Be mix

Enceinte Bluetooth Enceintes Code EAN: 3561864811791 En-tête / Fabricant: Bg International Type de Produit: Enceinte Bluetooth Ressum: 1 Système de haut-parleurs / Technologie de connectivité: Sans fil Titre: Be Mix B.HT1179 - ENCEINTE B STEAM BLUETOOTH A VENTOUSE WATERPROOF 2W Enceintes / Type: Mini enceinte

Enceinte Bluetooth Enceintes Code EAN: 6453600842718 Type de Produit: Enceinte Bluetooth Origine_import: hightech_minimaliste Titre: Enceintes externes pour radios Be Mix HT1263 Enceinte sans Fil pour SmartphoneTabletteTéléviseur 350 mA Noir 1501

ORTOFON   Concorde pro mix/Scratch NEUVE pour toutes questions ou photos supplémentaires, n'hésitez pas à me contacter fast delivery in perfect package PAYMENT MUST BE RECEIVED BY 5 DAYS OR NON-PAYMENT ITEM STRIKE WILL BE FILED! Please email me if you have any questions! ENVOI FRANCE: - mondial relay (envoi sous 24 /48 h  attention: pas d'envoi le lundi) - colissimo (envoi sous 24 h) ENVOI EUROPE: - colissimo international (envoi sous 24 h)

Enceinte bluetooth Sans Fil.  De marque be mix En excellent état.  Comme neuve Livre avec notice

produit Enceinte b-long bluetooth® rougeecoutez vos musiques préférées où et quand vous voulez avec l'enceinte sans fil b-long de couleur noir compatible ipad®, iphone® et avec la plupart des smartphones !avec l'enceinte sans fil b-long rouge, votre musique vous accompagnera partout ! Compatible ipad®, iphone® et avec la plupart des smartphones, elle dispose d'une autonomie d'environ 3h !simple et intuitif, contrôlez votre musique directement à partir de votre smartphone une fois que vous l'aurez synchronisé avec ! Disposant de deux sorties de sons à 3w chacune, vous allez adorer écouter de la musique ! Cette enceinte sans fil dispose d'une batterie lithium rechargeable fourni avec son câble de charge micro usb.découvrez également le casque audio rubber existant en plusieurs coloris: blanc, noir, bleu, rose et violetc'est à vous de choisir votre couleur préférée et d'égayez votre vie grâce au casque coloré ! Informations sur l'enceinte b-long bluetooth® rouge:son stéréo avec sorties 2 x 3 wattdimensions: 240 x 57 x 120mmenceinte nomade sans fil (bluetooth®)couverture bluetooth®: 10mcompatible ipad®, iphone® et avec la plupart des smartphonescâble de charge micro usb inclusbatterie lithium: 3,7v, 400mahtemps de charge: environ 1h30impédance: 4 ohmfréquence: 80hz ~ 16khzsensibilité: 68dbafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3482731232610 Marque BE MIX Couleur du produit Rouge Nombre de pièces 1 Dimensions et poids Longueur en cm 240.00 Largeur en cm 57.00 Hauteur en cm 120.00 Connectiques Bluetooth Oui Nombre de port USB 1 Alimentation Autonomie (en h) 3 Caractéristiques du produit Puissance en watts (W) 10 Etanche Non communiqué Type de connectivité sans fil Bluetooth Accessoires inclus Non

produit Écouteurs sans fil rechargeables earbox signature blancrévolutionnaires, légers et ultra-performants, les écouteurs earbox signature offrent une expérience sonore d'une qualité optimale sans fil ni raccordement.la configuration avec votre téléphone est instantanée, il suffira ensuite de les disposer dans leur boitier pour les recharger rapidement sans branchement.disposez-les dans chaque oreille pour écouter votre musique ou pour téléphoner, ils tiennent sans effort grâce à un design ergonomique spécialement étudié pour s'adapter à chaque morphologie.informations sur les écouteurs sans fil rechargeables earbox signature blanc:dimensions: 38 x 50 x 28 mmentrée: vbatterie lithium du boitier: 3,7 v - 400 mahbatterie lithium-ion de chaque écouteur: 3,7 v - 50 mahautonomie: 3himpédance: 32 ohmfréquence: 20 hz ~ 20 khzsensibilité: 101 db +/- 3 dbtension caractéristique large bande: > 75mvbluetooth 2402-2480 mhzpuissance de radiofréquence maximale: +9,47 dbmportée sans fil: 10 mtemps de charge écouteurs: 1h, boitier: 2hcâble de charge micro usb inclusnotice d'utilisationafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3482731313777 Marque BE MIX Couleur du produit Blanc Type de Casque Mini Ecouteurs Caractéristiques du produit Réduction du Bruit Non Clip Oreillette Non Autonomie et chargement Autonomie de la Batterie en Heures 3

produit Écouteurs sans fil rechargeables earbox noirrévolutionnaires, légers et ultra-performants, les écouteurs earbox offrent une expérience sonore d'une qualité optimale sans fil ni raccordement.la configuration avec votre téléphone est instantanée, il suffira ensuite de les disposer dans leur boitier pour les recharger rapidement sans branchement.disposez-les dans chaque oreille pour écouter votre musique ou pour téléphoner, ils tiennent sans effort grâce à un design ergonomique spécialement étudié pour s'adapter à chaque morphologie.informations sur les écouteurs sans fil rechargeables earbox noir:dimensions: 43 x 52 x 22 mmentrée: 5 vbatterie lithium du boitier: 3,7 v - 350 mahbatterie lithium-ion de chaque écouteur: 3,7 v - 35 mahautonomie: 1h30impédance: 32 ohmfréquence: 20 hz ~ 20 khzsensibilité: 93 dbtension caractéristique large bande: > 75mvbluetooth 2402-2485 mhzpuissance de radiofréquence maximale: +2 dbmportée sans fil: 10 mtemps de charge: 2hcâble de charge micro usb inclusnotice d'utilisationafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3482731316808 Marque BE MIX Couleur du produit Noir

produit Écouteurs sans fil rechargeables earbox blancrévolutionnaires, légers et ultra-performants, les écouteurs earbox offrent une expérience sonore d'une qualité optimale sans fil ni raccordement.la configuration avec votre téléphone est instantanée, il suffira ensuite de les disposer dans leur boitier pour les recharger rapidement sans branchement.disposez-les dans chaque oreille pour écouter votre musique ou pour téléphoner, ils tiennent sans effort grâce à un design ergonomique spécialement étudié pour s'adapter à chaque morphologie.informations sur les écouteurs sans fil rechargeables earbox blanc:dimensions: 43 x 52 x 22 mmentrée: 5 vbatterie lithium du boitier: 3,7 v - 350 mahbatterie lithium-ion de chaque écouteur: 3,7 v - 35 mahautonomie: 1h30impédance: 32 ohmfréquence: 20 hz ~ 20 khzsensibilité: 93 dbtension caractéristique large bande: > 75mvbluetooth 2402-2485 mhzpuissance de radiofréquence maximale: +2 dbmportée sans fil: 10 mtemps de charge: 2hcâble de charge micro usb inclusnotice d'utilisationafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3482731316792 Marque BE MIX Couleur du produit Blanc

produit Écouteurs earbox power kit inductionles écouteurs design nouvelle génération sont là ! Révolutionnaires, légers et ultra-performants, les écouteurs earbox power kit offrent une expérience sonore d'une qualité optimale sans fil ni branchement. Disposez-les dans chaque oreille pour écouter votre musique ou pour téléphoner, ils tiennent sans effort grâce à un design ergonomique spécialement étudié pour s'adapter à chaque morphologie.la configuration avec votre téléphone est instantanée, il suffira ensuite de les disposer dans leur boîtier et de poser l'ensemble sur le socle à induction pour un chargement rapide sans branchement, succès garanti !informations sur les écouteurs earbox power kit induction:autonomie: 2 h 30technologie sans filkit mains-libreschargeur induction incluscompatible avec tous les chargeurs à inductionconnexion bluetoothcâbles inclus: 2 câbles micro usbuniversel: compatible android, ios, windowsnotice incluseafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3482731359461 Marque BE MIX Couleur du produit Blanc

