Cedar walton plays

Disque et pochette: Near Mint Cedar Walton – Plays Cedar Walton - The Prestige Collection Label: Original Jazz Classics – OJC-6002, Prestige – OJC-6002 Format: Vinyl Pays: US Date: 1988 A1 Short Stuff  6:22 A2 Head And Shoulders 4:12 A3 Twilight Waltz 4:18 A4 Higgins Holler 10:20 B1 Jake's Milkshakes 3:55 B2 Spectrum 5:41 B3 Sabbatical 8:13 (Kenny Dorham,Billy Higgins,Junior Cook,Mickey Roker, Blue Mitchell,etc..)

Demandez pour les frais de port en cas d'achats groupés....... Disque et pochette: Near Mint Cedar Walton – Plays Cedar Walton - The Prestige Collection Label: Original Jazz Classics – OJC-6002, Prestige – OJC-6002 Format: Vinyl Pays: US Date: 1988 A1 Short Stuff  6:22 A2 Head And Shoulders 4:12 A3 Twilight Waltz 4:18 A4 Higgins Holler 10:20 B1 Jake's Milkshakes 3:55 B2 Spectrum 5:41 B3 Sabbatical 8:13 (Kenny Dorham,Billy Higgins,Junior Cook,Mickey Roker, Blue Mitchell,etc..)

Cedar Walton, David Williams, Billy Higgins - The Trio 1 Red Record - VPA 192 1986 IL RARE LP JAZZ   Bon état général, bonne écoute, pochette/disque: VG++/EX. La pochette présente de légères usures. Voir photos. https://www.youtube.com/watch?v=Qf6EETQl3tQ https://www.discogs.com/fr/Cedar-Walton-David-Williams-2-Billy-Higgins-The-Trio-1/release/4493189 LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine - Belgique - Luxembourg: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Royaume Uni - Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal - Autriche: 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME

CD Album CD Code EAN: 0632375602420 Rubrique principale CD: CD Album Titre: Cedar Chest-The Cedar Walton Songbook Date: 25/05/2010 Genre musical: Jazz Classification CDMail: Jazz Classification Cd Primaire: Jazz

Introuvable ! Freddie Hubbard ‎– Hub Cap  US 1966 -  Blue Note ‎– BLP 4073 Extremely rare in such near-perfect condition, see video below Tracklist A1 Hub Cap Written-By – Freddie Hubbard A2 Cry Me Not Written-By – Randy Weston A3 Luana Written-By – Freddie Hubbard B1 Osie Mae Written-By – Freddie Hubbard B2 Plexus Written-By – Cedar Walton B3 Earmon Jr. Written-By – Freddie Hubbard - - Bass – Larry Ridley - Design [Cover] – Reid Miles - Drums – Philly Joe Jones* - Lacquer Cut By – RVG* - Liner Notes – Leonard Feather - Photography By – Francis Wolff - Piano – Cedar Walton - Producer – Alfred Lion - Recorded By [Recording By] – Rudy Van Gelder - Tenor Saxophone – Jimmy Heath - Trombone – Julian Priester - Trumpet – Freddie Hubbard CONDITION: DISQUE / RECORD:  Face 1 / Side 1:  EX   Face 2 / Side 2:  EX  POCHETTE / SLEEVE: VG ++

Introuvable ! LOT 4 X LP ORIGINALS BLUE NOTE !! Art Blakey & Freddie Hubbard – Hub Cap   1 - Freddie Hubbard ‎– Hub Cap /US 1966 -  Blue Note ‎– BLP 4073  2 - Art Blakey And The Jazz Messengers - US1962- Blue Note‎-BLP 4003  3 & 4 - Art Blakey – Orgy In Rhythm Volume one & Two - Blue Note – BLP 1554 / 1555 1 - Freddie Hubbard ‎– Hub Cap /US 1966 -  Blue Note ‎– BLP 4073  Extremely rare in such near-perfect condition Tracklist A1 Hub Cap Written-By – Freddie Hubbard A2 Cry Me Not Written-By – Randy Weston A3 Luana Written-By – Freddie Hubbard B1 Osie Mae Written-By – Freddie Hubbard B2 Plexus Written-By – Cedar Walton B3 Earmon Jr. Written-By – Freddie Hubbard - - Bass – Larry Ridley - Design [Cover] – Reid Miles - Drums – Philly Joe Jones* - Lacquer Cut By – RVG* - Liner Notes – Leonard Feather - Photography By – Francis Wolff - Piano – Cedar Walton - Producer – Alfred Lion - Recorded By [Recording By] – Rudy Van Gelder - Tenor Saxophone – Jimmy Heath - Trombone – Julian Priester - Trumpet – Freddie Hubbard CONDITION: DISQUE / RECORD:  Face 1 / Side 1:  EX   Face 2 / Side 2:  EX  POCHETTE / SLEEVE: VG ++ 2 - Art Blakey And The Jazz Messengers      US 1962 - Blue Note ‎– BLP 4003 - EX  Extrêmement rare dans un état aussi proche de la perfection Extremely rare in such near-perfect condition, see video below Tracklist A1 Moanin' Composed By – Bobby Timmons 9:30  A2 Are You Real 4:45  A3 Along Came Betty 6:05 The Drum Thunder (Miniature) Suite (7:15)  B1.1 First Theme: Drum Thunder  B1.2 Second Theme: Cry A Blue Tear  B1.3 Third Theme: Harlem's Disciples  B2 Blues March 6:15  B3 Come Rain Or Come Shine Composed By – Mercer-Arlen* CONDITION: DISQUE / RECORD:  Face 1 / Side 1:  EX   Face 2 / Side 2:  EX + POCHETTE / SLEEVE: VG ++ 3 & 4 - Art Blakey – Orgy In Rhythm Volume one & Two -  Blue Note – BLP 1554 / 1555 Art Blakey – Orgy In Rhythm - Volume One Blue Note – BLP 1554 Tracklist A1 Buhaina Chant Vocals – Sabu* A2 Ya Ya B1 Toffi Vocals – Art Blakey B2 Split Skins Art Blakey – Orgy In Rhythm - Volume Two  Blue Note – BLP 1555 Tracklist Vol 2 A1 Amuck A2 Elephant Walk Vocals – Sabu* B1 Come Out And Meet Me Tonight Vocals – Sabu* B2 Abdallah's Delight Bass – Wendell Marshall Bongos, Timbales – Sabu* Congas – 'Potato' Valdez*, Jose Valiente Design [Cover] – Harold Feinstein Drums – Art Blakey, Arthur Taylor* Drums, Timpani – Jo Jones, 'Specs' Wright* Flute – Herbie Mann Lacquer Cut By – RVG* Liner Notes – Ira Gitler Percussion [Cencerro], Maracas, Percussion [Tree Log] – Evilio Quintero Photography By [Cover Photo] – Francis Wolff Piano – Ray Bryant Recorded By – Rudy Van Gelder Timbales – Ubaldo Nieto Written-By – Blakey* CONDITION: RECORDS: EX POCHETTES: VG ++

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

Mose Allison ‎– Greatest Hits - The Prestige Collection Label: Original Jazz Classics ‎– OJC-6004, Prestige ‎– OJC-6004 Série: Original Jazz Classics Collections – Format: Vinyl, LP, Compilation, Reissue, Remastered Country: US Sortie: 1988 Genre: Jazz, Blues Style: Country Blues TracklistMasquer Crédits A1The Seventh SonWritten-By – Willie Dixon2:37A2Eyesight To The BlindWritten-By – Sonny Boy Williamson (2)1:44A3Do Nothin' Till You Hear From MeWritten-By – Russell*, Ellington*3:10A4Lost MindWritten-By – Percy Mayfield3:30A5I've Got A Right To CryWritten-By – Joe Liggins2:48A6Baby, Let Me Hold Your HandWritten-By – Ray Charles3:25B1Parchman FarmWritten-By – Mose Allison3:17B2If You LiveWritten-By – Mose Allison2:31B3Don't Get Around Much AnymoreWritten-By – Russell*, Ellington*2:47B4One Room Country ShackWritten-By – Mary Dee Walton*3:00B5I Hadn't Anyone Till YouWritten-By – Ray Noble2:32B6Young Man's BluesWritten-By – Mose Allison1:24B7That's All RightWritten-By – Jimmie Rogers*2:26 Record condition: SLEEVE (pochette) VG+ / RECORD (disque) EX ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple   CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys   GRADING   M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté.   NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible.   EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve   VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition.   VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose.   G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece.