Audio to midi conversion tools

AVID MBOX USB AUDIO INTERFACE. BON ETAT GENERAL VENDU SEUL COMME SUR LES PHOTOS Enregistrer, éditer et mixer des performances avec une superbe qualité sonore à l'aide de l'interface audio de qualité professionnelle Mbox. Et maintenant Mbox est une valeur encore mieux avec le nouveau logiciel Pro Tools Express inclus sans frais supplémentaires. Connecter facilement les micros, les instruments, les moniteurs, et autres analogique, numérique ou MIDI engins avec votre Mac ou PC pour capturer et créer des productions de qualité studio. SHIPPING POSSIBLE TO FRANCE, BELGIUM, SPAIN, PORTUGAL, ITALY, LUXEMBOURG, NETHERLANDS, AUSTRIA. OTHER COUNTRIES ASK FOR SHIPPING COSTS BEFORE BUYING

Séquenceur Ableton Live 10 clé matérielle, acheté en 2020, fourni avec sa boîte. --- LIVRAISON OFFERTE --- Ableton Live 10 sequencer hardware key, purchased in 2020, supplied with box. --- FREE DELIVERY --- Ableton Live 10 Suite – The Choice of Producers and Beatmakers The Ableton Live 10 Suite music production software is designed to provide an exceptional sonic and technical palette. With over 5,000 sounds, 13 instruments, 39 audio effects, and 16 integrated MIDI effects, Live 10 lets you record unlimited audio and MIDI tracks, opening up endless possibilities for your creations. Live 10 Suite innovates with its dual interface, transforming your creative process: the Arrangement view, which allows for linear editing of your project, and the Session view, a space for freedom that lets you improvise and experiment without timeline constraints. Designed to capture every idea, Ableton Live 10 offers up to 32-bit/192 kHz resolution, unlimited multi-track recording, non-destructive editing, and unlimited undo. Live 10 Suite goes further with essential features such as automatic plugin delay compensation, track freezing to save DSP, real-time time-stretching with Warping, and advanced MIDI management. In the studio or on stage, Ableton Live 10 Suite becomes the heart of your music production, optimizing your workflow. Features - Ableton Live 10 Suite Software - Sequencer - Multi-track recording and MIDI sequencing of virtual and physical instruments - Unique Session view for non-linear composition, flexible performance, and improvisation - Real-time b'"'Warpb'"' time adaptation: automatically syncs music and loops regardless of tempo. - MIDI-mappable controls for hands-on creation on stage or in the studio – with automatic mapping for the most common physical controllers. - Audio-to-MIDI conversion tools: extract harmonies, melody, or drums from an audio sample and convert it to MIDI. - Complete selection of integrated audio effects for creative sound design, mixing, or mastering. - Advanced tools for sampling and slicing. - Support for VST2, VST3, and Audio Unit plugins (new with version 10.1) - Groove engine to apply swing to sound or MIDI, or extract the rhythmic b'"'feelb'"' from other audio files. - Video import and export for composing to visuals or syncing visuals to music. - Integrated Max for Live software with more instruments, audio and MIDI effects, and the ability to customize Live. - 10 instruments: Wavetable, Operator, Sampler, Analog, Electric, Tension, Collision, Simpler, Drum Rack, Impulse – plus instrument racks and the external instrument device. - 72 audio and MIDI effects, including Drum Buss, Echo, and Pedal (new with version 10.1, compared to 57 in previous versions). - Over 5,000 sounds. - Over 70 GB of loops and samples. ----------------------- Ableton Live 10 Suite – Le choix des producteurs et beatmakers. Le séquenceur de production musicale Ableton Live 10 Suite est pensé pour offrir une palette sonore et technique d’exception. Avec plus de 5000 sons, 13 instruments, 39 effets audio et 16 effets MIDI intégrés, Live 10 vous permet d’enregistrer un nombre illimité de pistes audio et MIDI, ouvrant des possibilités infinies pour vos créations. Live 10 Suite innove avec sa double interface qui transforme votre processus créatif: la vue Arrangement, qui permet une édition linéaire de votre projet, et la vue Session, un espace de liberté qui vous laisse improviser et expérimenter sans contrainte de timeline. Conçu pour capturer chaque idée, Ableton Live 10 propose une résolution jusqu’à 32-bit/192 kHz, avec enregistrement multipiste illimité, montage non destructif, et annulation illimitée. Live 10 Suite va plus loin avec des fonctionnalités essentielles comme la compensation automatique de délai pour les plugins, le b'"'freezingb'"' de pistes pour économiser le DSP, le time-stretch en temps réel avec le Warping, et une gestion avancée du MIDI. En studio ou sur scène, Ableton Live 10 Suite devient le cœur de votre producti En savoir plus Collaboration commerciale.

ableton live 11 suite win64 MULTILANGUAGE   Edelivery full lifetime version Ableton Live 11 is fast, fluid and flexible music creation and performance software. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to create any kind of music. Create in traditional linear setups or improvise without timeline restrictions in the Live Session view. Move freely between the elements of the music and play with ideas, without stopping the music and without interrupting its flow. Ableton Live is perfect for both learning and producing electronic music and creating professional electronic music. Along with its professional instruments and effects, Ableton Live has a feature that makes electronic music production easier: Warp. Also, by manipulating audio with the Warp engine, you can also make the audio files have the same speed and tempo as the rest of the project, regardless of the original speed. Allowing you to start clips that always play on time. Launch series products were designed to take advantage of this feature and by simply plugging in the controllers it is now possible to launch clips in Ableton without having to configure anything else. Ableton Live Lite is included with all Novation Launch products, allowing unlimited access to audio with warping, instruments and effects. Each Launch series product comes with 1GB of free WAV samples for Ableton Live, including House, Garage, Bass, Techno, Dubstep, EDM and more. A professional-quality, royalty-free library for use in your electronic music productions.  Novation's Launch product family should be easy-to-use controllers, but that doesn't mean they aren't powerful controllers for Ableton using advanced production techniques. In this video, Novation artist Alex Maxwell demonstrates superior Ableton performance using Novation's Launchkey Mini keyboard, offering some easy tips on how to produce with Ableton Live. Taking us through processes like manipulating multiple effects from a single controller, Alex also shows how the ergonomic design of Novation's Launch products puts assignable MIDI controls at your fingertips, ensuring instant access to whatever parameters you want, whenever you want. Therefore, each Novation Launch device includes user modes. And controls (like the “Track” buttons explained in the video) to achieve unprecedented control of your Ableton DAW. And which will also allow you to do things like switch from releasing clips to controlling drum racks while controlling the Ableton mixer and launching scenes in real time. With one hand!  Key Features of Ableton Live Suite 11 suite: A new way of working sound improvements Sketch, adjust and experiment Enter the details Also, take control Put your ideas into practice use any sound, any time Build your sound with live instruments Effects to shape ideas, project sounds and finish music sound selections Also, start using Push Export your Live Set from I OS APPS Play in time with other devices Get more sounds, loops and samples Make each show unique The center for your performance for any stage Latest Features: Includes full mounts for Serato and bridge system Organize session options and friendly interference Add 2 modes for single operation easily In addition, it records audio up to 64-bit depth Added real-time multitrack audio mixing Updated themes and stereo tools 32-bit 192kHz multitrack recording Multiprocessor support with multi-core system Plus unlimited undo options Non-destructive audio editing Enjoy fully focused work in a single-screen user interface Excellent MIDI sequencer system for hardware and software instruments Plus full reconfiguration support, you can now run as master or slave Improved warping capabilities with new real-time time-stretching tools Simpler MIDI mapping tools

OTARI UFC-24 Universal Format Converter with addition of optional 24 channels of AES/EBU capability providing uncompromised conversion of all formats. This 2U rack-mount unit allows up to 24 tracks of digital audio to be transferred simultaneously from the source-format to all of the most-common formats used in the industry today. A single UFC-24 will convert up to 24 channels at a time from any one to all of the following: • PD • SDIF-2 • ADAT • TDIF-1 • AES/EBU • Multiple units may be linked to provide sample- accurate transfer of more than 24 channels. The input source-format outputs to all other formats at the same time. MIDI Input, Output & Throughput connectors are provided for patch-change control of Routing-Presets & Input-Format. All parameters of the UFC-24 may be stored as System-Exclusive Data to a MIDI storage device and later recalled. 1:1 Track-Mapping & user-selectable Routing of Input-channels to Output-channels is provided by buttons on the front panel. Up to 6 user-configurable Routing-Presets allow Channel Routing Maps to be recalled at any time. LEDs indicate status of Source-Clock lock and Channel Assignments. Frank Wells, Masterfonics, Nashville, TN: "We heard about the UFC-24 from OTARI when it was first coming out and it met a need that had been in the market for a long time. All of these digital formats are 16-bit and are all storing the same words at the same sampling rates but you couldn't get information from one of them to the other one without going out into the analog world. Now the UFC-24 is able to address the pro formats (PD and DASH), plus the ADAT and DA-88 that many producers are using to work in home studios. It seems to meet all those needs in one relatively inexpensive box. Being able to re-route channels in the box is also a big plus. We use the phrase 'digital everything -- all at once' around here...and this box applies that on a multi-track 'digital everywhere -- from anywhere' basis. That sums it up pretty well." Rudy Van Gelder, Rudy Van Gelder Studio, NJ: "We needed the capability of transferring digitally between PCM-3324 (DASH) to PCM-800 (DA-88 format) and I wanted to transfer 24 tracks digitally. The UFC-24 is very stable, very reliable and it performs what it's supposed to do perfectly. The additional thing about it that I like is the routing flexibility within the unit. This is a feature that I wasn't originally aware of, but I use it all the time...I'm really pleased with the UFC-24." Tva RECUPERABLE........E SHIPPING WORLDWIDE: CONTACT ME FOR THE PRICE OF SHIPPING

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Roland MC-909: Sampling Groovebox • Excellent état général extérieur et intérieur. • La Groovebox a été entièrement révisée et nettoyée. • Les 16 pads sont neufs (changés il y a trois mois). • Tout fonctionne parfaitement. • La dernière version du système a été installée. • Livrée avec une carte SmartMedia de 64 Mo. • Manuels en PDF (français / anglais / manuel de service). -> L'expédition se fera dans un colis bien protégé, en Colissimo avec numéro de suivi. Caractéristiques techniques: - Echantillonneur de 16 Mo interne extensible à 256 Mo - Fonctions "CHOP", "Time Stretch", "Normalize", "Emphasis" - Fonction "Resample" - 2 Multi-effets (2x56 types) avec contrôleurs temps réel - Outils de Mastering intégrés - Emulation: permet de contrôler le pitch et le tempo de n'importe quel échantillon audio ou de l'ensemble du séquenceur - Lecteur de carte Smart Média - Double "DBEAM" - Connexion USB pour le transfert des échantillons - 6 sorties analogiques séparées - Entrées ligne stéréo - Entrée/ sortie S/PDIF optique et coax - Véritable synthétiseur - Architecture sonore dérivée des séries XV - 693 formes d'ondes, dont les sons de la carte SRX "Dance" - Extension par carte SRX (1 slot) - Large écran LCD rétro éclairé - 8 faders de contrôle - 16 parties simultanées - 64 voix de polyphonie - Temps d’échantillonnage: Standard 16 Mo: mono. 180sec (stéréo 90 sec). Jusqu'à 272 Mo (standard 16 Mo + DIMM 256 Mo): mono. 51 min (stéréo 26 min). compatible avec les formats WAV/AIFF, format de sauvegarde audio: WAV/AIFF - Effets de mastering: compresseur et égaliseur graphique 3 bandes - Séquenceur 16 pistes + piste tempo/Mute Control - Tempo: 5 – 300 BPM - 128 styles preset - 128 user - Nombre de notes maxi: 1300000 - Fichier exécutable: Standard MIDI Files (Format 0/1) - 6 sorties séparées - 2 entrées ligne - Prise casque - MIDI: IN, OUT - S/PDIF In, out - Dimensions: 49,1 x 38,6 x 12,3 cm - Poids: 6 kg Roland MC-909: Sampling Groovebox • Excellent general condition outside and inside. • The Groovebox has been completely overhauled and cleaned. • The 16 pads are new (changed three months ago). • Everything works perfectly. • The latest version of the system has been installed. • Delivered with a 64 MB SmartMedia card. • Manuals in PDF (French / English / service manual). -> Shipping will be done in a well protected parcel, in Colissimo (French Post) with tracking number. Technical specifications: - Sampler of 16 Mo internal expandable to 256 Mo - Functions "CHOP", "Time Stretch", "Normalize", "Emphasis" - Resample function - 2 Multi-effects (2x56 types) with real-time controllers - Integrated Mastering Tools - Emulation: allows you to control the pitch and tempo of any audio sample or the entire sequencer - Smart Media Card Reader - Double "DBEAM" - USB connection for sample transfer - 6 separate analogue outputs - Stereo line inputs - Optical and coaxial S/PDIF input/output - True synthesizer - Sound architecture derived from the XV series - 693 waveforms, including sounds from the SRX "Dance" card. - Expansion by SRX card (1 slot) - Large backlit LCD screen - 8 control faders - 16 simultaneous games - 64 polyphonic voices - Sampling time: Standard 16 MB: mono. 180sec (stereo 90 sec). Up to 272 MB (Standard 16 MB + DIMM 256 MB): mono. 51 min (stereo 26 min). compatible with WAV/AIFF formats, audio backup format: WAV/AIFF - Mastering effects: compressor and 3-band graphic equalizer - 16-track sequencer + Tempo/Mute Control track - Tempo: 5 - 300 BPM - 128 preset styles - 128 wear - Maximum number of notes: 1 300 000 - Executable File: Standard MIDI Files (Format 0/1) - 6 separate outputs - 2 line inputs - Headphone socket - MIDI: In, Out - S/PDIF: In, out - Dimensions: 49.1 x 38.6 x 12.3 cm - Weight: 6 kg

Le MPX 1 est le processeur «multi-effets». Une technologie multiprocesseur FX combinée à un panneau avant interactif. Une complète connectique à l'arrière professionnelle - Détail des caractéristiques: Analog Audio Input XLR and 1/4" balanced (T/R/S)Input Level -2dBu to +20dBu, balanced; -14dBu to +8dBu, unbalanced Input Impedance 100k½, balanced;50k½, unbalanced Analog Audio Output XLR and 1/4"balanced (T/R/S) Output Level +18dBu Output Impedance 600½unbalanced Digital Audio Input Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Digital Audio Output Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Conversion 24-bit A/D;24-bit D/A Internal Audio DSP 20-bit;32-bit Frequency Response 20Hz - 20kHz ±1dB Crosstalk -60dB THD 0.01%, 20Hz - 20kHz Dynamic Range D/A:>95dB typical, 20Hz - 20kHz, unweighted A/D:>90dB typical, 20Hz - 20kHz, unweighted A/A:>95dB typical, 20Hz - 20kHz, unweighted MIDI Interface 7-pin DIN connector for MIDI IN and powered bidirectional remote; 5-pin DIN connectors for MIDI THRU and OUT Footswitch 1/4"T/R/S connector for bypass and tap Footpedal 1/4"T/R/S connector (10k½- 100k½impedance) Power Requirements 100 - 240 volts AC, 50 - 60Hz, 25 watts (3-pin IEC connector) Remote Power In 2.5 mm 9 volts AC (not included) Dimensions 19" W x 1.75" H (1U) x 9" D (483 x 45 x 289 mm), rack mount standard Weight 6.125 lbs.(2.8 kg) Operating Temperature 32¡to 104¡F (0¡to 40¡C) Maximum Humidity 95% without condensation

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

modèle 18i20 2ème génération - Focusrite Scarlett2 18i20 - Interface audio 18 entres 20 sorties - Nouvelle génération des célèbres Scarlett ! - 8 entrées combo XLR/jack avec nouveaux préamplis Scarlett, alim. 48V - Entrées instruments conçues pour les hauts niveaux de sortie - Conversion 24-bit / 192kHz - Latence ultra-faible pour utilisation des plugins en temps rel sans ajout de DSP - 2 sorties casques jack 6,35 - 10 sorties lignes dont 2 dédiées aux enceintes avec circuit anti-pop - 8 entres/sorties supplmentaires via ADAT - Entre et sortie S/PDIF - Entre et sortie MIDI - Logiciel Focusrite Mix Control pour vos paramtrages - Suite logicielle incluse: - Red 2 & 3 Plugin Suite - Softube Time & Tone Bundle - Pro Tools First avec 12 plugins - Ableton Live Lite - 2Go de sons et de samples Loopmasters - Plug-in Novation Bass Station VST/AU - Compatible Mac OS X Yosemite, El Capitan – Windows 8.1, Windows 7, Windows 10 - Dimensions: 4,4 x 48,2 x 28,6 cm - Poids: 3.27 kg   Cause double emploi peu servi, en studio non fumeur. achetée en Janvier, encore sous garantie sonovente 3 ans. facture jointe prix neuf: 389€

JoeCo BlackBox BBP1-D 24-Track Player w/ AES/EBU Digital I/O. État : Occasion Included in the original Box:  1 SHORT SubD25 - 8 Jack 1 LONG SubD25 - 8 Jack -------------------- THE BLACKBOX BBR1D (AES/EBU digital I/O) BBR1D – The 24 channel   BLACK BOX BBR1D enables high quality, dependable multi-track audio recording via AES/EBU I/O, direct from a digital mixing console, without the requirement of any additional A-D conversion --------------------   RECORDER The  BLACK BOX Recorder was the first professional multi-track recorder designed solve the inherent problems of working with computer-based systems in a live environment, and it remains the most trusted. Relied upon by engineers on tour, in mission-critical broadcasting set-ups and installations all over the world, the  BLACK BOX Multi-Track Recorder is the first and last word in reliable multi-tracking audio recording. Click below to find out more. Or PLAYER When you require mission-critical playback that absolutely cannot fail, you can rely on JoeCo’s  BLACK BOX Multi-Channel Player. This multi-channel player provides a solution for live performance playback in a compact 1U rack-mounted package. Specifically designed to replay backing tracks or multiple surround stems for live shows and themed entertainment, it can replay up to 24 channels of high quality audio at up to 24bit/96kHz. The   BLACK BOX Player can be triggered using timecode, a footswitch or QWERTY keyboard, or it can be controlled via MIDI commands, giving the live engineer, installation sound designer, musical director or artist full control of the show at all times. Click below to find out more.

- sampler vintage Akai S3000XL: ? Rack: 19" 3U ? Polyphonie: 32 voix ? Multitimbral: 16 ? Conversion A/D: 16 bits suréchantillonné 64 fois ? Traitement: 28 bits à accumulation ? Fréquences d'échantillonnage: 44,1 et 22,05 kHz ? D/A stéréo: 20 bits suréchantillonné 8 fois ? D/A individuels: 18 bits suréchantillonné 8 fois ? Mémoire RAM: 2Mo (extensible à 32 Mo) + 16 Mo de mémoire statique ? Nombre maximum d'échantillons: 255 ? Nombre maximum de programmes: 254 ? Paramètres: 32 filtres passe-bas -12 dB/octave, 2 générateurs d'enveloppes et 2 LFO par voie ? Portamento: mono & polyphonique ? Lecteur de disquettes: 3"1/2 (DD et HD) ? Entrées audio: L(mono)/R en jacks 6,35 et XLR ? Entrée et sortie numérique: AES/EBU ? Sorties audio: stéréo en jacks 6,35 et XLR ? Sorties audio: 8 individuelles en jack 6,35 ? Sortie casque: jack 6,35 stéréo ? Interface SCSI: oui, 25 broches ? Direct to Disk: d'origine ? MIDI: In, Out, Thru ? Dimensions: 483 x 429 x 133 mm ? Poids: 9,5 kg - lecteur Zip Iomega 100 - disquettes, CD - cables alimentation et SCSI - manuel français Instruments de musique occasion à vendre à Nice (06000)