produit Informations techniques: dimensions: l. 4,3 x l. 2,2 x h. 5,3 cm matières: abs & plastique spécificités: pratique & utile écouteurs sans fil "earbox" boîtier de charge autonome autonomie: 1 h 30 connexion bluetooth notice incluse câble inclus compatible android, ios, windows couleur: noir Générales EAN 3664944168317 Marque BE MIX Couleur du produit Blanc

produit Design sobre et rétro, compacte et sans fil, l'enceinte b-long vous permet d'écouter votre musique partout où vous allez ! Pratique, elle se pose partout et possède une autonomie de 3 heures.informations sur l'enceinte bluetooth b-long:puissance de sortie 2x3 wautonomie de 3 heurestemps de charge: 1 heure 30batterie lithium intégréedimensions: 24 x 5,7 x 12 cmcâble de charge micro-usb incluscâble double-jack inclusnotice incluseafin d'éviter des dommages auditifs éventuels, ne pas écouter à un niveau sonore élevé pendant une longue durée. Générales EAN 3561864810749 Marque BE MIX Couleur du produit Noir Nombre de pièces 1 Dimensions et poids Longueur en cm 24.00 Largeur en cm 5.70 Hauteur en cm 12.00 Connectiques Bluetooth Oui Nombre de port USB 1 Alimentation Autonomie (en h) 3 Caractéristiques du produit Puissance en watts (W) 10 Etanche Non communiqué Type de connectivité sans fil Bluetooth Accessoires inclus Non

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring

Avid Pro Tools HD 12 Ultimate Edition for Windows x64 or Pro Tools HD 10 for MAC OS | Lifetime License | Fast Delivery Note: No Physical disk will be sent via e-mail. This is an digital Item/Product. SUPER FAST DELIVERY VIA YOUR &PAYPAL E-MAIL IF YOU NEED MAC VERSION WARNING: Mac OS X 10.6 Snow Leopard - WORK Mac OS X 10.7 Lion - WORK OS X 10.8 Mountain Lion - WORK OS X 10.9 Mavericks - WORK OS X 10.10 Yosemite - WORK OS X 10.11 El Capitan - WORK Sierra - Not Work High Sierra - Not Work Mojave - Not Work Catalina - Not Work AFTER PURCHASE WAIT MESSAGE ON YOUR & PAYPAL E-MAIL Description:   The program is licensed for lifetime! Meaning you will never have to renew anything. This is an Digital Download with simple instructions.   Delivery: Delivery Time: It can take anywhere from 1 hour to 24 hours after you have purchased and cleared your payment (usually it takes about 30 minutes)! AFTER PURCHASE WAIT MESSAGE ON YOUR & PAYPAL E-MAIL If you don't receive your Item/Product in 24 hours, we will send you back your money (full refund).     If you have any question please feel free to contact us! We will provide full customer support! Avid Pro Tools HD  is one of the most professional Digital Audio Workstation softwares ever made, it is used by many big music producers such as Scott Storch, Paul Epworth, Dr Dre, Timbaland. It will allow you to record, arrange, compose, mix and master your music using cutting-edge features and capabilities that cannot be found in other competitors’ programs. Music made in Avid Pro Tools is guaranteed to be of top quality, it is considered to be the absolute industry-standard audio production platform for serious musicians and other professional audio experts such as engineers, composers, vocalists. Most expensive studios around the world heavily depend on the performance and capability of Pro Tools to make hit songs for very famous artists. There are tons of VST and AAX plugins that can make this program even more powerful and multi-purpose. The software will allow you to mix multiple audio file formats at different bit depths in the same session. This latest version is well-optimized, so it will start quick and provide the best performance you can possibly get out of your PC. The Clip Gain will also accelerate your editing and mixing tasks. Avid Pro Tools will let you create as many tracks as you want, as long as your system can handle it. The extended disk cache is another great feature which will enable you to get very responsive recording and playback, which is achieved by loading the entire sessions in RAM.

