Composer s

LP CLIFFORD THORNTON / THE JAZZ COMPOSER'S ORCHESTRA THE GARDENS OF HARLEM JCOA Records Virgin / J2004 / 1975 Disque en très bon état classé NM Pochette classée EX (Dessin géométrique sur la sous-pochette correspondant à l'album et inscription manuelle de la date d'achat et un n° de collection sur la partie intérieure  de la pochette) Frais de livraison :  - Lettre suivie pour la France: 7,10 € - Mondial Relay: 4,55 € - reste du monde: lettre suivie internationale 15,00 €

RARE JOHNNY NASH "COMPOSER'S CHOICE" SOUL JAZZ LP 1964 ARGO 4038 (USA édition, 1964 PROMO ! avec note du label Chess / Checker / Argo incluse !)      Pochette: TRES TRES BON (VG+++), voir photos. Disque:  TRES TRES BON (VG+++), léger souffle, trés bonne écoute. Label: EXCELLENT (EX) .   Paiement Paypal ou cheque Port en France Metropolitaine: Jusqu'a 250 g (1 a 3 x 45t): 4,90 € Jusqu'a 500 g (1 x 33 t): 6,50 € Jusqu'a 2 kg (2 a 6 x 33t): 8,50 € Port pour le monde entier: Jusqu'a 250 g (1 to 3 x 45rpm -7inch): 10 € Jusqu'a 500 g (1 x 33 rpm -12inch):      14 € Jusqu'a 2 kg (2 to 6 x 33 rpm -12inch): 23 €

Découvrez ou redécouvrez le classique cultes b'"'Bill b'&' Ted's Excellent Adventureb'"' en version VHS. Sorti en 1990, ce film a captivé les cœurs et esprits de jeunes et moins jeunes à travers le monde avec son humour décalé, ses personnages mémorables et son scénario originale. Synopsis: Alex Winter et Keanu Reeves incarnent les deux héros principaux, Bill et Ted, deux surfistes californiens passionnés de musique et d'histoire, mais surtout déterminés à réussir leur présentation scolaire sur les personnages historiques. Pour cela, ils vont utiliser une machine temporelle improbable conçue par un sage du Moyen Âge, qui leur permettra de rassembler des figures historiques pour les aider à composer une chanson qui sauvera le monde. Caractéristiques du produit: - Format: VHS (Video Home System) - Durée: Environ 90 minutes - Son: Stereo - Image: Couleur - Pays: USA - Sous-titres: Anglais - Édition spéciale: Non, mais c'est la première édition commercialisée - Condition: Excellente, avec une empreinte légère de la date de sortie - Contenu supplémentaire: Aucun, mais la qualité du support original est impeccable - Pochette: Cartonné avec illustrations officielles du film - Référence: 0743214440230 Plongez dans l'aventure pleine de rebondissements et d'humour des deux héros qui, avec leur inébranlable optimisme et leur détermination, font de cette mission temporelle une aventure b'"'excellenteb'"'. C'est une œuvre qui a marqué une génération et qui continue de charmer les spectateurs de tous âges avec son ton doux et sa réflexion sur l'importance de l'amitié et de l'acceptation de soi. Cette vidéo VHS est une occasion unique de s'immisser dans le temps avec Bill et Ted, et de vivre à nouveau leurs exploits à travers un support qui a fait sa place dans l'histoire du cinéma. Ne ratez pas cette occasion de compléter votre collection vidéo avec ce film culte qui a posé les bases d'une franchise déterminée à défier les frontières du temps et de l'espace. En savoir plus

Emmy Nominated Composer  Joseph Stanley Williams - KILLER TRACKS - Heartfelt Storytellers - CD ultra rare Condition: very good No public commercial release. This CD is originally made for audio-visual professionals (Radios/Studios/Cinema/Television). Pas de sortie commerciale pour le publique. Ce CD est à l'origine destiné aux professionnels de l'audio visuel. All CD (excepted sealed ones, of course) are tested individually and entirely, before to put them in sell. Tous les CD (exceptés ceux scellés, bien sûr) sont testés individuellement et entièrement, avant de les mettre en vente.

2 CD Prague Piano Duo Zdenka and Martin Hresl, pianos. 1 - Ferenc Liszt Symphonic Poems Composer's two pianos version Die Ideale, Les Préludes, Hamlet, Mazeppa. Recorded in Prague, February 1997. 1 CD Praga Digitals Distribution Harmonia Mundi EAN 794881404827 2 - Sergey Rachmaninov Suite No. 2, op. 17 for two pianos The isle of the dead, op. 29 - Piano duet transcription - World premiere recording Symphonic Dances op. 45 - Composer's two pianos version Recorded in Prague, december 1998, may 1999. 1 CD Praga Digitals Distribution Harmonia Mundi EAN 794881488926 Revendus tel qu'achetés. Neuf. Scellé. New. Sealed. Frais d'expédition réduits pour plusieurs objets achetés.     Pour toute question, n'hésitez pas à me contacter. Réponse garantie. Voyez mes autres objets en vente.

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

Clifford Thornton & The Jazz Composer's Orchestra ‎ The Gardens Of Harlem JCOA Records ‎– LP 1008 Vinyl, LP, Album USA 1975 Beautiful copy ! Cover is excellent, inside sheet is super clean, original inner, vinyl is perfect!

David Cunningham - Grey Scale - Piano - Piano 001 - UK - 1977 David Cunningham is Ireland composer & founder of the Piano label. His first significant success came with the Flying Lizards single " Money",international hit in 1979. Specialising in studio processes,loop & treatments,D.Cunningham's work has ranged from pop music to gallery installations,including work for television,film or contemporary dance.. He has also worked as a composer & record producer from groups: Owada,This Heat to improvisors: David Toop & Steve Beresford.. Vinyl in great shape,no hairlines,no pop,noisy!!!.Plays excelelnt on two sides. Cover have very little damage on a corners,small folds,wears front/back.Little yellowed around the edges. Only this release on vinyl (never reissued) and hard to find!!!! *VINYL: NM *COVER: VG++/EXC.

ATTENTION: PAS DE CHEQUE, Merci  BRUCE HORNSBY AND THE RANGE THE WAY IT IS  Track Listing 1. The Way It Is, 2. Kiss Every Little 3. The Long Race, 4. Rain Mandolin 5. The River Runs Low, 6. skyline On the Western 7. The Red Plains, 8. The  Wild Frontier, 9. Tonight Down the Road DetailsPlaying Time:43 min.Contributing Artists:Huey LewisDistributor:BMG (distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:ADD Album Notes Producers: Bruce Hornsby, Elliot Scheiner, Huey Lewis.THE WAY IT IS is Bruce Hornsby's first released recording.There isn't a second of Bruce Hornsby & the Range's The Way It Is that suggests it's a debut album. On the contrary, the record sounds like the culmination of a band's efforts over many years. The group has a distinct sound of its own, often led by Hornsby's bright piano chords and elastic tenor, with cohesive and evocative arrangements; there is new age music here, as well as jazz and country, and the mixture is presented naturally by musicians who seem to have been playing with each other for some time. Similarly, the songwriting has its own flavor. Hornsby wrote seven of the nine songs with his brother John Hornsby, and they create their own world, a working-class environment of longing and loneliness set against the background of the Virginia Tidewater area. (The album cover displays a sepia-toned photograph of the band set over another photograph of the long Chesapeake Bay Bridge.) The lyrics are lightly poetic and restrained, for the most part. The exception is the title song (written by Bruce Hornsby alone), a brave if somewhat clumsily written attack on the heartless right-wing politics of the mid-'80s, as the U.S. suffered through a second Reagan administration determined to roll back civil rights gains. The boldness of the statement and the lovely piano theme more than compensate for the awkward writing, however, making the song one of the album's most memorable. And that's saying a lot when the competition includes the engaging "Mandolin Rain" and the appealingly romantic "Every Little Kiss" (Hornsby's other sole writing credit). Perhaps it shouldn't be a surprise that the music is so accomplished. Hornsby was no teenage neophyte when he made it, having kicked around the music business and gotten into his thirties, and the band includes such veterans as David Mansfield, who may be remembered as a member of Bob Dylan's Rolling Thunder troupe and the Alpha Band, as well as being a film composer. Sometimes a debut album just happens to be the first music most people get to hear by a mature talent, and that's the case here on the debut album of the year. (Bruce Hornsby & the Range went on to win the 1986 Grammy Award for Best New Artist.) ~ William Ruhlmann RCA / 1986 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

- Artist: Maurice ANDRE (trumpet), Milan MUNCLINGER (conductor)     - Composer: J.S. BACH       - Title:  6 Brandenburg Concertos  - With: ARS REDIVIVA Pragua Ensemble      Label: Supraphon 80384/85 gold label with black lettering Recording :  1965 Disc type: Vinyl 12"  Pressing: Germany Sound: stereo Number of records:   2 LPs Cover's condition: double gatefold N M+ Record's condition: M+ Records are perfects. I believe played once or never     Shipping/Payment Economy Shipping by Mondial Relay is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! I combine shipping costs for multiple items If you need don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- - Artist: Stefan ASKENASE (piano) - Composer: Frederic CHOPIN - Title: Valses N°6, N°7& N°14, Valse Brillante N°2, Polonaise N°6 Op. 53 "Héroïque", Polonaise N°3 Op. 40 "Militaire" Label: Deutsche Grammophon LPE 17 031 "Alle Hersteller" label Issue: 60's Disc type: Vinyl 10" Pressing: Germany Sound: mono Number of records: 1 LP Cover's condition: NM+ Record's condition: NM+ -   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: Susanna MILDONIAN (harp)     - Composer & Title:  J.S. BACH: Italian Concerto in F major                                  Padre Antonio SOLER: Sonata in D No 5                                 Domenico SCARLATTI: Sonata No 9                                 G. B. PESCETTI: Sonata in C minor                                 Claude DAQUIN: Le Coucou  - Label: Classic 991.095 silver label with  black lettering Release : 1971 Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition:  EX+ Record's condition:  EX+ to NM+     Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

When b'"'Drowning But Learningb'"', CD Audio ENGLISH BELOW Description: Monument de l'avant-garde, les origines de Lars Pedersen remontent à la fin des années 70 avec son travail au sein du légendaire groupe expérimentaliste HOLY TOY. Pedersen a commencé à composer du matériel pour WHEN en 1983 et a constamment développé le concept au cours des années suivantes. Pedersen a atteint un summun, sa stylistique sonore extrêmement illustrative qui couvre l'univers du design par collage, manipule tout, du folk/ethnique, RIO (Rock In Opposition), cartoon schizophréne, paysage sonore poignant, minimalisme hypnotique, environnement industriel/usine massif, pop adhérente et contenu orchestral intense. Site sur le groupe ou l'artiste: Wikipedia. Page sur l'article vendu: blog Nombre de chansons: 14. Maison de disques: Tatra Format: 1 CD. Date de sortie: 1987. Condition du disque: bonne. Condition de la jaquette intérieure: bonne. Condition du boîtier: bonne. EAN: non. When b'"'Drowning But Learningb'"', Audio CD Description: A monument in the avant-garde, Lars Pedersen's origins date back to the late 70's with his work in the legendary experimentalist band HOLY TOY. Pedersen began composing material for WHEN in 1983 and has consistently developed the concept into the next years. Pedersen has reached the peak of his art in this album. His extremely illustrative aural stylistics which spans the universe of cut up/collage design manipulating everything from folk/ethnic, RIO (Rock In Opposition), cartoon schizophrenia, poignant soundscape, hypnotic minimalism, massive industrial/factory environment, adherent pop and intense orchestrative content. Band or artist's web site: Wikipedia. Item's web site: blog Number of tracks: 14. Record label: Tatra Format: 1 CD. Release date: 1987. Disc condition: good Inner sleeve condition: good. CD case condition: good EAN: none. En savoir plus Collaboration commerciale.

- Artist: Marie-Claire ALAIN (organ), Tom KOOPMAN (harpsichord), James CONLON (conductor)     - Composer: Francis POULENC      - Title: Concerto in G minor for organ and orchestra, Concerto "Champêtre" for harpsichord and orchestra   - With: Rotterdams Philharmonisch Orkest      Label: Erato Digital NUM 75210 white/green  label with black lettering Release :  1986 Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition:  NM+ Record's condition: NM++   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: The SWINGLE SINGERS      - Composer:  BACH     - Title:  JAZZ Sebastien BACH          Label: Philips 9286 602/03  label with black lettering Recording : 1968 & 1976   Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   2 LP  Cover's condition:  set EX- Record's condition: NM+ Records are perfects. I believe played once or never     Shipping/Payment Economy Shipping by Mondial Relay is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! I combine shipping costs for multiple items If you need don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- Artist: Dimitre ROUSKOV (conductor)     - Composer:  PiotrIlyitch TCHAIKOVSKI     - Title: ST John Chrysostom Liturgy   - With:  SVETOSLAV OBRETONOV Choir     Label: Harmonia Mundi Balkanton HMU 138 black label with silver  lettering Release :  Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition: G+ gatefol ripped (see picture) Record's condition: EX+   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

No paypal Pas de paiement paypal Virement bancaire à votre charge: à la charge de l acheteur. DISC ex  Piero Piccioni's score to 1971's 'Puppet On A Chain'. It was an action-thriller based on the Alistair MacLean novel of the same name. Enjoy! A1Puppet On A ChainA2Drug DealersA3Psychelic MoodA4LSD PartyA5Narcotics BureauA6EscapeA7Night ClubA8Drugs HypnosisA9The SearchB1Mystery The DiscothequeB2Troubles In The Big CityB3ChaseB4FearB5Love ThemeB6Big ActionB7ObsessionB8The FuneralB9Puppet On A Chain (Finale) Recorded at Shepperton Studios in September 1970.  Edited in 2001. Dug up by John Sloan.  Back cover with information on Alistair Maclean's motion picture Puppet On A Chain and composer Piero Piccioni.  (P) 2001 DC Recordings (C) 2001 DC Recordings  Published by Big City Music Ltd.  Issued under license from Big City Music Ltd.  Made in England ship europe  16.66 euros signed for/ except GREECE ET TURQUIE. Ship to world 34 euros TRACKING & signed for

- Artist: Angelo EPHRIKIAN (conductor)     - Composer:  Jacopo PERI     - Title: Euridice - With: I Solisti de Milano, Milan Polyphonic Chorus        Label: Arcophon ARC 315/16 dark green  label with silver lettering Release : 1966 Disc type: Vinyl 12"  Pressing: France by Harmonia Mundi Sound: stereo Number of records:   2 LPs  Cover's condition: gatefold NM++ Record's condition: M+ Records are perfects. I believe played once or never   Shipping/Payment Economy Shipping by Mondial Relay is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! I combine shipping costs for multiple items If you need don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- Artist: Karl RISTENPART (conductor), Georg-Friedrich HENDEL (violin), Pierre PIERLOT (oboe)    - Composer: W. A. MOZART     - Title:  Sérénade No 4 KV 203, Three  Marchs KV 408 - With:  The Saar Chamber Orchestra     Label: Musidisc 30 RC 703 white/brown  label with black lettering Release :  Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition:  EX+ Record's condition: NM+   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.    MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: Gustav LEONHARDT (harpsichord & conductor), Eduard MÜLLER & Alan CURTIS (harpsichord), - Composer: J-S. BACH - Title: Height Harpsichord Concertos BWV 1053, 1054, 1055, 1056, 1060, 1062, 1063, 1064 - With: Leonhardt Consort - Label: TELDEC 6.48239 label with silver letters Disc type: Vinyl 12" Release: Special Edition 300 years BACH: 1984 Pressing: France Sound: Stereo Number of records: 2 LPs - Cover's condition: gatefold NM+ Record's condition: NM++ (side 2-3-4 look unplayed)     Shipping/Payment Economy Shipping by Mondial Relay is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- Artist: Isaac STERN (violin), Daniel BARENBOIM (conductor)     - Composer: Ludwig Van BEETHOVEN      - Title: Violin Concerto   - With: New York Philharmonic      Label:  CBS " Master Works" 76477 grey label with yellow/black letters Issue:  1976 Disc type: Vinyl 12"  Pressing: Germany Sound: stereo Number of records:   1 LP  Cover's condition: gatefold NM+ Record's condition: NM+   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.    MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: Wolfgang SCHNEIDERHAN (violin & conductor)     - Composer: W. A. MOZART       - Title: The Five Concertos for Violin and Orchestra K. 207, K. 201, K. 216, K. 218, K. 219  - With: Berliner Philharmoniker      Label: Deutsche Grammophon 413 203-1  Recording :  1967 Release: 1984 - Disc type: Vinyl 12"  Pressing: Polygam I.M. Sound: stereo Number of records:   2 LPs  Cover's condition:  Double gatefold  M+ as new Record's condition: M+ Records are perfects. I believe played once or never     Shipping/Payment Economy Shipping by Mondial Relay is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! I combine shipping costs for multiple items If you need don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- - Artist: Liliane BEGUIN (violin), Nicole POISSON-LEPINE (violin), Michel RENARD (cello) - Composer: Henry PURCELL - Title: Sonatas N°2 in E flat major and N°4 in D minor Label: Musique de tous les temps N° 28 black label with silver letters Issue: 1963 - Disc type: Vinyl 7" 33 RPM Pressing: France Sound: Mono Number of records: 1 Cover's condition: EX+ Record's condition: NM+ -   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 7 € 11 € 13 € 13 € 2-3 LPs 11 € 17€ 22 € 22 € 4-5-6 LPs 13 € 22 € 28 € 28 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       Powered by Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

- Artist: Jorg DEMUS (Piano)      - Composer:  Claude DEBUSSY   - Title: The Complete Piano Works / L'Oeuvre pour Piano Intégrale -      Label: Harmonia Mundi HMD 34.743/750 Release : Disc type: Vinyl 12"  Pressing: France Sound: Stereo Number of records:  8 x LP  Cover's condition: box and booklet in French EX+ Record's condition: NM+ several inaudible hair lines on one record. The other records are perfect,   Shipping/Payment Economy Shipping is possible to France, Belgium, Luxembourg, Germany, UK, Spain, Italy, Portugal, Austria.  Don’t hesitate to contact me !!! I combine shipping costs for multiple items If you need don’t hesitate to contact me !!! Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.    MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU   Powered by The free listing tool. List your items fast and easy and manage your active items.

Shinichi Osawa, better known by his stage name Mondo Grosso, is a Japanese musician, DJ, record producer and composer currently signed onto Avex Trax's Rhythm Zone label. Previously he was signed to Sony Music Japan's FEARLESS RECORDS division and released albums under the title of Mondo Grosso

Tri Yann ‎– Le Vaisseau De Pierre LP vinyl 33t ENKI BILAL. État : Occasion Un superbe objet de collection,il s'agit ici d'un disque vinyle dont la pochette (ouvrante / gatefold) reprend l'illustration de l'album de bande dessinée du même nom par Enki Bilal et Pierre Christin, album dont Tri Yann se sont par ailleurs librement inspirés pour composer ce disque, mélange de folk, rock, musique bretonne et science fictionà écouter et/où à exposer (je peux, sur demande, fournir un cadre spécial pour exposer les pochettes de disquesvéritable objet de collectionLabel: Marzelle ‎– 834 724-1Format: 2 × Vinyl, LP, AlbumCountry: FranceSortie: 1988Genre: Rock, Folk, World, & CountryStyle: Folk Rock, Folkprotégé sous pochette plastiquela pochette est en excellent étatles disques ont été nettoyés. L'un d'eux est un peu voilé, mais je l'ai écouté, et hormis quelques légers craquements ici et là, la qualité d'écoute est très bonneremise sur Dinan ou envoi mondial relay (plus vous en prenez, plus les frais d'expedition sont avantageux)d'autres disques, cd et vinyle, en ventegrand choixJ'ai beaucoup d'autres pochettes de disques, cd ou vinyls, illustrées par des grands noms de la Bd, du comics ou du manga (Bilal, Moebius, Tardi, Manara, Druillet, Sienkiewicz, Dave Mckean, yoshitaka Amano,...) n'hésitez pas à demander, ça fait de magnifiques cadeaux à offrir ou s'offrir

Bande magnétique enregitrée JAZZ DICK CARY HOT AND COOLannée 1958 Label stéréo craft quality brand Diamètre 180 mm Avec sa boîte d’origine état d’usage mais complète Bande magnétique bon état avec son amorce métallique pourmagnétophones auto reverse et arrêt automatique Poids 325 grammes RichardDurant Cary (10 juillet 1916 - 6 avril 1994) étaitun trompettiste, compositeur et arrangeur de jazz américain. Cary a obtenu unbaccalauréat en musique de l'Université Wesleyan en 1938 et a commencé àtravailler dans le Connecticut et à New York. Il a décroché un travail solo àtemps plein chez Nick's à Greenwich Village à New York en 1941(jusqu'en 1943) et a joué avec Joe Marsala en 1942. En 1943, il aégalement travaillé comme arrangeur pour Benny Goodman et a joué avec le Casa Loma Orchestra et Brad Gowans . Lors d'un passage dansl' armée en 1944-46 stationné à LongIsland, il a réussi à continuer à enregistrer avec Muggsy Spanier et Wild BillDavison entre autres. Après sa libération, il a travailléavec Billy Butterfield, puis était pianiste dans laformation initiale des All-Stars de Louis Armstrong en 1947-1948. En1949-1950, il fait partie de l' orchestre de Jimmy Dorsey et, dans les années 1950,travaille avec Eddie Condon , Pee Wee Russell , Max Kaminsky , Bud Freeman , Jimmy McPartland , et commence en 1957 unecollaboration à long terme avec Bobby Hackett au Henry Hôtel Hudson à NewYork. Lorsque cet engagement apris fin en 1959, il a déménagé à Los Angeles, où il est devenu un musicien indépendant, en tournée eten studio . Il a également commencé à écrireet à organiser de la musique pour les Tuesday Night Friends, qui seréunissaient chez lui tous les mardis pendant des décennies, une tradition quis'est poursuivie après son décès. Le groupe a rarement été entendu par lepublic, sauf pour des apparitions annuelles au Los Angeles Classic JazzFestival et au Sacramento Jazz Jubilee. Dans les derniers jours desa vie, certaines de ces répétitions ont été enregistrées, formant la base dela sortie posthume Dick Cary and HisTuesday Night Friends Playing Dick Cary Originals . Le groupeen cours, dirigé par Dick Hamilton, a enregistré l'album Tuesday Night Friends: Catching Up deDick Cary en 1997. Cary a également accordé une longue interview àFloyd Levin en 1991. Sa vie fait l'objet de la bio-discographie Strictly a Musician: Dick Cary deDerek Coller, publié en 2012. Entant que chef ·      DixielandGoes Progressive (Golden Crest, 1957) ·      Hot and cool (Stereo-Craft, 1958) ·      DickCary et ses Doodlers Dixieland ( Columbia , 1959) ·      L'incroyableDick Cary (Riff, 1975) ·      Actescaliforniens (1981) ·      DickCary et ses amis du mardi soir ( Arbors , 1996) ·      Rattrapage (Klavier,1999) paiementpar virement bancaire uniquement IBAN: FR 46 3000 2069 0000 0002 4032Y54 expéditionsécurisée monde entier sauf afrique et moyen orient frai variables selon paysde destination pas d’ expédition par mondial relay par suite nouvelles rêgles /leboncoinveuillez voir mes 250 évaluations positives avec le pseudo phonantic_7 ancien merci d’avance JAZZ DICK CARY HOT AND COOL RecordedMagnetic Tape Year 1958 Stereo label craft quality brand Diameter 180 mm With its original box in usedcondition but complete Magnetic tape in good condition withits metal primer for auto reverse and auto stop tape recorders Weight 325 grams Richard Durant Cary (July 10, 1916 -April 6, 1994) was an American jazz trumpeter, composer and arranger. Cary graduated from WesleyanUniversity with a Bachelor of Music degree in 1938 and began working inConnecticut and New York. He landed a full-time solo job at Nick's in GreenwichVillage, New York in 1941 (until 1943) and played with Joe Marsala in 1942. In1943 he also worked as an arranger for Benny Goodman and played with the CasaLoma Orchestra and Brad Gowans. During a stint in the army in 1944-46 stationedon Long Island, he