Balanced action

Bonjour chers acheteurs. En raison de ma santé qui commence par se détériorer, je mets en vente mon Saxophone ténor Selmer Balanced Action

Bonjour, je me sépare de mon Sax Alto Selmer "Super Balanced Action" 1951 n° 46xxx, pour m'acheter un Sax Tenor. Objet très rare, il est en super

Bonjour Je mets en vente mon SUPER BALANCED ACTION SAXOPHONE TÉNOR dans un parfait état. il est livré avec son étui d'origine.un bec Vandoren

Saxophone balanced action ayant appartenu à mon Oncle,ancien musicien et un des premiers  de l'orchestre  de claude  Bolling dans l'après guerre.    (j'ai tjrs l'article du journal de l'époque) Le Nr de série est 30 *** et donc de 1941  ou 42 suivant ce que j'ai trouvé.

Vends saxophone alto Selmer fabriqué en juin 1941, modèle balanced action, N° 30031. Son propriétaire est décédé en janvier 1945. N'a plus jamais été utilisé depuis cette date, mais conservé précieusement par la famille. Donc état d'origine, sans aucune intervention, dans sa valise d'origine. Le prix a été indiqué lors d'un salon par un spécialiste de chez Selmer. Vu récemment par un professeur de saxophone dans ma ville: bon état, doit seulement faire l'objet d'une révision, et particulièrement changement des tampons de feutre.

Saxophone alto Selmer fabriqué en juin 1941, modèle balanced action, N° 30031. Saxophone conservé précieusement, donc état d'origine, sans aucune intervention, dans sa valise d'origine. Vu récemment par un professeur de saxophone dans ma ville: tres bon état, doit seulement faire l'objet d'une révision.

sax alto selmer super balanced action 1949 serial 44079. Réglé, nettoyé. L'instrument est en excellent état, pas de bosse ou de soudure à refaire, aucune clef grippée. Le verni d'origine est présent à 80%, le bocal est intact. Les tampons sont anciens mais en bon état, le saxophone est facilement jouable dans de bonnes conditions. Ecoutez-le ici:  https://drive.google.com/file/d/1HaX0uT2TwWDJWAkanhW4_GoIQzlIy2P1/view?usp=sharing

sax alto selmer super balanced action 1949 serial 44079. Réglé, nettoyé. L'instrument est en excellent état, pas de bosse ou de soudure à refaire, aucune clef grippée. Le verni d'origine est présent à 80%, le bocal est intact. Les tampons sont anciens mais en bon état, le saxophone est facilement jouable dans de bonnes conditions. Ecoutez-le ici:  https://drive.google.com/drive/folders/1svm4YakvaGB7KiodOZrAy0trfPzNQpok?usp=sharing

Saxophone Selmer Balance Action entièrement restauré (facture de 700 Euro(s)) argenture d'origine, pavillon gravé, tampons, lièges et ressorts neufs,

Saxophone entièrement restauré (facture) argenture d'origine, pavillon gravé, tampons et ressorts neufs, par Atelier Guitares et Vents, garantie

Saxophone ténor Selmer Balanced Action Numero 31569. Le grain est fantastique, ergonomie et état global absolument rares. Ce sax est un bijou, la

Bonjour Vends mon Saxophone Alto Selmer Super Balanced Action argenté en état proche du neuf numéro de série 41xxx de l?année 1950. Ce mythique

Saxophone alto SELMER fabriqué en juin 1941, modèle Balanced Action, N° 30031. Son propriétaire est décédé en déportation en 1945. N'a plus été utilisé depuis, mais conservé précieusement par la famille. Etat d'origine, dans sa valise d'origine. En parfait état. Joue juste (après essai par un professeur de saxophone). (doit seulement faire l'objet d'une révision et changement des tampons. Prévoir 400 € à 500 €.)

