Bobby solo

Bobby Solo   Grand Prix San Remo 1965   7" vinyl EP   Disco 7" VINYL 45 GIRI stampa francese 4 TITOLI A1Se Piangi, Se RidiWritten-By – Marchetti*, Mogol, Satti*2:40A2Non Mi Avrai MaiArranged By – Satti*Written-By – Marchetti*, Sanjust*, Lepore*2:28B1Non Saprai MaiWritten-By – Ciacci*2:20B2In Fondo Agli OcchiWritten-By – Ciacci*, Mogol2:35 labe l:Disques Festival ‎– FX 1429 M CONDIZIONI:  COPERTINA  Excellent-  / VINILE  Very Good Non esitare a contattarmi per qualsiasi domanda Se acquisti più oggetti ti verrà fatto uno sconto per le spese di spedizione. Verifica i miei altri articoli!

45t vinyl:  Nino de Angelo, Bobby Solo, Santa Esmeralda, Massimo Ranieri Bon état, Possibilité d'envoi groupés pour réduire les frais de port

45 tours Bobby Solo - Sur ton visage une larme VG+/VG+ Vinyle occasion à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

SP - Bobby Solo DISQUES IBACH 60 089 - FRANCE - 1979 POCHETTE VOIR PHOTOS DISQUE EXCELLENT ETAT (peut craquer, mon équipement n'étant pas optimum) Ensemble vendu dans l'état Port pour la France  = 4.00 €  en lettre avec suivi (4€; port cumulé jusqu'à 3 disques 45 tours) CE PRIX COMPREND: L'AFFRANCHISSEMENT  ET LA PREPARATION DE L'ENVOI (SUPPORT CARTONNE + PROTECTION).  POUR AUTRE DESTINATION ET PRINCIPE DE TRANSPORT ME CONSULTER TO SEND OUTSIDE FRANCE, CONTACT ME               LES OBJETS VOYAGENT A LA CHARGE ET AUX RISQUES DE L ACHETEUR Allez voir mes autres objets en vente, merci

EP BOBBY SOLO Si tu pleures, si tu chantes + 3 Chante en français GRAND PRIX SAN REMO 1965 NEUF CD musique vinyles à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

GERMAN SINGLE CBS N ° 2132 FROM 1966 racklistMasquer Crédits ADu Hast Ja Tränen In Den Augen (Crying In The Capel)Written-By – Arthur Glenn*, Bradtke*BIch Weiss, Wo Die Sonne ScheintWritten-By – Gisela Zimber, Ralph Dokin POCHETTE  / SLEEVE: VG++      VINYL / RECORD : VG++ Demander pour un envoi en recommandé. Ask for a registered packett with tracking number EN CAS D'ACHATS MULTIPLES ATTENDRE MA FACTURE IF YOU BUY SEVERAL ITEMS,  WAIT MY INVOICE I SHIP WORLDWIDE OVER 50 EUROS, REGISTERED PACKAGE ONLY + DE 50 EUROS, ENVOI EN RECOMMANDE MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS REDUCTION DU PORT SI ACHAT DE PLUSIEURS DISQUES SAVE POSTAGE IF BUYING SEVERAL RECORDS Mon systeme d'evaluation/My grading system POCHETTE / SLEEVE: EX : excellent état,neuf ou proche du neuf./ new or near mint VG++ : très bon état, marque du disque très légère au dos. Eventuellement une petite écriture (initiale ou un nom très discret) au dos mais discrète. Parfois plusieurs de ces défauts mais toujours peu accentués./very good, small ringwear or small writing on the back sleeve.  VG+ : bon état, les défauts cités en dessus sont plus accentués, marque du disque est bien visible, des plis légers, des écritures bien visibles. Cumule plusieurs de ces défauts qui restent cependant tout à fait acceptable/very good but more ringwear or writing or lightly turned up corners.  VG : état correct, une petite déchirure ou un accroc du genre etiquette mal enlevée. Les plis sont plus importants. Plusieurs défauts cités plus hauts. Eventuellement salie. Reste encore convenable./very good but more deffects than VG+, may be dirt. VG- état moyen: pochette assez abîmée, un gros défaut abîme la pochette, très usée, salie, une déchirure importante, une écriture qui défigure la pochette/good, many deffects or a very big one.  G mauvais état: gros défaut, très sale, grosse déchirure./bad. VINYLE / RECORD:  EX : excellent état,neuf ou proche du neuf./new or near mint  VG++ très bon etat, quelques légers grésillements possibles ne gênants pas l'écoute./very good, somes possible very light scratches that don't affect the sound    VG+ bon état: des grésillements légers et éventuellement de petits craquements. Peu gênant pour l'écoute et passe sans problemes./very good. somes scratches and may be somes clicks, no jumps  VG état correct: des grésillements audibles et permanents et des craquements assez nombreux. Passe mais l'écoute est tout de même dégradée./very good, more scratches, more clicks.  VG- état moyen: des grésillements et craquements conséquents./many scratches and many clicks, bad listening.  G mauvais état/very bad

POCHETTE  VG +++  TRANCHES PARFAITES PAS D ECRITURE VINYL VG  ++ LABEL MINT N HESITEZ PAS A POSER VOS QUESTIONS   EN RAISON DES NOMBREUX ALEAS DE LA POSTE ET DE LA GARANTIE PAYPAL;   ATTENTION, POUR NOTRE INTERET COMMUN, EN CAS DE PAIEMENT PAYPAL, FACTURATION OBLIGATOIRE EN RECOMMANDE, PAYPAL EXIGEANT LA PREUVE DE L’ENVOI;   ATTENTION, FOR OUR PUBLIC INTEREST, IN CASE OF PAYMENT PAYPAL, COMPULSORY INVOICING BY REGISTERED MAIL, PAYPAL REQUIRING(DEMANDING) THE PROOF OF THE SENDING IN CASE OF LOSS     POUR LA FRANCE :  SI PAYEMENT PAR CHEQUE OU VIREMENT :TARIF LETTRE: 20 g 0,85€ 100 g 1,70€ 250 g 3,40€ 500 g 5,10€ 3 kg 6,80€    SI PAIEMENT PAYPAL :RECOMMANDE OBLIGATOIRE   Recommandés R1 R2 ET R3 20 g 3,95€ 4,65€ 5,70€ 50 g 4,45€ 5,15€ 6,15€ 100 g 5,05€ 5,70€ 6,75€ 250 g 6,15€ 6,90€ 7,90€ 500 g 7,20€ 7,85€ 8,90€ 1 kg 8,30€ 9,00€ 10,00€ 2 kg 9,85€ 10,55€ 11,60€  3 kg 11,00€ 11,65€ 12,70€   POUR L INTERNATIONAL    Si paiement par cheque ou virement bancaire TARIF LETTRE: ds Courrier International Prioritaire 2017 Zone 1 Zone 2 - 20 g 1.10 € 1.30 € -100 g 2.20 € 2.60 € - 250 g 5.50 € 6.50 € - 500 g 8.80 € 10.40 € - 2 kg 15.40 € 18.00 €         Zone 1: Union Européenne et Suisse Zone 2: Reste du Monde SI PAIEMENT PAYPAL : ENVOI RECOMMANDE Tarifs lettre recommandée Monde 2017 Recommandé R1 R2 Zone Zone 1 Zone 2 Zone 1 Zone 2 - 20 g 5.60 € 5.80 € 6.65 € 6.85 € 20 à 50 g 6.15 € 7.15 € 7.15 € 8.15 € 50 à 100 g 7.15 € 8.15 € 8.15 € 9.20 € 100 à 250 g 9.20 € 11.25 € 10.20 € 12.25 € 250 à 500 g 13.25 € 14.30 € 14.30 € 15.30 € 500 g à 1kg 17.85 € 21.40 € 18.90 € 22.45 € 1kg à 2kg 19.40 € 23.50 € 20.40 € 24.50 € 2kg à 3kg   33.65 €   34.70 € Avis de réception 1.30 € Tarif Colissimo sans signature Cette gamme de prix comprend: la prise en charge en agence, l’acheminement et la livraison ou avis au destinataire de votre colis. C’est le plus couramment employé dans les bureaux de Poste. Tranche de poids > TARIF 2017 Evolution 0 à 250 g 4.90 € 0.0% 250 à 500 g 6.10 € 0.0% 500 à 750 g 6.90 € 0.0% 750 g à 1 kg 7.50 € 0.0% 1 à 2 kg 8.50 € 0.0% 2 à 5 kg 12.90 € + 3.2% 5 à 10 kg 18.90 € + 2.2% 10 à 20 kg 26.90 € + 1.5%           Merci d’attendre impérativement la facture avant tout règlement.   TOUT PAIEMENT SERA REJETE SI EFFECTUE AVANT L’ENVOI DE LA FACTURE;     Dans le cas où un envoi recommandé arrive détérioré par le transport postal, l'acheteur doit le refuser au facteur, et le signaler immédiatement à la Poste et au vendeur: en effet, si l'acheteur accepte un envoi détérioré, il n'y a plus aucun recours d'assurance de remboursement auprès de la Poste (et le vendeur n'a pas à se substituer à cette assurance postale).   Envoi simple (non recommandé) sur demande mais uniquement pour les achats réglés par chèque ou virement et d'une valeur inférieure à 20 euros. - Tous les achats PayPal seront expédiés avec une preuve d'envoi (recommandé ou colissimo) -   Amis acheteurs Hors de France: Envoi et facturation systématique en recommandé international si paiement Paypal. Pour un envoi simple, règlement par cheque ou virement interbancaire. Merci de votre compréhension.   Friends buyers Outside France: by registered mail international systematic Sending and invoicing if payment Paypal. For a simple sending, a payment by check or interbank transfer. Thank you for your comprehension. Thank you for your contact above all payment..   Le prix demandé pour l'envoi des marchandises est calculé au plus juste, suivant le tarif posta

