Audio inputs

AUDIO SYNTHESIS PASSION ULTIMATE PASSIVE PREAMP. État : "Occasion" State-of-the-art remote controlled passive preamp! The name speaks for itself. This is one of the finest passive preamps, being the ultimate for sonic CLARITY, TRANSPARENCY and RESOLUTION, with no active components in the signal path to pollute the delicate audio signal. If you find solid state preamps to suffer from bleached tonality and flat lifeless soundstage and also tube preamps to have high residual noise, the Passion Ultimate may be the perfect solution at the fraction of the cost of world-class preamps. Features: Entirely passive audio path with highest quality VISHAY Bulk-Foil resistors NO switches in the signal path for volume adjustment PCB mounted WBT connectors All aluminum, non-magnetic chassis Inputs: 3 line level plus direct, which bypasses input selector Volume adjustment range: 0 to -60 dB, in 60 1.0 dB steps

Audio routing switcher 16x16 (TESI Legato A48). 16 inputs / 16 output balanced audio on SubD25 (Tascam style) Can be upgraded to 32x32 or 48x48 with additional crosspoints IC's and input/output boards (still available, please ask) Upper and lower lids not available. The unit should be working OK. I can supply schematics  and protocol if needed.

item sold tested, for parts due price drop ! CD Philips CDR 951. + professional audio cd recorder + Very affordable + Easy to use + Choice of analogue, S/PDIF optical or S/PDIF co‑axial inputs + Can record onto the new CD‑RW rewritable discs, as well as write‑once CD‑Rs + Integral sample‑rate conversion: copies can be made from DAT, MiniDisc or DCC machines. note: perfect refurbished item fully working / international shipping note: We don't take responsibility for any damages or losses incurred in the shipping process or even installing item into customer's computer. with shipping and handling charge: the charge covers mailing, packing, warehouse and distribution costs, and paypal fees, not only postage. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility.each product sent cannot be returned. that product is refurbished item and without warranty. customers are agree with these rules in purchasing item. thanks for understanding.note: le produit sera expedié dès reception du paiement sur le compte bancaire du vendeur ! un numero de suivi en colissimo sera alors transmis à l'acheteur. cela fait suite aux nouvelles reglementations. aucun retour ni remboursement ne sera accepté. l'acheteur valide cette reglementation en achetant le produit.merci de votre comprehension ! En savoir plus Collaboration commerciale.

For sale a receiver Cambridge Audio 651R It is perfectly working and in very good condition as you can see on the pictures. Not to say you may find blemishes if you want to go looking for them as not brand new, but nothing really serious. Comes with the original box, remote control, and power cord. very safe packaging, shipping to European Union accepted. Power output:     175W RMS per channel, into 6 ohms (two channels driven)     140W RMS per channel, into 8 ohms (two channels driven)     100W RMS per channel, into 8 ohms (all 7 channels driven) HDMI: HDMI 1.4a, EIA/CEA - 861D, HDCP 1.1, ARC and 3D-TV/deep color pass through supported Architecture:     Cirrus Logic CS43122 24-bit 192kHz capable DAC for Front Left & Right     Cirrus Logic CS52526 24-bit 192kHz capable CODEC for surround channels + 24-bit 2 channel A/D Conversion:     Two TI Aureus DA788 32-bit DSPs     Anchor Bay ABT2010 scaler Audio Inputs:     8x Line Level Analog     Tuner (FM/AM)     7.1 multi-channel analog     5x digital co-axial     5x digital optical Video Inputs:     4x HDMI     3x Component Video     4x Composite     4x S-Video Main Audio Outputs:     7x Amplified Speaker Outputs     7.2 Preamp outputs Main Video Output: 2 x HDMI (1.4a), ARC through HDMI A Zone 2 Outputs:     Surround back channels     2.1 preamp audio outputs     Component     S-Video     Composite video Recording Audio Outputs:     2x Line Level Analog     2x Digital Co-Axial     2x Digital Optical Other connections:     1x 1/4" / 6.35mm Headphone Output (32 To 600 ohms recommended)     3x IR emitter outputs, 1 IR Receiver Input (un-modulated)     1x IR Emitter Input (modulated)     1x zone 2 IR emitter input     1x control bus input/output     2x 12V trigger outputs     1x RS232C     1x IEC type mains inlet Power Consumption:     Max: 1400W     Standby:

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Le Trade Shop - MP3 STEREO AUDIO AMPLIFIER USB SD CARD RADIO FM 50W 2 RCA INPUTS MA-007 est un magnifique lecteur audio portable qui offre une expérience sonore exceptionnelle. Ce baladeur est équipé d'une puissante amplification stéréo de 50 watts, ce qui permet de jouer des sons clairs et riches en détails, même dans des environnements bruyants. Il est également muni d'une fonction radio FM, ce qui vous permet de recevoir facilement vos programmes préférés en radio. Ce baladeur est compatible avec une grande variété de formats de fichiers audio, y compris MP3, WMA, WAV et AAC. Il dispose également d'une entrée USB et une entrée SD/SDHC, ce qui vous permet de jouer directement vos musiques numériques stockées sur ces supports. De plus, il est muni d'une fonction de lecture continue, ce qui vous permet de jouer sans interruption vos morceaux préférés. Le Trade Shop - MP3 STEREO AUDIO AMPLIFIER USB SD CARD RADIO FM 50W 2 RCA INPUTS MA-007 est équipé de deux entrées RCA, ce qui vous permet de connecter deux appareils audio en parallèle. Cela est particulièrement pratique lorsque vous souhaitez partager vos musiques avec des amis ou lorsque vous utilisez deux appareils audio différents. Ce baladeur est également muni d'une fonction de réglage du volume et d'une fonction de réglage de l'égalisation, ce qui vous permet de personnaliser le son selon vos goûts. Il dispose également d'une batterie interne rechargeable, ce qui vous permet de jouer sans interruption pendant des heures. Enfin, ce baladeur est doté d'une conception compacte et ergonomique, ce qui vous permet de le porter facilement avec vous où que vous allez. Il est également muni d'un écran LCD qui vous permet de visualiser les informations de votre lecture, telles que le titre de la chanson, l'artiste et le temps restant. En résumé, le Trade Shop - MP3 STEREO AUDIO AMPLIFIER USB SD CARD RADIO FM 50W 2 RCA INPUTS MA-007 est un baladeur audio portable de haute qualité qui offre une expérience sonore exceptionnelle, une grande compatibilité avec différents formats de fichiers audio et de nombreuses fonctionnalités pratiques. Il est idéal pour les voyageurs, les étudiants, les sportifs et tous ceux qui souhaitent écouter de la musique en dehors de leur domicile. En savoir plus

RTW TouchMonitor TM7-Studio Desktop Audio Meter STUDIO & TABLE TOP VERSION - 8 analog inputs balanced (D-Sub) - 8 digital inputs + 8 digital outputs (4 x AES3 In, 4 x AES3 Out, D-Sub) 7" Desktop TouchMonitor Audio Meter for Audio Production and Post Production The RTW TouchMonitor TM7-Studio is a 7 inch desktop audio meter with a 16:9 TFT touch screen display designed for audio production and post production. TM7-Studio features 8 channel digital AES3-format I/O and 8 channel analog inputs both via D-sub 25p-f. Also includes VGA video signal output, RJ-45 Ethernet connectivity, 2 USB 2.0 ports, a GPIO port and a 24 V DC interlocking power connector Binder 710 type. Comes with Basic Software but a variety of optional software modules are available to expand feature set. Installed software licenses:SW20001: Multichannel ModeThis module expands the signal routing to Mono, Stereo, 5.0 Surround, 5.1 Surround, 7.1 Surround and Multichannel (2 to 8 channels in one block, up to 2 blocks). SW20002: Loudness and SPL DisplayThis module expands the basic stereo PPM with Loudness measuring functions as described in EBU R128, ITU-R BS.1770-3/1771, ATSC A/85, and ARIB guidelines, and the LRA instrument for the graphical display of the Loudness Range. A customer-specific mode allows the user to modify parameters. In addition the module provides the SPL display mode with various weighting filters and integration times as well as reference level adjust to calculate an SPL value from an electrical signal. For signals with more than two channels software module SW20001 is required. SW20003: RTA - Real Time AnalyzerThis module provides on 31 bands a spectral distribution display for single channels, channel pairs or groups plus HP HF band. For signals with more than two channels software module SW20001 is required. SW20004: SSA - Surround Sound Analyzer--- Precondition: Software module SW20002 is already installed! --- This module is a powerful tool for visualizing the interaction of all important parameters of surround signals. The dynamic behavior of all display elements (House display) corresponds to the subjective listening impression, enabling you to see the balance of a surround programme intuitively and at a glance. For signals with more than two channels software module SW20001 is required. SW20005: Radar Display--- Precondition: Software module SW20002 is already installed! --- This module provides a high resolution circular Loudness display for Momentary values and history, enhanced with numerical display of measuring time and two descriptors. The Radar Display equals the Loudness Radar Meter of TC Electronic®. For signals with more than two channels software module SW20001 is required.

