Boy s choice collection

NBA  #98 UPPER DECK Collection:  Collector's Choice - Base Nombres de cartes: 3 Equipe: Sacramento Kings Année: 1995 - 1996 Cartes en très bon état Lot indissociable - Pas de vente au détail Merci

NBA  #10 UPPER DECK Collection:  Collector's choice Nombres de cartes: 9 Equipe: Cleveland Cavaliers Année: 1993 - 1994 Langue: Français - Anglais Cartes en très bon état Lot indissociable - Pas de vente au détail Merci

Mangas séries complètes (comme neuf): "Death Note" tomes 1 à 12 = 45€ "Code Geass" tomes 1 à 8 (tome 1 collector) = 90€ "Kamisama Dolls" tomes 1 à 12 = 45€ Collection complète Asumiko Nakamura: O.B. tomes 1 et 2 + Sora & Hara + Doukyusei & Sotsugyosei tomes 1 à 3 = 50€ "Mint na Bokura" tomes 1 à 6 = 6€ "I Recollect Love" tomes 1 et 2 = 2€ "Glare at You Because I Love You" tomes 1 et 2 = 2€ -------------- Mangas 1€ le tome, état comme neuf (sauf Magic Knight Rayearth): "Magic Knight Rayearth" tomes 1 à 3 (micro-déchirure sur la couverture du tome 2) "Crash!" tomes 1 à 7 Boy's Love: "Nouveau Départ" "Hey Sensei !" "I am a Darling (Je suis un amour)" "Pointing Out Mistakes !" "Comment je me suis fait adopter" "Comment je suis devenu majordome" "Prince of Biased Love" "Beautiful Man in Material Room" "Parallel Lines" "Doctor's Special Desire" "My Dear" -------------- Tous les mangas sont en édition française, donc en français. Port en sus en cas d'envoi. Lot des séries non dissociables

C.S.LEWIS Collection of 8 Vintage Puffin Paperback from 1970's 2 x The Lion, the Witch and the Wardrobe The Silver Chair The Magician's Nephew Prince Caspian The Horse and his Boy The Last Battle The Voyage of the Dawn Treader Track Page Views With Auctiva's FREE Counter

Je vends ma collection de figurines / statuettes eaglemoss de dc comics, elles sont toutes en plomb excepté harley quinn, deadshot et supergirl. le lot comprend les figurines de: batman superman wonder woman aquaman the flash green arrow green lantern supergirl captain atom ra’s al gul lex luthor Harley quinn catwoman Robin cosmic boy darkseid The joker donna troy deadshot Envoie rapide et soigné Vous achetez ce que vous voyez.

Il y a aussi d'autres CD U2 de ma collection à vendre dans mon  There is also others CD U2's own collection to sell in my U2 - BOY CD ALBUM NO BARCODE Très bon état (Very good condition)    INFORMATION CD PUBLICATION : 1980 LABEL: Island CATALOGUE NUMBER: CID 110 / 90040   1.I will follow 2. Twilight 3. An cat dubh 4. In to the heart 5. Out of control 6. Stories for boys 7.  The ocean 8. A day without me 9. Another time, another place 10. The electric Co 11. Shadows and tall trees INFORMATIONS GENERALES SUR LA VENTE Le total de la vente englobe: - l'article acheté - les frais postaux - l'enveloppe à bulles - les frais paypal  - les frais de gestion Pour le meilleur enchérisseur, merci de payer instantanément après la fin de la vente. IMPORTANT: Tout achat, inclus les frais d'envoi, supérieur de 39 € est envoyé en lettre suivie ou recommandée. FRANCE – PAIEMENT ET LES OPTIONS DE POSTAGE   FRANCE PAIEMENT:  merci de payer instantanément après le fin de la vente. J'accepte les chèques personnels ou paypal. L'article sera envoyé dès la réception du paiement, et au plus tard dans les 3 jours.    FRANCE POSTAGE OPTION 1: Lettre standard = 4 €   FRANCE POSTAGE OPTION 2: Lettre suivie = 6 €    FRANCE POSTAGE OPTION 3: Lettre recommandée = 7 €   ACHATS MULTIPLES: 2 € pour chaque CD additionnel Habitant près de la frontière belge, les frais postaux pour les amis belges sont au même tarif que pour les français     GENERAL INFORMATION ON THE SALE The total of the sale contain: - the bought item - the mail expenses - the envelope with bubbles - the expenses paypal - the management charges   For the best foreign bidder, please pay immediately only by Paypal after the end of the sale. IMPORTANT: any purchase, included the expenses of sending, 39 € superior is sent to Mail International Signed For Airmail. EUROPE - PAYMENT AND POSTAGE OPTIONS  EUROPE PAYMENT: PAYPAL ONLY. Payments expected immediately. All items will be mailed within 3 days of payment being received.   EUROPE POSTAGE OPTION 1: Royal Mail Standard Airmail = 6 €   EUROPE POSTAGE OPTION 2: Royal Mail International Signed For Airmail = 10 €   MULTIPLE PURCHASES: 2 € for each additional CD.     REST OF THE WORLD - PAYMENT AND POSTAGE OPTIONS   REST OF THE WORLD PAYMENT: PAYPAL ONLY. Payments expected immediately. All items will be mailed within 3 days of payment being received   REST OF THE WORLD POSTAGE OPTION 1: Royal Mail Standard Airmail = 7 €    REST OF THE WORLD POSTAGE OPTION 2: Royal Mail International Signed For Airmail = 12 €   MULTIPLE PURCHASES: 2 € for each additional CD. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

COLLECTION FOLIO JUNIOR N° 0393 - MOI, BOY Par Roald Dahl, illustré par Quentin Blake Edition GALLIMARD ETAT: 4 Echelle de valeur concernant l'état: 1 - mauvais état (déchirures - pages volantes - coin abimés -...) 2 - etat moyen (coins tassés fortement, usure par frottements,...) 3 - bon état (état d'usage, défauts sans gravité) 4 - excellent état (peu lu, possibles tout petits défauts) 5 - état neuf (pas neuf mais quasiment) Voyez mes autres objets en vente, groupez pour réduire les frais de port. Port en sus. Emballage soigné et bien protégé. Les frais de port définitifs dépendent du poids total des albums + emballage. Paiements acceptés: chèque ou virement (IBAN + BIC). Paypal à titre dérogatoire et strictement avec accord préalable. Conditions Générales de Ventes: En validant votre enchère, vous acceptez les conditions générales de vente. Si vous achetez plusieurs de mes objets, je recalcule les frais de port en fonction du total. Les frais de port comprennent les frais de traitement et d'expédition: frais postaux, frais d'emballage et fournitures. Ils ne sont pas négociables. Si le colis que vous recevez est endommagé, vous devez le signaler au facteur qui vous le livre et demander à vérifier le contenu. Le postier ne peut s'y opposer. Les réserves doivent figurer sur le bordereau pour être recevables en cas de réclamation. Conformément aux dispositions légales en vigueur, vous disposez d'un délai de 14 jours à compter de la réception de l'objet pour exercer votre droit de rétractation, sans pénalités. Pour se faire, vous devez me retourner l'objet  à vos frais, complet, dans son état original et dans son emballage d'origine afin de permettre sa recommercialisation. Les enregistrements audio, vidéo et les logiciels informatiques sont exclus de ce droit, conformément à la règlementation en vigueur. Le remboursement interviendra dans les meilleurs délais et au plus tard, dans les 30 jours suivants la date à laquelle le droit a été exercé. Remboursement par chèque ou Paypal. N'hésitez pas à me contacter pour toutes questions et pour une proposition avant la fin des enchères. Remise en mains propres possible à mon domicile (proche Evreux). Bonne chance et à votre disposition.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Benoit Blue Boy & The Nighthawks "Plaisir simple" Gaumont Editions Musicales - 753 807 Vinyle 33t / 30cm Stereo, France 1982 Pochette en bon état et disque Mint Tous les disques sur ce site proviennent de ma collection personnelle. Ils sont tous en état VG / Mint / Mint+. Si vous êtes intéressés par l'ensemble de la collection, n'hésitez pas à me contacter et à me faire une proposition. Règlement et livraisons Vous pouvez regrouper vos achats pour tous les disques sur une période de 30 jours. Les frais de règlement  et d'emballage sont inclus dans les frais de livraison. International COLLECTORS, you are WELCOME, Please read carefully the following before buying I am selling my personal collection of vinyl records. All the records are in VG / Mint / Mint+ condition. You can combine your purchases until 30 days If you may be interested by the all collection, do not hesitate to contact me with a proposal. Payment Shipping rate is defined for one record only, including 's payment fees and packaging. Additional cost will be applied in case of multiple purchases, taking in account total weight of the all and corresponding 's payment charges Delivery Shipping everywhere with La Poste International Registered Letter delivery)

Benoit Blue Boy & The Nighthawks " Plaisir simple " Gaumont Editions Musicales - 753 807 Vinyle 33t / 30cm Stereo, France 1982 Pochette en bon état et disque Mint Tous les disques sur ce site proviennent de ma collection personnelle. Ils sont tous en état VG / Mint / Mint+. Si vous êtes intéressés par l'ensemble de la collection, n'hésitez pas à me contacter et à me faire une proposition. Règlement et livraisons Vous pouvez regrouper vos achats pour tous les disques sur une période de 30 jours. Les frais de règlement  et d'emballage sont inclus dans les frais de livraison.   International COLLECTORS, you are WELCOME, Please read carefully the following before buying I am selling my personal collection of vinyl records. All the records are in VG / Mint / Mint+ condition. You can combine your purchases until 30 days If you are interested with the all collection, do not hesitate to contact me with a proposal Payment Shipping rate is defined for one record only, including 's payment fees and packaging. Additional cost will be applied in case of multiple purchases, taking in account total weight of the all and corresponding 's payment charges Delivery Shipping everywhere with La Poste International Registered Letter.

the BEATLES  "THIS BOY" ODEON SO 10 117 BIEM juke-Box label orange pochette VG+ tranches un peu ouvertes dans leurs milieux disque EX jusqu'à 20 45t pour 5€ en envoi avec Mondial Relay - S : "Sealed","Scellé", il s'agit d'un produit encore scellé dans son emballage d'origine. Il est considéré comme neuf du point de vue de l'usage. - M : "Mint", il s'agit d'un produit qui est descellé mais dont l'état est assimilable à un produit neuf. - NM : "Near Mint", il s'agi d'un produit très proche de son état neuf, avec quelques traces mineures sur la pochette ou sur le disque. - EX : "Excellent" il s'agit d'un produit qui présente des traces d'usure limitées mais qui n'affecte pas la restitution d'origine. - VG+ / VG / VG-: "Very Good", il s'agit d'un produit dont les traces d'usure sont visbles et audibles, mais la restitution reste correcte. Dans la pratique ces disques vont restituer des crachottements ou craquements résiduels à l'écoute, mais ils ne seront pas rayés. On considère que l'album est jouable dans de bonnes conditions. La pochette peut être abîmée. - G+ / G / G- : "Good", il s'agit là d'un état plus avancé de détérioration du son ou de la pochette, le disque reste jouable dans des conditions limites, et le disque n'est pas rayé. La pochette peut avoir des griffures importantes, des déchirures partielles ou des écritures - B : "Bad". Pour le disque cela signifie qu'il est rayé. Pour la pochette cela signifie qu'elle n'est pas la pochette originale ou qu'elle n'est pas intégrale. La vente de tels articles n'est motivée que pour la valeur de collection de l'article et non pour sa jouabilité.

