Bounce at every

MAXI CD DE CHAKA KHAN "DON'T LOOK AT ME THAT WAY / I'M EVERY WOMAN": 1) DON'T LOOK AT ME THAT WAY (EDIT) 2) I'M EVERY WOMAN (REMIX) 3) I'M EVERY WOMAN (REMIX EDIT) 4) DON'T LOOK AT ME THAT WAY (LP VERSION) Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Vinyle MAXI 33T Rare ! Disque: VG Pochette: Générique Old Night At Studio 54 Label: Not On Label – DLO 8089 Série: Old Night At Studio 54 – Vol 1 Format: Vinyle, 12", 33 ⅓ RPM, Mixed, Unofficial Release Pays: Italy Sortie: 1989 Style:           Funk, Disco Tracklist Old Night At Studio 54 Mix 1A1.1Patrice Rushen–Forget Me NotsA1.2Evelyn King–I'm In LoveA1.3Change–A Lovers HolidayA1.4Brothers Johnson–StompA1.5Hot Streak–Body WorkA1.6The Strikers–Body MusicA1.7GQ–Disco NightsA1.8Michael Jackson–Don't Stop Till You Get EnoughA1.9Odyssey (2)–Use It Up And Wear It OutA1.10The Strikers–Body MusicA1.11Chic–Good TimesA1.12UK Players–Everybody Get UpA1.13Sugarhill Gang–Rapper's DelightA1.14Kurtis Blow–The BreaksA1.15Instant Funk–I Got My Mind Made UpA1.16Kurtis Blow–Rappin' BlowA1.17Vaughan Mason & Crew–Bounce, Rock, Skate, RollA1.18Billy Frazier–Billy WhoA1.19Joe Bataan–Rap-O Clap-OA1.20Leon Haywood–Don't Push It Don't Force ItA1.21The Whispers–And The Beat Goes OnA1.22Shalamar–The Second Time AroundA1.23Al Hudson–You Can Do ItA1.24Shalamar–Make That MoveA1.25McFadden & Whitehead–Ain't No Stopping Us NowA1.26The Whispers–It's A Love ThingA1.27The Whispers–I Can Make It BetterA1.28Dan Hartman–Relight My FireOld Night At Studio 54 Mix 2B1.1TJ Swann–Maximus PartyB1.2Love De-Luxe–Here Comes That Sound AgainB1.3France Joli–Gonna Get Over YouB1.4D-Train–Keep OnB1.5Kool & The Gang–Ladies NightB1.6Love De-Luxe–Here Comes That Sound AgainB1.7Flakes–Sugar Frosted LoverB1.8Sharon Brown–I Specialise In LoveB1.9Blondie–RaptureB1.10George Benson–Give Me The NightB1.11Teena Marie–I Need Your Lovin'B1.12Gary's Gang–Knock Me OutB1.13Gino Soccio–Try It OutB1.14Donna Summer–Bad GirlsB1.15Michael Jackson–Don't Stop 'Til You Get EnoughB1.16Billy Ocean–Are ReadyB1.17Cameo–Word UpB1.18Toney Lee–Reach UpB1.19Sugarhill Gang–Rapper's DelightB1.20Nairobi–Funky Soul MakossaB1.21Sharon Redd–Never Give You UpB1.22Young & Company–I Like (What You're Doing To Me)B1.23Clair Hicks And Love Exchange–Push (In The Bush)B1.24Trouble Funk–Pump Me UpB1.25Five Star–All Fall DownB1.26Oliver Cheatham–Get Down Saturday NightB1.27Jazzy Dee–Get On UpB1.28Evelyn King–Love Come DownB1.29The Conway Brothers–Turn It UpB1.30Gene Chandler–Get DownB1.31The Players Association–Turn The Music Up!B1.32Metropole–Miss Manhatton

Chantelle ‎– I Love Every Little Thing About You Label: T-Mac Records ‎– UEZT 005 Format: Vinyl, 12", 45 RPM Country: Europe Sortie: 1986 Genre: Electronic, Funk / Soul Style: Boogie Tracklist A     I Love Every Little Thing About You     Engineer – Richard BullProducer – Tony AtkinsWritten-By – Wonder*     B1     I Love Every Little Thing About You (Edited Radio Version)     Engineer – Richard BullProducer – Tony AtkinsWritten-By – Wonder*     B2     Overworld     Producer, Written-By – Richard Bull     Notes (P) 1986 T-MAC Records. Licensed from S.O.U.N.D. Recordings. For export only. Made in France. A & B1: Recorded at Village Recorders, Dagenham England. Published by Jobete Music (U.K.) Ltd/Black Bull Music. B2: Produced for Tony Atkins Productions. Published by To-Do/Billymac/Paul Rodriguez Music.   Dans le cas d'achat multiple et aussi pour bénéficier du port gratuit (destination France) à partir de 5 objets, attendez votre facture avant paiement !     Les frais d'expédition comprennent l'emballage, la manutention et les frais postaux.   Versand und Zahlungsmethoden / Envíos y pagos / Postage and payments / Spedizione e pagamenti Home delivery by Mondial Relay Belgique – Deutschland - España - Italia - United Kingdom   §  1 –   8 vinyls (10 €) §  9 – 20 vinyls (gratuit – kostenlos – gratis – free)   Norme internationale Goldmine Grading System     Pochette Disque M Mint La pochette est comme neuve, elle n’est juste plus sous son emballage d’origine. Le disque est absolument parfait, comme neuf. Il n’est juste plus sous son emballage d’origine. NM Near Mint La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d’avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Very Good + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu’elle soit en parfait état mais présente un poinçon ou une extrémité biseautée. C’est l’état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n’affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Very Good La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l’âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé. G Good Pochette et sous pochette présentant de nombreux défauts dus au temps et à l'usure, notamment sur la tranche et les côtés. Elles peuvent être maintenues par du ruban adhésif ou recouvertes par des autocollants. Les rayures en surface sont bien visibles. B Bad La pochette est très abîmée avec des déchirures, des traces et marques d’usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n’est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s’il est très rare.

Plus d'images RITUAL CARNAGE "Every Nerve Alive" Label: Osmose Productions ‎– OPCD 092 Format: CD, Album  Pays: France Date: 2000 Genre: Rock Style: Thrash, Death Metal Tracklisting 1Awaiting The Kill6:5028th Great Hell2:273Death, Judgement, Fate3:344Burning Red, Burn Til' Death3:175End Of An Ace3:386World Wide War3:297Scars Of Battle3:368Every Nerve Alive3:109The Wrath3:4710Escape From The Light5:4211Far East Aggressors3:55 Sociétés, etc. - Phonographic Copyright (p) – Osmose Productions - Copyright (c) – Osmose Productions - Published By – Les Editions Hurlantes - Distributed By – SPV GmbH – SPV 084-08132 CD - Recorded At – Morrisound Studios - Pressed By – DADC – A0100313426-0101 - Pressed By – DADC – A0100311155-0101 - Pressed By – DADC – A0100364906-0101 Crédits - Bass, Vocals, Rhythm Guitar, Classical Guitar [Performer Czech Cz97b 45, Intratec Cat 9, And 12 Guage Remingtons] – "Nasty Danny" Montgomery* - Drums [Rhythm, Battery] – Naoya Hamaii - Lead Guitar, Rhythm Guitar, Classical Guitar, Acoustic Guitar, Performer [Colt 45 Defender, And Sig Sauer P225] – Eddie Van Koide Notes Printed inside the booklet on the last page: +Bonus tracks only on the vinyl version Hit the Lights (Hetfield/Ulrich, Elektra Asylum Records,1983) F.O.A.D. No Compromise End's Demise Code barre et autres identifiants - Barcode: 4001617081327 - Matrix / Runout (Variant 1): DADC [Logo] IFPI L554 A0100313426-0101 24 A1 - Matrix / Runout (Variant 2): DADC [Logo] IFPI L554 A0100311155-0101 14 A2 - Matrix / Runout (Variant 3): DADC [Logo] IFPI L558 A0100364906-0101 28 A1 - Mastering SID Code (Variant 1): IFPI L554 - Mastering SID Code (Variant 2): IFPI L554 - Mastering SID Code (Variant 3): IFPI L558 - Mould SID Code (Variant 1): IFPI 94Y7 - Mould SID Code (Variant 2): IFPI 94X8 - Mould SID Code (Variant 3): IFPI 94Z1 - Label Code: LC 02406 - Rights Society: SACEM/SDRM/SACD/SGDL

Vanilla Fudge ‎– Vanilla Fudge Label: ATCO Records ‎– AT 33-224 Format: Vinyl, LP, Album, Mono  Pays: Canada Date:   Genre: Rock Style: Psychedelic Rock RECORD:  VG -   ;  SLEEVE: VG+  Acheteur résidant en France, le paiement par paypal est possible. Si vous n' habitez pas la France, je n'accepte pas le paiement par paypal.  If you do not live in France, I do not accept payment by paypal. Pour chaque disque que je vends au dessus de 50 euros je me fais un devoir et un plaisir de les écouter. Je fais de mon mieux pour vous faire la meilleur description de l'état du disque vinyle que je vous propose; mon but étant de vendre des disques, et cela sur le long terme. Si vous n'êtes pas satisfait, vous avez la garantie que je vous rembourse, après le retour du disque. J'accepte aussi de vous le remettre en main propre. Cependant je n'accepte plus les règlements par paypal, seuls sont acceptés le virement bancaire, le chèque. For every record I sell above 50 euros I make it my duty and pleasure to listen to them. I do my best to give you the best description of the condition of the vinyl record I am offering you; my goal is to sell records, and this in the long term. If you are not satisfied, you have the guarantee that I will refund you after the return of the disc. I also agree to give it to you personally. However, I no longer accept payments by paypal, only bank transfers and cheques are accepted. S Neuf (scellé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine.     M Comme neuf La pochette est comme neuve, mais elle n'est plus scellée. Le disque est absolument parfait, comme neuf, mais il n'est plus scellé.     NM Parfait La pochette est parfaite, pouvant néanmoins comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doivent être aussi impeccables que possible. Le disque est  parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM.     EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (marques lumineuses sensibles), mais la perte de qualité sonore est pratiquement inaudible.    VG+ Très bon La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles.     VG Bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore avec éventuellement quelques  craquements et/ou sautements sur quelques pistes.

JOE  WILLIAMS                 At  Newport  '63                      RCA JAZZ LINE  NL 70119 Joe Williams, vcl; Howard Mcghee, Clark Terry, tp, flh; Coleman Hawkins, Zoot Sims, ts; Junior Mance, p; Bob Cranshaw, b; Mickey Roker, dms. 1963. Side 1: without a song / gravy waltz / she's warm, she's willing, she's wonderful / come back baby / medley: all god's chillun got rhythm, do you wanna jump children / wayfaring stranger / every day I have the blues Side 2: anytime, anyday, anywhere / april in paris / in the evening / some of this 'n' some of that / roll 'em pete LP: near mint COVER: near mint EXPEDITION / SHIPPING: France  colissimo: 7,50 € International: 15,00 € Paiement par chèque accepté pour les acheteurs français uniquement, expédition de l'article après l'encaissement du chèque. Si vous désirez acheter plusieurs articles, consultez-moi afin de connaître le montant des frais de port. Happy to combine your purchases in order to reduce the cost of shipping. If you want to bid on several items, contact me and I'll let you know the cost.

IMPORTANT ENVOI EN FRANCE:  LETTRE SUIVIE  ENVOI HORS DE  FRANCE : POUR DES RAISONS PRATIQUE, ÉCONOMIQUE ET DE SÉCURITÉ, JE PROPOSE L'ENVOI RECOMMANDÉ SANS BOITIER, MAIS BIEN SUR AVEC TOUS LES INSERTS, ET SOLIDEMENT EMBALLÉ SHIPPING ABROAD : THE PRICE AS INDICATED IS FOR A REGISTERED SHIPPING WITHOUT JEWEL CASE, WITH ALL INSERTS AND STRONGLY PACKED.  IT IS ECONOMIC AND SAFER. YOU CAN ASK FOR ANOTHER RATE, MUCH MORE EXPENSIVE, BUT PLEASE DON'T COMPLAIN IF THE JEWEL CASE ARRIVES BROKEN CD DEMON RECORDS (1993) RECORDING:            DUREE TOTALE:              MUSICIENS:           Dave Elliott, Jeff Sarli + guests: Peter Bonta, Buddy Charlton, Mitch Collins, Louise Kirchen  TRÈS BON ÉTAT - VERY GOOD CONDITION  TOUS MES CDs EN VENTE EN OCCASION ONT ETE ECOUTE AU MOINS UNE FOIS AFIN DE GARANTIR UNE LECTURE PARFAITE  ALL THE CDs, IN ANY SHAPE, HAVE BEEN CHECKED AND ARE PERFECTLY LISTENABLE  COMME NEUF / LIKE NEW :  état absolument parfait, meme a la loupe (pour les maniaques). Non cellophané / Perfect, like new. Not sealed. EXCELLENT ETAT: aucune trace visible sur le cd, sans toutefois y regarder a la loupe / No scratches or scuffs easily visible, at first glance. TRES BON ETAT / VERY GOOD: 1 à 3 petites rayures légères / 1 to 3 small light scratches. BON ETAT / GOOD:  quelques rayures (superficielles) ou traces sur le cd /  few scratches. ETAT USAGE / BAD: nombreuses rayures (superficielles) ou traces sur le cd / Many scratches but still listenable. SAUF PRECISION SUPPLEMENTAIRE, LES POCHETTES SONT EN PARFAIT ETAT. LES BOITIERS CORRESPONDENT A L'ETAT GENERAL DU CD (SANS FENTE) VENEZ VOIR MA BOUTIQUE CDsmile SUR: DES CENTAINES DE CDs EN VENTE DONT UN GRAND NOMBRE DE COLLECTORS  HAVE A LOOK TO MY STORE CDsmile AND FIND MANY COLLECTORS

PRESSAGE AMERICAIN REFERENCE VANGUARD VSD-2035  TITRES: A1 Every Time I Feel The SpiritA2 Balm In GileadA3 Volga Boat SongA4 Monologue From Shakespeares OthelloA5 O Thou Silent NightA6 Chinese Children's SongA7 My Curley Headed BabyA8 Old Man RiverA9 Going HomeB1 Monologue From Boris GudonovB2 The OrphanB3 Christ Lag In TodesbandenB4 Didn't My Lord Deliver DanielB5 LullabyB6 O No JohnB7 Joe HillB8 Jacob's Ladder ETAT POCHETTE RECTO TRES BON     VERSO    BON    DISQUE   BON DES MICRO RAYURES PAS DE SAUTE     LABEL EXCELLENT PORT DIMINUE AVEC ACHATS MULTIPLES POUR LA FRANCE JE PREFERE UN PAIEMENT PAR CHEQUE.MERCI

Pokemon Black Version 2 & Pokemon White Version 2 Scenario Guide: The Official Pokemon Strategy Guide (Anglais) Broché – 7 octobre 2012 Product Details Poids de l'article: 1.02 kg Broché: 464 pages ISBN-13: 978-0307895615 Dimensions du produit: 20.32 x 1.57 x 27.43 cm Éditeur: The Pokémon Company International (7 octobre 2012) Langue:: Anglais Classement des meilleures ventes 1,100,814 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers) 2,397 en Video & Electronic Games (Livres anglais et étrangers) • A complete walkthrough of the games, including all the new Gyms, Trainers, challenges, and even the post-game surprises! • Tips and tricks for evolving your Pokémon, so you can get the most from your Pokémon at every level! • A guide to becoming a star at the Pokéstar Studios and winning at the Pokémon World Tournament! • All the info you need to master the Medal Rally and to catch all of the Pokémon to complete your Pokédex! • Hints and special information to help you find hidden items, with a location index! • Matchup strategies to help you beat the toughest quartet of Trainers in the game, the Elite Four!

Pokemon Black Version 2 & Pokemon White Version 2 Scenario Guide: The Official Pokemon Strategy Guide (Anglais) Broché – 7 octobre 2012 Product Details Broché: 464 pages Poids de l'article: 1.02 kg ISBN-13: 978-0307895615 Dimensions du produit: 20.32 x 1.57 x 27.43 cm Éditeur: The Pokémon Company International (7 octobre 2012) Langue:: Anglais 2,600 en Video & Electronic Games (Livres anglais et étrangers) 4,643 en Jeux PC (Livres) 30,123 en Mathématiques (Livres) • A complete walkthrough of the games, including all the new Gyms, Trainers, challenges, and even the post-game surprises! • Tips and tricks for evolving your Pokémon, so you can get the most from your Pokémon at every level! • A guide to becoming a star at the Pokéstar Studios and winning at the Pokémon World Tournament! • All the info you need to master the Medal Rally and to catch all of the Pokémon to complete your Pokédex! • Hints and special information to help you find hidden items, with a location index! • Matchup strategies to help you beat the toughest quartet of Trainers in the game, the Elite Four!

Original Mono US sorti en 1966 sur le label Columbia (Ref.CL 2549) Pochette VG+: bel état, tranches en bon état, pochette propre Disque VG+: bon état, quelques légères traces de surfaces sans incidence sur l'écoute qui demeure claire et dynamique Tracklist: A1     5 D (Fifth Dimension)     Written-By – J. McGuinn*     2:32 A2     Wild Mountain Thyme     Arranged By – C. Hillman*, D. Crosby*, M. Clark*, J. McGuinn*     2:29 A3     Mr. Spaceman     Written-By – J. McGuinn*     2:08 A4     I See You     Written-By – D. Crosby*, J. McGuinn*     2:31 A5     What's Happening?!?!     Written-By – D. Crosby*     2:30 A6     I Come And Stand At Every Door     Written-By – N. Hikmet*     3:01 B1     Eight Miles High     Written-By – C. Hillman*, D. Crosby*, J. McGuinn*     3:35 B2     Hey Joe (Where You Gonna Go)     Written-By – C. Powers*     2:08 B3     Captain Soul     Written-By – C. Hillman*, D. Crosby*, M. Clark*, J. McGuinn*     2:35 B4     John Riley     Written-By – B. Gibson*, R. Neff*     2:57 B5     2-4-2 Fox Trot (The Lear Jet Song)     Written-By – J. McGuinn*     2:08 Toutes autres infos ou photos me contacter Emballage soigné et pochette de protection     FRAIS DE PORT: France:              * Lettre Suivie: 5 euros              * Colissimo: 7 euros Europe:              * Prioritaire: 7,5 euros              * Suivi: 11 euros Worldwilde:              * Prioritaire: 9,5 euros              * Suivi: 13 euros POUR LA FRANCE MERCI DE PRIVILÉGIER LE PORT EN COLISSIMO AFIN D'OBTENIR UN SUIVI, NOTAMMENT POUR LES LIVRAISONS EN REGION PARISIENNE. DEPUIS QUELQUES TEMPS LES MINI MAX METTENT DAVANTAGE DE TEMPS POUR ETRE ACHEMINER. MERCI POUR VOTRE COMPREHENSION! FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare. NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).

Bop Tracklisting DISC 1: Novembre 26, 19451Tiny's tempo (1)3:012Tiny's tempo (2)3:003Tiny's tempo (3) (master)2:544I'll always love you just the same (1)2:575I'll always love you just the same (2) (master)3:006Romance without finance (1)3:067Romance without finance (2)4:088Romance without finance (1)3:479Red Cross (1)3:1610Red Cross (2) (master)3:0711Warming up a riff2:3412Billie's bounce (1)2:4013Billie's bounce (2 inc., 3)4:4814Billie's bounce (4inc. 5)4:4815Now's the time (1 F.S, 2, 3)4:0616Now's the time (4 master)3:1617Thriving on a riff (1)2:5918Thriving on a riff (2 & 3)3:1819Meandering3:1620Koko (1 & 2)3:34DISC 2: May 8, 19471Donna Lee (1 & 2)3:122Donna Lee (3)2:303Donna Lee (4)2:354Donna Lee (5)2:325Chasin' the Bird (1)2:556Chasin' the Bird (2 & 3)3:197Chasin' the Bird (4)2:448Cheryl (1 & 2)3:019Buzzy (1)2:5710Buzzy (2 & 3)3:1111Buzzy (4 & 52:48DISC 2: August 14, 194712Milestones (1 & 2)2:4313Milestones (3)2:4414Little Willie Leaps (1 & 2)3:5415Little Willie Leaps (3)2:4916Half Nelson (1)2:4917Half Nelson (2)2:4218Sippin' At Bells (1 & 2)3:1319Sippin' At Bells (3 & 4)2:32Disc 2: Decembre 21, 194720Another Hair Do (1,2,3)2:0421Another Hair Do (4)2:3722Bluebird (1)2:5223Bluebird (2, 3)2:5424Klaunstance2:4425Bird Gets The Worm (1)2:3926Bird Gets The Worm (2, 3)2:45DISC 3: September 18, 19481Barbados (1)2:372Barbados (2,3)3:213Barbados (4)2:284Ah-Leu-Cha (1,2)3:325Constellation (1,2)2:526Constellation (3)2:067Constellation (4,5)2:488Parker's Mood (1,2)3:339Parker's Mood (3,4)2:2610Parker's Mood (5)3:0311Perhaps (1)2:0312Perhaps (2,3)2:3613Perhaps (4,5,6)3:2414Perhaps (7)2:3415Marmaduke (1,2,3)2:1316Marmaduke (4,5)2:5817Marmaduke (6,7,8,9)4:1618Marmaduke (10,11,12)4:0819Steeplechase (1,2)3:1320Merry-Go-Round (1)2:2021Merry-Go-Roiund (2)2:27DISC 4: September & December, 1948152nd Street Theme5:022Koko2:313Groovin' High4:484Big Foot4:425Ornithology5:376On A Slow Boat To China5:047Hot House4:218Slat Peanuts3:489Chasin' The Bird4:2110Out Of Nowhere3:1711How High The Moon2:56DISC 5: Decembre & January, 1948 + (# 11) Jam Session January, 19491Sid's Theme1:392Half Nelson4:283White Christmas4:424Little Willie Leaps3:385Be-Bop3:486On A Slow Boat To China4:177Ornithology4:438Groovin' High4:489East Of The Sun4:3810Cheryl4:2011How High The Moon4:48DISC 6: January & February, 19491Annoucer1:002Scrapple From THe Apple4:093Be-Bop3:254Hot House5:115Oop Bop Sh'Bam4:556Scrapple From The Apple4:337Salt Peanuts4:428Grrovin' High3:429Scrapple FRom The Apple3:2610Barbados3:4811Salt Peanuts5:0312Scrapple From The Apple4:3213Barbados3:4914Be-Bop4:08DISC 7: February, March, 19491Groovin' High4:542Confirmation3:343Salt Peanuts4:344Commercial Break4:045Half Nelson3:276A Night In Tunisia4:377Scrapple From The Apple4:398Deedle1:599What's This2:1410Cheryl3:4211Anthropology5:0712Hurry Home2:2313Deedle2:0514Royal Roost Bop2:1115Cheryl3:2416On A Slow Boat To China3:4017Chasin' The Bird6:38DISC 8: December 1945, September 1947, Fall, 19501Dizzy Boogie3:062Dizzy Boogie3:153Flat Foot Floogie2:304Flat Foot Floogie2:455Popity Pop2:556Slim's Jam3:297A Night In Tunisia5:118Dizzy Atmosphere4:039Groovin' High5:1510Confirmation5:3711Koko4:1212There's A Small Hotel6:1113These Foolish Things2:0614Keen And Peachy6:2915Hot House9:0016Bird, Bass And Out3:3417Goodbye3:08. - Acoustic Bass – Al McKibbon (tracks: 8 - 7 to 11), Curly Russell (tracks: 1- 11 to 20, 3 - 1 t, 4 - 1 to 11, 5 - 11o 21), Jimmy Butts (tracks: 1 - 1 to 10), Leroy Jackson (tracks: 8 - 12 to 17), Nelson Boyd (tracks: 2 - 12 to 19), Tiny "Bam" Brown (tracks: 8 - 1 to 6), Tommy Potter (tracks: 2- 1 to 11, 20 to 26, 4 - 1 to 11, 5 - 1 to 11, 6 - 1 to 14, 7 - 1 to 17) - Alto Saxophone – Charlie Parker (tracks: 1- 1 to 17, 2- 1 to 26, 3- 1 to 21, 4- 1 to 11, 5- 1 to 11, 6- 1 to 14, 7-1 to 17o) - Drums – Buzz Freeman (tracks: 8 - 12 to 17), Ed Shaughnessy (tracks: 5 - 11), Harold "Doc" West(tracks: 1 - 1 to 10), Joe Harris (tracks: 5 - 1 to 11, 6 - 2 to 4, 8 - 7 to 11

Fremeaux & Associés 1997. Coffret de 2 CD (pictures disc) sous fourreau carton illustré (fendu sur le bord supérieur, & avec petites déchrures & frottis). Contient un superbe livret de 48 pages écrit & dessiné par Siné, ainsi qu'une magnifique lithographie en couleurs (n° 1404), signé par Siné. CD's jamais écoutés. Disque 1: Flying On a V Disc (The Esquire All Stars) - 2. Lazy River (Louis Armstrong) - 3. Your Feet's Too Big (Fats Waller) - 4. Solid Old Man (Rex Stewart And His Feetwarmer) - 5. Koko (Duke Ellington) - 6. One O'Clock Jump (Count Basie) - 7. Blues in the Night, Pts. 1 & 2 (Jimmie Lunceford) - 8. Original Jelly Roll Blues (Jelly Roll Morton & His Red Hot Peppers) - 9. Casanova's Lament (Jack Teagarden, The Capitol Jaz) - 10. 2:19 Blues (Louis Armstrong) - 11. The Man I Love (Coleman Hawkins) - 12. Sweet Lorraine (Nat King Cole) - 13. You're Not the Only Oyster In the Stew (Fats Waller) - 14. God Bless the Child (Billie Holiday) - 15. Blue and Sentimental (Count Basie & His Orchestra) - 16. I'll Be Glad When You're Dead You Rascal You (Louis Armstrong) - 17. Caldonia (Louis Jordan) - 18. That's the Blues (Rubberlegs Williams) / Disque 2: 1. Black and Blue (Louis Armstrong) - 2. All of Me (Billie Holiday) - 3. Pagin the Devil (The Kansas City Six) - 4. Jumpin At the Woodside (Count Basie & His Orchestra) - 5. On the Sunny Side of the Street (Lionel Hampton) - 6. Esquire Bounce (Leonard Feather's All Stars) - 7. Strange Fruit (Billie Holiday) - 8. Nice Work If You Can Get It (Leonard Feather's All Stars) - 9. Slim Jam (Slim Gaillard) - 10. Blue Lester (Lester Young) - 11. Mean to Me (Sarah Vaughan) - 12. Long Tall Dexter (Dexter Gordon) - 13. Night In Tunisia (Charlie Parker) - 14. Salt Peanuts (Al Haig, Dizzy Gillespie) - 15. Yesterdays (Coleman Hawkins) - 16. Things to Come (Dizzy Gillespie) - 17. You Won't Be Satisfied (Louis Armstrong) - 18. The Man I Love (Billie Holiday). Coffret en tirage limité. Disque 1 :   Titre Artiste         1. Flying On a V Disc The Esquire All Stars         2. Lazy River Louis Armstrong         3. Your Feet's Too Big Fats Waller         4. Solid Old Man Rex Stewart And His Feetwarmer         5. Koko Duke Ellington         6. One O'Clock Jump Count Basie         7. Blues in the Night (Pts. 1 & 2) Jimmie Lunceford         8. Original Jelly Roll Blues Jelly Roll Morton & His Red Hot Peppers         9. Casanova's Lament Jack Teagarden, The Capitol Jaz       10. 2:19 Blues Louis Armstrong       11. The Man I Love Coleman Hawkins       12. Sweet Lorraine Nat King Cole       13. You're Not the Only Oyster In the Stew Fats Waller       14. God Bless the Child Billie Holiday       15. Blue and Sentimental Count Basie & His Orchestra       16. I'll Be Glad When You're Dead You Rascal You Louis Armstrong       17. Caldonia Louis Jordan       18. That's the Blues Rubberlegs Williams         Disque 2 :       Titre Artiste         1. Black and Blue Louis Armstrong         2. All of Me Billie Holiday         3. Pagin the Devil The Kansas City Six         4. Jumpin At the Woodside Count Basie & His Orchestra         5. On the Sunny Side of the Street Lionel Hampton         6. Esquire Bounce Leonard Feather's All Stars         7. Strange Fruit Billie Holiday         8. Nice Work If You Can Get It Leonard Feather's All Stars         9. Slim Jam Slim Gaillard       10. Blue Lester Lester Young       11. Mean to Me Sarah Vaughan    

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory