Clock work help me

DOUBLE ALBUM CD 26T de THE BEATLES intitulé 1962-1966    Tracklisting  1Love Me Do2Please Please Me3From Me To You4She Loves You5I Want To Hold Your Hand6All My Loving7Can't Buy Me Love8A Hard Day's Night9And I Love Her10Eight Days A Week11I Feel Fine12Ticket To Ride13Yesterday 14Help!15You've Got To Hide Your Love Away16We Can Work It Out17Daytripper18Drive My Car19Norwegian Wood (The Bird Has Flown)20Nowhere Man21Michelle22In My Life23Girl24Paperback Writer25Eleanor Rigby26Yellow Submarine      ENVOI EN LETTRE SUIVIE

Vend CD Les plus grands hits des années 60-70 -volume 3 bis classic pop, le cd n'ait pas rayer, le boitier n'est pas casser, fonctionne parfaitement. Titres 1 ?Des Dyer & Alan Carvell Ticket To Ride 3:01 2 ?Robbie Baker Reach Out, I'll Be There 3:00 3 ?Leslie Jones The Locomotion Written-By ? Goffin And King 2:09 4 ?Des Dyer & Alan Carvell We Can Work It Out 2:13 5 ?Joanne Garret Stop ! In The Name Of Love 2:50 6 ?Russel Coogan Sweets For My Sweet 2:23 7 ?Claudia Armstrong I Only Want To Be With You 2:38 8 ?Jeff Bruce The Twist 2:34 9 ?Ian Silverton & Alan Carvell Help Me Rhonda 3:04 10 ?Des Dyer & Alan Carvell Day Tripper 2:49 11 ?Tony Adams Hang On Sloopy Written-By ? Bert Russell, Wes Farrell 3:49 12 ?Melissa Stanly I'm Sorry 2:39 13 ?Gaynor Ellen Shout 2:51 14 ?James Dawson Don't Let Me Be Misunderstood 2:21 Le payement uniquement en chèque en euros ou en espèce aucune transaction PayPal possible. le colis sera envoyer après confirmation de la banque. A prendre sur place ou livraison Colissimo ou Mondial Relay. Frais de ports en supplément. Possibilité de livrer à domicile dans un rayon de 40 KMS. (frais kilométrique en supplément) sur garantie de payement. Si cela vous intéresse, veillez me contacter par téléphone merci. CD musique vinyles neuf à vendre à Saint-Chartier (36400): cd et vinyles à acheter dans l'Indre (36)

I have used this book only during my internship with Dharme Dharmadasa in UK. This book help me so much for my work on the thin film solar cells. J'ai utilisé ce livre seulement durant mon stage avec Dharme Dharmadasa en Angleterre. Ce livre m'a beaucoup aidé pour mon travail sur les cellules photovoltaïques.

DURING THE 1970’s, the glorious Sunshine State of Georgia had been a fertile breeding ground for home grown Southern Rock nurturing, amongst others, the Allman Brothers Band, Grinderswitch and the Atlanta Rhythm Section. Doc Holliday, although not as universally well known as those big selling, stubble sporting whiskey soaked troubadours, were an important, nay essential, addition to that linage of respected and revered musicians. Developing a reputation as one of the hottest acts on what was affectionately termed the chittlin’ circuit DH, or Roundhouse as they had been known, eventually courted the ears of various power players in the record business. Wined and dined by the cigar chomping executives at A&M Records they were eventually signed to a major contract in 1980. Introduced to renowned English record producer ‘Colonel’ Tom Allom (Judas Priest, Strawbs, Nantucket) the coupling appeared an unlikely marriage but the natural  bonhomie of both parties proved hugely infectious helping to create one of the most impressive debut albums from a Southern Rock band since the glory days of the Allman Brothers Band and Lynyrd Skynyrd. Embraced by their peers and feted in the media, Doc Holliday’s debut album quickly became the must have Southern Rock record of 1981, a work that is still praised to this very day and cited as one of the highlights of the genre. 24-bit remastering from original source tapes, huge 4,000 word essay about the making of the album and 2 bonus tracks. Tons of additional photos and memorabilia spread out over a 16 page full colour booklet. TRACK LISTING: ‘Ain’t No Fool’, ‘Moonshine Runner’, ‘Magic Midnight’, ‘A Good Woman’s Hard To Find’, ‘Round And Round’, ‘Keep On Running’, ‘Never Another Night’, ‘The Way You Do’, ‘Somebody Help Me’, ‘I’m A Rocker’. BONUS TRACKS: ‘Bad Love’ (Roundhouse Demo), ‘Crazy’ (Roundhouse Demo).

