Big tone rootz of

Electro Harmonix Big Muff 78's v6: Massacrée dans les 80's sur la face avant, mais du coup... circuit, potards et back en parfait état !! Elle mérite une seconde jeunesse... THE V6 SOUND - The tone of this circuit is very similar to the V3 Big Muffs, and was basically the same as the b'"'tone bypassb'"' V3, which used the exact same schematic. Unlike the previous Big Muffs (V1, V2, V3), only one schematic was used for all V6 Big Muffs, so the sound was relatively consistent from unit to unit. Compared to the V4/V5 op-amp Big Muffs, the V6 has more gain, more bottom end, and is more reactive to pick attack and harmonics, but it is also much noisier at high gain settings. It stands out better in a band mix. En savoir plus

Fuzz "73 BO*Effects" Big Muff Ram's Head 73 Like Circuit basé sur la Big Muff Ram's Head 73. Démo: youtu.be/8G2pCf4HrJc Contrôles de SUSTAIN, TONE et VOLUME. Switch 3 positions: - Flat pour un son plus précis. - Muff, le son de la Ram's Head 73 - Boost pour plus de niveau de sortie Commutateur ON/OFF True Bypass LED de Statut ON/OFF Alimentation par entrée standard de type Boss® 2,1mm 9V DC. Centre Négatif. Pas de logement interne pour pile Boîtier en aluminium Pédale fabriquée, câblée et assemblée à la main en France. Circuit based on the Big Muff Ram's Head 73. Demo: youtu.be/8G2pCf4HrJc SUSTAIN, TONE and VOLUME controls. Switch 3 positions: - Flat for a more accurate sound. - Muff, the sound of Ram's Head 73 - Boost for more output level ON / OFF switch True Bypass Status LED ON / OFF Standard input power supply type Boss® 2.1mm 9V DC. Negative Center. No internal battery housing Aluminum enclosure Pedal manufactured, wired and assembled by hand in France.

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

International bidders are welcome: English version of the announcement and German lower.. I note that the shipping costs are exactly what I pay, I do not take commission. Je vends un peu de ma collection d’Hi-Fi vintage pour les fêtes et en l’occurrence un Sony ST-88 qui constitue avec son ampli dédié le TA-88 également en vente la première mini chaine Hi-Fi de l’histoire. Il y avait également un décodeur quadriphonique que je n’ai jamais trouvé… Voilà une belle façon de rentrer dans l’univers de l’Hi-Fi vintage. L’exemplaire que je vends est en très bel état car il ne faut pas oublier que ce petit tuner par la taille mais grand par le son a été fabriqué entre 1973 et 1976… les photos montrent je l’espère au mieux les petits défauts esthétiques dont il est affligé vous constaterez qu’il n’y a rien de grave. Techniquement il fonctionne très bien; la diode stéréo en façade n’est pas défaillante le vumètre de réception fonctionne parfaitement, l’éclairage du cadran idem voir dans les dernières photos ; il reste bien calé sur la fréquence sélectionnée. La sérigraphie est impeccable. Evidemment comme toutes les électroniques de cet âge, il gagnerait à être « recapé » dans les règles de l’art mais déjà ainsi il a un son très étonnant au niveau et une réception de  qualité. Le son est chaud et chaleureux les voix sonnent vrai c’est une belle surprise à l’écoute. Je précise que si j’ai dissocié son ampli dédié de cette vente c’est que les façades des deux appareils présentent une différence de tonalité du métal malgré un nettoyage des deux façades j’avais pourtant acheté les deux appareils au même vendeur mais il y a peut-être une année de fabrication différente. Si vous achetez néanmoins les deux le port sera naturellement groupé. Voici les spécifications de cette petite bombe musicale : Specifications Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Analogue FM Tuning Range: 87.5 to 108 MHz MW Tuning Range: 530 to 1605 kHz Sensitivity: 1.7uV (FM), 455uV (MW) Signal to Noise Ratio: 65dB (FM), 50dB (MW) Distortion: 0.8% (FM), 0.8% (MW) Selectivity: 50dB (FM) Frequency response: 30Hz to 15kHz (FM) Semiconductors: 2 x FET, 16 x transistors, 18 x diodes Dimensions: 128 x 232 x 210mm Weight: 2.7kg Year: 1973     I am selling a bit of my vintage Hi-Fi collection for the holidays and in this case a Sony ST-88 which, with its dedicated amplifier, the TA-88 is also on sale the first mini Hi-Fi system in history. There was also a quadraphonic decoder which I never found... This is a great way to enter the world of vintage Hi-Fi. The copy that I am selling is in very good condition because we must not forget that this small tuner in size but big in sound was made between 1973 and 1976... the photos show I hope at best the small aesthetic defects that he is afflicted with you will find that there is nothing serious. Technically it works very well; the stereo diode on the front is not faulty the reception meter is working perfectly, the lighting of the dial as shown in the last photos; it remains firmly fixed on the selected frequency. The screen printing is impeccable. Obviously like all electronics of this age, it would benefit from being "recapped" according to the rules of the art, but already this way it has very astonishing sound in terms of and quality reception. The sound is warm and warm the voices ring true it's a nice surprise when listening. I would point out that if I dissociated its dedicated amp from this sale, it is because the facades of the two devices present a difference in tone of the metal despite a cleaning of the two facades I had nevertheless bought the two devices from the same seller but there may have a different year of manufacture. If you nevertheless buy both the shipping will of course be bundled. Here are the specifications of this little musical bomb: Specifications Type: Mono / Stereo Tuner

Je vends une Lag Roxanne RX 200 acheté neuve en 2003 en très bon état. les micros ont été changés pour des Gibson, classic 57 plus en chevalet et classic 57 en manche. Chaque micro est splitable via son volume push-pull donc on a une grosse palette sonore. la guitare est en très bon état général, usure moyenne des frettes, aucune rayure, quelques micro-pocs sur la table et la tranche supérieure. les pickup rings sont assez usés et quelques bouts manquent par endroits. les boutons attache-courroies ont été changés pour des straplock dunlop, je fournis une sangle équipée avec la guitare. à noter que le bouton attache-courroie de la droite est un peu enfoncé dans le corps de la guitare. un étui dur est fourni avec la guitare. remise en mains propres à 50 minutes de Nantes 25 minutes de La Roche Sur Yon ou alors envoi si vous payez les frais de port (34 € en colissimo).  Caractéristiques: Corps acajou massif Manche érable 22 cases Touche palissandre Repères points nacre Chevalet Tunomatic + Cordier Micros doubles 2 Volumes splitables + Tone Mécaniques Bain d’huile pas d’échange merci. I am selling a Lag Roxanne RX 200 bought new in 2003 in very good condition. the pickups have been changed to Gibson, classic 57 plus in the bridge and classic 57 in the neck. Each microphone is splitable via its push-pull volume so we have a big sound palette. the guitar is in very good general condition, moderate wear on the frets, no scratches, a few micro-dings on the top and the top edge. the pickup rings are quite worn and a few bits are missing in places. the straps have been changed to dunlop straplocks, I provide a strap fitted with the guitar. note that the strap button on the right is slightly sunk into the body of the guitar. a hard case is supplied with the guitar. Characteristics: Solid mahogany body 22 fret maple neck Rosewood fingerboard Mother-of-pearl dots Tunomatic bridge + Tailpiece Dual pickups 2 splitable volumes + Tone

Pédale fuzz Animals Pedal b'"'Rust rod fuzzb'"' made in Japan, en excellent état. Il s'agit de la première version, rose avec un dessin rigolo de Jonas Cleasson. Partage le même petit boîtier métal solide avec de nombreuses productions japonaises récentes. Dimensions: 11 x 6 x 3cm hors boutons, 370 grs sans pile. Conçue par l'équipe de Skreddy Pedals en visant le son des big muff rams head des années 70. Je n'ai pas connu la référence, mais on a bien un gros son 70's, épais, chantant, avec pas mal de compression et beaucoup de sustain. Réglages volume, tone et sustain (=fuzz). Sonne quels que soient les réglages, ça change mais c'est toujours bon, marche bien aussi pour le jeu en accords. Il y a de bonnes démos sur le net (Mike Hermans). La pédale est true bypass. N'hésitez pas à consulter mes évaluations et enchérissez en confiance. Voyez mes autres ventes, je regroupe volontiers les petits objets pour limiter les frais de port. Me contacter avant paiement en cas d'achats multiples. Je peux envoyer 3 pédales pour 10 euros. FOREIGN BUYERS: I can ship via Mondial Relay to some of the EU countries, from 4,60 to 14,50. Please contact me for exact cost. UK BUYERS: I will gladly ship to UK, same cost as UE. Contact me if it goes wrong with chek out. Worldwide shipping: East Europe, Norway, Maghreb 22 euros, elsewhere 32 euros. En vente sur d'autres supports, peut être retirée merci de votre compréhension. En savoir plus Collaboration commerciale.