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur Référence: LDVIBZ10C 184,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur La VIBZ 10 C est une table de mixage d'une grande polyvalence, équipée de  4 entrées micro symétriques  intégrant des préamplis de haute qualité,  un filtre passe-haut (Low-Cut)  et une  alimentation fantôme commutable. Deux des entrées micro possèdent un point d'insertion pour traitement externe du signal audio; les deux autres peuvent aussi s'utiliser en tant qu'entrée stéréo au niveau ligne. Afin de travailler le son efficacement, la VIBZ 10 C possède des égaliseurs 3 bandes d'une grande précision, dont la fréquence d'intervention dans le médium a été choisie avec soin. Deux des voies stéréo sont pourvues de correcteurs grave/aigu. Le compresseur intégré permet de maîtriser la dynamique avec précision, pour un son plus efficace. La section Master de la console possède un  retour effet, des sorties Monitor réglables et une prise casque. La VIBZ 10 C possède aussi une entrée/sortie pour enregistreur/lecteur; le signal s'assigne à la sortie Master ou Monitor, et son niveau est réglable. Grâce à un son transparent et détaillé, et à une utilisation vraiment très facile, la VIBZ 10 C est un choix parfait pour les petits groupes, l'installation fixe, le home studio, ou encore le prémix. Elle est livrée avec un bloc secteur externe, qui se visse sur la console. Un adaptateur pour montage de la VIBZ 10 C sur un pied de micro est disponible en option. Référence: LDVIBZ10C Type de Produit: table de mixage Type: orientée Live Nombre de Canaux: 10 Nombre de Voies Micro/Ligne Mono: 4 Connecteur entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Égaliseur Aigus Voie Mono: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: réglage de niveau, PAN (panoramique), départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 Volts commutable Filtre Passe-Haut (Low Cut): 95 Hz Compresseur:  réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo:    4 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) (voies 3/4 + 5/6); 2 x jacks 6,35 mm stéréo + 4x RCA (Cinch) (voies 7/8 + 9/10) Type Entrée Ligne Stéréo: Asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Stéréo: 0 à +50 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: réglage de niveau, balance, départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8 + 9/10, filtre Low-Cut sur les voies 3/4 + 5/6, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet: 1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Nombre de Sorties Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: non Nombre de Presets: N/A Sélecteur au pied DFX Mute: N/A Contrôles Section Généraux: réglage de volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18V AC  / 1A External PSU Largeur: 265 mm Hauteur: 78 mm Profondeur: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Reference: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Referencia: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Artikel-Nr: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Riferimento: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés Référence: LDVIBZ8DC 219,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés 4 entrées Micro symétriques  avec préamplis de haute qualité,  2 voies stéréo compatibles mono, un  compresseur intégré  et un multieffet numérique de résolution 24 bits offrant 100 presets : grâce à sa souplesse, la VIBZ 8 DC est le point central d'une configuration audio. Ses voies micro, commutables ligne, sont équipées de  préamplis de haute qualité  et d'un filtre passe-haut et deux d'entre elles disposent de plus d'un point d'insertion. Afin de travailler le son efficacement, la VIBZ 8 DC possède des  égaliseurs 3 bandes très efficaces, dont la fréquence d'intervention dans le médium a été choisie avec soin La section Master de la console est équipée d'un  retour effet, de sorties Monitor à niveau réglable et d'une prise casque. La VIBZ 8 DC possède aussi une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser, et possède un son transparent et détaillé. Elle est idéale pour les petits groupes, l'installation fixe, le home studio et les prémixages. La VIBZ 8 DC est livrée avec un bloc secteur externe, qui se visse sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 8 sur un pied de micro. Référence: LDVIBZ8DC Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 8 Canaux Micro/Ligne Mono: 4 Connecteurs Entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono:    +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau, PAN (panoramique), départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut (Low Cut): 95 Hz Compresseur: réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo: 3 Connecteurs Entrée Ligne Stéréo: 2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (Voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau, Balance, départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8, filtre Low-Cut, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stéréo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Sortie Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 100 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Réglage de niveau DFX To Main, touche DFX Mute, DFX Presets, volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18 V AC / 1 A via bloc secteur externe Largeur: 265 mm Hauteur: 77 mm Profondeur: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Reference: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Referencia: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Artikel-Nr: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Riferimento: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

Insert téléphonique GSM et filaires 2 lignes L'insert téléphonique hybride HL202 remplace les modèles de la série HA, il permet la connexion à deux lignes téléphoniques filaires ou de téléphones cellulaires. O n peut coupler 2 à 3 unités HL202 pour gérer quatre lignes téléphoniques à 6 lignes téléphoniques. Ces unités résument notre expérience de 45 ans dans la fabrication d'hybrides téléphoniques pour la radiodiffusion. Il en résulte un système où l'excellence est fixée dès la conception, pour faciliter le travail de l'opérateur. L'envoi et la réception des sons ont des limiteurs et des compresseurs, ainsi que des filtres du type passe-bande. pour ajuster automatiquement les niveaux et éviter la congestion des lignes téléphoniques qui se produisent avec d'autres marques. Ils peuvent fonctionner sur n'importe quel modèle de console. Le coffret a des oreilles de fixation prévues pour être monté en rack 19" et la possibilité de l'utiliser sur une table.L'isolation Tx Rx des sons est supérieure à 40 dB et la qualité de la diffusion audio est si bonne que vous vous demandez ce qui est originaire d'une ligne téléphonique de ce qui ne l'est pas.   Sur chacune des lignes vous pouvez régler la balance exacte entre la voie Tx et Rx, avec un potentiomètre de 15 tours. Une sortie d'enregistrement permet l'utilisation de l'hybride, sans console. Chaque ligne de téléphone est associée à la production pour ce qui est la mise hors ligne, de la mettre en attente (garde)de l'appelant. Contrairement aux autres marques, cet hybride dispose de 8 dB de gain pour compenser les pertes en ligne, de faire une conférence bien entendu avec toutes les autres intervenants et le tout avec un bon niveau de qualité. Les systèmes peuvent être utilisés en 4 ou 6 lignes téléphoniques   Les claviers ont des boutons rétro-éclairés pour la réflexion et une grande visibilité, ce qui évite les erreurs de fonctionnement. Une ligne rouge clignote en attente (HOLD) et il y a une ligne de marquage lumineuse de diffusion sur les ondes. La LED bleue indique la ligne qui appelle.   Avec la solution des Hybrides, vous pouvez entrer soit avec des lignes fixes soit avec des téléphones cellulaires, en utilisant le portable par le câble ou les mains sont libres. L'hybride reconnaît les différentes entrées et est automatiquement configuré pour fonctionner dans 2-fils (ligne TF) ou 4-fils (cellulaire). Cette installation vous permet d'exploiter les coûts de communication au mieux, selon les offres des sociétés de téléphonie cellulaire Les lignes en attente (garde) sont surveillées en permanence.    La connexion des haut-parleurs actifs moniteur PC sortie CUE: l'opérateur peut toujours écouter les lignes téléphoniques filaires ou cellulaires lorsqu'ils sont en attente. Par exemple, si j'ai les lignes 3 et 4 en attente: Les journalistes des lignes 1 et 2 sont à l'écoute de celle qui sont actives, si un événement majeur se produit, l'exploitant peut parler et être écouté immédiatement.   Résumé des fonctionnalités * 2 ou 4 ou 6 lignes téléphoniques,cellulaires et/ou utilisation en conférence * 40 dB de séparation phonique entre l'appelant et l'appelé * Facile à utiliser avec seulement 3 boutons * Sortie de la console, sur le compresseur audio, symétrique à + 4 dB * Ligne avec réglage automatique du niveau de sortie à 0 dB * Bande passante avec réglage par des filtres pour améliorer l'isolation entre l'appelant et l'appelé * 8 dB de gain sur les niveaux de l'ensemble des lignes et sur l'utilisation en conférence * Bouton robuste avec rétro-éclairage * Connexion téléphonique symétrique utilisant des transformateurs NI-ferrite * Technologie de protection contre la foudre SIV * Haute qualité audio de la diffusion, sans coloration du signal local Les panneaux latéraux sont amovibles Les hybrides peuvent être utilisés indifféremment sur une table ou en montage en rack (présentoir, armoire), il y a des équerres de fixation amovibles et des pieds en caoutchouc auto-adhésifs   ES: 2, 4 & 6 phone or cellular lines. Full conference with 8 dB cross gain. TECHNOLOGY: Active Hybrid with send and return gain, auto-adjusted by audio limiter and AGC. Balanced telephone lines floating with ground isolation by Nickel-Ferrite transformers. AGC Output level: Constant level to console, independent from line level due to the action of the internal AGC. A 15 dB phone level change causes less than 3 dB change at the OutputOutput level control on the front panel. Nominal level +4 dBu, variable between -60 / +8 dBu RETURN LEVEL: Audio limiter & AGC to operate with signals from  -5 to + 8 dBu Return Level at phone line 2 Vpp equivalent to 0 dBm AUDIO RETURN FILTERS: Band-Pass filters in return channel, limits response to 400 – 2.200 Hz to eliminate on-air sound coloration. PRIORITY SYSTEM: The speaker have priority to interrupt, causing an attenuation of 12 dB on the caller. Return Level at phone line: 0 dBm (2 Vpp) HYBRID OUTPUT RESPONSE: 250 - 3.400 hz +/- 1 dB IMPEDANCE: 600 Ohms HYBRID GAIN: Self-adjusted between 12 and 30 dB, according to the line level. DISTORTION, THD: Below 0,2 % at the balanced output @ 1 Khz, + 4 dBm level NOISE LEVEL: S/N better than 70 dBA, measured with artificial phone line of 2 km HYBRID REJECT: More than 40 dB at 1 Khz. Measured with 2 km artificial phone line REJECT ADJUSTMENT: 15 turns, Multi-turns  preset on each line. Adjust it only at installation LINES ISOLATION Independents inputs, balanced and floating with transformer Isolation 250 V/CA OVERLOAD SAFETY 2 KVolt protection against lightning discharge using SIOV technology. Tested using the Siemens/Ramatel 44.04 recommendation POWER: 200-240 V/100- 130 V. 50/60 Hz, 5 VA DIMENSIONS: Rack mounting 19" 1 U (44mm)

