Beauty becomes more

Excellent album sorti en 1999. Disque CD est COMME NEUF sans défaut. Par contre le livret présente quelques petits défauts. Envoi en 24h sous enveloppe à bulles. CD Album CD Distributeur: EMI Auteur: frank - walters Editeur: Setanta Rubrique principale CD: CD Album Date: 1999-06-01 00 Genre musical: Rock Support / Quantité fournie: 1

CD Album CD Code EAN: 0036172907021 Classification Cd Primaire: Rock, Rap, variétés internationales Classification CDMail: Variétés internationales Genre musical: Grunge Référence fabricant CD: 8463222 Titre: MORE YOU BECOMES YOU Rubrique principale CD: CD Album

Bienvenue chez GHOULIES & OLDIES Galerie Expédition/livraison CGV Conditions de retour Données légales Description du produit NOTICE BEAUTY AND THE BEAST SUR GAME BOY COLOR  ASSEZ BONNE ETAT GENERAL NOTICE SEUL;) MANUAL ONLY;) (FRAIS DE PORTS) 1€DE+PAR JEUX EN+ SHIPPING 1 € MORE GAMES BY MORE;) Autres articles en vente dans notre boutique Expédition / livraison bonjour, la livraison est très rapide, effectuer le même jour ou le lendemain si l'heure est dépassé, les retards de la poste nous en sommes pas responsables,cela arrive regardé bien avec votre suivi que votre colis est posté a la même date merci de nous mettre les 5 étoiles merci Protection des données / Conditions générales de vente Paiements:  PayPal, Chèque personnel                                                           Conditions de retour les retours sont simples si l'objet ne fonctionne pas ou est endommagé le retours est possible merci de me contacter au plus vite merci Données légales ghoulies&oldies 9 CHEMIN D'ODOS RESIDENCE FOCH APPT 4 65000 TARBES Midi-Pyrénées France métropolitaine Téléphone: demander par mail E-mail: conkerbad@hotmail.fr BANQUE CAISSE DEPARGNE...C/ETAB/13135/C/GUICHET/00080/N°COMPTE/08000418944/C/RIB/47/ IBAN FR76.1313.5000.8004.0516.7029.341. BANK IDENTIFICATION CODE.(BIC) CEPAFRPP313.

Auteur Michael Harley and Rob Dickinson Éditeur Stance and Speed Date de parution 2015 Format 31x26 cm ISBN 978-0-9891149-4-3 Nombre de pages 275 Langue Anglais Etat Neuf Reliure Couverture rigide Some call them the best air-cooled Porsches ever, others the best cars in the world. They are the Porsche 911 sports cars that have been restored, reimagined, and reborn by Singer Vehicle Design. Each commission represents a unique collaboration between the customer and Singer, combining bespoke carbon fiber body panels, the finest in optimized mechanical and electrical components, superlative materials and finishes, and the spirit of the golden age of the iconic air-cooled 911. Every Singer-restored car is an incomparable work of impeccable craftsmanship. One More than 10: Singer and the Porsche 911 brings the reader as close to these beautiful machines as one can get, excepting the lucky few who own one. Singer Vehicle Design is driven by the singular vision of Rob Dickinson, an ex-car designer and rock musician who came to be one of the world’s foremost distillers of the essence of air-cooled Porsche. Journalist Michael Harley and Dickinson tell the story, while an all-star cast of automotive writers, journalists, and personalities offer their perspectives on the Singer phenomenon. Throughout the book some of the finest photographers in the automotive world, with unparalleled access to Singer's operations, reveal the sublime beauty of these Porsche 911s as they are restored, and as they play at the track and run the open road. More than that, the book tells the story of how a life-long obsession with the most important sports car on the planet, which began on an autoroute in France in the '70s, came to find a home on the concours lawns and racetracks of the world's most prestigious automotive events. The writers, photographers, and artists who were enlisted to contribute to this unique book include Guy Allen, Antonio Alvendia, Les Bidrawn, Tom Ford, Marino Franchitti, Robert Genat, Ken Gross, Chris Harris, Evan Klein, Jay Leno, Phil McGovern, Chad McQueen, Holly Martin, Richard "Dickie" Meaden, Tiff Needell, Drew Phillips, Matt Stone, Pete Stout, Peter Vincent, G.F. Williams, Renato Zacchia, and Jeff Zwart.

unplayed cd with a few little scratches not far from perfect registered shipping everything comes from my own collection, what's left of it, there's older as well as more recent stuff, the reason being that i thought first about renewing my collection but then i decided to just get rid of everything..