Nagra VII - 2 Channel Universal Digital Audio Recorder with Time Code + Nagra Leather Case Seven TC: Stereo digital recorder, 24/192 with AES 42 and internal 16GB memory delivered with: Battery box and charger, power supply, QCTCU time code cable and instruction manual. In great working and cosmetic condition, like new! Technical specification   RECORDING Internal storage:  Micro SD Flash memory card Removable media:  SD Flash memorycard Disk format:  FAT 16 / 32 Recording Method:   Linear digital PCM, optional:MPEG 1 layer II File type:   16 / 24 bit Broadcast Wave File BWF (WAV) A/D & D/A:  24 Bit Sigma Delta Bit rates:  32 kbits/s up to 384 kbits/sec Tracks: 2 individual Sampling Rate:  44.1, 48, 88.2, 96, 176.4 and 192kHz Recording capacity:   1hr at 24 bit 48 kHz per GB of memory Pre-recording buffer: Programmable Display:  Color LCD touchscreen Level meters:  On colour display   INPUTS Digital input:   XLR 3-pole / AES 42 Analogue inputs:   2 x XLR Microphone (Dynamic, +48V Phantom) / line Mic. input sensitivity: 2.8, 10 and 40 mV/Pa selectable Mic. input noise:  Uin Limiters:   On microphone inputs Line input sensitivity: Adjustable from -6 dBm up to +24 dBm for 0 dBFS recording THD at 1 kHz:  2.8mV Mic Frequency response:  Mic, 10Hz – 75 kHz (+0 – 3dB), Line 10 Hz – 90 kHz (+0 -1dB) (measured on AES out) Signal-to-noise ratio: >110 dB ASA “A” Input level adj. range: 42 dB Mic and from -6 to +24 dB Line Input filters: LFA Internal microphone: On the front panel Crosstalk: Mic >70dB: Line > 110dB   OUTPUTS Analogue line output: XLR 4.4V max (+15 dBm) Crosstalk:  >110 dB Signal-to-noise ratio: >100 dB Digital output: XLR AES-3 (24 bit or 16 bit) THD+N:   Frequency response:  10 Hz – 75 kHz (+0-3dB) Headphones:  Stereo 6.3mm (¼”) Jack 50 Ω Internal speaker:  0.3W   OTHER USB: Micro AB connector M/S Decoder:  Switchable Ethernet:  RJ 45   GENERAL Dimensions:    165 x 175 x 65mm (W x H x D) (Incl. battery box) Weight:   800g (1.75 lbs) (Incl. battery pack) Power supply: External 15V Power Consumption:  Approximately 5W Charge time: Approximately 3 hours Battery life: >5 hours Relative humidity:  From 10% to 99% (non condensing)

INFORMATION PRODUIT Capturez un son de haute qualité pour vos vidéos avec le Tascam DR-60D. Cet enregistreur audio est conçu pour être utilisé avec des appareils photo reflex numériques et dispose de plusieurs entrées pour les microphones professionnels. Deux entrées XLR de haute qualité sont disponibles pour tous les types de microphones montés sur le dessus de la caméra. Les écrans LCD numériques offrent un accès aux commandes de volume et aux réglages pour chaque niveau audio. Cet enregistreur audio peut être monté au bas d'un appareil photo reflex numérique ou fixé sur le côté à l'aide d'un support. L'audio haute définition est enregistré directement sur une carte SD et peut également être transmis directement à la caméra. Cet enregistreur audio fonctionne avec un adaptateur secteur ou quatre piles AA. Les ports USB sont proposés pour le transport de fichiers et le chargement numérique. Enregistreur numérique Tascam DR-60D comme neuf. Je l'ai acheté il y a un an, j'ai arrêté de faire de la vidéo DSLR, donc je ne l'ai jamais utilisé. Je viens de le tester une fois. Il est dans une boîte depuis. Il est temps de s'en débarrasser. Je ne sais pas où se trouve ce manuel, mais il devrait être facile de trouver un pdf.  PRODUCT INFORMATION Capture high-quality sound for videos with the Tascam DR-60D. This audio recorder is made for use with DSLR cameras and features multiple inputs for professional microphones. Two high-quality XLR inputs are available for all types of microphones that are mounted on top of the camera. Digital LCD screens offer access to volume controls and adjustments for each audio level. This audio recorder can be mounted to the bottom of a DSLR camera or attached on the side using a bracket. High-definition audio is recorded directly to an SD card and can also be output to the camera directly. This audio recorder works with a power adapter or four AA batteries. USB ports are featured for file transports and digital charging. Tascam DR-60D Digital Recorder Like New. Bought it a year ago, stopped doing dslr video, so never used it. Just tested it once. It’s been in a box since. Time to get rid of it. Not sure where that manual is, but it should be easy to find a pdf.