A Vendre; ensemble 1x MFJ-993B + 1x MFJ-5124Y + 1x Alimenation 220/12V 2A et tous les cordons, MFJ-993B 1.8-30MHz Automatic Antenna Tuner 300 Watts SSB / 150 Watts CW Comme neuf utilisé moins de 10 fois, doublon ne me sert pas donc je m'en sépare. En parfait état de fonctionnement et cosmétique, juste quelques griffures sur le dessous voir photos. Facture fournie du 19/09/2020. Soit 25% du prix  de l'ensemble neuf. description: Automatically tunes unbalanced/balanced antennas...Ultra fast... New 20,000 memories... Antenna Switch... Efficient L-network... Select 300 Watts (6-1600 Ohms) or 150 Watts (6-3200 Ohms)... 1.8-30 MHz... 4:1 current balun... Cross-Needle and Digital SWR/Wattmeter... Audio SWR meter... Backlit LCD... Remote control port... Radio interface... World's First dual power level 300/150 Watts SSB/CW Tuner Select 300 Watt SSB/CW power level and match 6-1600 Ohm antennas Or... select 150 Watt SSB/CW power level and match extra wide-range 6-3200 Ohms! The MFJ-993B IntelliTuner lets you tune any antenna automatically balanced or unbalanced -- ultra fast. It's a comprehensive automatic antenna tuning center complete with SWR/Wattmeter, antenna switch for two antennas and 4:1 current balun for balanced lines. MFJ's exclusive IntelliTuner, Adaptive Search and InstantRecall algorithms give you ultra fast automatic tuning with over 20,000 VirtualAntenna Memories. You get a highly efficient L-network, 6-1600 ohm matching at 300 Watts SSB/CW or extra-wide 6-3200 Ohm matching at 150Watts SSB/CW, 1.8-30 MHz coverage, Cross-Needle and digital meters, audio SWR meter, backlit LCD, remote control port, radio interface, heavy-duty 16 amp/1000V relays. It learns while you're having fun As you're ragchewing, contesting or DXing, your MFJ-993B is learning! When you transmit, the MFJ-993B automatically tunes for minimum SWR and remembers your frequency and tuner settings. The next time you operate on that frequency and antenna, these tuner settings are instantly restored and you're ready to operate in milliseconds! MFJ new VirtualAntenna Memory system gives you 4 antenna memory banks for each of 2 antenna connectors. Select up to 4 antennas on each antenna connector. Each antenna has 2500 memories, 20,000 total. Intelligent ultra fast tuning MFJ's InstantRecallTM first checks its memory to see if you have operated this frequency before. If so, tuning is instantaneous and you're ready to operate. If not, MFJ's IntelliTuner algorithm - - based on MFJ's famous SWR Analyzer technology - - kicks in. It measures the complex impedance of your antenna. Next, it calculates the components it needs and instantly snaps them in. Then, it fine tunes to minimize SWR -- you're ready to operate. It's all done in a fraction of a second. When the impedance is within its measurement range, the MFJ-993B is the fastest automatic antenna tuner in the world. If it can't accurately determine impedance, MFJ's AdaptiveSearch algorithm goes into action. Frequency is measured and relevant components values are determined. Only those values are searched for ultra-fast tuning. For even faster searches, you can set the target SWR to 2 (settable 1.0-2.0). You can manually tune when you can't transmit (for listening out of ham bands). Cross Needle and Digital SWR/Watt Meters Lighted Cross-Needle and digital meters lets you accurately read SWR, forward and reflected power at a glance. An audio SWR meter lets you hear the tuned SWR when you can't see/read meters. Turn on a highly visible, instant response SWR LCD bargraph when you need it. Backlit LCD Display An easy-to-read backlit LCD displays SWR, forward/reflected power, frequency, antenna 1 or 2, L/C tuner values, on/off indicators and other in

Le TK Audio BC2-ME est un très beau compresseur stéréo du genre SSL bus (superbe glue pour vos mix!) très utile en mix également in fait des merveilles sur un bus drum par ex. les boutons sont crantés afin de pouvoir retrouver et ou noter vos réglages pour y revenir ultérieurement. fonction "class A" pour avoir un son rond sur transfo Carnhill. 5  fréquences sélectionnables  pour le SC filter. fonction THD pour un rendu plus ""punchy". True bypass afin de bien entendre l'action du compresseur. Balanced, external side-chain inputs... excellent état. utilisé moins d'un an.pas de rayures.

Le TK Audio BC2-ME est un très beau compresseur stéréo du genre SSL bus (superbe glue pour vos mix!) très utile en mix également in fait des merveilles sur un bus drum par ex. les boutons sont crantés afin de pouvoir retrouver et ou noter vos réglages pour y revenir ultérieurement. fonction "class A" pour avoir un son rond sur transfo Carnhill. 5  fréquences sélectionnables  pour le SC filter. fonction THD pour un rendu plus ""punchy". True bypass afin de bien entendre l'action du compresseur. Balanced, external side-chain inputs... excellent état. utilisé moins d'un an.pas de rayures. n.b: sur les photos un plastique protège l'appareil (sauf sur les aérations) pour éviter de l'abimer.

USED - Some buttons may scratch. All keys working but one key is a little bit lower than the others. Sold with KORG soft case. Keyboard: 37 Natural Touch Action Notes Switches: 7; Bank (2 positions), Octave Up and Down (toggle) timbre, Select (2 positions), ARP ON / OFF, Vocoder On / Off, Write, Output / Shift Buttons: 7; Volume, tempo, selection program (genre and category), real time assignment, pitch and modulation controls PROGRAMS 8-voice polyphony (up to 4 when vocoder is selected) Program: 128 Maximum number of stamps 2 (when using Layer, Split or Multi) Synth 2 oscillator + noise generator Oscillator 1 Waveform SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, CFM/DWGS, AUDIO IN WAVEFORM, CROSS, UNISON, VPM modulation Oscillator 2 Waveform SAW, PULSE, TRIANGLE, SINE Modulation RING, SYNC, RING+SYNC Wave shaping WS type DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST Multi-filter mode Filter 1 -24 dB / oct LPF - 12 dB / oct LPF, HPF, BPF, Thru Filter 2 LPF, HPF, GMP - 16-band vocoder, adjustable level and panning for each band tape, the format changeover function, the Hold Formant function (Velocity-sensitive keyboard, no aftertouch) 37-note keyboard Timbre Effects: 2 Band EQ Master: master effects (17 effects algorithms) Arpeggiator UP, DOWN, ALT1 / 2, random, Trigger (6 types), Arpeggiator function step Programmes 128 programmes (banks A / B x 8 x 8 genres categories) CONNECTIONS AUDIO IN [ONLINE], AUDIO IN [MIC] (With AUDIO IN [MIC / XLR] switch) AUDIO IN [LINE] Maximum input +19 dBu level Input sources impedance8 ohms Connector1 / 4 "jack (unbalanced) AUDIO IN [MIC] Maximum input level-11 dBu The input source impedance7 k-ohms XLR connector (balanced) Output L / MONO, R cylinders Max output level +6 dBu @ 10 k-ohms Output source impedance1 k-ohms A button is lightly pressed but works (see picture) 1/4 phone jack connectors "(unbalanced) HEADPHONE Maximum output level of 36 + 36 dBu @ 33 ohm load Output source impedance10 ohms 1/4" stereo jack connector MIDI IN, OUT USB type B connector 21.89 (W) x 9.09 (D) x 2.87 (H) 4.41 kg.DC9V power supply