Fremeaux & Associés 1997. Coffret de 2 CD (pictures disc) sous fourreau carton illustré (fendu sur le bord supérieur, & avec petites déchrures & frottis). Contient un superbe livret de 48 pages écrit & dessiné par Siné, ainsi qu'une magnifique lithographie en couleurs (n° 1404), signé par Siné. CD's jamais écoutés. Disque 1: Flying On a V Disc (The Esquire All Stars) - 2. Lazy River (Louis Armstrong) - 3. Your Feet's Too Big (Fats Waller) - 4. Solid Old Man (Rex Stewart And His Feetwarmer) - 5. Koko (Duke Ellington) - 6. One O'Clock Jump (Count Basie) - 7. Blues in the Night, Pts. 1 & 2 (Jimmie Lunceford) - 8. Original Jelly Roll Blues (Jelly Roll Morton & His Red Hot Peppers) - 9. Casanova's Lament (Jack Teagarden, The Capitol Jaz) - 10. 2:19 Blues (Louis Armstrong) - 11. The Man I Love (Coleman Hawkins) - 12. Sweet Lorraine (Nat King Cole) - 13. You're Not the Only Oyster In the Stew (Fats Waller) - 14. God Bless the Child (Billie Holiday) - 15. Blue and Sentimental (Count Basie & His Orchestra) - 16. I'll Be Glad When You're Dead You Rascal You (Louis Armstrong) - 17. Caldonia (Louis Jordan) - 18. That's the Blues (Rubberlegs Williams) / Disque 2: 1. Black and Blue (Louis Armstrong) - 2. All of Me (Billie Holiday) - 3. Pagin the Devil (The Kansas City Six) - 4. Jumpin At the Woodside (Count Basie & His Orchestra) - 5. On the Sunny Side of the Street (Lionel Hampton) - 6. Esquire Bounce (Leonard Feather's All Stars) - 7. Strange Fruit (Billie Holiday) - 8. Nice Work If You Can Get It (Leonard Feather's All Stars) - 9. Slim Jam (Slim Gaillard) - 10. Blue Lester (Lester Young) - 11. Mean to Me (Sarah Vaughan) - 12. Long Tall Dexter (Dexter Gordon) - 13. Night In Tunisia (Charlie Parker) - 14. Salt Peanuts (Al Haig, Dizzy Gillespie) - 15. Yesterdays (Coleman Hawkins) - 16. Things to Come (Dizzy Gillespie) - 17. You Won't Be Satisfied (Louis Armstrong) - 18. The Man I Love (Billie Holiday). Coffret en tirage limité. Disque 1 :   Titre Artiste         1. Flying On a V Disc The Esquire All Stars         2. Lazy River Louis Armstrong         3. Your Feet's Too Big Fats Waller         4. Solid Old Man Rex Stewart And His Feetwarmer         5. Koko Duke Ellington         6. One O'Clock Jump Count Basie         7. Blues in the Night (Pts. 1 & 2) Jimmie Lunceford         8. Original Jelly Roll Blues Jelly Roll Morton & His Red Hot Peppers         9. Casanova's Lament Jack Teagarden, The Capitol Jaz       10. 2:19 Blues Louis Armstrong       11. The Man I Love Coleman Hawkins       12. Sweet Lorraine Nat King Cole       13. You're Not the Only Oyster In the Stew Fats Waller       14. God Bless the Child Billie Holiday       15. Blue and Sentimental Count Basie & His Orchestra       16. I'll Be Glad When You're Dead You Rascal You Louis Armstrong       17. Caldonia Louis Jordan       18. That's the Blues Rubberlegs Williams         Disque 2 :       Titre Artiste         1. Black and Blue Louis Armstrong         2. All of Me Billie Holiday         3. Pagin the Devil The Kansas City Six         4. Jumpin At the Woodside Count Basie & His Orchestra         5. On the Sunny Side of the Street Lionel Hampton         6. Esquire Bounce Leonard Feather's All Stars         7. Strange Fruit Billie Holiday         8. Nice Work If You Can Get It Leonard Feather's All Stars         9. Slim Jam Slim Gaillard       10. Blue Lester Lester Young       11. Mean to Me Sarah Vaughan    