Bon etat Numark Mixtrack Pro DJ Contrôleur avec interface USB audio intégrée  -  Digital DJ controller with large, touch-sensitive control wheels and integrated audio interface - Mix, scratch and perform with the music on your computer via dual-deck layout complete with mixer section - Communicates with your computer via a single USB connection - Illuminated controls provide 1:1 feedback with software parameters - Supports MIDI over USB for compatibility with virtually all digital DJ software - Class compliant- no drivers to install and thus no headaches - Includes Serato DJ Intro, fully upgradable to Serato DJ   MIXTRACK PRO is a complete DJ system that works with the music on your Mac or PC. MIXTRACK PRO's classic two-turntables-and-a-mixer setup connects to your computer so you can scratch, mix, loop, and much more. MIXTRACK PRO has all the inputs and outputs you’ll need for your headphones, speakers, and a mic. Plus, MIXTRACK PRO is portable, so you'll always be ready to DJ anywhere. MIXTRACK PRO has two decks, each with a large, touch-sensitive turntable for accurate scratching, beat-juggling and locating precise points within your tracks. It’s just like working with a record. In addition to the two decks, MIXTRACK PRO has an easy to use audio mixer so veteran DJs and beginners alike will be able to step right up and get the party going. If you’re DJing for the first time, MIXTRACK PRO is a great place to learn because your skills will transfer to any other DJ system. MIXTRACK PRO comes with Serato DJ Intro, powerful software which makes it easy to mix your favorite music. MIXTRACK PRO lets you create professional sounding mixes at home or at live performances at parties, functions and clubs. MIXTRACK PRO is also a MIDI-over-USB controller, so it's compatible with virtually all DJ software.

[Descriptif en français à la suite de la version anglaise.] °°°°°°°°°°°°° b' ' Pedal close to new condition, in its original packaging, very good sound quality and very good manufacturing quality. Unbeatable value for money when taking into account all the features of this pedal. I sold it because it's in duplicate (this effect pedal was offered to me without knowing I was already equipped. It was an awkward situation.) °°°°°°°°°°°°° b' ' Pédale proche de l'état neuf, dans son emballage d'origine, très bonne qualité sonore et très bonne qualité de fabrication. Rapport qualité-prix imbattable quand on prend en compte toutes les fonctionnalités de cette pédale. Je l'a vend car elle est en double exemplaire (cette pédale d'effet m'a été offerte sans savoir que j'étais déjà équipé. C'était gênant comme situation.) °°°°°°°°°°°°° b' ' The POCKVERB contains 7 digital reverb effects and 7 delay effects. You can use the reverb and delay effects independently or simultaneously by the toggle switch to get various tones. And the tap tempo function and optional bypass trails make you have yourself a hugely versatile pedal that should be in the toolbox of every musician. Features: 7 reverb effects(Room, Hall, Chruch, Plate, Spring,Swell, Mod) and 7 delay effects(Digital,, Tape, Tube, Real, Reverse, Low Bit) combined in small pedal. Reverb and delay effects can be used independently or simultaneously by the toggle switch, you can get huge ambient tones from this pedal. MIX/Level knob: adjusts reverb /dry signal mix or delay; TONE/ knob: adjusts reverb tone(dark/bright) or delay (0ms-2000ms); DECAY/ F.B knob: adjusts reverb decay or delay feedback. With bypass trail, pressing the footswitch to toggle trail on/off; Supports TAP TEMPO function, pressing and the footswitch for 2s to enter/ exit tempo control. Full metal, sturdy and; standard 1/4b'"' mono input/ output jack; 9V 150mA. Specifications: Input: 1/4b'"' mono jack(impedance: 2.2Meg) Output: 1/4b'"' mono jack(impedance: 560Ω) Requirement: 9V (center negative) Item Size: 6.5 * 11.5 * 3.5cm / 2.6 * 4.5 * 1.4in Item Weight: 266g / 9.4oz Package Size: 12 * 9 * 6.5cm / 4.7 * 3.5 * 2.6in Package Weight: 330g / 11.6oz Note: is not included. Please use the whose polarity is positive outside and negative inside. Otherwise, the product may not work properly. Package List: I3335 1 * Effect Pedal 1 * Users' Manual(English) °°°°°°°°°°°°°°°°°°°°°°°°°° b' ' (by Papago, Android Application translator) La pédale POCKVERB contient 7 différents effets de réverbération et 7 différents effets de Delay/retard. Vous pouvez utiliser les effets de réverbération et de retard indépendamment ou simultanément grace à un commutateur à bascule et obtenir différentes tonalités. Et quand on ajoute à cela la fonction tempo et les bypass optionnels vous vous retrouvez avec une pédale/pédalier extrêmement polyvalent que tous les musiciens devraient ''scratcher'' sur leur pedalboard. Caractéristiques: 7 effets de réverbération (Chambre, Hall, Church, Plate (réverb à plaque), Spring(à ressorts), Swell, Mod) et 7 effets de retard/delay (Digital, Analogique, Tape (Écho à bande magnétique), Tube, Real, Reverse, Low Bit) combinés en petite pédale. Les effets de réverbération et de retard peuvent être utilisés indépendamment ou simultanément par le commutateur toggle-switch, vous pouvez obtenir des tonalités ambiantes de cette pédale. MIX/Niveau du bouton: réglage mélange et delay du signal reverb/sec ou retard; TON/knob: réglage de la réverbération (obscurité/brillance) ou retard (0ms-2000ms); potard DECAY/F.B: les ajustements réverb dégrade decay ou retarde la rétroaction. Avec le true bypass, appuyer sur l'interrupteur de démarrage pour activer/éteindre l'effet; Appuie sur la fonction TAP TEMPO, appuyer et sur l'interrupteur de démarrage pendant 2s pour entrer/sortir la commande de tempo. Jack d'entrée/sortie mono, 9V DC intensité 150mA. Spécifications: Entrée: mono-jack de 1/4 pouce (impédance: 2,2 méga) En savoir plus Collaboration commerciale.