Collector RARE CD single promo 3 titres + 1 vidéo Tracklist 1. Beauty Mask 4:16 2. Drum Contest 6:08 3. Tranz 3:34 + Video: Unlimited Marriage II (Film Director Jacques Audiard) 5:31 Limited edition. Not for sale. Tracks 1 & 2: recorded live at ICP. Track 3: recorded live at Klein Leberau. D'autres CD rares de Rodolphe Burger dans mes CD en vente. En cas d'achat groupé, frais de port calculés au plus juste. Envoi en lettre suivie World wide shipping with tracking number

C.D. - THE FRANK AND WALTERS. AFLER ALIL. ANNEE 1992 The Frank and Walters est un groupe de rock irlandais originaire de Cork. Ce trio créé par les frères Paul et Niall Linehan fait irruption dans la scène indépendante britannique en 1991 avec le single Fashion crisis hits New York et séduit immédiatement les critiques et le public par ses mélodies débridées et accompagnées de paroles loufoques sans prétention. Un premier album Trains Boats and Planes, sort en 1993, avec les singles Happy Busman et After all. Cet album la 11e place dans les charts britanniques et le remix d'After all par Ian Broudie fera partie des 20 meilleurs ventes de singles. Leur deuxième album, The Grand Parade, sort en 1997, avec notamment la chanson Colours. En 1998 et 2000 paraissent deux autres albums, Beauty becomes more than life et Glass, avant qu'un best of ne sorte en 2002. Le guitariste Niall Linehan a quitté le groupe en 2005. Expédition France : lettre prioritaire GRATUIT Autre moyen d’expédition sur demande Expédition internationale : tarifs différents selon Pays et  zones. Les frais d’expédition seront en fonction de l’objet – lettre, colissimo etc.. . le montant en sera indiqué sur la facture en fonction du poids et de la destination. Je décline toute responsabilité du mauvais traitement  possible des colis et courriers par les services de la Poste (France et International), et ou des conditions et délais de distribution, et ou des grèves des personnels, et ou en fonction de la taille des envois de par la non normalisation des boites aux lettres. La circulation des achats se faisant aux seuls risques des acquéreurs.

ULTRA RARE. QUEEN - Flash Gordon Soundtrack 12" LP 1980 Signed by the four band members during tour. + four original fotos(Fujifilm) Vinyl:M- inplayed? Cover:M- Flash Gordon is a 1980 album by English rock band Queen. It is the soundtrack album to the science fiction movie Flash Gordon. The track "Flash's Theme" was the only single to be released from the album, under the title "Flash". It reached number 10 in the UK charts and number 42 in the United States. This vinyl is part of my grandfather's collection and certainly never been played... it has always been kept in very good condition because he was manic! So no smoke, no humidity or extreme heat. Send with tracking number. Le 17-mars-21 à 14:54:10 Paris, le vendeur a ajouté les informations suivantes: *Add this exceptionnal vinyl to your collection,it becomes more rare and more valuable each year!