SUPERBE COFFRET EN EXCELLENT ÉTAT, PROCHE DU NEUF Un garçon de Tupelo: The Complete 1953-1955 Recordings est la collection définitive des enregistrements d’Elvis de l’ère Sun. Disponible en coffret de luxe 3CD, il s'agit de la collection la plus complète de premiers enregistrements d' Elvis jamais assemblés. De nombreux morceaux sont désormais disponibles pour la première fois dans le cadre de ce coffret, et une performance est un enregistrement récemment découvert de I Forgot To Remember To. Forget (du Louisiana Hayride, Shreveport, Louisiane, 29 octobre 1955) - officiellement publiée pour la première fois. L’incroyable coffret comprend également un livre de 120 pages au format carnet de voyage et agenda illustrant la genèse du début de carrière d’Elvis au travers de faits, anecdotes, souvenirs et de nombreuses photos rares. CD 1: 1. My Happiness 2. That's When Your Heartaches Begin 3. I'll Never Stand in Your Way 4. It Wouldn't Be the Same (Without You) 5. Harbor Lights 6. I Love You Because (unprocessed master edit) 7. That's All Right (45 rpm master) 8. Blue Moon of Kentucky (45 rpm master) 9. Blue Moon 10. Tomorrow Night 11. I'll Never Let You Go (Little Darlin') 12. I Don't Care if the Sun Don't Shine 13. Just Because 14. Good Rockin' Tonight 15. Milkcow Blues Boogie 16. You're a Heartbreaker 17. I'm Left, You're Right, She's Gone (slow version) 18. Baby Let's Play House 19. I'm Left, You're Right, She's Gone 20. I Forgot to Remember to Forget 21. Mystery Train 22. Tryin' to Get To You 23. When It Rains It Pours 24. That's All Right (RCA single version) 25. Blue Moon of Kentucky (RCA single version) 26. I Love You Because (RCA LP version) 27. Tomorrow Night (RCA LP version) CD 2: 1. Harbor Lights (takes 1 - 2, 3/M) 2. Harbor Lights (take 4) 3. Harbor Lights (takes 5 - 8) 4. I Love You Because (takes 1 - 2) 5. I Love You Because (take 3) 6. I Love You Because (takes 4 - 5) 7. That's All Right (takes 1 - 3) 2 8. Blue Moon of Kentucky (slow tempo outtake) 9. Blue Moon (takes 1 - 4) 10. Blue Moon (take 5) 11. Blue Moon (takes 6 - 8) 12. Blue Moon (take 9/M) 13. Dialogue (fragment before 'Tomorrow Night') 14. I’ll Never Let You Go (Little Darlin') 15. Good Rockin' Tonight (fragment from vocal slapback tape) 16I Don't Care if the Sun Don't Shine (takes 1 - 3/M) 17. I'm Left, You're Right, She's Gone (slow version, take 1) 18. I'm Left, You're Right, She's Gone (slow version, take 2) 19. I'm Left, You're Right, She's Gone (slow version, take 3) 20. I'm Left, You're Right, She's Gone (slow version, take 4 - 5) 21. I'm Left, You're Right, She's Gone (slow version, takes 6 - 7) 22. How Do You Think I Feel (guitar slapback tape, rehearsals + take 1) 23. When It Rains It Pours (vocal slapback tape, take 1) 24. When It Rains It Pours (vocal slapback tape, take 2 - rehearsal 1 - takes 3 - 4) 25. When It Rains It Pours (vocal slapback tape, take 5/M) 26. When It Rains It Pours (vocal slapback tape, take 6 - 8) CD 3: 1. That's All Right 2. Blue Moon of Kentucky 3. Shake, Rattle and Roll 4. Fool, Fool, Fool 5. Hearts of Stone 6. That's All Right 7. Tweedlee Dee 8. Shake, Rattle and Roll 9. KSIJ Radio commercial with DJ Tom Perryman 10. Money Honey 11. Blue Moon of Kentucky 12. I Don't Care if the Sun Don't Shine 13. That's All Right 14. Tweedlee Dee 15. Money Honey 16. Hearts of Stone 17. Shake, Rattle and Roll 18. Little Mama 19. You're a Heartbreaker 20. Good Rockin' Tonight 21. Baby Let's Play House 22. Blue Moon of Kentucky 23. I Got a Woman 24. That's All Right 25. Tweedlee Dee 26. That's All Right 27. I'm Left, You're Right, She's Gone 28. Baby Let's Play House 29. Maybellene 30

2 CELLULO CONAN, fils du futur / Conan future boy Offrez vous une pièce original de cette série, mettra en valeur votre collection. Il s'agit donc de feuilles transparentes peintes utilisées lors de la fabrication du dessin animée de la série. Il s'agit de Conan notre héros et l'autre cellulo, c'est les villageois de l'ile (Edenia ?) prise de dimension en cours cm +- PS: les cellulos sont en parfait état,  Import Japon FRAIS DE PORT IDENTIQUE POUR 1 OU PLUSIEURS CELLULOS SHIPPING COMBINED IF YOU TAKE 1 OR 2 CELLS

CD Jimmy Somerville Bronski Beat The Communards The Singles Collection Titres: Smalltown Boy Don't Leave Me This Way Ain't Necessarily So To Love Somebody Comment Te Dire Adieu Run From Love Never Can Say Goodbye Why? You Are My World For A Friend I Feel Love / Johnny Remember Me There's More To Love Than Boy Meets Girl So Cold The Night You Make Me Feel (Mighty Real) Tomorrow Disenchanted Read My Lips Bon état: Disque Vérifié Avec livret (20 pages) Année 1990 Label: London Records, Barclay Pays: France Nombres Titres: 17 Durée: 75,10 Style: Pop, Hi-NRG, Disco Dimension:12,5 cm * 14,2 cm * 1 cm Poids: 130gr CD occasion à vendre à Antony (92160): cd et vinyles à acheter dans les Hauts-de-Seine (92)

Pochette:  sans pochette photo (pochette simple) Disque: semble très bien, non vérifié Pressage MOTOWN original USA. 2 titres très populaires sur le même disque: Laughing Boy & Two wrongs don't make a right, de 1963. Je mets au fur et à mesure ma collection de pop/rock américain et affilié, des pressages américains pour la plupart, qui suivaient le classement Billboard.  La majeure partie de ces disques datent de 1957 à 1965. Merci de regarder de temps en temps, vous pourriez y trouver quelques pépites ! N'hésitez pas à me faire des offres en cas d'achats multiples ! These records are from my personal collection and date for the most part from the 60's.  Most are also original US presses. Please don't hesitate to ask if I may have something you are looking for -- I still have quite a stock ! -- or make an offer ! And do please look from time to time -- you may find something rare ! Postal fees outside France:  Europe 7€; elsewhere worldwide 11€.