard drive, apply effects and equalize your recordings. Use the round value dial and arrow keys to navigate your onscreen options. Optional track coupling If you want to record all of your tracks in stereo rather than mono, you can use the D8 as a four-track recorder by pairing your tracks. For example, if you pair tracks one and two using the pairing buttons on the corresponding channel strips, track one becomes channel “L” or “left”, and track two becomes channel “R” or " law ". Editing The D8 functions as a portable mixer with its volume faders, pan knobs and EQ knobs track by track. Each channel strip contains all of these characteristics, so you can adjust each song in your mix to suit your needs. Use the volume sliders at the bottom of the D8 to set the appropriate levels for each track; use the “Pan” buttons to move each recording between the center, right and left channels; and use the “EQ” buttons to adjust the audio frequencies. You can adjust precise equalization parameters using the LCD display. MIDI integration Connect your D8 to a synthesizer, drum machine, sampler, sequencer, sequencer, or other digital device to transfer notation. You can use the D8 as a MIDI input (via the “MIDI In” socket) to transfer audio data from your secondary device to your hard drive, or as a MIDI output (via the “MIDI Out” socket) to transfer data from your device. hard drive to your secondary instrument. --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Le Korg D8 est un appareil d’enregistrement multipiste portable.  L’appareil est suffisamment compact pour être transporté sur la route, mais aussi assez puissant pour contenir des enregistrements de chansons multicouches pour le mixage et la post-production. Le D8 contient à la fois des capacités analogiques et numériques, et convient donc comme partie d’une chaîne MIDI électronique ou comme appareil d’enregistrement traditionnel. Enregistrement Le Korg D8 vous permet d’enregistrer jusqu’à huit pistes audio individuelles par chanson. Les pistes 1 à 6 sont désignées pour l’enregistrement monophonique — ou l’uti

Puissant multi-effets construit par une startup à l'esprit open source en Allemagne. Noyau Linux, excellent processeur, stéréo complet, hôte USB acceptant les hubs, midi complet (voir la critique YouTube de Loopop), construction en métal solide, bel emballage avec son câblage et son étui. Des dizaines d'effets et d'instruments Linux LV2 gratuits ou très bon marché (12 €), une excellente équipe de développement. Il dispose d'un outil de création de pedalboard convivial géré par le Web et très original où vous définissez le câblage inter effets/instruments et affectez des paramètres aux potentiomètres, boutons et switch afin de fonctionner indépendamment de toute connexion de navigateur. Malheureusement, j'ai souscrit à la campagne KickStarter début 2020 et, en raison de covid, je l'ai finalement reçu au début de juillet 2021.Une partie de ma vie et de mes projets ont changé, raison pour laquelle je le vends. Status parfait, joué moins de 10 heures à la maison. Vente uniquement France et EU. Powerful multi-effect built by an open-source minded startup in Germany. Linux kernel, great CPU, full stereo, USB host accepting hubs, full midi (see Loopop's YouTube review), solid metal building, nice packaging with its cabling and case. Dozens of LV2 Linux effects and instruments free or very cheap (12€), great dev team. It offers a web managed and very original friendly board building tool where you define inter effects/instruments cabling and assign parameters to the pedal knobs, buttons and switch in order to run independently of any browser connection. Unfortunately I subscribed for it on KickStarter in early 2020 and, due to covid, I finally received it on beg of July 2021. Part of my life and projects have changed, reason why I sell it. Perfect status, played less than 10 hours at home.

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

Akai S5000 MIDI Stereo Sampler In very good condition, all functionalities working as intended. The operating system version is 2.11a. Has 44 MB of memory. Easily upgradeable to maximum memory, the unit accepts standard SIMM format ram which is common and cheap. The display is in excellent condition, bright and even. The sampler includes the optional multichannel effects board. Ships in solid reinforced multi layer packing. Universal power supply (internal).

- - - - - - - - - - - - ■Boss GE-7 Modified Noiseless Equalizer PSA Guitar Effects Pedal Used From Japan #NP70810■ Description ■About This Items■ 1. It is modified to reduce noise. 2. We plugged in the guitar and got sound. 3. Tested.It works fine with 9V power adapter or 9V battery. 4. It made in Taiwan 2002 and Modified in Japan 2024. 5. It is modified to reduce noise. 6. Modified part_1:【IC1】【IC2】【IC3】Changed operational amplifier from JRC022D to NE5532AP. 7. Modified part_2:【C21(1μF)】【C22(1μF)】【C32(1μF)】【C12(47μF)】【C17(100μF)】The capacitors were changed to audio grade electrolytic capacitors or tantalum capacitor. 8. Modified part_3:【R34(10K)】【R7(3.3K)】【R41(4.7K)】【R26(1K)】【R36(10K)】These resistors were changed from carbon resistors to metal film resistors. 9. Modified part_4:LED color changed from red to iceblue. 10. All slider knobs have been replaced with new ones. 11. The rubber ring of the pedal guide bushing was replaced with a new one. 12. Please note that the modified GE-7 with reduced noise does not have the noise reduction features of the BOSS NS-2 Noise Suppressor. 13. Please check the video to see how the noise is reduced in the normal and modified GE-7.Please watch the video with headphones if possible. ■Appearance■ 1. Slightly peeling paint in some areas. 2. Please have a look at the photos. ■Condition■ 1. Used b'&' Modify. ■Included Items■ 1. Nothing(Main Unit Only). 2. Not include Adapter. Shipping 1. We send a product by DHL or FedEx or EMS. 2. We always send the item with a tracking number. So please place an order without any concern on delivery. You can always track the delivery status. 3. Shipping is only available to the address registered in. If you want us to send another address, please change your address on and then place an order. 4. Shipping is available from Monday to Friday. Weekends are not available because freight companies are closed. 5. If your address is in the remote areas defined by the freight (shipping) company, please pay the additional shipping fees with PayPal. About Importer's Obligation Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Thank you for your understanding. Welcome to the DKY Japan store. - - - Our store is staffed with music professionals. Our knowledge of music equipment is such that we are able to create our own effect pedals and modify existing music equipment to make it even better. Our staff has a wide range of musical knowledge and musical theory, from classical, rock, metal, techno, dance music, and even maniacal contemporary and noise music, and can recommend the best products for your musical needs. All music equipment we sell is carefully inspected, cleaned, and packaged, and we support our customers until they receive their items. If you cannot find an item you are looking for in our store, please send us a request using the contact form here. Best regards. Effects Style Category - Today’s Sales Campaign - Boosterb'&' Buffer - Overdrive - Distortion - Fuzz - Chorus - Wah - Delay - Volume Pedal - Echo - Flange - Phaser - Switcher - Equalizer - Compressorb'&' Sustainer - Octaver - Pitch Shifter - For Bass - Simulator - Enhancer - Modify - Reverb - Multi - Special En savoir plus Collaboration commerciale.

Pédale d'effets pour guitare électrique Source Audio One Series Gemini Chorus *3 effets de chorus distincts: Classic / Dual / Quad *3 préréglages - utilisez le mode préréglé pour enregistrer un préréglage différent dans chacune des trois positions de l'interrupteur à bascule. Lorsque la pédale est engagée, tous les paramètres sautent instantanément à leur valeur enregistrée, quelles que soient les positions du bouton. *Prises d'entrée et de sortie stéréo - Créez une modulation stéréo profonde et large ou activez l'une des nombreuses options de routage du signal du Gemini (voir Fonctionnalités de l'application Neuro pour plus de détails). *Bypass universel - Sélectionnez le True Bypass à tampon analogique ou à relais. *Contrôle d'expression - Compatible avec les pédales d'expression Source Audio et le contrôleur d'effets sans fil universel Hot Hand 3. *Tap Tempo - Synchronisez votre taux de modulation avec le reste de la bande avec le commutateur Tap Tempo externe de Source Audio. Réglez les divisions de temps (quart, huitième, triplet et 16e) avec le bouton Speed. "Hors de la boîte, le Gemini offre une gamme tonale énorme, mais sous le capot réside un niveau beaucoup plus profond de puissance et de flexibilité. Chaque pédale de la gamme One Series est compatible avec l'application Neuro Mobile (téléchargement gratuit pour iOS et Android). Reliez le Gemini à l'application Neuro et accédez à la bibliothèque gratuite de Source Audio d'algorithmes de phaser, de flanger et de chorus supplémentaires - chacun peut être téléchargé directement sur votre Gemini Chorus. L'application Neuro propose également un ensemble étendu de paramètres ajustables, notamment le retour, le niveau de sortie, le trémolo intégré, un égaliseur paramétrique, un routage de signal avancé et bien plus encore. De plus, chaque pédale One Series est entièrement compatible MIDI lorsqu'elle est couplée au Neuro Hub (anciennement Soundblox Hub), ce qui vous permet d'enregistrer jusqu'à 128 presets." *Connectez le Gemini Chorus à l'application Neuro Mobile (téléchargement gratuit pour iOS et Android) et explorez la puissance du téléchargement, de la personnalisation et du partage des effets fournis avec chaque pédale de la série Ones. Algorithmes interchangeables - Il est possible de télécharger TOUT des algorithmes de phaser, de flanger et de chorus de Source Audio directement sur votre Gemini Chorus sans frais supplémentaires. Il en va de même pour le Lunar Phaser et le Mercury Flanger, donc posséder une des pédales de modulation One Series de Source Audio est essentiellement comme posséder les trois. Personnaliser les effets - Ajustez un ensemble supplémentaire de paramètres, y compris le mélange Wet / Dry, le niveau de sortie, le trémolo, un égaliseur paramétrique, Lo Retain, les formes d'onde, etc. Enregistrer et partager des préréglages personnalisés - Une fois que vous avez affiné un effet, enregistrez-le dans votre collection d'effets personnels et partagez-le avec la communauté croissante d'utilisateurs de Neuro. Télécharger les préréglages - Explorez la bibliothèque sans cesse croissante des préréglages d'effets Mode suiveur d'enveloppe - Réglez la source de modulation sur suiveur d'enveloppe et contrôlez la modulation de votre chorus dans le style d'effets «auto wah» sensibles au choix. Options de routage du signal - Réacheminez les entrées et sorties stéréo de différentes manières, notamment True Stereo, Mono to Stereo, Dual Mono, Sidechain Envelope, External Effects Loop, etc. Connexion simple - L'application Neuro. se connecte au Gemini via la prise casque de l'appareil mobile et l'entrée stéréo 2 sur la pédale. Un câble de connexion Neuro App (1/8 ”à 1/4”) est inclus avec la pédale. *Le Gemini Chorus offre également une capacité et une simplicité MIDI complètes lorsqu'il est couplé au Neuro Hub (anciennement Soundblox Hub). Preset Saving - Enregistrez jusqu'à 128 préréglages d'effets (y compris