MADONNA - MADAME X  (BLUE VINYL 2-LP) OFFICIAL EXCLUSIVE LIMITED EDITION 2-LP VINYL   Exclusive Translucent Blue 2-LP vinyl for Madonna's 14th studio album 'Madame X' issued in a stunning gate-fold picture sleeve & featuring 15 tracks on two transparent Blue vinyl disc .... USA only pressing issued in extremely limited quantities of only 1000 and sold out in apparently 1 hour.....  This vinyl was offered to my girlfriend who is a fan of Madonna, she just opened it by a small slot to see the color of the vinyl is it never turned because she has no record player. The discs are like new, there's still protective plastics. Add this exceptionnal vinyl to your collection today,it becomes more rare and more valuable each year! Send with tracking number.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

Description: A 100 lessons book, 621 pages, and  et CD MP3 audio of  2:30. Expanding language spoken as a native language by over 400 million Spanish speakers - mostly in South America - Spanish is the first foreign language in the world. For tourists and for businessmen, it becomes essential to master this language with Latin roots and so different accents from one continent to another. Adapted to English, this method provides all the tools to get to master the basics of Spanish in a few months, provided to devote half an hour a day. Over 100 lessons are shelled the essential grammar, vocabulary and common all the elements necessary to communicate easily with the Castilian and Spanish-speaking world. In Europe the Assimil books are common, whilst on this side of the Atlantic, we are more familiar with others much more expensive. They will give you a nice accent on the small vocabulary and small piece of Spanish grammar they cover, whilst Assimil starts you on the road to language mastery.   Since it pioneered in this field 60 years ago, and after millions of methods sold World-Wide, Assimil has always been at the forefront of Foreign Language Self-Teaching. Includes comprehensive and progressive lessons, exercises with answer keys dual language glossary grammar summary. Because of the overall seriousness, thoroughness and caliber of the "Assimil with Ease" approach, Assimil has no match in the crowded field of self-teaching methods. You will be able to chat with people and read the newspaper and novels with the use of a dictionary. You will be able to flirt, ride a bus, rent a room, or buy a car. That's pretty good compared to the results from most language courses, and the whole thing will be "with ease”." - The book starts off with a "passive phase" where you will learn how to understand a big chunk of Italian, but will not develop much in the way of productive skills. The actual studying is pretty close to effortless, and it only takes about a half hour a day. Assimil includes much more vocabulary and complex grammar than most "beginner" courses. - Next comes the "active phase" where you actually start to be able to produce the language you have learned to recognize and understand. This is where the the brilliance of Assimil comes in; the slow start leads to an easy, fast finish, or that is the idea at least. I am not finished with the "active phase" as I write this. So far the "active phase" is even easier than the "passive phase" was. It is the easiest. road to fluency. Harder approaches may lead to more dropouts, so for most of people this is probably the best approach. This is also the cheapest, Let's see, one tenth the price, five times easier, leading to three or four times the ability, half as fast. With the benefit of an unparalleled 2, 500 words in the average Assimil method, and with an even greater number of colloquial, grammatical and cultural expressions, you will be able, upon completion, to practice your newly-acquired language in a fluent, lively and effective manner. Even before completing your Assimil courses, you will have acquired, with the first 20 or 30 lessons, enough of a base in the language to understand and start conversing at a level of effectiveness far superior to that supplied by phrase book or similar travel aids. Assimil is also an excellent tool for those who read the language already and want to keep up or improve their hearing and speaking ability.   Advantages of the MP3 CD: Listen to the lessons and exercises on a single MP3 CD, recorded by native Spanish speakers. You will be able also to take advantages of mp3 format to be used with smatphones. Product details CD mp3: 2h30 Book :  621pages Publisher : Assimil Category: With Ease Condition: - CD new with audio lessons related to the book. - Book new, without underlining or highlighting of text, or writing in the margins.

ALBUM SEASON OF THE WITCH RECORDS DE 1990 Tracklist A1 Babylon Sky A2 Dry Your Tears A3 Now I' M Down A4 The Killer Is Back B1 If B2 She Needs Someone B3 Fatal Beauty B4 In The Congo B5 Never Ending Lullaby   MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS REDUCTION DU PORT SI ACHAT DE PLUSIEURS DISQUES SAVE POSTAGE IF BUYING SEVERAL RECORDS PAYPAL ACCEPTED ONLY FOR FOREIGN BIDDERS POCHETTE  / SLEEVE: EX          VINYL / RECORD: EX Mon systeme d'evaluation/My grading system POCHETTE / SLEEVE: EX: excellent état,neuf ou proche du neuf./ new or near mint VG++: très bon état, marque du disque très légère au dos. Eventuellement une petite écriture (initiale ou un nom très discret) au dos mais discrète. Parfois plusieurs de ces défauts mais toujours peu accentués./very good, small ringwear or small writing on the back sleeve.  VG+: bon état, les défauts cités en dessus sont plus accentués, marque du disque est bien visible, des plis légers, des écritures bien visibles. Cumule plusieurs de ces défauts qui restent cependant tout à fait acceptable/very good but more ringwear or writing or lightly turned up corners.  VG: état correct, une petite déchirure ou un accroc du genre etiquette mal enlevée. Les plis sont plus importants. Plusieurs défauts cités plus hauts. Eventuellement salie. Reste encore convenable./very good but more deffects than VG+, may be dirt. VG- état moyen: pochette assez abîmée, un gros défaut abîme la pochette, très usée, salie, une déchirure importante, une écriture qui défigure la pochette/good, many deffects or a very big one.  G mauvais état: gros défaut, très sale, grosse déchirure./bad. VINYLE / RECORD:  EX: excellent état,neuf ou proche du neuf./new or near mint  VG++ très bon etat, quelques légers grésillements possibles ne gênants pas l'écoute./very good, somes possible very light scratches that don't affect the sound    VG+ bon état: des grésillements légers et éventuellement de petits craquements. Peu gênant pour l'écoute et passe sans problemes./very good. somes scratches and may be somes clicks, no jumps  VG état correct: des grésillements audibles et permanents et des craquements assez nombreux. Passe mais l'écoute est tout de même dégradée./very good, more scratches, more clicks.  VG- état moyen: des grésillements et craquements conséquents./many scratches and many clicks, bad listening.  G mauvais état/very bad Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Les achats groupés de 4 LPS ou CDS (1 double = 2) peuvent bénéficier d'un escompte MAXIMUM de 10 %. TOUTE AUTRE OFFRE SERA REFUSEE. Pour faire une offre (de 4 disques ou plus), diminuer le prix de 10 % (exemple 35,20 devient 31,68), présenter l'offre, demander une facturation groupée (pour diminuer le prix du port).Group purchases of 4 LPS or CDS (1 double = 2) can benefit from a MAXIMUM discount of 10%. ANY OTHER OFFER WILL BE REFUSED. To make an offer (of 4 or more disks), decrease the price by 10% (example 35.20 becomes 31.68), present the offer, ask for group invoicing (to reduce the price of the postage).) TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2021 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking. 1 LP or CD +/- 700 gr = France: 7,50 € - EEC: 9,50 € - UK & not EEC, USA, Japan, Russia & World: 11,50 € 2 LPs & 1LP Gatefold = France: 8,50 € - EEC: 11,50 € - UK & not EEC, USA, Japan, Russia & World: 16,90 € 1 CD - France: 5,50 € - EEC: 8,50 € - UK & not EEC, USA, Japan, Russia & World: 10,50 € AutreÉtat Pochette:  Good (G+) center label purple color - missing inner protection État Média: Very Good Plus (VG+) Tracklist A1From The Bottom Of My HeartA2Melancholy MoodA3My BuddyA4These Are The Things I LoveA5Close To YouA6There's No YouA7The Charm Of YouA8When Your Lover Has GoneB1I Should CareB2A Friend Of YoursB3My ShawlB4Nancy (With The Laughing Face)B5You Are Too BeautifulB6Why Shouldn't IB7One LoveB8Something Old, Something NewC1Blue SkiesC2Guess I'll Hang My Tears Out To DryC3Why Shouldn't It Happen To UsC4It's The Same Old DreamC5You Can Take My Word For It BabyC6Sweet LorraineC7My RomanceC8One For My Baby (And One More For The Road)D1It All Came TrueD2PoincianaD3Body And SoulD4I Went Down To VirginiaD5If I Only Had A MatchD6Everybody Loves SomebodyD7Comme Ci, Comme CaD8If You Stub Your Toe On The MoonE1The Right Girl For MeE2The Huckle BuckE3If I Ever Love AgainE4Why Remind MeE5Sunshine CakeE6(We Got A) Sure ThingE7It's Only A Paper MoonE8My Blue HeavenF1NeverthelessF2You're The OneF3Love MeF4I'm A Fool To Want YouF5The Birth Of The BluesF6Walkin' In The SunshineF7Arure-TeF8Why Try To Change Me Now With Harry James, the bobby Tuckers singers A 5  Sinatra's first for Columbia, Axel Stordhal, Percy Heath etc.  Includes an 8 pages booklet with discography

- Les achats groupés de 4 LPS ou CDS (1 double = 2) peuvent bénéficier d'un escompte MAXIMUM de 10 %. TOUTE AUTRE OFFRE SERA REFUSEE. Pour faire une offre (de 4 disques ou plus), diminuer le prix de 10 % (exemple 35,20 devient 31,68), présenter l'offre, demander une facturation groupée (pour diminuer le prix du port).Group purchases of 4 LPS or CDS (1 double = 2) can benefit from a MAXIMUM discount of 10%. ANY OTHER OFFER WILL BE REFUSED. To make an offer (of 4 or more disks), decrease the price by 10% (example 35.20 becomes 31.68), present the offer, ask for group invoicing (to reduce the price of the postage).) TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2021 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking. 1 LP or CD +/- 700 gr = France: 7,50 € - EEC: 9,50 € - UK & not EEC, USA, Japan, Russia & World: 11,50 € 2 LPs & 1LP Gatefold = France: 8,50 € - EEC: 11,50 € - UK & not EEC, USA, Japan, Russia & World: 16,90 € 1 CD - France: 5,50 € - EEC: 8,50 € - UK & not EEC, USA, Japan, Russia & World: 10,50 € Autre poids, tarification sur demande préalable. Other weights, request pricing by prior messageÉtat Pochette: Very Good Plus (VG+) État Média: Very Good Plus (VG+) Tracklist  - A1My Last AffairA2Jivin' The VibresA3The Mood That I'm InA4Hampton StompA5Buzzin' Around With The BeeA6Whoa BabeA7StompologyA8On The Sunny Side Of The StreetB1Rhythm, Rhytym (I Got Rhythm)B2China Stomp (Chinatown My Chinatown)B3I Know That You KnowB4I'm Confessin' (That I Love You)B5Drum Stomp (Crazy Rhythm)B6Piano Stomp (Shine)B7I Surrender DearB8The Object Of My AffectionC1The Object Of My AffectionC2JudyC3Baby Won't You Please Come HomeC4Everybody Loves My BabyC5After You've GoneC6I Just Couldn't Take It BabyC7You're My IdealC8The Sun Will Shine TonightD1Ring Dem BellsD2Don't Be That WayD3I'm In The Mood For SwingD4Shoe Shiner's DragD5Any Time At AllD6Muskrat RambleD7Down Home JumpD8Rock Hill SpecialE1Fiddle DiiddleE2I Can Give You LoveE3High SocietyE4It Don't Mean A Thing (If It Ain't Got That Swing)E5Johnny Get Your Horn And Blow ItE6Sweethearts On ParadeE7Shufflin' At The HollywoodE8Shufflin' At The HollywoodF1Denisson SwingF2Wizzin' The WizzF3If It's GoodF4Stand By! For Further Announcements (And More Good News)F5Ain'tcha Comin' Home ?F6Big Wig In The WigwamF7Memories Of YouF8The Jumpin' Jive OFFRES acceptées selon une remise maximale de 10 % en cas d'une commande globale de 4 LPs ou Cds (ou +) ou de 2 coffrets. OFFER accepted with a maximum discount of 10% in case of a global order of 4 LPs or Cds (or +) or 2 boxes