Hand made Classical Guitar by Christoph Sembdner in 2016. This beautifully crafted hand made guitar with a Cedar top is very pleasing to the eye. It has wonderful projection with beautifully balanced tones. 650mm scale length. 52mm nut. 3mm action at the 12th fret. Sloane tuners. Canadian Cedar top and Indian Rosewood back and sides. Can be posted by ParcelForce or collected.

Pioneer Pla-25 in excellent condition with original headshell. A combination of Superb Sound and easy Automatic operation. First,in this finecomponent, you get the best, the steadiest system ever devised to achieve steady turntable platter revolution - the belt drive. Adding to the steadlness is the aluminum alloy die-cast platter with its big 12" diameter. Very important, there is a system of automatic devices for the tonearm - auto lead-in, auto return, cut and repeat, making for very easy operation. The arm also has a lateral balancer for better stereo balance. The IM cartridge provides excellent response, and the entire unit is mounted in an attractive walnut cabinet. the finest Drive System The PL-A25 employs a quality outer rotor hysteresis synchronous motor for constant turntable speed. The 12" aluminum alloy die-cast turntable, with its rock-steady flywheel action, is driven by a precision-made polyurethene belt that is unaffected by temperature, oil or humidity. The result is a high signal to noise ratio; wow and flutter are reduced to inaudible levels, and the overall sound is excellend The PL-A25 is mounted in an oil-finished walnut cabinet with smoked acryl dust cover, styled to add eleganceto any interior. The cabinet is provided with rubber "feet" to absorb vibrations and shocks, preventing howling or needle skipping. Improved Tone-arm The PL-A25 employs a newly developed straight tonearm, designed to be used with light weight stylus pressure for high compliance by reducing the weight of the tonearm itself and increasing the sensitivity of the pivot. The tonearm is provided with a lateral balancer for balanced stereo reproduction. It preventd drift of the tonesrm toward the outside or inside of the turntable. The tonearm is easily lowered and raised by the oil-damped arm lift to protect the valuable stylus records. Specifications Drive System: belt-drive system Drive Motor: 4-pole outer rotor hysteresis synchronous motor Turntable: 12" alloy die-cast platter Speed: 33-1/3 and 45 rpm Tonearm: static-balanced tubular tonearm Cartridge: PC-35 (magnet type) Stylus: PN-35 (0,5 mil diamond) Stylus pressure: 2 - 3 grams Output Voltage: 3,5 mV (at 1 kHz, 50 mm/sec) Separation: better than 20 dB (at 1 kHz) Frequancy Response: 10 to 25, 000 Hz Signal-to-Noise ratio: better than 46 dB Wow and Flutter: less than 0,1% Power Requirement: 110,117, 130, 220 or 240 V AC 50 or 60 Hz Power Consumption: 14 VA (12 W) Dimensions (whd): 440 x 170 x 350 mm (17-5/16" x 6-11/16" x 13-3/4") Weight: 7,5 kg (16 lb 8 oz)