TASCAM DP02 CF previously used with its Power Supply Unit, USB cable and a 8Go CF Card TASCAM's DP-02CF Digital Portastudio has enough recording power to let you create a full production at 16-bit/44.1kHz CD quality. The DP-02CF combines 8-track CD-quality recording with a Portastudio interface. The DP-03CF Portastudio's one-button-per function design is for musicians who want to record quickly and have fun! First, record your stereo drum machine using its 2-track simultaneous recording, and then use the line inputs to record bass and layer guitar parts. A song position bar/beat display makes it easy to overdub. Or, if you're going the straight acoustic route (no drums), use the internal metronome to keep time.  Next, use the low-cut filter, two-band EQ, and pan controls to make sonic space for your vocals, which you can record with a high-quality condenser mic thanks to a pair of matched TASCAM preamps with XLR inputs and phantom power. There's also an EQ frequency button for finer control over the mix. When you're happy with your tracks (and you should be happy with a DP-02), mix down to a dedicated stereo master track and save your final mixes to an included 1GB CompactFlash card (The DP-02 records two channels at a time to the card).  Finally, you can transfer your tracks and mixes or backup your song to a computer through a speedy USB 2.0 connection for MP3 encoding or CD burning from your Mac or PC (USB cable not included). Let the fun begin! Item will be professionally packed, shipped and insured to guarantee safe arrival   The item pictured is the one you will be receiving. No additional accessories included. Pour les livraisons pour les DOM (Guadeloupe, Martinique, Mayotte, La Réunion,Guyane), Saint-Pierre et Miquelon, Saint-Martin, Saint-Barthélemy, me contacter pour  convenir des frais d'envoi

Mise en vente de notre console analogique Lafont Audio Labs série twin-mix 800,bien plus haut de gamme que la producer. Please note that shipping costs are not free, you must organize the collection by a carrier. https://www.shiply.com/fr?utm_source=transactional&utm_medium=email&utm_campaign=quote-notification 28-slice in-line console plus two spear slices, chassis expandable to 40 slices or 80 channels in mixing. Stereo Mix Bus with a compressor on the master bus, like an SSL 4000. Class A preamp, 4-band EQ including two parametric, gate and insert on each slice. 32-channel routing, monitoring section composed of a studio monitor, a foldback, talkback and control room. The monitor bus and aux stereo 1/2 and 3/4 are assignable to each of them allowing to make balances for several musicians without touching the mix. Automation Optifile (the console also works without the optifile using the small faders). patchbay tt bantam on the right, original well designed, 80 Tie Line on the patch, Saw led meters on the edges and needles on the Aux and master and phase meter. External power supply with 8 good meters of cable. The console is in exceptional aesthetic condition for its 1993 age, however, there is a revision to be done on some slices and given meters of LEDs, the power supply and the master section of the console had been redone, by the previous owner. I have maintenance bills and the tuchel sockets wiring manual, I give tuchel sockets with and a little wiring. Small price for a very large analog console in the spirit of an SSL 4000, 2M30 x 1M08 for about 400KG. Thank you Needs typical servicing for a used console of this type before ready for use. http://www.lafontaudio.com/home.htm Console in-line 28 tranches plus deux tranches de spear,chassis extensible à 40 tranches soit 80 Voies en mixage. Mix Bus stéréo avec un compresseur sur le bus master,comme sur une SSL 4000. Préampli classe A,EQ 4 bandes dont deux paramétriques,gate et insert sur chaque tranche. Routing 32 canaux,section monitoring composée d'un studio monitor,d'un foldback,talkback et control room. Le monitor bus et les aux stéréo 1/2 et 3/4 sont assignables à chacun d'eux permettant de faire des balances pour plusieurs musiciens sans toucher au mix. Automation Optifile (la console fonctionne également sans l'optifile en utilisant les petits faders). patchbay tt bantam sur la droite,d'origine bien conçu,80 Tie Line sur le patch,Vu metres à led sur les tranches et aiguilles sur les Aux et master et phase mètre. Alimentation externe avec 8 bon mètres de cable. La console est dans un état esthétique exceptionnel pour son age de 1993,il y a cependant une Révision est à faire sur certaines tranches et vu mètres leds,l'alimentation et la section master de la console avaient été refaites,par l'ancient propriétaire.j'ai des facture de maintenance et le manuel de câblage des prises tuchel,je donnes des prises tuchel avec et un peut de câblage. Petit prix pour une très grande console analogique dans l'esprit d'une SSL 4000,de 2M30 x 1M08 pour environ 400KG. Merci

Mélangeur ECLER SAM 312 Excellent état Excellente réponse en fréquence rack 19 pouces 1 unité. Idéal bar, restaurant etc… Panneau avant : Mélangeur de canaux d'entrée par bouton Input 1, 2,3. A noter qu’un micro peut être branché aussi en face avant uniquement sur la voie 1 - Contrôle de tonalité Triple (accessible uniquement avec un tournevis en face avant) - 3 LED mètre du niveau de sortie Réglage de sortie OUTPUT Réglage du Monitor surveillance générale MIX (Casque) Prise casque jack 6,35mm Bouton de mise en marche (Vert)   Rack à montage latéral oreilles avec 2 positions possibles pour un alignement parfait de la face avant avec d'autres appareils dans le même rack   -Panneau arrière : Signal de bouton sélecteur d'entrée (MIC / LINE) *3 entrées MICRO   en jack 6,35mm ou *3 entrées ligne stéréo (2X RCA) adaptées aux sources comme : MP3 (iPod®, etc.) et les ordinateurs portables. *Entrée MIX Direct permet la connexion d'autres mélangeurs. *2 sorties REC stéréo supplémentaires (REC1, REC2) *2 sorties stéréo (XLR   et 2 RCA) *Mode Mono bouton-poussoir Connexion pour une extension MUTE   par shunt du connecteur.(vert). (EUROBLOCK) permet la connexion avec les systèmes de détection d'incendie Prise protégée par fusible et Câble d’alimentation fourni   Dimensions: 440 × 44 × 170 (L x H x P) Poids: 2600 grammes Prix neuf généralement constaté: 399€ Prix ferme non négociable: 80 €   A retirer sur place à Juvignac. Ou expédition possible à vos frais: Colissimo : Rajoutez 14,10 € soit   94,10€ livré. Mondial Relay : Rajoutez 6,50 € soit   86,50 € livré. Pour tout renseigneme nt:   Thierry POUGET       ECLER SAM 312 Mixer Excellent condition Excellent in frequency response 19 inch rack 1 unit.   Front panel: Input channel mixer by Input 1, 2,3 button. Note that a microphone can also be connected to the front panel only on channel 1 - Triple tone control (accessible only with a screwdriver on the front panel) - 3 LED output level meter OUTPUT control Monitor control general monitoring MIX (Headphones) 6.35mm headphone jack Power button (Green)   Side-mounted rack with 2 possible positions for perfect front panel alignment with other devices in the same rack   -Rear panel: Signal input selector switch (MIC / LINE) *3 MICRO inputs in 6.35mm jack or *3 stereo line inputs (2X RCA) suitable for sources such as: MP3 (iPod®, etc.) and laptop computers. *MIX Direct input allows connection of other mixers. *2 additional stereo REC outputs (REC1, REC2) *2 stereo outputs (XLR and 2 RCA) *Mono push button mode Connection for MUTE extension by shunting the connector (green). (EUROBLOCK) allows connection to fire detection systems Fuse protected socket and power cable supplied   Dimensions: 440 × 44 × 170 (W x H x D) Weight: 2600 grams New price generally observed: 399€. Price: 80 €.   For any information:   Thierry POUGET

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

PANASONIC RX-5500 LS 13 mars 1980  Boombox / Stereo radio cassette recorder + Copy PDF of the owners manual of the RX-5500F GB / ES  + câble d'alimentation / power cable included BONNE CONDITION / GOOD CONDITION Des traces d’usage apparaissent, voir mes photos et mes vidéos: Traces of use appear, please watch my photos and my videos: Video 1: https://www.youtube.com/watch?v=SsgHlXilHG0&feature=youtu.be  Video 2 France Musique: https://www.youtube.com/watch?v=MpLEGOBjZHg&feature=youtu.be Seul l'antenne n'a pas son embout d'origine, il ne faut donc pas l'enfoncer totalement dans son réceptacle Only the end of the antenna is not original, thus you should not fully push it into his location. RECONDITIONNEE / FULLY SERVICED PARFAIT FONCTIONNEMENT / PERFECTLY WORKING ALL FUNCTIONS Nettoyée / cleaned out Courroies neuves / New belts Moteur régulé à 3000Hz / Speed calibrated 3000Hz Passage de bande nettoyé / Tape path cleaned (Heads, Capstans, Pinch roller …) Démagnétisée / Demagnetized IMPRESSIVE STABILITY Please note that I checked the LW, MW, SW, and they seem to be ok, but as they are barely or not in use in France, I cannot properly check them. MYTHIQUE BOOMBOX PHONO AND DIN ENTRIES = PLUG YOUR TURNTABLE / PLUG YOUR PHONE (or any external source ! It works also perfectly !) The perfect mix: size, weight, power and SUCH A STYLE ! SO WELL BUILT ! SO GOOD SOUND ! FOR THE TRUE VINTAGE LOVERS ! EMBALLAGE SÉCURISÉ / SAFE DELIVERY PACKAGING WORLWIDE DELIVERY

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

M-Audio Profire 610 The M-Audio Profire 610 is a high-definition 6-in/10-out FireWire audio interface with premium digital converters and award-winning Octane mic preamps. Offering a clean, transparent sound and resolution up to 24 bit / 192kHz, the Profire 610 makes overdubbing and mixing at home or on the road as easy as can be. An onboard DSP mixer allows for multiple independent monitor mixes so that the musician's mix can have a little bit "MORE ME" than the engineer's mix. The Profire 610 can also operate as a standalone mic pre with digital outputs, great for expanding an existing interface or digital recorder with a pair of Octane mic preamps. Runs with a driver, check compatibility on M-Audio website. Works perfectly, some light trace of use. With firewire 800-400 cable and genuine power supply.

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves