Channel audio

Kit d'accessoires Cuisinières Accessoires électroménager Code EAN: 0071560616352 En-tête / Fabricant: Blesiya Type de Produit: Kit d'accessoires Tranche de poids: 0 à 100 g Titre: TIP41C 5W Mono Channel Audio Stéréo Amplificateur Numérique Nouveau En-tête / Compatibilité: Cuisinières

Kit d'accessoires Cuisinières Accessoires électroménager Code EAN: 0707275509343 En-tête / Fabricant: FFITYLE Type de Produit: Kit d'accessoires Tranche de poids: 100 à 250 g Titre: 2 Pièces TPA3116D2 100W Mono Channel Audio Stéréo Numérique Conseil Nouveau En-tête / Compatibilité: Cuisinières

AUDIO RESEARCH HD 220  HYBRIDE POWER AMPLIFIER  PERFECT CONDITION  FULL WORKING CERTIFIED   IN 240 V  GUENINE BOXE AND NOTICE  SHIPPING COST FOR E.U(DE NL BE LUX IT SP FR) ASK FOR OTHER COUNTRY      NO PAYPAL Specifications Power output: 220 watts per channel into 8Ω (stereo) Frequency response: 0.5Hz to 200kHz Gain: 20.8 dB Input sensitivity: 4V Signal to noise ratio: 112dB Speaker load impedance: 4Ω (minimum) Valve complement: 2 x 6H30, 2 x 6922 Dimensions: 483 x 222 x 495mm Weight: 26.8kg Year: 2007

Channel strip  à lampes haud de gamme pour studio ou home studio exigeant. préampli 610 ligne et micro,eq et compresseur 1176, linkables ou utilisables séparément. en très bon état dans la boite d'origine. acheté en 2011 mais utilisé 4 ou 5 fois seulement donc ce sont les tubes d'origine et sont donc  comme neufs.

Great for clean or dirty, blackface or hot British crunch and exceptionally responsive to the players touch, the Custom Audio OD-100 covers all the basses and gives you maximum flexibility. This is a true top end amp experience that please even the most demanding pro players.   This version of the OD-100 was developed when LA studio legend M. Landau told John Suhr that he'd like the OD-100 Standard+'s Channel 2 to be like an early-70's British amp that he owned and adored. John borrowed Landau's amp and tweaked away, eventually coming up with a brand new Channel 2 and a new output section that duplicated and even surpassed the sound that Mike had come to love. The OD-100 Classic was born! The Channel 2 of the OD-100 Classic has much less gain than Channel 2 of either the OD-100 SE+ or the OD-100 Standard+. It's definitely more of a vintage voicing – like that of cranked non-master-volume amps with EL-34 output tubes – but you have the flexibility of the master volume to get that cranked sound and feel at moderate volume levels. Besides the completely new preamp circuit for Channel 2, the OD-100 Classic features the silver "Plexi-style" output transformer and EL-34 output tubes in the power section for a more authentic vintage British sound.  The OD-100 ML+ complements the OD-100 Classic with more gain on CH2 (think early ZZ Top, late AC/DC, early Van Halen and other classic rock sounds of the 70's and early 80's) with a more forgiving response, which makes it an absolute joy to play. Comes with Feedback and Depth knobs on the back panel. The front panel has the Presence knob which controls the power amp high-end content for both channels. The Feedback knob is essentially a speaker dampening control. It has a center detent which is bypass of the Feedback circuit. Turning it clockwise from the center gives the amp a tighter and more aggressive response with slightly increased volume level. Turning it counterclockwise from center makes the amp feel a little spongier with a more vintage type of a feel and response. 100 watts Front Panel Channel 1 Boost 1, Bright 1, Gain 1, Bass, Middle, Treble, Level 1 Channel 2  Bright 2, Gain 2, Gain 3, Bass, Middle, Treble, Level 2, Level 3 Channel Select

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

For sale a receiver Cambridge Audio 651R It is perfectly working and in very good condition as you can see on the pictures. Not to say you may find blemishes if you want to go looking for them as not brand new, but nothing really serious. Comes with the original box, remote control, and power cord. very safe packaging, shipping to European Union accepted. Power output:     175W RMS per channel, into 6 ohms (two channels driven)     140W RMS per channel, into 8 ohms (two channels driven)     100W RMS per channel, into 8 ohms (all 7 channels driven) HDMI: HDMI 1.4a, EIA/CEA - 861D, HDCP 1.1, ARC and 3D-TV/deep color pass through supported Architecture:     Cirrus Logic CS43122 24-bit 192kHz capable DAC for Front Left & Right     Cirrus Logic CS52526 24-bit 192kHz capable CODEC for surround channels + 24-bit 2 channel A/D Conversion:     Two TI Aureus DA788 32-bit DSPs     Anchor Bay ABT2010 scaler Audio Inputs:     8x Line Level Analog     Tuner (FM/AM)     7.1 multi-channel analog     5x digital co-axial     5x digital optical Video Inputs:     4x HDMI     3x Component Video     4x Composite     4x S-Video Main Audio Outputs:     7x Amplified Speaker Outputs     7.2 Preamp outputs Main Video Output: 2 x HDMI (1.4a), ARC through HDMI A Zone 2 Outputs:     Surround back channels     2.1 preamp audio outputs     Component     S-Video     Composite video Recording Audio Outputs:     2x Line Level Analog     2x Digital Co-Axial     2x Digital Optical Other connections:     1x 1/4" / 6.35mm Headphone Output (32 To 600 ohms recommended)     3x IR emitter outputs, 1 IR Receiver Input (un-modulated)     1x IR Emitter Input (modulated)     1x zone 2 IR emitter input     1x control bus input/output     2x 12V trigger outputs     1x RS232C     1x IEC type mains inlet Power Consumption:     Max: 1400W     Standby:

The Soundweb London Analog Output BluCard is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. This analog card enables Soundweb London devices to send line level signals. The Analog Output Card has two Combicon connectors which are used as follows: Connector 1 Balanced / Unbalanced Audio, Channel 1 - Mic/Line Balanced / Unbalanced Audio, Channel 2 - Mic/Line Connector 2 Balanced / Unbalanced Audio, Channel 3 - Mic/Line Balanced / Unbalanced Audio, Channel 4 - Mic/Line https://bssaudio.com/en/products/analog-output-card Cette carte provient d’une unité BSS neuve. Carte jamais utilisée. Paiement par par Paypal si envoie, en espèce si retrait sur place. International buyers are always welcome, BUT, PLEASE, ASK FOR A SHIPPING QUOTE BEFORE YOU BID!!!! International shipping costs will be adjusted depending on the destination. From 15€ to 32€ En savoir plus

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !

BIAMP SYSTEMS 301 Envois gratuit mondial relay The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: three electronic balanced mic/line input channels 30db rear panel Pad switch on each input channel 40dB screwdriver-adjust Trim on each input channel +10dB Peak LED indicator on each input channel rotary level control on each input channel auto-muting of one channel for “talk-over” applications +24 volt Phantom Power assign switch on each input electronic balanced main output with rotary level control remote control of mail level from up to 2000 feet away main patch insert point for external processing devices main stacking input accepts signals from other mixers screwdriver-adjust tone controls & limiter on main output -20dB Signal Present LED indicator for main output all input/output/control on plug-in barrier strip connectors RoHS compliance and AES grounding practices CE marked and UL listed power source !!Avec alimentation!! !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !!

RTW TouchMonitor TM7-Studio Desktop Audio Meter STUDIO & TABLE TOP VERSION - 8 analog inputs balanced (D-Sub) - 8 digital inputs + 8 digital outputs (4 x AES3 In, 4 x AES3 Out, D-Sub) 7" Desktop TouchMonitor Audio Meter for Audio Production and Post Production The RTW TouchMonitor TM7-Studio is a 7 inch desktop audio meter with a 16:9 TFT touch screen display designed for audio production and post production. TM7-Studio features 8 channel digital AES3-format I/O and 8 channel analog inputs both via D-sub 25p-f. Also includes VGA video signal output, RJ-45 Ethernet connectivity, 2 USB 2.0 ports, a GPIO port and a 24 V DC interlocking power connector Binder 710 type. Comes with Basic Software but a variety of optional software modules are available to expand feature set. Installed software licenses:SW20001: Multichannel ModeThis module expands the signal routing to Mono, Stereo, 5.0 Surround, 5.1 Surround, 7.1 Surround and Multichannel (2 to 8 channels in one block, up to 2 blocks). SW20002: Loudness and SPL DisplayThis module expands the basic stereo PPM with Loudness measuring functions as described in EBU R128, ITU-R BS.1770-3/1771, ATSC A/85, and ARIB guidelines, and the LRA instrument for the graphical display of the Loudness Range. A customer-specific mode allows the user to modify parameters. In addition the module provides the SPL display mode with various weighting filters and integration times as well as reference level adjust to calculate an SPL value from an electrical signal. For signals with more than two channels software module SW20001 is required. SW20003: RTA - Real Time AnalyzerThis module provides on 31 bands a spectral distribution display for single channels, channel pairs or groups plus HP HF band. For signals with more than two channels software module SW20001 is required. SW20004: SSA - Surround Sound Analyzer--- Precondition: Software module SW20002 is already installed! --- This module is a powerful tool for visualizing the interaction of all important parameters of surround signals. The dynamic behavior of all display elements (House display) corresponds to the subjective listening impression, enabling you to see the balance of a surround programme intuitively and at a glance. For signals with more than two channels software module SW20001 is required. SW20005: Radar Display--- Precondition: Software module SW20002 is already installed! --- This module provides a high resolution circular Loudness display for Momentary values and history, enhanced with numerical display of measuring time and two descriptors. The Radar Display equals the Loudness Radar Meter of TC Electronic®. For signals with more than two channels software module SW20001 is required.

YAMAHA RX-V667: Supports 3D and Audio Return Channel over 6 in / 1 out HDMI, CINEMA DSP 3D mode with or without Front Presence Speakers. 1080p upscaling with precise deinterlacing, GUI and SCENE function for your ease of use. 7-channel 105W/ch (max); 7-channel 630W (90W x 7, RMS) 1080p-compatible HDMI (6 in/1 out) incl. front panel input with Deep Colour (30/36 bit) and x.v.Colour HDMI (V.1.4 with 3D and Audio Return Channel) HD Audio decoding with CINEMA DSP 3D (17 DSP programmes) without Front Presence Speakers iPod / iPhone / Bluetooth(R) compatibility Intuitive GUI for ease-of-use More specs on: https://europe.yamaha.com/en/products/audio_visual/av_receivers_amps/rx-v667/index.html

Le lecteur multimédia sans fil Mplifier Audio AUX USB MP3 Home Car 2 Channel Stereo est l'accessoire parfait pour les passionnés de musique qui souhaitent amener leur collection musicale dans leur voiture. Ce lecteur compact et ergonomique est équipé d'une puissante amplification de 55 watts (2x27,5W) qui permettra à vos morceaux préférés de briller à bord de votre véhicule. Il est également équipé d'une connexion USB qui vous permettra de jouer vos fichiers MP3 directement depuis votre clé USB sans avoir à utiliser des câbles supplémentaires. De plus, grâce à sa fonctionnalité Bluetooth version 3.0+EDR, vous pouvez facilement connecter votre smartphone ou autre appareil connectable via Bluetooth pour jouer vos morceaux préférés sans fil ou utiliser les fonctionnalités de lecture voix du GPS ou des appels téléphoniques hands-free. Ce lecteur est également compatible avec les cartes micro SD (jusqu'à 32Go). Il est équipé d'une interface intuitif et facile à utiliser qui vous permettra de naviguer facilement dans vos fichiers musicaux et de régler les paramètres du lecteur tels que l'égalisation, le volume et la réponse du basses. Il dispose également d'un écran LCD qui affiche des informations telles que le nom du fichier actuellement joué, le temps restant avant la fin du morceau et le mode égalisation actif. Ce lecteur peut être facilement installé dans votre voiture grâce à son montage universel qui s'adapte aux tableaux de bord standard des véhicules. Il dispose également d'un adaptateur 12V qui peut être branché directement sur la prise 12V de votre véhicule. Les commandes tactiles intuitives et faciles à utiliser sont situées sur le panneau frontal du lecteur ce qui vous permettra de contrôler tous les paramètres sans avoir à prendre vos mains des roues. Ce lecteur dispose également d'une fonction de pause/play/next/prev pour naviguer facilement dans vos morceaux musicaux sans avoir à prendre vos mains des commandes de votre smartphone ou autre appareil connectable via Bluetooth. Enfin, ce lecteur dispose d'une batterie interne rechargeable qui peut fonctionner pendant jusqu'à 6 heures sans recharge, ce qui vous permettra de profiter de longues heures de musique sans interruption. Le lecteur multimédia sans fil Mplifier Audio AUX USB MP3 Home Car 2 Channel Stereo est donc l'accessoire idéal pour tous les passionnés de musique souhaitant amener leurs morceaux préférés dans leur voiture avec facilité et praticité. Code EAN: 8022044288154. En savoir plus

Vend mixette de reportage Sound Devices 442 + sacoche Petrol + 2 cables de connection camera 4 Balanced XLR Inputs The mixer's flexibility begins with it's 4 balanced XLR inputs. All 4 inputs are individually switchable to accept line or microphone level signals. Direct Outputs Every input features a dedicated output via TA3-male connectors. The direct outs are ideal for feeding individual channel signal to external devices. M-S Decoding Channels 1-2 can be linked for stereo capturing and M-S stereo monitoring. Channel 1 features a phase reverse switch. Variable Gain Continuously variable gain allows level contouring on every channel, resulting in higher signal to noise ratio. Variable Low-Cut Filter Continuously variable low-cut filter dials are located on each channel, eliminating low frequency noise between 80 - 240Hz Peak Limiting Input and output peak limiters eliminate signal over load that can cause noise and distortion.

AIWA AV-D37 Stereo AV Receiver Récepteur / amplificateur Home Cinéma Power output: 100 watts per channel into 8Ω (stereo) Surround output: 60W (front), 60W (center), 60W (rear) Puissant,  polyvalent (propose même une entrée phono), le AV D-37 permet de nombreuses configurations spatiales du son BONNE CONDITION / GOOD CONDITION Des traces d’usage apparaissent, voir mes photos et video: Traces of use appear, please watch my photos and video: https://www.youtube.com/watch?v=2k01temBDsg PARFAIT FONCTIONNEMENT / PERFECTLY WORKING ALL FUNCTIONS NETTOYE / CLEANED IN OUT TESTE COMPLETEMENT / FULLY TESTED LIVRAISON A LA MAISON EN EMBALLAGE  SÉCURISÉ COLISSIMO / CHRONOPOST / UPS SAFE DELIVERY PACKAGING / WORLWIDE DELIVERY   Specifications HiFi Engine: Tuning range: FM, MW Power output: 100 watts per channel into 8Ω (stereo) Surround output: 60W (front), 60W (center), 60W (rear) Frequency response: 20Hz to 20kHz Total harmonic distortion: 1% Input sensitivity: 2.5mV (MM), 250mV (line) Output: 200mV (line) Speaker load impedance: 8Ω (minimum) Video Connections: composite Dimensions: 430 x 155 x 402mm Weight: 10.4kg MANUEL DISPONIBLE GRATUITEMENT SUR HIFI ENGINE ADC - AKG - AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICRO SEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS   3A - AUDAX - B&W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON -  ELIPSON - FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF - KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE -  MISSION -ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE   3M - AGFA - AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY - TANDBERG - TDK A&R CAMBRIDGE - ACCUPHASE - AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX (TOSHIBA) - BANG & OLUFSEN (B&O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE - BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON - CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET - EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON - HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE -  LUXMAN - MARANTZ - MARK LEVINSON - McINTOSH - MERIDIAN - MICROMEGA - MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO - OPTONICA  (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR - PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD  - RADIOLA - REVOX - ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LORENZ - SCHNEIDER - SCIENTELEC - SETTON -  SHERWOOD - SIEMENS - SONY - SOUNDCRAFTSMEN - STAX - STUDER (REVOX) - SUGDEN - SYMPHONIE - TASCAM (TEAC) - TEAC -  TECHNICS - TELEFUNKEN - TELETON - TENSAI (AKAI) - THOMSON - THRESHOLD - TOSHIBA - UHER - UNIVERSUM - WALTHAM - WEGA - YAMAHA    

Sony Receiver STR-D565 5.1 Channel 130 Watt AM/FM AV Stereo Receiver Black Audio Ampli Sony audio-vidéo control center STR - D565.. État : "Occasion" Possibilités de branchement pour : CD, phono, tape/MD, TV/LD et vidéo Possibilité de raccordement pour un système 5.1 Bass, Treble et l'équilibre variable selon la manière dont vous l'installez Loudness, Dolby Surround, Stéréo Multi Channel RCA Sortie casque sans télécommande.

The CT4150, part of the ComTech DriveCore series from Crown Audio, is a 4-channel power amplifier that offers professional audio quality in a slim design. The amplifier has a 1RU chassis, allowing you to install it in any standard equipment rack. It provides 125W per channel into 8 ohms for strong, clear audio with low distortion. DriveCore technology provides excellent efficiency of over 90% for a fantastic performance to power ratio. It does not require a cooling fan, providing silent operation. The amplifier offers flexible input routing, allowing you to send an input signal to any of the 4 outputs. Integrated Life-Safety features and patented feedback and protection circuitry protect the amplifier from damage to ensure a lifetime of reliable operation. A universal power supply lets you use the amplifier internationally, ideal for touring applications. Features: Slim 1RU chassis can be installed in any standard equipment rack Delivers 125W per channel into 8 ohms for strong, clear audio with low distortion DriveCore technology provides excellent efficiency of over 90% for a fantastic performance to power ratio No cooling fan required, providing silent operation Flexible input routing allows you to send an input signal to any of the 4 outputs Integrated Life-Safety features and patented feedback and protection circuitry protect the amplifier from damage to ensure a lifetime of reliable operation A universal power supply lets you use the amplifier internationally, ideal for touring applications

Accessoires Audio Vidéo Code EAN: 5087958397838 Acc. Audio Vidéo / Type: Adaptateur En-tête / Fabricant: Huggfree Titre: USB 5.1 Channel Carte audio externe Carte du son micro adaptateur de casque pour ordinateur portable-noir Tranche de poids: 250 à 500 g Origine_import: All-in-one

English: I am selling this TL Audio Tubetracker m3. It is an 8 channel tube mixer. Each channel has its phase, high pass filter and equalizer. I really like the tone of this machine but can not afford it anymore. Coming with this unit, I give a 4U SKB long rack for the power supply. Also, there is a handmade wood cup that protect all the knobs from dust and accidents. Also, I replaced the original tubes by high quality brand new ones (Mesa Boogie). The original ones will be given in the package in case. This unit does not have the ADAT converter option. Francais: Je vends cette table de mixage à lampe TL Audio Tubetracker M3. Il s'agit d'une table 8 voies. Chaque voie à ses effets (inverseur de phase, filtre passe haut, égaliser). C'est une belle machine mais je n'ai plus les moyens de la garder chez moi. Dans le package que je vends, il y a un rack SKB long 4 unités de hauteur ainsi qu'un couvercle sur mesure fait main pour protéger les potards. Aussi, j'ai remplacé les lampes originales par des Mesa Boogies neuves. Les originales seront placées dans le coffret au cas où. Cette machine n'a pas l'option de conversion analogique numérique ADAT.

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Wohler HRS-1S *2 Channel Self-Powered Speaker System, 2 XLR Inputs. A, B, or A+B Summing Selection.Great Condition.Guaranteed not DOA.** Power Supply is not included.Product DescriptionThe HRS-1S provides self-powered, full-fidelity audio monitoring of 2 analog channels in the smallest space possible (half-width 1 RU). This unit contains two high performance transducers driven by two power amplifiers: one amplifier/driver combination handles midrange and high frequency information, while the second handles summed low frequency information below the 500 Hz crossover point.The unique design allows this unit to fit almost anywhere, and provides optimally focused sound for operators in an ultra near field (1 to 3 ft.) working environment. This provides for a higher SPL for the operator while reducing overall ambient sound and adjacent bay crosstalk.Extended HF response reveals potential problems with audio whine or hiss. Electronic rather than acoustic cancellation of bass frequencies provides positive audible detection of out-of-phase (reversed polarity) audio feeds. A headphone jack is provided on the front panel, usage automatically mutes the speakers. Output limiter circuits are incorporated to protect the speakers, and extensive magnetic shielding allows placement immediately adjacent to video monitors with no color impurities.FeaturesPremium 

Accessoires Audio Vidéo Code EAN: 6424198003652 En-tête / Fabricant: Autre Origine_import: All-in-one Titre: YDA138-E YAMAHA 12W + 12W Dual Channel Amplificateur audio numérique Conseil DC 12V rouge

Enceinte Enceintes Code EAN: 0656852902315 Titre: 12V Power TDA2005 60W Channel Digital Power Audio Sereo Amplifier Board Module AMP Stéréo de Voiture pour Système Audio DIY Haut-parleurs avec Bouton

Accessoires Audio Vidéo Code EAN: 5087958397845 En-tête / Fabricant: Huggfree Titre: Contrôle des boutons USB USB 7.1 Channel 3D Carte audio stéréo pour ordinateur portable Tranche de poids: 250 à 500 g Origine_import: All-in-one

Ampli de puissance Audio Research 150.2 en très bon état esthétique (intérieur et extérieur), ampli révisé pour le transmettre dans de bonnes conditions, fonctionnement parfait, façade irréprochable. 2 X 150 watts en 8 ohms   S'accorde avec préampli, tuner, dac, bloc mono, platine, lecteur, enceintes WELCOME OFFER NO SHIPPING OUTSIDE EUROPE Audio Research 150.2 power amplifier in very good aesthetic condition (interior and exterior), amplifier revised to transmit it in good conditions, perfect functioning, impeccable frontage. 2 X 150 watts into 8 ohms $2,495. Increased to $2,995 on December 1st 2005. POWER OUTPUT 150 watts per channel into 8 ohms, 300 watts per channel into 4 ohms, both channels driven, 1% THD POWER BANDWIDTH (-3dB points) 5Hz to 40 kHz into 8 ohms or 4 ohms FREQUENCY RESPONSE (-3dB points at 1W) 5 Hz to 120 kHz INPUT SENSITIVITY 1.4V RMS for rated output (27 dB Gain) single-ended or balanced INPUT IMPEDANCE 150K ohms single-ended, 300K ohms balanced differential OUTPUT TAPS - OUTPUT REGULATION 0.05 dB 8 ohm load into open circuit OVERALL NEGATIVE FEEDBACK 12dB DAMPING FACTOR 200 DISTORTION - SLEW RATE 15 V/µs. (20% maximum duty cycle) RISE TIME 2.0 µs HUM & NOISE 500 microvolts RMS (96 dB below rated output IHF A-weighted) POWER SUPPLY ENERGY STORAGE 144,000 µF total POWER REQUIREMENTS 100-125VAC 60Hz (200-250VAC 50Hz) 380 watts at rated output (150WPC 8 ohms), 750 watts at 300WPC 4 ohms, 800 watts maximum, 40 watts idle. OTHER Output polarity: Non-inverting from single-ended inputs. Balanced pin 2+ (IEC-268). Output current: 20 amps peak at protective shutdown. 12 VDC trigger and detachable AC power cord. DIMENSIONS 19" (48 cm) W (standard rack panel) x 5 ¼" (13.3 cm) H x 14 ¼" (36.2 cm) D (front panel back). Optional handles extend 1½" (3.8 cm) forward of the ¼" thick front panel. Output connectors extend 0.9" behind rear panel. WEIGHT 30.3 lbs. (13.8 kg) Net; 43.3 lbs. (19.7 kg) Shipping.

appareil de belle carrosserie acoustique  propre bonne puissance 5 x 80 W sans télécommande (égarée car ne servait plus) emballage soigné protégé garanti Yamaha RX-V520rds Audio Video Receiver Specifications Tuning range: FM, MW Power output: 80 watts per channel into 8Ω (stereo) Surround output: 80W (front), 80W (center), 80W (rear) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.06% Damping factor: 60 Input sensitivity: 150mV (line) Signal to noise ratio: 98dB (line) Channel separation: 45dB (line) Output: 150mV (line) Speaker load impedance: 4Ω (minimum) Digital inputs: coaxial, optical Video Connections: composite, SVHS Dimensions: 435 x 151 x 390mm Weight: 10kg

Kit d'accessoires Cuisinières Accessoires électroménager Code EAN: 0786712523890 En-tête / Fabricant: Magideal Type de Produit: Kit d'accessoires Tranche de poids: 0 à 100 g Titre: 2x100W D2 Dual Channel Digital Audio Amplifier Board MagiDeal En-tête / Compatibilité: Cuisinières

Instrument de musique Instruments Code EAN: 7783338699506 En-tête / Fabricant: Autre Origine_import: All-in-one Titre: CT8 8 Professional Channel Stereo Mixer USB Live Studio Audio Console audio + noir

Nagra VII - 2 Channel Universal Digital Audio Recorder with Time Code + Nagra Leather Case Seven TC: Stereo digital recorder, 24/192 with AES 42 and internal 16GB memory delivered with: Battery box and charger, power supply, QCTCU time code cable and instruction manual. In great working and cosmetic condition, like new! Technical specification   RECORDING Internal storage:  Micro SD Flash memory card Removable media:  SD Flash memorycard Disk format:  FAT 16 / 32 Recording Method:   Linear digital PCM, optional:MPEG 1 layer II File type:   16 / 24 bit Broadcast Wave File BWF (WAV) A/D & D/A:  24 Bit Sigma Delta Bit rates:  32 kbits/s up to 384 kbits/sec Tracks: 2 individual Sampling Rate:  44.1, 48, 88.2, 96, 176.4 and 192kHz Recording capacity:   1hr at 24 bit 48 kHz per GB of memory Pre-recording buffer: Programmable Display:  Color LCD touchscreen Level meters:  On colour display   INPUTS Digital input:   XLR 3-pole / AES 42 Analogue inputs:   2 x XLR Microphone (Dynamic, +48V Phantom) / line Mic. input sensitivity: 2.8, 10 and 40 mV/Pa selectable Mic. input noise:  Uin Limiters:   On microphone inputs Line input sensitivity: Adjustable from -6 dBm up to +24 dBm for 0 dBFS recording THD at 1 kHz:  2.8mV Mic Frequency response:  Mic, 10Hz – 75 kHz (+0 – 3dB), Line 10 Hz – 90 kHz (+0 -1dB) (measured on AES out) Signal-to-noise ratio: >110 dB ASA “A” Input level adj. range: 42 dB Mic and from -6 to +24 dB Line Input filters: LFA Internal microphone: On the front panel Crosstalk: Mic >70dB: Line > 110dB   OUTPUTS Analogue line output: XLR 4.4V max (+15 dBm) Crosstalk:  >110 dB Signal-to-noise ratio: >100 dB Digital output: XLR AES-3 (24 bit or 16 bit) THD+N:   Frequency response:  10 Hz – 75 kHz (+0-3dB) Headphones:  Stereo 6.3mm (¼”) Jack 50 Ω Internal speaker:  0.3W   OTHER USB: Micro AB connector M/S Decoder:  Switchable Ethernet:  RJ 45   GENERAL Dimensions:    165 x 175 x 65mm (W x H x D) (Incl. battery box) Weight:   800g (1.75 lbs) (Incl. battery pack) Power supply: External 15V Power Consumption:  Approximately 5W Charge time: Approximately 3 hours Battery life: >5 hours Relative humidity:  From 10% to 99% (non condensing)