Vinyl Condition      VG++  (see pictures) VERY RARE Sleeve / pochette Condition        VG++ (see pictures) Label: CBS ‎– 1.939 Format: Vinyl, 7", 45 RPM, Single Country: Netherlands Released: 1965 Genre: Pop Style: Chanson

The Blues Band ‎– Brand Loyalty https://youtu.be/ACAHIDos5DM - Seemed Like A Good Idea (At The Time) Label: Arista ‎– 204 922 Format: Vinyle, LP, Album Pays: Europe Sortie: 1982 Genre: Rock, Blues Style: Blues Rock - Réduction sur les frais d'emballage "cartonné" et de livraison pour plusieurs achats - - Tous les disques que je vends proviennent de ma collection personnelle - A1 Seemed Like A Good Idea (At The Time)Lead Vocals – Paul*Organ [Hammond] – Mick WeaverWritten-By – Lyle*, Jones*, McGuinness* A2 Rolling LogAcoustic Guitar – Dave*Arranged By – Dave Kelly (3)Lead Vocals – Dave*Written-By – Traditional A3 I Want To Be LovedGuitar [Solo] – Dave*Lead Vocals – Paul*Written-By – Willie Dixon A4 Might As Well Be MeLead Guitar – Tom*Lead Vocals – Dave*Saxophone – John "Irish" Earle*Written-By – Stonebridge*, McGuinness* A5 What Do You Want?Lead Vocals – Paul*Saxophone – John "Irish" Earle*Trumpet – Dick HansonWritten-By – Fletcher*, Jones* A6 Big Fine GirlLead Guitar – Tom*Lead Vocals – Paul*Organ [Hammond] – Mick WeaverSaxophone – John "Irish" Earle*Trumpet – Dick HansonWritten-By – Jimmy Witherspoon B1 Sure Feels GoodLead Guitar – Tom*Lead Vocals – Paul*Slide Guitar [Solo] – Dave*Written-By – Fletcher*, Jones* B2 Little BabyGuitar [Solo] – Dave*Lead Vocals – Dave*Piano – Mick WeaverWritten-By – Willie Dixon B3 Grits Ain‘t GroceriesLead Guitar – Tom McGuinnessLead Vocals – Dave*Saxophone – John "Irish" Earle*Slide Guitar – Dave*Trumpet – Dick HansonWritten-By – Titus Turner B4 Funny MoneyGuitar [Solo] – Dave*Lead Vocals – Paul*Written-By – Fletcher*, Jones* B5 Take Me HomeLead Vocals – Dave*Saxophone – Paul*Violin – Bobby ValentinoWritten-By – Tom McGuinness B6 Oo-Oo-EeAcoustic Guitar – Dave*Backing Vocals – Bobby King, Willy Green*Backing Vocals, Scat – Pico Payne*Lead Vocals – Dave*Piano – Mick WeaverWritten-By – Dave Kelly (3)

- Tracklist MA1–Bruce Fowler (3)TheloniousBass – Tom FowlerBass Trombone – Phil TeeleDrums – Chester ThompsonTrombone, Arranged By – Bruce Fowler (3)0:47A2–NRBQ & The Whole Wheat Horns*Little Rootie TootieBass – Joseph Spampinato*Drums – Tom ArdolinoGuitar – Al Anderson (2)Piano – Terry Adams (2)Tenor Saxophone – Keith SpringTrombone – Donn Adams4:04A3–Donald Fagen & Steve KhanReflectionsGuitar, Arranged By – Steve KhanSynthesizer, Arranged By – Donald Fagen6:20A4–Dr. JohnBlue MonkPiano, Arranged By – Dr. John, Mac Rebennack3:30A5–The Carla Bley Band With Johnny GriffinMisteriosoAlto Saxophone, Baritone Saxophone – Steve SlagleBass – Steve SwallowDrums – Victor LewisFrench Horn – Vincent ChanceyGuitar – Hiram BullockOrgan, Arranged By – Carla BleyPercussion, Effects [Special Effects] – Manolo BadrenaPerformer – The Carla Bley BandPiano – Kenny KirklandTenor Saxophone – Johnny GriffinTrombone – Gary ValenteTrumpet – Mike Mantler*Tuba – Bob StewartVocals [The Voice Of Death] – Hal Willner8:43OB1–Barry Harris (2)PannonicaPiano [Tack Piano], Arranged By – Barry Harris (2)6:05B2–Was (Not Was)Ba-Lue-Bolivar-Ba-Lues-AreAlto Saxophone – David McMurrayBacking Vocals – Carol Hall, Donald Ray Mitchell, Harry Bowens, Sweet Pea AtkinsonFlute – David WasGuitar, Synthesizer, Arranged By [Horn Arrangement] – Don WasPercussion – Larry FratangeloTenor Saxophone – Michael Ward (3)Trombone – Jervonny CollierTrumpet – Marcus BelgraveVocals – Sheila Jordan1:53B3–Mark BinghamBrilliant CornersBass – Steve SwallowDrums – Joey Barron*Guitar – Brenden Harkein*, John ScofieldGuitar, Arranged By – Mark Bingham2:26B4–Steve Lacy & Charlie RouseAsk Me NowSoprano Saxophone, Arranged By – Steve LacyTenor Saxophone, Arranged By – Charlie Rouse7:55B5–Sharon FreemanMonk's MoodBass – Buster WilliamsDrums, Percussion – Victor LewisFrench Horn – Gregory Williams (2), Vincent Chancey, Bill Warnick*French Horn [Solo] – Willie RuffFrench Horn, Celesta, Arranged By – Sharon FreemanPiano – Kenneth Barron*3:40NC1–Todd Rundgren & Gary WindoFour In OneAlto Saxophone, Arranged By – Gary WindoSynthesizer, Keyboards, Guitar, Drum Programming, Arranged By – Todd Rundgren3:01C2–Randy WestonFunctionalPiano, Arranged By – Randy Weston3:32C3–Steve Lacy & Elvin JonesEvidenceDrums, Arranged By – Elvin JonesSoprano Saxophone, Arranged By – Steve Lacy3:31C4–John ZornShuffle BoilDrums, Timpani – M.E. Miller*Guitar, Vocals – Arto LindsayNoises [Game Calls], Alto Saxophone, Clarinet, Arranged By – John ZornPiano, Organ, Celesta, Electronics – Wayne Horvitz2:58C5–Terry Adams & Friends*In Walked BudAlto Saxophone – Pat PatrickBass – John OreDrums – Frankie DunlopPiano – Terry Adams (2)Trombone – Roswell Rudd6:39C6–ShockabillyCriss CrossAcoustic Guitar, Electric Guitar – Eugene ChadbourneArranged By – ShockabillyDrums, Percussion – David LichtPiano, Organ, Bass, Trombone [Alto], Percussion [Dad's Clocks], Performer [Tapes] – Mark Kramer*2:31C7–Mark BinghamJackie-IngBass – Steve SwallowBass Saxophone, Whistle – Ralph CarneyClarinet – Don Davis (3)Clarinet, Tenor Saxophone – Mars WilliamsDrums – Joey Barron*Guitar – Brenden Harkein*, John ScofieldGuitar, Arranged By – Mark BinghamTrumpet – David Buck3:22KD1–Joe Jackson'Round MidnightBass – Bob CranshawBass Clarinet – Ken McIntyreCello – Enrique Orango*, Muneer Abdul FataahClarinet – Lawrence Feldman, Steve SlagleConcertmaster – Jerry LittleConductor – Sharon FreemanDrums – Buddy WilliamsPiano, Arranged By – Joe JacksonViola – Crystal Garner, Maxine RoachViolin – Cheryl Hong, Karen Gilbert, Melanie Baker, Sandra Billingsles*, Stan Hunt*6:44D2–Bobby McFerrin & Bob DoroughFriday The ThirteenthVibraphone [Vibes], Marimba, Percussion [Additional] – Dave SamuelsVocals, Arranged By – Bob Dorough, Bobby McFerrin2:45D3–Chris Spedding & Peter FramptonWorkBass – Marcus MillerDrums – Anton FigGuitar – Peter FramptonGuitar, Arranged By, Concept By – Chris Spedding3:25D4–Steve LacyGallop's GallopSoprano Saxophone, Arranged By – Steve Lacy2:49D5–Steve Slagle, Dr. John, Steve Swallow & Ed BlackwellBye-YaAlto Saxophone, Arranged By – Steve SlagleBass, Arranged By – Steve SwallowDrums, Arranged By – Ed BlackwellPiano, Arranged By – Dr. John4:56D6–Steve Lacy & Gil EvansBemsha SwingPiano, Electric Piano, Arranged By – Gil EvansSoprano Saxophone, Arranged By – Steve Lacy Recorded and mixed at Mediasound Studios. Additional Recordings at Sound Suite, Detroit, Utopia Studio, Bearsville, N.Y., Village Recorders, Los Angeles - OFFRES acceptées selon une remise maximale de 10 % en cas d'une commande globale de 5 LPs ou Cds (ou +) ou de 2 coffrets. OFFER accepted with a maximum discount of 10% in case of a global order of 5 LPs or Cds (or +) or 2 boxes

RARE DELUXE ALBUM 2CD DIGIPACK 25T de DONNA SUMMER intitulé BAD GIRLS    EDITION deluxe 2CD     Tracklist   Bad Girls Remastered1-1Hot StuffGuitar [Solo] – Jeff Baxter5:141-2Bad Girls4:551-3Love Will Always Find You3:591-4Walk Away4:291-5Dim All The Lights4:401-6Journey To The Center Of Your Heart4:361-7One Night In A Lifetime4:121-8Can't Get To Sleep At Night4:421-9On My Honour3:321-10There Will Always Be A You5:031-11All Through The NightPiano, Synthesizer – Bruce Roberts5:581-12My Baby UnderstandsMusician – Bruce Fisher, Holden Raphael, Jeff Holman, Jill Colucci, Kevin Moore (5), Michael King (4), Patty Fisher, Scott LipskerProducer – Donna Summer, Jürgen Koppers3:581-13Our LoveProgrammed By [Synthesizer] – Dan Wyman4:521-14LuckyProgrammed By [Synthesizer] – Dan Wyman4:371-15Sunset People6:27Bonus Track1-16Bad Girls (Demo Version)Producer – Donna Summer 4:0012" Singles & More2-1I Feel Love (12" Single)Bass – Les HurdleGuitar – Geoff Bastow, Mats BjörklundKeyboards, Synthesizer [Moog, Moog Bass], Arranged By – Thor BaldurssonMixed By, Engineer – Jürgen KoppersSynthesizer [Moog] – Giorgio Moroder, Robby Wedel8:152-2Last Dance (Promotional 12" Single)Remix – Bobby "DJ" Guttadaro, Marc Paul Simon8:112-3Mac Arthur Park Suite (12" Single)Arranged By, Conductor – Greg MathiesonBacking Vocals – Carolyn Dennis, Chris Bennett, Donna FeinBass – Mike PorcaroEngineer [Recording] – Erik ZoblerFlute – Gary HerbigGuitar [Solo] – Jay GraydonKeyboards – Don Gregorio, Greg MathiesonRhythm Guitar – Ben BenaySaxophone, Flute – David Luell, Jon KipTrombone – Jack RedmondVocals [Male] – Brooklyn Dreams17:352-4Hot Stuff (12" Single)6:472-5Bad Girls (12" Single)4:552-6Walk Away (Promotional 12" Single)7:152-7Dim All The Lights (Promotional 12" Single)7:122-8No More Tears (Enough Is Enough) (12" Single)Arranged By [Vocals] – Bruce Roberts, Luther Waters, Paul JabaraBacking Vocals – Julia Waters, Luther Waters, Maxine WatersBass – Neil StubenhausDrums – James GadsonEngineer – John Arrias, Jürgen KoppersExecutive Producer – Charles KoppelmanPiano [Acoustic] – Bill PaynePiano [Acoustic], Electric Piano, Arranged By, Conductor – Greg MathiesonProducer – Gary KleinVocals – Barbra Streisand11:442-9On The Radio (Long Version)Backing Vocals – Alex Brown, Lisa RobertsBass – Les HurdleGuitar – Trevor VeitchHorns – Denny Christianson, Gary Herbig, George BohanonKeyboards – Harold FaltermeyerPercussion – Alan Estes7:35    PAIEMENT SOUS 5 JOURS SINON TRANSACTION ANNULEE!!! Evaluation 0, paiement sous 3 jours I DON'T SELL & SHIP TO ITALY

Bande magnétique enregitrée JAZZ DICK CARY HOT AND COOLannée 1958 Label stéréo craft quality brand Diamètre 180 mm Avec sa boîte d’origine état d’usage mais complète Bande magnétique bon état avec son amorce métallique pourmagnétophones auto reverse et arrêt automatique Poids 325 grammes RichardDurant Cary (10 juillet 1916 - 6 avril 1994) étaitun trompettiste, compositeur et arrangeur de jazz américain. Cary a obtenu unbaccalauréat en musique de l'Université Wesleyan en 1938 et a commencé àtravailler dans le Connecticut et à New York. Il a décroché un travail solo àtemps plein chez Nick's à Greenwich Village à New York en 1941(jusqu'en 1943) et a joué avec Joe Marsala en 1942. En 1943, il aégalement travaillé comme arrangeur pour Benny Goodman et a joué avec le Casa Loma Orchestra et Brad Gowans . Lors d'un passage dansl' armée en 1944-46 stationné à LongIsland, il a réussi à continuer à enregistrer avec Muggsy Spanier et Wild BillDavison entre autres. Après sa libération, il a travailléavec Billy Butterfield, puis était pianiste dans laformation initiale des All-Stars de Louis Armstrong en 1947-1948. En1949-1950, il fait partie de l' orchestre de Jimmy Dorsey et, dans les années 1950,travaille avec Eddie Condon , Pee Wee Russell , Max Kaminsky , Bud Freeman , Jimmy McPartland , et commence en 1957 unecollaboration à long terme avec Bobby Hackett au Henry Hôtel Hudson à NewYork. Lorsque cet engagement apris fin en 1959, il a déménagé à Los Angeles, où il est devenu un musicien indépendant, en tournée eten studio . Il a également commencé à écrireet à organiser de la musique pour les Tuesday Night Friends, qui seréunissaient chez lui tous les mardis pendant des décennies, une tradition quis'est poursuivie après son décès. Le groupe a rarement été entendu par lepublic, sauf pour des apparitions annuelles au Los Angeles Classic JazzFestival et au Sacramento Jazz Jubilee. Dans les derniers jours desa vie, certaines de ces répétitions ont été enregistrées, formant la base dela sortie posthume Dick Cary and HisTuesday Night Friends Playing Dick Cary Originals . Le groupeen cours, dirigé par Dick Hamilton, a enregistré l'album Tuesday Night Friends: Catching Up deDick Cary en 1997. Cary a également accordé une longue interview àFloyd Levin en 1991. Sa vie fait l'objet de la bio-discographie Strictly a Musician: Dick Cary deDerek Coller, publié en 2012. Entant que chef ·      DixielandGoes Progressive (Golden Crest, 1957) ·      Hot and cool (Stereo-Craft, 1958) ·      DickCary et ses Doodlers Dixieland ( Columbia , 1959) ·      L'incroyableDick Cary (Riff, 1975) ·      Actescaliforniens (1981) ·      DickCary et ses amis du mardi soir ( Arbors , 1996) ·      Rattrapage (Klavier,1999) paiementpar virement bancaire uniquement IBAN: FR 46 3000 2069 0000 0002 4032Y54 expéditionsécurisée monde entier sauf afrique et moyen orient frai variables selon paysde destination pas d’ expédition par mondial relay par suite nouvelles rêgles /leboncoinveuillez voir mes 250 évaluations positives avec le pseudo phonantic_7 ancien merci d’avance JAZZ DICK CARY HOT AND COOL RecordedMagnetic Tape Year 1958 Stereo label craft quality brand Diameter 180 mm With its original box in usedcondition but complete Magnetic tape in good condition withits metal primer for auto reverse and auto stop tape recorders Weight 325 grams Richard Durant Cary (July 10, 1916 -April 6, 1994) was an American jazz trumpeter, composer and arranger. Cary graduated from WesleyanUniversity with a Bachelor of Music degree in 1938 and began working inConnecticut and New York. He landed a full-time solo job at Nick's in GreenwichVillage, New York in 1941 (until 1943) and played with Joe Marsala in 1942. In1943 he also worked as an arranger for Benny Goodman and played with the CasaLoma Orchestra and Brad Gowans. During a stint in the army in 1944-46 stationedon Long Island, he

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.