Vend mixette de reportage Sound Devices 442 + sacoche Petrol + 2 cables de connection camera 4 Balanced XLR Inputs The mixer's flexibility begins with it's 4 balanced XLR inputs. All 4 inputs are individually switchable to accept line or microphone level signals. Direct Outputs Every input features a dedicated output via TA3-male connectors. The direct outs are ideal for feeding individual channel signal to external devices. M-S Decoding Channels 1-2 can be linked for stereo capturing and M-S stereo monitoring. Channel 1 features a phase reverse switch. Variable Gain Continuously variable gain allows level contouring on every channel, resulting in higher signal to noise ratio. Variable Low-Cut Filter Continuously variable low-cut filter dials are located on each channel, eliminating low frequency noise between 80 - 240Hz Peak Limiting Input and output peak limiters eliminate signal over load that can cause noise and distortion.

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

TAC-8 Thunderbolt Audio Converter. État: "Occasion" Très bon état, Zoom TAC-8 Convertisseur Audio Thunderbolt avec alimentation 18 entrées & 20 sorties, au format rack 1U. Elle dispose de 8 entrées et 10 sorties analogiques, ainsi que des entrées / sorties numériques au format ADAT. Elle pourra donc gérer au total 18 sources en entrée, et renvoyer le signal sur 20 sorties. Le format Thunderbolt lui confère une des latences les plus faibles du marché (ce format autorise des transferts 10 fois plus rapides que le FireWire). Il présente l'avantage d'être directement compatible avec tous les ordinateurs de la marque Apple équipés en Thunderbolt (à partir de Mac OSX 10.8.5). Cette interface peut être utilisée avec un logiciel gratuit: MixEfx, idéal pour le monitoring et le traitement en temps réel. En plus de sa connectique Thunderbolt, et de ses nombreuses entrées et sorties, elle dispose d'une prise sync WordClock, d'une interface MIDI, et d'une entrée sortie SP/DIF. Cerise sur le gâteau, vous pourrez l'utiliser en mode standalone, sans PC donc, en tant que préamplificateur et/ou convertisseur. Zoom Tac-8 Thunderbolt Audio Converter with alimentation. The rack-mountable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, 10 digital inputs and outputs (in both S/PDIF and ADAT Optical formats), and both Word Clock and MIDI I/O. Whether you want to record large scale multi-channel 24-bit/192 kHz sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take full advantage of today's latest technology.

Bonjour, je vends mon interface audio je m’en suis peu servi (cela se voit) car je travaille « à l’ancienne » sur des enregistreurs multipistes... Tout fonctionne, par contre il vous appartient de vérifier la bonne compatibilité avec votre matériel logiciel et informatique, pas de retour pour une non compatibilité. Ceci dit en USB elle est en général reconnue sans difficulté. Il y a évidemment des traces d’utilisations, puisque occasion, voir photos. Vous achetez ce qu’il y a en photo: la FCA1616 + l’alimentation EU plug + câble USB + 2 oreilles pour rack 1U Les 2 oreilles pour rack 1U deviennent rares... car spécifiques. Pas de logiciel. Le colisage en colissimo sera soigné avec COMME TOUJOURS en ce qui me concerne / une protection optimum de l’appareil. Voir mes évaluations en tant que vendeur. Numéro de suivi fourni. Merci. DESCRIPTION TECHNIQUE: Fabricant: Behringer Modèle: Firepower FCA1616 Catégorie: Interfaces audionumériques FireWire + USB Audiophile audio interface with 24-Bit/96 kHz resolution for virtually any digital recording/mixing environment 4 state-of-the-art MIDAS designed mic preamplifiers, with phantom power, individual Pad, Low Cut and Hi-Z Multi-channel audio and MIDI operation via FireWire or USB2.0 Streams 16 inputs / 16 outputs plus 1x MIDI I/O with ultra-low latency to your computer, supporting Mac OS X and Windows XP or higher All standard I/O formats supported – analog, S/PDIF (coaxial and optical), ADAT, S/MUX Direct Monitoring and Main Volume control with “near-zero” latency 2 powerful Headphone outputs with individual Volume control, Mono and Source signal select Level control of your stereo or 7.1 active speaker system with a single knob turn 8 analog Inserts for use of external effects such as compressors, etc. Get 8 additional MIDAS designed microphone inputs and line outputs Status and signal presence indication for all analog and digital I/O Powered via external power supply (included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Digital Audio Tape Recorder (1990-93) Type: digital audio tape deck Track System: 2-channel stereo Tape Speed: 4.075, 8.15, 12.225 mm/s Recording Time: 240 minutes Heads: rotary D/A Converter: 1 bit A/D Converter: delta sigma 1 bit Sampling Frequency: 48, 44.1, 32kHz Frequency Response: 2Hz to 22kHz Signal to Noise Ratio: 92 dB. Dynamic range: 94dB Total Harmonic Distortion: 0.003% Analogue Inputs: 63mV (line) Analogue Outputs: 2.0V (line). Digital Inputs: coaxial, optical Digital Outputs: coaxial, optical Dimensions: 420 x 129 x 336mm Weight: 6.6kg LIVRAISON SOIGNÉE * CHÉQUE ACCEPTÉ * INTERNATIONAL EUR WELCOME *

SQN-3 TYPE M 3 inputs portable audio microphone mixer - mixette Prix HT: 165 Euros, Price Excl. VAT: 165 Euros Broadcast Brokers We buy, sell, trade new or used video b'&' broadcast equipment Achat/ Vente de matériel vidéo-broadcast neuf et occasion. www.broadcastbrokers.fr shop@broadcastbrokers.fr Tel: +33 (0)1 46 05 66 13 En savoir plus Collaboration commerciale.

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

Bonjour, Nous vendons notre XTA DP224 550€ NET. Utilisé en studio puis à la maison il est en bon état et fonctionnel à 100%. Possibilité de facturation via notre structure, Livraison possible en France (+15€) et Europe (+25€) Testable sur place (Besançon) Annonce disponible sur reverb, audiofanzine, marketplace.   Hello, We sell our XTA DP224 550 € NET. Used in studio and then at home it is in good condition and 100% functional. Possibility of invoicing via our structure, Delivery to France (+ 15 €) and Europe (+ 25 €). Aviable on reverb, audiofanzine, marketplace.   Specifications : Inputs:   2 electronically balanced Impedance:  > 10k ohms. CMRR:  >65dB 50Hz - 10kHz. Outputs:  4  electronically balanced Source Imp:  Frequency Resp.:+ ½dB 20Hz-20kHz Dyn Range:>110dB 20Hz-20k unwtd Distortion: Maximum Delay: 650 mS  Min Step Size:  2.6  µS Input Gain:  +6dB to -40dB in 0.1dB steps Output Gain: +15dB to -40dB in 0.1dB steps and mute Parametric Equalisation : 8 per Input / 5 Sections per Output Filter Gain: +15dB to -30dB in 0.1dB steps.   Freq. Range: 20Hz - 20kHz, 1/36 octave steps. (368 positions) Filter Q / BW: 0.4 to 128 / 2.5 to 0.008 (Sections switched to  shelving response) Low frequency: 20Hz - 1kHz  High frequency: 1kHz - 20kHz Shelf gains:  ±15dB in 0.1dB steps.   High and Lowpass Filters Filters: 1 of each per output. Freq. Range  HPF: 10Hz - 16kHz 1/36 octave steps. Freq. Range LPF:  35Hz - 22kHz 1/36 octave steps. Responses:  Bessel/Butterworth 12-18-24dB/Oct. Linkwitz-Riley 24dB/Oct. Limiters Threshold: +22dBu to -10dBu Attack time: 0.3 to  90 milliseconds Release time: 2/4/8/16/32 x Attack time Display:2x20 character backlit LCD Input meter:  2 x 6 point, -24dB to digital  clip. Output meter:  6 x 6 point, -24dB to +4dB into limit. Connectors Inputs: 3  pin  female XLR Outputs: 3 pin male XLR. MIDI In: 5 pin DIN External: 9 pin DEE connector (RS232) RS485:3 pin  male XLR (out) 3 pin  male XLR (in) Power: 3 pin IEC Power:  60 to 250V  ±15% @ 50/60Hz. Consumption: Weight: 3.5kg. Net  (4.8kg. Shipping) Size: 1.75"(1U) x 19"  x 11.8"  (44 x 482 x 300mm) excluding connectors.

The AJA HD10CEA converts SD/HD-SDI video with embedded audio to analog video and 4-channel balanced analog audio. SD video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). HD video outputs can be configured as YPbPr or RGB. Analog audio outputs are balanced. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two loop-thru SDI/HD-SDI outputs.  Digital to Analog Audio and Video Converter  SD/HD-SDI with Embedded Audio Input  SD Component or Composite Video Outputs (SD Input)  HD Component Video Outputs (HD Input)  4-Channel Balanced Audio Output  2 Equalized, Loop-Thru SD/HD-SDI Outputs  Selectable Audio Channel Pair/Group  Specifications: Inputs SD/HD-SDI w/Embedded Audio, 1x BNC  Outputs SD Video: YPbPr - SMPTE, EBU-N10, Betacam, RGB, NTSC, PAL, YC (S-Video)  HD Video: YPbPr, RGB  Audio: 4-Channel Balanced  Video/Audio Outputs on 25 Pin D Connector  2 SD/HD-SDI Equalized Loop-Thru, 2x BNC  Configuration External Dipswitch  Video Format  Pedestal  H/V Blanking  Audio Group 1 - 4  Audio Level (adjustable via switch selection):  +24, +18, +15, +12 dBu, Full Scale Digital  Power +5-18VDC, Regulated, 4 Watts, Universal Power Supply DWP-U-R1 (included)  Size 147 x 79 x 25mm

- - - - - - - - - - - - Product Description Lepy LP-2020A Heim Audio HiFi Stereo Verstärker Power Class D Digital Player TOP Features: LP-2020A amplifier chip provides efficient, powerful sound. Support both L/R RCA and 3.5mm Stereo inputs. Light weight and sturdy aluminum enclosure. Convenient Speaker output spring terminals. Tone/Direct Switching. The LP-2020A uses the Class-D LP 2020 Audio Amplifier IC for low distortion, acoustically accurate reproduction of music. Ideal for both home and car audio applications. Tone/Direct Switching allows for customized listening via separate Bass and Treble adjustments or Original audio source signal can be passed through without enhancement. Built-in loudspeaker protection circuit triggers when the amplifier is turned on to protect speakers from high volume bursts of audio. Over-voltage protection circuit shuts down amplifier should input voltage exceed 14.4 Volts DC. State of the art design using surface mount components and advanced engineering for proven performance, reduced signal interference, and long operational life. Specifications: Audio input: L/R RCA or 3.5mm Stereo. Input power: DC 12-13.5V, 2-5A. Output power: 20W x 2 RMS. Speaker impedance: 4-8 Ohm. Frequency response: 20Hz-20KHz. Minimum THD: b' SNR: b'>' 80dB. Input Sensitivity: 200mV. Input Impedance: 47k Ohm. Color: Black. Size (L x W x H): 140 x 118 x 41CM. Package included: 1 x LP-2020A Hi-Fi Digital Stereo Amplifier. 1 x DC 12V 3A Power Supply. 1 x English User's Manual. - Friseur Nackenpinsel Nackenwedel Hals Pinsel Neck Brush, Salon Haar Kosmetik DE 9.4 EUR Free shipping - Multifunktions Rollstuhl Tasche Mobilitäts Roller Gepolstert Rückseite Rucksack, 14.33 EUR Free shipping - 2012A.24 Regler Gleichrichter für 31600215-000 AEO-31600213-00 4x4 350 400 Auto 25.94 EUR Free shipping - MGIVR2016-2 Bohrstange Drehmeißel Klemmhalter mit 10x MGMN200 Wendeplatten Set 20.81 EUR Free shipping - Für Nissan 350Z Lenkrad Knopfabdeckung Zubehör Autoteile Produkte 11.48 EUR Free shipping - Hauptbürste/Filter für Dreame H12 Pro/H12 Pro Plus/M13 Beta Waschmaschine Teile 7.25 EUR Free shipping powered by En savoir plus Collaboration commerciale.

SYSTEM REQUIREMENTS macOS 10.12, 10.13, 10.14, 10.15 (latest update), Intel Core i5, 4 GB RAM Windows 10 version 1803 or later (64 Bit), Intel Core i5 or equivalent CPU, 4 GB RAM Please note: TRAKTOR AUDIO 2 is not compatible with the iPad Pro. TRAKTOR DJ 2 SYSTEM REQUIREMENTS iOS 11.0 or later, compatible with iPad 5th generation or later, iPad Air 1st generation or later, iPad mini 2nd generation or later SUPPORTED AUDIO FORMATS MP3, WAV, AIFF, Audio-CD, FLAC, Ogg Vorbis, non-DRM AAC SUPPORTED DRIVERS ASIO Core Audio DirectSound WASAPI GENERAL Monitor with 1280 x 800 screen resolution, USB 2.0, 1 GB free disc space. An internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate TRAKTOR software. Once installed and activated, all products can be used offline. POWER SUPPLY Power Supply Via USB 2.0 interface, 5V 500mA bus power from a computer – no external PSU is required. Low-power operation possible from iOS devices. Full operation with iOS devices is achieved with use of an optional power supply (this increases output volumes and also charges the battery of the iOS device). USB SUPPORT Please note: Under Windows, only USB 2.0 ports are officially supported by this product. Compatibility with USB 3.0 ports under Windows 7 or Windows 8 cannot be guaranteed at this time. HARDWARE SPECIFICATIONS Audio Converters (Inputs A/D) Channels (A/D, D/A) 0, 4 Sample Rates 44.1, 48 kHz Bit Resolution 24-bit Line Outputs Maximum Output Level +11.7 dBu Dynamic Range (A weighted) 103 dB THD+N (Max. Level) 0.004 % Frequency Response, +/-1.4 dB 20 Hz - 20 kHz Cross Talk @ 1 kHz to next channel -105 dB Headphone Output Load Impedance 28 Ohms - 600 Ohms Maximum Output Level +5 dBu @ 32 Ohms Dynamic Range (A weighted) 102 dB THD+N (Max. Level, high Imp, 100 Ohms) 0.004 % Frequency Response, +/-1.4 dB 20 Hz - 20 kHz ASIO is a trademark and software of Steinberg Media Technologies GmbH.

ATOLL HD 100 avec télécommande ampli casque, dac audio, préamplificateur ligne 2 inputs le dac a 1 usb,1 coxial,1 optique, 1 sortie in et 1 sortie pre out, le tout de haute valeur audiophile le dac est actuellement vendu 599€ et la télécommande et optionnelle a l'achat de 50€ par atoll le tout en excellent état de marche. - Face avant en aluminium brossé de 4 mm. - 3 transformateurs linéaires indépendants (dont 2 très faibles bruits réservés à l’audio analogique en configuration double mono). - 8 alimentations régulées (dont 4 spécifiques pour les étages audio). - Contrôle de volume analogique (potentiomètre ALPS). - Étages préampli audio à composants discrets polarisés en classe A. - Étage final à transistors bipolaires. - Condensateurs de liaison MKP haut de gamme CLARITY CAP. - Convertisseur BURR BROWN PCM5102: – Dynamique: 112 dB. – Rapport Signal/Bruit: 112 dB. - Télécommande optionnelle (gestion du volume et sélection). En savoir plus

Prix pour les 2 modules, en lot: Grey audio DD-1: Digital delay au format doepfer / eurorack, basé sur le chipset princeton PT2399. 1 delay (controlable via cv in), un feedback et un volume, simple et efficace ! Besoin du buss 5 volts, vérifiez la présence de celle ci dans vos racks / alimentation;) Grey audio JE-1 JENE VCF 4 Poles: JENE low pass filter A reproduction of the 4 pole Low pass filter design in eurorack format. A few improvements have been made over the original circuit. Reduced noise at the output, improved resonance span. Board mounted Trimmers for preset Resonance level, filter level and audio input level. These are now Version 3 PCB’s final revisions. (Part No JE-1). The module has had a little bit of a facelift, new improved logo graphics and typeface. FEATURES Dual CV inputs CV level control Frequency Control Resonance Control DIMENSIONS Width 10HP Height 128.4 mm Consumption: 45 ma. En savoir plus Collaboration commerciale.

Product Description Features: LP-2020A amplifier chip provides efficient, powerful sound. Support both L/R RCA and 3.5mm Stereo inputs. Light weight and sturdy aluminum enclosure. Convenient Speaker output spring terminals. Tone/Direct Switching. The LP-2020A uses the Class-D LP 2020 Audio Amplifier IC for low distortion, acoustically accurate reproduction of music. Ideal for both home and car audio applications. Tone/Direct Switching allows for customized listening via separate Bass and Treble adjustments or Original audio source signal can be passed through without enhancement. Built-in loudspeaker protection circuit triggers when the amplifier is turned on to protect speakers from high volume bursts of audio. Over-voltage protection circuit shuts down amplifier should input voltage exceed 14.4 Volts DC. State of the art design using surface mount components and advanced engineering for proven performance, reduced signal interference, and long operational life. Specifications: Audio input: L/R RCA or 3.5mm Stereo. Input power: DC 12-13.5V, 2-5A. Output power: 20W x 2 RMS. Speaker impedance: 4-8 Ohm. Frequency response: 20Hz-20KHz. Minimum THD: b' SNR: b'>' 80dB. Input Sensitivity: 200mV. Input Impedance: 47k Ohm. Color: Black. Size (L x W x H): 140 x 118 x 41CM. Package included: 1 x LP-2020A Hi-Fi Digital Stereo Amplifier. 1 x DC 12V 3A Power Supply. 1 x English User's Manual. Store policy Artikel werden innerhalb von 3 Werktage über Deutsche Post versendet, nachdem volle Zahlung empfangen ist. Kunde sollte Einzelteil innerhalb 4-10 Werktage erhalten, nachdem Paket gesendet wurde. Wir versenden nur zur anerkannten Adresse, die in Paypal oder -Adresse. Bitte stellen Sie sicher, Zahlungsadresse korrekt ist. Irgendwelche die nicht-empfangenen Einzelteile, die durch unzulässige Adresse verursacht wurden, registrierten sind nicht in unserer volle Rückerstattung- oder Wiedereinbaupolitik. Eine Mitteilungs-eMail der Abfertigung wird geschickt, nachdem Einzelteil bekannt. Bitte mailen Sie uns, wenn Sie unsere E-Mail nach 3 Tagen der vollen Zahlung gesendet empfangen. Dieser Artikel hat 12 Monate Gewährleistung. Die Gewährleistung bezieht sich auf Herstellungs- und Materialfehler sowie andere Fehler, die bereits bei der Auslieferung vorliegen. Hierzu gehören keine Schäden, die durch unsachgemäße Behandlung, vorsätzliche oder fahrlässige Beschädigung, unsachgemäße Aufstellung bzw. Installation, Anschluss an falsche Netzspannung, normalen Verschleiß, Nichtbeachten der Gebrauchsanweisung, chemische oder elektrochemische Einwirkung und höhere Gewalt entstehen. Diese Einschränkung gilt auch für einen Fehler, der durch unsachgemäße Reparatur durch einen von uns autorisiertem Servicepartner entstanden ist. Falls die Ware weder repariert noch ausgetauscht werden kann, wird Ihnen der Warenwert gutgeschrieben, abzüglich Versandkosten und nicht Versicherung. Eine Rückerstattung erfolgt nur,wenn der Schaden am Produkt innerhalb von 30 Tagen nach Eingang des Artikels angezeigt wird. En savoir plus Collaboration commerciale.

Bon etat Numark Mixtrack Pro DJ Contrôleur avec interface USB audio intégrée  -  Digital DJ controller with large, touch-sensitive control wheels and integrated audio interface - Mix, scratch and perform with the music on your computer via dual-deck layout complete with mixer section - Communicates with your computer via a single USB connection - Illuminated controls provide 1:1 feedback with software parameters - Supports MIDI over USB for compatibility with virtually all digital DJ software - Class compliant- no drivers to install and thus no headaches - Includes Serato DJ Intro, fully upgradable to Serato DJ   MIXTRACK PRO is a complete DJ system that works with the music on your Mac or PC. MIXTRACK PRO's classic two-turntables-and-a-mixer setup connects to your computer so you can scratch, mix, loop, and much more. MIXTRACK PRO has all the inputs and outputs you’ll need for your headphones, speakers, and a mic. Plus, MIXTRACK PRO is portable, so you'll always be ready to DJ anywhere. MIXTRACK PRO has two decks, each with a large, touch-sensitive turntable for accurate scratching, beat-juggling and locating precise points within your tracks. It’s just like working with a record. In addition to the two decks, MIXTRACK PRO has an easy to use audio mixer so veteran DJs and beginners alike will be able to step right up and get the party going. If you’re DJing for the first time, MIXTRACK PRO is a great place to learn because your skills will transfer to any other DJ system. MIXTRACK PRO comes with Serato DJ Intro, powerful software which makes it easy to mix your favorite music. MIXTRACK PRO lets you create professional sounding mixes at home or at live performances at parties, functions and clubs. MIXTRACK PRO is also a MIDI-over-USB controller, so it's compatible with virtually all DJ software.

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

Viva Audio VIVA Solista 845 MKIV SET speakers amplifier. État: "Occasion" I am selling a speakers valves amplifier (SOLISTA) hand made in Italy by VIVA Audio in 24 January 2019. VERY GOOD CONDITION. two 6SN7GT and two PSvane CV181 TII two 6C45Pi electro-harmonic GOLD 2 new 845 PSvanne (ElROG 845 tubes are not included) Remote control all metal 3 RCA inputs, 1 XLR input, 1 Direct input. Hybrid power supply (diode+845). SR BLUE Fuses. All original full wood box. Woofer (SUB) RCA output. Low noise for sensitive speakers (actually Voxativ Hagen + Z.Bass). Very good also with headphones RAAL SR1a or Abyss or SUSVARA (I can provide the 4XLR connections box). IEC 240v.