Clash story

K7 Audio - The Clash - The Story of The Clash - Volume 1 - Double K7. État : Etat correct, rayures sur le boitier Service de livraison : Lettre verte/Ecopli

The Clash, the story of the Clash volume 1 - Best of, 2CD. État : Très bon état Service de livraison : Livraison en Relais Mondial Relay

THE CLASH - DOUBLE LP 33T VINYL - THE STORY OF THE CLASH VOLUME 1 Réf: CBS 4602441 Pochette: EX Disques: EX +

CASSETTE AUDIO  THE STORY OF THE CLASH  VOLUME 1 (en 2 cassettes) 28 TITRES JE SUIS A VOTRE DISPOSITION, POUR TOUTES QUESTIONS L'ENVOI  S'EFFECTUE SOUS ENVELOPPE BULLES OU COLIS SI PLUSIEUR ARTICLES TARIFS DES FRAIS D'ENVOI GROUPER SUR DEMANDE A TITRE INDICATIF PAR MONDIAL RELAY 3,95 euros jusqu'à 2 kg Pour la France, Belgique et le Luxembourg N'hésitez pas a vous renseigner avant achat.

1 double  album CD " the story of  THE CLASH  "  1 CD album "  THE   SINGLES  " 1 CD du royaume unie "  give em enough rope "    1 CD album remastered original artwork  "london calling "super etat. le  lots

coffret the clash  "the story of the clash" 2x cd + livret  bon état général envoi en mondial relay uniquement: france, belgique, luxembourg:  5€ espagne: 6,80€ allemagne, pays bas: 9,50€ royaume uni: 10,20€ portugal,italie, autriche: 11,20€

ATTENTION PAS DE PAYPAL  NO PAYPAL Disc ex Pochette voir photo LP japan  press  30 stars françaises, 20 000 figurants, 400 techniciens, 100 chars remis en état, 178 lieux de tournage: ainsi que l’impose le genre de la « fresque historique surproduite », la légende de Paris brûle-t-il ? s’est écrite à grand renfort de chiffres. Adaptation pour l’écran du best-seller de Dominique Lapierre et Larry Collins, cette co-production franco-américaine prétendait renouveler en 1966 l’exploit et le succès planétaire rencontrés quelques années auparavant par Le Jour le plus long. La débauche de moyens au service du projet aurait pu écraser le style du réalisateur René Clément; il n’en est rien.  Le choix du noir et blanc et le traitement quasi-documentaire des séquences de combat de rue tranchent de façon radicale avec les images léchés et glacées qui sont habituellement le lot de ce type de production. D’où ce sentiment si particulier d’être plongé au cœur de l’action et plus encore, au cœur de l’Histoire en train de s’écrire. L’ingénieux scénario de Francis Ford Coppola et Gore Vidal n’est pas étranger à cette réussite, mariant brillamment scènes de la grande Histoire et petites histoires d’héros anonymes. En outre, René Clément tire d’efficaces effets de suspens et d’émotion du recours au montage parallèle. Par son rythme plus soutenu et ses gigantesques scènes de liesse, c’est la seconde partie du film qui convainc réellement et emporte l’adhésion du spectateur: René Clément y exalte avec force et panache les beautés de Paris et le pouvoir des masses. Un mot encore sur la musique efficace et entêtante de Jean-Michel Jarre: ponctuant tout le film, la mélodie « Paris en colère » gronde, se cherche, résonne çà et là en variations diverses avant d’exploser, dans les derniers instants du film, dans une vibrante version orchestrale. For the score, Jarre composed five thematic identities; first and foremost he created a waltz for the ages, the Valse Paris, a remarkable free flowing accordion rich French melody, which perfectly captured the beating heart of Paris. Lyricist Maurice Vidalin transformed it into a wonderful song popularized by singer Mireille Mathieu, under the title Paris en colère. For the German identities Jarre composed a march, the Mars Allemand, as well as two motifs, the Menace Motif and von Cholitz’s motif. The Mars Allemand is purposely plodding, grim, strident and oppressive. Twelve pianos were employed to simulate marching footsteps, and were supported by snare drums, timpani and clash cymbals. The attending Menace Motif is simply a shrill, grotesque and dissonant cluster chord, which sows danger and menace, while von Cholitz’s motif offers a stark, dire, and foreboding descending horn line, which never resolves. Throughout the film Mars Allemand and the Menace Motif often join in an unholy synergy, perfectly emoting the danger and ruthlessness of the Germans. Is Paris Burning? is based on the bestselling novel Paris brûle-t-il? by Larry Collins and Dominique Lapierre. Producer Paul Graetz liked the novel and secured film rights as he felt the story had to be brought to the big screen. For his passion project he hired a remarkable team to write the screenplay, which included Gore Vidal, Francis Ford Coppola, Claude Brulé, Jean Aurenche, and Pierre Bost. Graetz then brought in respected director René Clément to manage the project, and they assembled a stellar cast for the ages, which included Alain Delon as Jacques Chaba-Delmas, Jean-Paul Belmondo as Morandat/Pierrelot, Charles Boyer as Monod, Gert Fröbe as Gen. Dietrich von Choltitz, Leslie Caron as Francoise Labe, Orson Wells as Consul Raoul Nording, Kirk Douglas as General Patton, Anthony Perkins as Sergeant Warren, Simone Signoret as Café Owner, Glenn Ford as General Omar Bradley, Robert Stack as General Edwin Sibert, Billy Fick as Adolph Hitler and Yves Montand as Marcel Versini.

A classic work of World War II history that brings to vivid, dramatic life one of the bloodiest battles ever fought - and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. Considered by many historians to be the turning point of World War II in Europe, the Soviet Army's victory foreshadowed Hitler's downfall and the rise of a communist superpower. Best-selling author William Craig spent five years researching this epic clash of military titans, traveling to three continents in order to review documents and interview hundreds of survivors. Enemy at the Gates is the enthralling result: the definitive account of one of the most important battles in world history. The book was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law. Stalingrad, one of the bloodiest battles in the history of warfare, cost the lives of nearly two million men and women. It was perhaps the single most important engagement of World War II and signaled the beginning of the end of the Third Reich of Adolf Hitler. Based on 100s of interviews with survivors of the battle, this text presents the story of the bloody battle. A Shocking, Epic Tale It is hard to put into words this tremendous epic of a book. Beginning with the German 6th Army's confident march towards Hitler's "prize", Stalingrad, the book carefully and descriptively moves through stages the battle from both German and Russian accounts, drawing in the reader from one heart-stopping moment to the next. William Craig does a masterful job of describing the deteriorating situation in the city, the countless lives lost, and the tragedy that occurs during the capitulation and capture of the German 6th Army and its Italian and Romanian allies. All armies involved in the battle suffered immeasurably for what they believed in, and the human cost and brutality described during the battle and its aftermath is breath-taking. Craig also did an unbelievable job of gathering first-hand accounts from the survivors to put the reader directly on the front lines. To learn the whole truth about this tragedy of WWII history I highly recommend this book.