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Negation in English and Other Languages (Classic Reprint) Otto Jespersen Auteur: Otto Jespersen Editeur: Forgotten Books Broché: 156 pages paperback Publication: 25/06/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? The nucleus of the following disquisition is the material collected during many years for the chapter on Negatives in vol. Ill or IV of my Modern English Grammar (abbreviated MEG), of which the first two volumes appeared in 1909 and 1914 respectively (W inter, Heidelberg). But as the war has prevented me (provisionally, I hope) from printing the continuation of my book, I have thought fit to enlarge the scope of this paper by including remarks on other languages so as to deal with the question of Negation in general as expressed in language. Though I am painfully conscious of the inadequacy of my studies, it is my hope that the following pages may be of some interest to the student of linguistic history, and that even a few of my paragraphs may be of some use to the logician. My work in some respects continues what DELBR tJCK has written on negation in I ndo-E uropean languages (V ergl. Syntax 2. 519 if.), but while he was more interested in tracing things back to the ursprache,I have taken more interest in recent developments and in questions of general psychology and logic. With regard to the older stages of Teutonic or Germanic languages I have learned much from B. Delbruck, Germanische Syntax I. Zu den negativen Satzen (S achs. Gesellsch. d. Wissensch. Leipzig 1910), supplemented by G. Neckel, Zu den germanischen Negationen (in Kuhn s Zeitschr. 45, 1912). Of much less value are the treatments of the specially Old English negatives in M. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format o The nucleus of the following disquisition is the material collected during many years for the chapter on Negatives in vol. Ill or IV of my Modern English Grammar (abbreviated MEG), of which the first two volumes appeared in 1909 and 1914 respectively (W inter, Heidelberg). But as the war has prevented me (provisionally, I hope) from printing the continuation of my book, I have thought fit to enlarge the scope of this paper by including remarks on other languages so as to deal with the question of Negation in general as expressed in language. Though I am painfully conscious of the inadequacy of my studies, it is my hope that the following pages may be of some interest to the student of linguistic history, and that even a few of my paragraphs may be of some use to the logician. My work in some respects continues what DELBR tJCK has written on negation in I ndo-E uropean languages (V ergl. Syntax 2. 519 if.), but while he was more interested in tracing things back to the ursprache,I have taken more interest in recent developments and in questions of general psychology and logic. With regard to the older stages of Teutonic or Germanic languages I have learned much from B. Delbruck, Germanische Syntax I. Zu den negativen Satzen (S achs. Gesellsch. d. Wissensch. Leipzig 1910), supplemented by G. Neckel, Zu den germanischen Negationen (in Kuhn s Zeitschr. 45, 1912). Of much less value are the treatments of the specially Old English negatives in M. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format o D'autre ouvrages de Otto Jespersen Mot Clef: Reference Words & Language

Siné: Vive le jazz! de Artistes Divers, Armstrong & His Orc... | CD | d'occasion avec petit live. nombreux dessins de SINE Titre Artiste         1. Flying On a V Disc The Esquire All Stars         2. Lazy River Louis Armstrong         3. Your Feet's Too Big Fats Waller         4. Solid Old Man Rex Stewart And His Feetwarmer         5. Koko Duke Ellington         6. One O'Clock Jump Count Basie         7. Blues in the Night (Pts. 1 & 2) Jimmie Lunceford         8. Original Jelly Roll Blues Jelly Roll Morton & His Red Hot Peppers         9. Casanova's Lament Jack Teagarden, The Capitol Jaz       10. 2:19 Blues Louis Armstrong       11. The Man I Love Coleman Hawkins       12. Sweet Lorraine Nat King Cole       13. You're Not the Only Oyster In the Stew Fats Waller       14. God Bless the Child Billie Holiday       15. Blue and Sentimental Count Basie & His Orchestra       16. I'll Be Glad When You're Dead You Rascal You Louis Armstrong       17. Caldonia Louis Jordan       18. That's the Blues Rubberlegs Williams       Disque 2 :     Titre Artiste         1. Black and Blue Louis Armstrong         2. All of Me Billie Holiday         3. Pagin the Devil The Kansas City Six         4. Jumpin At the Woodside Count Basie & His Orchestra         5. On the Sunny Side of the Street Lionel Hampton         6. Esquire Bounce Leonard Feather's All Stars         7. Strange Fruit Billie Holiday         8. Nice Work If You Can Get It Leonard Feather's All Stars         9. Slim Jam Slim Gaillard       10. Blue Lester Lester Young       11. Mean to Me Sarah Vaughan       12. Long Tall Dexter Dexter Gordon       13. Night In Tunisia Charlie Parker       14. Salt Peanuts Al Haig, Dizzy Gillespie       15. Yesterdays Coleman Hawkins       16. Things to Come Dizzy Gillespie       17. You Won't Be Satisfied Louis Armstrong       18. The Man I Love Billie Holiday

Lot de 50 vinyles 45 tours. Variétés internationales Certaines pochettes sont en très bon état, d'autres présentent des traces d'usure, inscriptions, étiquettes.... (voir photos). Les disques sont en bon état visuel. Les frais de port sont indiqués en Mondial Relay. Level 42: Lessons in love Bobby Goldsbord : Chippin' away Toto Cutugno; Serenata Nikka costa: Maybe UB 40: I think it's going to rain today Umberto Tozzi: Per Angela Sparks: Modesty plays Scotch: Take me up Billy Swan: I can help Sylvester: Band of gold Bros: Sister Blossom child: I pray Al Bano & Romina Power: Tu, soltanto tu Ashaye: Electricity A-ha: I've been losing you Secret service: Ten o'clock postman Aphrodie's child: I want to live Ekseption: 5th symphony Robin Gibb: Juliet The Who: Won't get fooled again Joe Dolan: Lady blue Andrea true connection: More more more Cindy Lauper: Girls just want to have fun Gazebo: Lunatic Level 42: Running in the family Amanda Lear: Follow me Audrey Landers: Manuel Goodbye Latino party: The party Limahl: The never ending story Act: Snobbery & Decay ABBA: Bang-a-boomerang  Bimbo Jet: El bimbo Daniel Boone: Beautiful sunday ABC: That was then but this is now Chris de Burgh: Fire on the water Gibson brothers: My heart's beating wild The gap band: Party train Gemello twins: Slag solution Al Jarreau: Boogie down Freddie & the dreamers: Sunans tuba Mungo Jerry: In the summertime Jennifer: Do it for me Al Corley: Square rooms Crocodile Harris: Give me the good news Brooklyn Express  Sixty nine Boy George: To be reborn Boney M: Sunny Anarchic system: Pop corn KC and the sunshine band: That's the way (I like it) Jimmy James and the vagabonds: I'll go where your music takes me

THE ORIGINAL CAST RECORDING WITH BARBARA DICKSON  MANY BEATLES SONGS:   / HELP/LUCY IN THE SKY/YOU NEVER GIVE ME YOUR MONEY CARRY THAT WEIGHT/WE CAN WORK IT OUT/A DAY IN THE LIFE/I SHOULD HAVE KNOWN BETTER/YOUR MOTHER SHOULD KNOW/WITH A LITTLE HELP FROM MY FRIENDS/PENNY LANE/HERE COMES THE SUN/LONG AND WINDING ROAD COVER/POCHETTE: EX NO WRITINGS/PAS D'ECRITURES !  RECORD: EX LABEL: RSO Année/Year: 1974 The RECORDS  Listed here are sometimes  30 years  to  50 years old. Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170). I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains ! if you have any doubt, don't bid I will not in any case accept any returns ! . Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans. Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !! MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK AT MY OTHER RECORDS. Pour achats groupés (3 disques 45t ou 3 LP) port identique.  Up to three SINGLES  Or two LP'S, same postal price.

Double LP - vinyles rouges The Beatles ‎– 1962-1966 connu sous le nom de "Red Album" Label: Apple Records ‎– PCSPR 717, OC 192 o 05307-8 Format:2 × Vinyl, LP, Compilation, Red Pays: UK Date: 20 Dec 1978 Pochette: VG+ (voir photos) Diques: Near Mint Contient A1 Love Me Do 2:19 A2 Please Please Me 2:00 A3 From Me To You 1:54 A4 She Loves You 2:18 A5 I Want To Hold Your Hand 2:22 A6 All My Loving 2:06 A7 Can't Buy Me Love 2:10 B1 A Hard Day's Night 2:29 B2 And I Love Her 2:28 B3 Eight Days A Week 2:42 B4 I Feel Fine 2:17 B5 Ticket To Ride 3:09 B6 Yesterday 2:03 C1 Help! 2:16 C2 You've Got To Hide Your Love Away 2:07 C3 We Can Work It Out 2:12 C4 Day Tripper 2:49 C5 Drive My Car 2:25 C6 Norwegian Wood (This Bird Has Flown) 2:01 D1 Nowhere Man 2:40 D2 Michelle 2:40 D3 In My Life 2:24 D4 Girl 2:30 D5 Paperback Writer 2:15 D6 Eleanor Rigby 2:04 D7 Yellow Submarine 2:36 Les défauts: pochette extérieure   une des deux pochettes intérieures   Les frais de livraison comprennent les frais de port et d'emballage (boîte, protections, etc...). Expédition rapide dès paiement effectif. En cas d'achat groupé, veuillez attendre la facture avant de procéder au paiement (les frais de port seront recalculés et optimisés). International Ebuyers are welcome ! (trackshipping) Important: pour un envoi à l'étranger, merci de me contacter pour le montant des frais d'envoi avant d'enchérir. Shipping cost towards other countries on request. Please ask me before bidding. code traduction état pochette état disque S  Neuf (scellé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M  Comme neuf La pochette est comme neuve, mais elle n'est plus scellée. Le disque est absolument parfait, comme neuf, mais il n'est plus scellé. NM  Parfait La pochette est parfaite, pouvant néanmoins comporter de très minimes signes d'usure. Par contre le dessin artistique ou la photo de la pochette doivent être aussi impeccables que possible. Le disque est parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. EX Excellent La pochette peut avoir quelques traces discrètes et/ou petits plis. Le disque montre des signes d'avoir été joué (marques lumineuses sensibles), mais la perte de qualité sonore est peu audible. VG+ Très bon + La pochette présente des signes évidents de manipulations: extrémités légèrement cornées, plis, étiquette de prix. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinçon ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont des rayures qui n'affectent pas la qualité sonore d'une manière gênante, mais certains crépitements sont + ou - audibles. VG Trés Bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque à des rayures et marques qui affectent la qualité sonore avec quelques craquements et/ou de rares sauts sur certaines pistes, mais sans gêner la lecture entière d'un disque. G  Bon Pochette et sous pochette présentant de nombreux défauts dus au temps et à l'usure, notamment sur la tranche et les côtés. Elles peuvent être maintenues par du ruban adhésif ou recouvertes par des autocollants. Disque encore en condition acceptable pour être vendu. A l'écoute, il ne saute pas à cause des rayures, mais les craquèlements dus à l'usure sont importants, et les rayures en surface sont bien visibles. P  Passable L'état de la pochette est proche de celui de G avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a du souffle, des sauts et/ou des craquements répétés et nuisibles. On ne distingue pratiquement plus les sillons du disque. B  Mauvais La pochette est très abimée avec des déchirures, des traces et marques d'usure un peu partout. Le disque n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé; dans ce cas il mérite sa place au catalogue uniquement s'il est rare. NA  Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).  Retour

THE   BEATLES    APPLE   2000   CD Pop rock                                27 Titres:          1 Love me do                                                            14 Paperback writer          2 From me to you                                                      15 Yellow submarine          3 She loves you                                                        16 Eleanor rigby          4 I want to hold your hand                                        17 Penny lane          5 Can't buy me love                                                  18 All you need is love          6 A hard day's night                                                  19 Hello,goodbye          7 I feel fine                                                                 20 Lady madonna          8 Eight days a week                                                  21 Hey jude          9 Ticket to ride                                                           22 Get back         10 Help!                                                                      23 The ballad of John and Yoko         11 Yesterday                                                               24 Something         12 Day tripper                                                              25 Come together         13 We can work it out                                                  26 Let it be                                                                                              27 The long and windingroad                               CD:  EXC (avec livret)                            Label: APPLE  2000                           Ref: 29 325    Boitier: VG                                                       ATTENDRE MA FACTURE POUR LES ENVOIS GROUPES                                                     COMBINED SHEPPING, PLEASE WAIT FOR MY INVOICE                           Les disques sont écoutés avant d'être mis en vente      Je ne suis pas responsable des dégats occasionnés lors de l'acheminement par la poste (vol -perte ou casse) aucun remboursement.    Pour les étrangers me contacter avant le paiement (pay-pal seulement)  Les envois se feront obligatoirement en recommandé international  For  foreigners contact me before paying (pay-pal only)  The sendings will make necessarily registered by mail international

THE BEATLES - Past masters - CD - 2009 DISQUE 1 1. Love Me Do (face A du 45 tours du 5 octobre 1962, couplé à P.S. I Love You, mono) 2. From Me to You (face A du 45 tours du 11 avril 1963) 3. Thank You Girl (face B du 45 tours du 11 avril 1963) 4. She Loves You (face A du 45 tours du 23 août 1963, mono) 5. I'll Get You (face B du 45 tours du 23 août 1963, mono) 6. I Want to Hold Your Hand (face A du 45 tours du 29 novembre 1963) 7. This Boy (face B du 45 tours du 29 novembre 1963) 8. Komm, Gib Mir Deine Hand (Lennon/McCartney, Nicolas, Hellern 3,7) (face A du 45 tours allemand du 5 mars 1964) 9. Sie Liebt Dich (Lennon/McCartney, Nicolas, Montaguen 4,8,9) (face B du 45 tours allemand du 5 mars 1964) 10. Long Tall Sally (Johnson, Penniman, Robert Blackwell) (maxi éponyme du 19 juin 1964) 11. I Call Your Name (maxi Long Tall Sally du 19 juin 1964) 12. Slow Down (Larry Williams) (maxi Long Tall Sally du 19 juin 1964) 13. Matchbox (Carl Perkins) (maxi Long Tall Sally du 19 juin 1964) 14. I Feel Fine (face A du 45 tours du 27 novembre 1964) 15. She's a Woman (face B du 45 tours du 27 novembre 1964) 16. Bad Boy (Larry Williams) (tiré de l'album américain Beatles VI du 14 juin 1965) 17. Yes It Is (face B du 45 tours, couplé à Ticket to Ride du 9 avril 1965) 18. I'm Down (face B du 45 tours, couplé à Help! du 23 juillet 1965) DISQUE 2 1. Day Tripper (single « double face A » du 3 décembre 1965) 2. We Can Work It Out (single « double face A » du 3 décembre 1965) 3. Paperback Writer (face A du single 10 juin 1966) 4. Rain (face B du single du 10 juin 1966) 5. Lady Madonna (face A du single du 15 mars 1968) 6. The Inner Light (Harrison) (face B du single du 15 mars 1968) 7. Hey Jude (face A du single du 30 août 1968) 8. Revolution (version « rock », face B du single du 30 août 1968) 9. Get Back (version « single », face A, 11 avril 1969) 10. Don't Let Me Down (face B du single du 11 avril 1969) 11. Ballad of John and Yoko (face A du single du 30 mai 1969) 12. Old Brown Shoe (Harrison) (face B du single du 30 mai 1969) 13. Across the Universe (version publiée le 12 décembre 1969 sur un album de charité intitulé No One's Gonna Change Our World (en)) 14. Let It Be (version « single », face A, 6 mars 1970) 15. You Know My Name (Look Up the Number) (face B du single du 6 mars 1970, mono)

CD de 27 titres en Anglais: -Love me do - From me to you - She loves you - I want to hodyou hand - Can't buy me love - A hard day's night - I feel fine - Eight days a week - Ticket to ride - Help - Yesterday - Day tripper - We can work it out - Paperback writer - Yellow submarine - Eleanor Rigby - Penny Lane - All you need is love - Hello, goodbye - Lady Madonna - Hey Jude - Get back - The ballad of John and Yoko - Something - Come together - Let it be  The long and winding road

CD ALBUM 20 TITRES                                                            STEVIE  WONDER    LOVE.SONGS   20  CLASSIC. HITS    Titres 1. Contract On Love 2. My Cherie Amour 3. Until You Come Back To Me (That'S What I'M Gonna Do) 4. Yester Me, Yester You, Yesterday 5. Never Had A Dream Come True 6. If You Really Love Me 7. Heaven Help Us All 8. Never Dreamed You'D Leave In Summer 9. A Place In The Sun 10. Alfie 11. Hey Love 12. For Once In My Life 13. We Can Work It Out 14. I Was Made To Love Her 15. I Don'T Know Why I Love You 16. Blowin' In The Wind 17. Shoo-Be-Doo-Be-Doo-Da-Day 18. I'M Wondering 19. Nothing'S Too Good For My Baby 20. Signed Sealed, Delivered I'M Yours TRES BON ETAT  ANNEE 1985 Consultez mes autres objets! A BOUTIQUE DE MARIE-CLAIREN’oubliez pas de m’ajouter à votre liste de favoris! Boutiques LA BOUTIQUE DE MARIE-CLAIRE