Bought myself

Vous recevrez ce que vous voyez sur les photos - What you see is what you get - Was Sie sehen, ist das, was Sie bekommen Objectif HD PENTAX-D FA 28-105mm 1:3.5-5.6 ED DC WR n°4621451 - J'ai acheté un ensemble Pentax K-1 II + Pentax 28-105mm le 6 avril 2022 chez Photo Univers avec une garantie de 3 ans. Pour des raison de santé, je n'ai pas eu le temps d'utiliser mon Pentax K-1 II qui n'a que 1276 clics (voir photo 6). L'objectif n'a donc pratiquement jamais servi. Comme je souhaite à nouveau utiliser mon Pentax K-1 II, j'ai acheté un Pentax 24-70mm 1:2,8 SDM et je me sépare donc du Pentax 28-105mm. La garantie de ce dernier est donc valable jusqu'en avril 2025. L'objectif est dans un excellent état. Proche du neuf. C'est un objectif conseillé pour le full frame mais convient parfaitement pour les Pentax APS-C où il devient à 42-170mm. - I bought a Pentax K-1 II + Pentax 28-105mm set on April 6, 2022 from Photo Univers with a 3 year warranty. For health reasons, I did not have time to use my Pentax K-1 II which has only 1276 clicks (see photo 6). So the objective has almost never been used. As I want to use my Pentax K-1 II again, I bought a Pentax 24-70mm 1:2,8 SDM and I therefore separate myself from the Pentax 28-105mm. The warranty of this last one is valid until April 2025. The objective is in an excellent condition. Close to new. It's a recommended lens for full frame but perfectly suitable for the Pentax APS-C where it becomes 42-170mm. - ED pour Extra-low Dispersion. Objectif équipé de lentilles à faible dispersion. - WR Weather Resistant Finition tropicalisée et résistante à la poussière. - DC Moteur de mise au point à courant continu. Permet un fonctionnement AF plus silencieux et plus fluide que le fonctionnement AF dans le boîtier de l'appareil photo, et permet une mise au point facile et confortable. - HD: Traitement multicouche Haute Définition améliorant le piqué et réduisant les reflets parasites et images fantômes. - D FA: Les objectifs D-FA sont conçus sur la base des montures K-AF2, K-AF3 et K-AF4 (selon la fonction AF de l'objectif) et optimisés pour une utilisation avec des appareils photo numériques. https://www.pentaxforums.com/lensreviews/hd-pentax-d-fa-28-105mm-f35-56-ed-dc-wr.html https://www.photo-univers.fr/pentax-objectifs-zooms/17167-PENTAX-Objectif-28-105mm-f-3-5-5-6-0027075294592.html Objectif livré avec son pare-soleil Pentax d'origine, son cache avant Pentax et arrière générique. --------------------------------------------------------------------- Cet objet est un objet d'occasion qui est ancien et qui a pu servir durant quelques (exemple:poussières d'âge). Il est en très bon état pour son âge mais ne sera jamais neuf. Merci de prendre en compte ces éléments si vous souhaitez l'acquérir. N'hésitez pasà poser des questions. Envoi soigné avec film à bulles et chips de calage polystyrène. ----------------------------------------------------------------------- This item is an old item from yesterday and it has experienced some use during its several of live (example: Dust of age).It’s in very nice condition but it's not new. Thank you for accepting that this item in not new before to buy it. I ship items very fastly and with many cautions. I provide tracking number ------------------------------------------------------------------ Cet objet est un objet d'occasion qui est ancien et qui a pu servir durant quelques (exemple:poussières d'âge). Il est en très bon état pour son âge mais ne sera jamais neuf. Merci de prendre en compte ces éléments si vous souhaitez l'acquérir. N'hésitez pasà poser des questions. Envoi soigné avec film à bulles et chips de calage polystyrène. ----------------------------------------------------------------------- This item is an old item from yesterday and it has experienced some use during its several of live (example: Dust of age).It’s in very nice condition but it's not new. Thank you for accepting that this item in not new before to buy it. I ship items very En savoir plus Collaboration commerciale.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Mint sigma DC DN lens - 16mm 1.4 for sony e mount - as new. État : "Occasion" Bought this lens for my sony a6000 and found myself moving to film photography so I am putting this up for sale. I barely used it and it is in top mint condition.  It comes with a lens hood, the lens cap and the cap for the back of the camera  There are tiny marks (I don't know whether to call them smudges or marks) at the base of the lens around the 16mm writings as you can see on the first photo but they are minimal and obviously to no affect the functioning of the lens whatsoever.  Regarding the performance of the lens it is perfect as I have taken at most 20 photos with it and the rest of the time it was stored in a secure satchel.    Don't hesitate to send me a message if you want more info or photos !

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Moog MF-103 Moogerfooger 12-Stage Phaser Analog modular effect. Selling this classical 12-stage phaser by Moog, 100% analog, made in Asheville. Parameters can be modulated by CV (for modular use by example). Beautiful drive stage too, very warm sounding. Bought it myself new in 2005, serial 3621. Fully working. Light signs of use. Comes with original instruction manual. I won't provide a power supply but it's a standard 9V center positive. En savoir plus Collaboration commerciale.