Controlled stereo

REVOX B710 Microcomputer Controlled Stereo Tape Deck Type: lecteur de cassettes compact simple Système de pistes: 4 pistes, 2 canaux stéréo Vitesse de bande: 4,78 cm/s Moteur: 2 x bobine, 2 x cabestan Type de bande: type I, CrO2, métal Réduction du bruit: B, C Réponse en fréquence: 30 Hz à 20 kHz (bande métallique) Rapport signal/bruit: 72 dB (Dolby C) Pleurage et scintillement: 0,1 % Distorsion harmonique totale: 1,5 % Entrée: 70 mV (ligne), 0,7 mV (micro) Sortie: 0,775 V (ligne) Dimensions: 452 x 151 x 352 mm Type: single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.78 cm/s Motor: 2 x reel, 2 x capstan Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 30Hz to 20kHz (Metal tape) Signal to Noise Ratio: 72dB (dolby C) Wow and Flutter: 0.1% Total Harmonic Distortion: 1.5% Input: 70mV (line), 0.7mV (mic) Output: 0.775V (line) Dimensions: 452 x 151 x 352mm NE S'ALLUME PAS. VENTE SANS AUCUNE GARANTIE. POUR PIÈCES!!! Les photos sont la partie de la description. Vous achetez ce que vous voyez. Pour toutes questions ou photos supplémentaires, n'hésitez pas à me contacter. Attention! Le prix de la livraison varie en fonction du pays. Demandez-moi le prix de la livraison, s'il vous plaît. En savoir plus Collaboration commerciale.

AMPLIFICATEUR  ONKYO INFRARED WIRELESS REMOTE CONTROLLED STEREO AMPLIFIER RI A-RV400 IL FONCTIONNE PARFAITEMENT   QUELQUES RAYURES  (VOIR PHOTOS) N'OUBLIEZ PAS DE VISITER MA BOUTIQUE OU D'AUTRES OBJETS DE HIFI S'Y TROUVENT

REVOX B780 Microcomputer Controlled Synthesizer FM Tuner Amplifier Caractéristiques Plage de syntonisation: FM Puissance de sortie: 80 watts par canal en 8Ω (stéréo) Réponse en fréquence: 20 Hz à 20 kHz Distorsion harmonique totale: 0,03% Facteur d'amortissement: 100 Sensibilité d'entrée: 3 mV (MM), 150 mV (ligne) Rapport signal / bruit: 73 dB (MM), 90 dB (ligne) Sortie: 0,85 V (pré-sortie) Dimensions: 452 x 151 x 420 mm Specifications Tuning range: FM Power output: 80 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 100 Input sensitivity: 3mV (MM), 150mV (line) Signal to noise ratio: 73dB (MM), 90dB (line) Output: 0.85V (Pre out) Dimensions: 452 x 151 x 420mm L'amplificateur s'allume. Il n'y a pas de son. Uniquement pour pièces. Sans aucune garantie. Les photos sont la partie de la description. Vous achetez ce que vous voyez. Pour toutes questions ou photos supplémentaires, n'hésitez pas à me contacter. Attention! Le prix de la livraison varie en fonction du pays.  Demandez-moi le prix de la livraison, s'il vous plaît. Ask for shipping costs. Shipping to the islands is more expensive.

PIONEER CT-506 Stereo Cassette Tape Deck Type: 2 têtes, platine cassette compacte simple Système de piste: stéréo 4 pistes, 2 canaux Vitesse de bande: 4,75 cm/s Têtes: 1 x enregistrement/lecture, 1 x effacement Moteur: CC à commande électronique Type de bande: type I, FeCr, CrO2 Réduction du bruit: B Réponse en fréquence: 30 Hz à 16 kHz (bande Cr02) Rapport signal sur bruit: 64 dB (dolby B) Wow et Flutter: 0,05 % Distorsion harmonique totale: 1,5 % Entrée: 65 mV (ligne), 0,3 mV (micro) Sortie: 0,7 V (ligne) Semi-conducteurs: 24 x transistors, 13 x diodes, 2 x IC Dimensions: 380 x 140 x 261 mm Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically controlled DC Tape Type: type I, FeCr, CrO2 Noise Reduction: B Frequency Response: 30Hz to 16kHz  (Cr02 tape) Signal to Noise Ratio: 64dB  (dolby B) Wow and Flutter: 0.05% Total Harmonic Distortion: 1.5% Input: 65mV (line), 0.3mV (mic) Output: 0.7V (line) Semiconductors: 24 x transistors, 13 x diodes, 2 x IC Dimensions: 380 x 140 x 261mm Très bon état esthétique. Ne fonctionne pas. Pour pièces. Les photos sont la partie de la description. Vous achetez ce que vous voyez. Pour toutes questions ou photos supplémentaires, n'hésitez pas à me contacter. Attention! Le prix de la livraison varie en fonction du pays.  Demandez-moi le prix de la livraison, s'il vous plaît. Ask for shipping costs. Shipping to the islands is more expensive.

belle carrosserie, proche du neuf COURROIES A CHANGER ampoule eclairage vu mètre droit à changer emballage super serieux garanti Pioneer CT-506 Stereo Cassette Tape Deck (1978-80) Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically controlled DC Tape Type: type I, FeCr, CrO2 Noise Reduction: B Frequency Response: 30Hz to 16kHz  (Cr02 tape) Signal to Noise Ratio: 64dB  (dolby B) Wow and Flutter: 0.05% Total Harmonic Distortion: 1.5% Input: 65mV (line), 0.3mV (mic) Output: 0.7V (line) Semiconductors: 24 x transistors, 13 x diodes, 2 x IC Dimensions: 380 x 140 x 261mm Weight: 5kg Year: 1978

TECHNICS RS-B16 STEREO CASSETTE DECK LECTEUR A CASSETTE AUDIO TECHNICS RS-B16 In excellent condition. All functions have been checked. Controlled scrolling speed. Heads cleaned and demagnetized / Very well maintained equipment. En excellent état. Toutes les fonctions ont été controlées. Vitesse de défilement controllée. Têtes nettoyées et démagnétisées / Matériel très bien entretenu. Specifications Type: 2-head, single compact cassette deck Track system: 4-track, 2-channel stereo Tape speed: 4.8 cm / s. Heads: 1x record / playback, 1 x erase. Motor: 1 x DC. Type tape: type I, CrO2, metal Noise reduction: Dolby B, DBX Frequency range: 20Hz to 17kHz (metal tape) Signal - noise ratio: 92dB (DBX) Dimensions: 430 x 108 x 220 mm Weight: 3.2 kg Year: 1978 Very good cosmetic condition  (See pictures)  Works fine. All the lights work as well. Très bel état cosmétique (voir photos) Fonctionne très bien. Les lumières fonctionnent elles aussi. Shipping & Handling fees / Frais d'expédition - France: 14.00 USD (Mondial Relay) - Europe: 30.00 USD (Mondial Relay is possible for some countries. Please ask before paying) - Other countries: 80.00 USD - DOM-TOM: Contact me / Me contacter ALL THE ITEMS ARE SHIPPED INCLUDING COMPULSORY INSURANCE TOUS LES ARTICLES SONT EXPEDIES ASSURANCE COMPRISE OBLIGATOIRE Payment methods / Modes de règlement - France: Paypal, chèque ou virement - Other european countries / America / Asia: Paypal   PLEASE CONTACT ME FOR ANY FURTHER INFORMATION ABOUT THIS ITEM YOU WOULD NEED N'HESITEZ PAS A ME CONTACTER POUR TOUTE INFO COMPLEMENTAIRE

Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically controlled DC Tape Type: type I, CrO2 Noise Reduction: B Frequency Response: 30Hz to 14kHz  (Cr02 tape) Signal to Noise Ratio: 62dB  (dolby B) Wow and Flutter: 0.05% Total Harmonic Distortion: 1.5% Input: 77.5mV (line), 0.2mV (mic) Output: 0.39V (line) Dimensions: 400 x 139 x 287mm Weight: 4.9kg Finish: black Year: 1980

TECHNICS M10 Platine cassette Deck Fontionnement ok Tête de lecture ok (démagnétisée) Eclairage ok Esthétique: très bien, propre Spec: Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically controlled Tape Type: type I, FeCr, CrO2 Noise Reduction: B Frequency Response: 25Hz to 15kHz  (Cr02 tape) Signal to Noise Ratio: 66dB  (dolby B) Wow and Flutter: 0.06% Input: 60mV (line), 0.25mV (mic) Output: 0.42V (line) Dimensions: 430 x 142 x 251mm Envoi avec Mondial Relay pour un envoi UE hors France, me demander

matériel propre A REVISER -avance rapide Ok -retour rapide ok - lecture & enregistrement: ne démarre pas emballage soigné garanti Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically speed controlled DC Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 30Hz to 18kHz  (Metal tape) Signal to Noise Ratio: 73dB  (dolby C) Wow and Flutter: 0.04% Total Harmonic Distortion: 0.8% Input: 70mV (line), 0.25mV (mic) Output: 0.41V (line) Dimensions: 440 x 103 x 273mm Weight: 3.9

Serpent Audio - stereo compressor SB4001 - 500 format. For more informations:  - Quad VCA’s (For Superior Dynamic Range) - Electronically Balanced - True Bypass (Relay Controlled) - Protection From 48V Phantom Power - Ratios – 1.5,2,4,6,8,10 - Attack Times (Stepped) –.1,.3,1,3,5,10,15,20,25,30,40,50 - Release Times (Stepped) –.3,.6,1.2, Classic Auto release (A1), Alternate Auto Release (A2) - Release Times (Variable – Engaged By Last Position On Stepped Switch) – Any Time From.1 Sec to 1.2 Sec - Sidechain Filters – 60Hz, 90Hz, 120Hz, Boost Mode, Slope Mode - Wet/Dry Blend (For Parallel Processing) - “Grind” Mode – Special Valve Style Harmonic Drive Mode, adding vintage color - External/Key Input – Accepts Balanced or Unbalanced Inputs (inserted before sidechain filters) - Gain (-6 to +18) - Premium Grayhill Rotary Switches - Premium Sealed Pots - All Machined Aluminum Knobs

Cabasse Stream Source BT Streamer/Network Player DLNA server DAC 24 bits. Selling my beloved trustworthy network streamer and DLNA server from Cabasse. After I've pourchased an amp with integrated streaming capabilities, this one is getting dusted and it's a shame, it's a wonderful streamer / network player / server, highly regarded by the audiophile community. It is in great condition and working perfectely, comes with power supply but no remote, lost it as I never used it, I've always controlled the streamer through the app. Will be extremelly well packaged! Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"'The Cabasse Stream Source network player was awarded the Masterpiece 2015 prize awarded by the Festival Son et Image in the category of best connected products.b'"' b'"'What’s more, the visceral quality of the music was evident in full effect and kept me glued to the seat for the duration of the piece. The Stream Source sounds slightly midrange forward by the strictest standards of neutrality. It pulls out detail that makes voices distinctive and orchestra’s expansive, as on Daniel Barenboim’s Beethoven 7. With the server in tow Patricia Barber’s ‘Bye Bye Blackbird’ [Nightclub, Premonition] delivers a good deal of its image scale and atmosphere, this thanks to low noise and the supremacy of the recording. It really puts you in the room, a pretty good result for a shiny black pebble!b'"' - HiFiPlus The Cabasse Stream Source wireless network player and audio DAC is equipped with Ethernet, WiFi and Bluetooth apt-X network controllers, as well as a USB port for playing and sharing MP3, WMA, AAC or FLAC audio files up to at 24 bits and 96 kHz on a home network. It is also Google Home compatible to be controlled by voice! The Cabasse Stream Source can be connected to any amplifier equipped with a stereo analog input, a DAC or an amplifier equipped with S/PDIF digital inputs. Controlled via its remote control or, better, with the Cabasse application available for iOS or Android mobile devices (iPhone, iPad, Galaxy S3/4, Nexus 4/5/7/10, etc.), the Cabasse Stream Source can decode many digital files, whether stored on the mobile device or shared by a computer or NAS on the home network. Thanks to the Cabasse mobile application, web radios or music from the Deezer service can be streamed and decoded by the Cabasse Stream Source. Direct pairing with a Bluetooth smartphone or tablet is facilitated by NFC technology support (just bring the device close to the Stream Source). Audio playback of any file is then possible, or even listening to music from Youtube or Spotify for example. Another strong point: sharing audio files from a USB key or hard drive is child's play. No settings are required and the contained files are automatically shared on the local network, according to the DLNA / UPnP protocol. In other words, any home theater amplifier, network player, smartphone, tablet or wireless speaker connected to the home network can play files shared by the Cabasse Stream Source. Compact, easy to install with its support for the WiFi WPS communication protocol, the Cabasse Stream Source makes it easy to listen to digital music and even share it. youtube.com/watch?v=GNTNA3ovYrA Bluetooth and DLNA audio player-streamer (via WiFi and Ethernet) DLNA audio file server (via USB port) 24-bit/96kHz audio DAC with stereo RCA analog output S/PDIF digital outputs Bluetooth apt-X and NFC Remote App control Google Home compatible (voice control) Connections 1x USB port (for stick or hard drive) 1x RCA stereo analog output 1x Optical Toslink S/PDIF output Audio formats played WAV, FLAC, WMA, AIFF, AAC, ALAC and MP3 General Dimensions (wxhxd): 231 x 40 x 136 mm Weight: 500g Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / if En savoir plus Collaboration commerciale.

Chaîne Hi-fi JVC 6 éléments dont platine. État : Occasion - SEA-M770 Computer controlled S.E.A. Graphic Equalizer - XL-Z444 CD Compact Disc player - FX-1100 FM/AM Computer controlled Tuner Quartz lock - TD-W777 Stereo Double cassette deck - AL-FQ555 Quartz locked Fully automatic turntable system  - AX- Stereo Integrated amplifier Dynamic Super-A

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Mc2 Mc750 Power Amplifier. In very good condition Fans have been upgraded with noctuas which are way more silent compared to the originals Description: MC750 digitally controlled power amplifier represents the latest technology in control circuitry coupled to a no compromise high quality class AB power amplifier. There is no dynamic switching of theaudio or power rails (a very common method of achieving extra power at the expense of audio quality) thus ensuring optimum sonic performance. The digital control monitors the operating parameters and adjusts the amplifier to suit the conditions. Fan speed and supply rails are varied as required to keep the amplifier within its temperature limits. The levels are adjusted by specially selected, high performance, digitally controlled attenuators. Signal limiters are included, the attack and release times of which can be adjusted internally by the bit switches on the control PCB (printed circuit board). The amplifiers include full DC and short circuit protection which automatically re-connects when the fault is cleared. Specifications: Power output: 625 watts per channel into 8Ω (stereo), 2150W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 400 Gain: 31 dB Input sensitivity: 1.5V Signal to noise ratio: 106dB Speaker load impedance: 2Ω (minimum) Dimensions: 480 x 88 x 410mm Weight: 18.5kg

Le lecteur SACD multi-sources English description at the end Le MP 2500 R est le plus récent et le plus sophistiqué des lecteurs multi-sources et PCM / DSD DAC série R.  Le MP 2500 R est construit conceptuellement et technologiquement comme le MP 2000 R MKII. Les deux appareils sont spécialement conçus pour la lecture sans compromis de données audio haute résolution. Au lieu d'un lecteur de CD, nous avons équipé le MP 2500 R de notre tout nouveau lecteur SACD du SACD MP 3100 HV haut de gamme. Comme dans le MP 2000 R, nous utilisons notre convertisseur quadruple différentiel double supérieur avec traitement de tous les signaux numériques pour convertir les données PCM. Pour les données DSD, le convertisseur DSD analogique 1 bit T + A True unique est utilisé, qui ne convertit pas les données DSD mais les traite nativement en flux binaire. Cela signifie que même les données DSD jusqu'au DSD 512 provenant de l'entrée USB du tableau de connexion numérique peuvent être reproduites avec la meilleure qualité. En tant que client de streaming, le député a 2 500 R obtenir le T + un conseil en continu de haute résolution, qui permet non seulement la plus haute résolution, mais aussi l'utilisation de différents services de musique, radio Internet et la connexion au réseau domestique via LAN et WLAN, le mode maître USB et streaming HD à partir de serveurs de réseau.L'excellent accordeur sonore est compatible FM, FM-HD et DAB +. Un module de diffusion Bluetooth de haute qualité pour la transmission de musique depuis des appareils mobiles est également installé. Le fonctionnement du PM 2500 R, ou même un système R ensemble, via le FM1000 de commande à distance infrarouge ou au mieux sur l'application de contrôle T + A. Cela a servi, par opposition aux applications de nombreux autres fabricants, notre équipement est complet dans toutes les fonctions et montre non seulement les informations du client de streaming, mais aussi le contenu d'affichage de toutes les sources, telles que le nom de la station et le texte de la radio lors de l'opération FM. En option, la télécommande bidirectionnelle FD 100 peut être utilisée. Il ne représente pas seulement l'affichage de l'appareil, mais couvre également l'art. lecteur SACD drive Précision entraînement linéaire. Système laser double: SACD: 650 nm, CD: 785 nm formats SACD Stéréo, CD / DA, CD-R, CD-RW, SACD / CD Text Réponse en fréquence et dynamique SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB Streaming client formats MP3, WMA, AAC, OGG Vorbis, FLAC, WAV, AIFF, ALAC débits de données PCM 32... 192 kHz, 16/24 bit; MP3 jusqu'à 320 kbits, débit constant et variable traits Lecture Gapless pour MP3 (Lame), WAV, FLAC T + Une application de contrôle pour iOS et Android normes Contrôle UPnP AV, T + A services: Tidal, Deezer, qobuz (abonnement requis) interfaces LAN: Fast Ethernet 10/100 Base-T, WLAN: 802.11 b / g / n Tableau de connexion numérique Entrées numériques S / P-DIF 1x AES-EBU, 1x coaxial, 2x BNC, 2x TOS-Link USB (mode périphérique) 1x mode périphérique USB asynchrone USB (mode maître) 2 x mode maître USB pour le stockage de masse USB Tuner FM norme de réception: FM, FM-HD gamme de fréquences: 87,5-108 MHz; sensibilité (> 65 dBA S / N) 1 μV Headroom: 103 dB uV THD: 0,1% Signal / bruit distance mono / stéréo 72/62 dB séparation stéréo 50 dB Deemphasis (version Europe / États-Unis) 50/75 nous services de données:RDS / RDBS, nom de la station (PS), type de programme (PTY), texte radio (RT) Tuner DAB norme de réception DAB, DAB + gamme de fréquences 168-240 MHz (Volume III) Sensibilité (BER = 10 - 4) 2,0 μV Headroom 103 dB uV Bluetooth A2DP (audio), AVRCP 1.4 (contrôle) / aptX®, MP3, SBC liens Sorties analogiques haut niveau (RCA):2,5 Vrms / 50 ohms Sortie analogique symétrique (XLR):5.0 Vrms / 50 ohms Sorties numériques:1 x coaxial, IEC 60958 S / P-DIF (LPCM) Convertisseur N / A PCM quad différentiel double convertisseur avec 4 convertisseurs N / A par canal, 32 bits Delta Sigma, 352,8 KSPS / 384 KSPS DSD Convertisseur N / A DSD T + A-True-1Bit jusqu'à DSD 512 (22 MHz) Réponse en fréquence PCM 44,1 kSps 2 Hz - 20 kHz Réponse en fréquence PCM 48 ksps / dsd 64 2 Hz - 22 kHz / 2 Hz - 44 kHz Réponse en fréquence PCM 96 kSps / DSD 128 2 Hz - 40 kHz / 2 Hz - 60 kHz Réponse en fréquence PCM 192 kSps / DSD 256 2 Hz - 80 kHz / 2 Hz - 80 kHz Réponse en fréquence PCM 384 kSps / DSD 512 2 Hz - 100 kHz / 2 Hz - 100 kHz filtre analogique Filtre Bessel linéaire symétrique, phase 3, 100 kHz THD Signal to Noise Ratio 116 dB la séparation des canaux 110 dB Connexion / Accessoires / Dimensions Interface de contrôle R2-Link contrôle à distance FM 1000, T + A Control APP, télécommande d'affichage optionnelle FD 100 raccordement au secteur:100-240 V, 50-60 Hz Consommation électrique max.:40 watts Eco veille:0,3 watts fonction de mise hors tension automatiqueoui (après 90 minutes sans signal audio) Dimensions (H × W × D):16,5 × 46 × 40 cm poids: 11,3 kg T+A MP-2500R Media Player SACD/CD/DAC/Streamer/Radio The Multi Source SACD Player The MP 2500 R is T+A's newest and most sophisticated Multi Source Player and PCM / DSD DAC in the R-Series. The MP 2500 R has the same overall design philosophy and technical facilities like the smaller MP 2000 R MK II player. Both have been developed to reproduce high-res audio files without any trace of compromise. Instead of a CD mechanism T+A have equipped the MP 2500 R with the SACD drive from T+A's High-End SACD player MP 3100 HV which is a completely new development.  As in the MP 2000 R MK II, PCM data is converted using T+A's outstanding double differential quadruple converter with all it‘s sophisticated digital signal processing. DSD data are handled by the unique analogue T+A true 1-bit DSD converter from the PDP 3000 HV, which processes the DSD data in native form as a bitstream rather than converting them. This makes it possible to reproduce DSD data up to DSD 512, as delivered by the USB input of the digital connecting board, to the highest level of quality.  The machine’s streaming client takes the form of the new T+A high-res streaming board, which provides maximum resolution as well as the facility to access various music services, Internet radio, inclusion in the home network via LAN and WLAN, USB Master Mode and HD streaming from network servers. The digital tuner offers FM, FM-HD and DAB+ capability, and delivers excellent sound. The T+A MP 2500 R also includes a high-quality Bluetooth streaming module for transferring music from mobile devices.  The machine is controlled using the FM1000 infra-red remote control handset, or – ideally – the T+A Music Navigator App. In contrast to many manufacturers’ Apps, this is capable of controlling every element of every function of T+A's machines. Not only does it display the information pertaining to the streaming client, but also the screen content of all sources, such as the station name and radio text when used in FM radio mode. As an option the FD 100 bi-directional RF remote control system can be used as well. It displays the full content of the device screen and coverart as well. Technology It is only natural that the SACD and CD continue to lose significance, as they are increasingly superseded by streamed content; a trend reflected very clearly in the huge success of T+A's multi-source players with their extensive streaming facilities. However, it is clear that T+A audiophile customers still wish to be able to play music from CD and SACD, because none of us wants to throw away our old collection, and in any case there is an undeniable charm in owning a tangible data medium. Infact the SACD is currently experiencing what we can only term a renaissance all over the world. Therefore T+A decided to develop a completely new, modern SACD mechanism incorporating the latest decoder technology, offering very short access times and outstanding error correction. It is capable of reading CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs at the highest possible quality. T+A have invested a huge amount of effort in the mechanical design of the drive unit, incorporating a high-quality drive, double laser optics and heavy-duty motors. With the aim of eliminating all traces of interaction between the moving parts of the disc drive and the remainder of the player T+A's disc mechanism features a mechanical isolation. A heavy aluminium plate and a solid case, which act as a mass damping devices, thereby preventing any structural sound from the mounting surface finding its way to the electronics and the disc mechanism. The disc drawer runs on two accurately machined stainless steel pushrods, while the disc rests in a specially coated, high-quality ABS cradle.

Amplificateur PA-W04 Power output: 48 watts per channel into 8Ω (stereo) Frequency response: 1Hz to 100kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 1V Signal to noise ratio: 115dB Speaker load impedance: 4Ω to 16Ω Semiconductors: 27 x transistors, 47 x diodes, 2 x FET, 7 x IC Dimensions: 440 x 78 x 373mm Weight: 6.7kg Pré Amplificateur PR-A04 Frequency response: 5Hz to 100kHz Total harmonic distortion: 0.005% Input sensitivity: 0.8mV (MC), 3mV (MM), 150mV (DIN), 150mV (line) Signal to noise ratio: 75dB (MC), 82dB (MM), 80dB (DIN), 102dB (line) Channel separation: 70dB (line) Output: 150mV (line), 30mV (DIN), 1V (Pre out) Semiconductors: 16 x transistors, 15 x diodes, 2 x FET, 6 x IC Dimensions: 440 x 78 x 313mm Weight: 6.1kg Lecteur de cassettes GX-M10 The Akai GX-M10 is a stereo, compact cassette recorder with two-head system. The unit is compatible with LN-, LH-, Cr02- and Metal tapes and has Dolby noise suppression as a result. Type: 2 heads, single compact tape deck. Track system: 4-track, 2-channel stereo. Tape speed: 4.76 cm / s Heads: 1x record/playback, 1x erase. Motor: electronically controlled DC. Tape Type: type I, CrO2, Metal. Noise suppression: B Frequency range: 30Hz to 19kHz (metal tape) Signal / noise ratio: 71dB (dolby B) Wow and Flutter: 0.04% Total harmonic distortion: 0.6% Input: 70mV (line), 0.3mV (mic) Output: 0.41V (line). Size: 440 x 143 x 250 mm. Weight: 6kg Pas de livraison, à venir retirer sur place.

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Description: The Myryad MA-120 power amplifier has been designed to offer a combination of high quality sound reproduction and simple yet elegant styling. The build and finish have a no-nonsense, quality feel: simple brushed aluminum face with an understated logo; gold connections at the rear. It can be used to provide power for high quality stereo systems when partnered by a suitable preamplifier or a Myryad integrated amplifier in bi-amp or tri-amp systems. It can also be used in combination to power a full-surround music or Home Cinema sound system of the highest quality. The Myryad MA-120 has unbalanced line inputs plus directly linked line outputs, all on RCA phono sockets. It may be controlled remotely via the My-Link communications bus when used with other Myryad M series products. My-Link allows remote control of standby and mute functions. The Myryad MA120 has a smooth range, is airy and transparent, but lacks the body of a more powerful amplifier. Bass is detailed and firm with good resolution. It is easy to hear differences with different bass sounds even if they are of really low frequency (below 50dB). Midrange is airy and excellent with placement of sounds in the stereo perspective. It possesses sparkling and airy treble with no sign of harshness or metallic sound. Perhaps the best that can be said of it is that it does not assert its own personality above the music. A complaint may be that the sound is a little on the bright side. The Myryad MA-120 excels in keeping each sound unaffected by other sound resolutions without losing the overall musical sense. Specifications: Stereo Mode, all channels driven Continuous Power Output.................60W @ 8 ohms At                                      .................85W @ 4 ohms At IHF Dynamic Power.........................80W @ 8 ohms                             .........................120W @ 4 ohms                             .........................160W @ 2 ohms Input Sensitivity...............................775mW for rated power Voltage Gain...................................29dB Input Impedance..............................Unbalanced: 100k ohms / 450pF                         ..............................Balanced: N/A Frequency Response.......................+/- 0.2dB, 20Hz to 20kHz Signal-to-Noise Ratio.......................111dB, A weighted, ref rated power General Voltage...........................................120V or 230V, set by internal wiring Dimensions(w x d x h)......................43.5 x 30 x 9.5cm Weight............................................8kg

SONY ICF-SW1S RADIO FM STEREO/LW/MW/SW/PLL SYNTHESIZED RECEIVER SYSTEM EN PARFAIT ETAT DE FONCTIONNEMENT ET SANS RAYURE Le récepteur ne mesure que 11 x 7 x 2 cm et ne pèse pas plus de 225 gr, piles incluses, ce qui en fait l'un des plus petits de sa catégorie.  La radio est alimentée par deux piles sèches internes de 1,5 V de type AA, mais peut également être alimentée par une source externe de 3 V CC.  Le Sony ICF-SW1 est un récepteur portable ultra compact, contrôlé par microprocesseur, à couverture générale et synthétisé en fréquence. La couverture en fréquence comprend 87,5 - 108 MHz FM et une couverture complète des ondes longues, moyennes et courtes de 150 à 29999 kHz en continu.  Le réglage à accès direct est fourni avec une lecture numérique LCD multifonction pour une commodité et une précision inégalées (pas de 5 kHz sur ondes courtes).  Appuyez simplement sur les touches numérotées pour faire correspondre la fréquence que vous souhaitez entendre.  Un réglage manuel et automatique du balayage est également fourni. Dix mémoires sont fournies pour vos stations préférées.  Une prise de sortie d'enregistrement est incluse pour scotcher l'air.  Les fonctionnalités avancées comprennent:  -un cadran,  - un indicateur de réglage LED,  - un verrouillage du clavier,  - une horloge à quartz numérique 24 heures avec double minuterie,  - un commutateur de sensibilité Local-DX,   -un commutateur de réglage MW 9/10 kHz,  - un commutateur de tonalité et une prise d'antenne externe.  Dimensions: Seulement 4,75 x 2,785 x 1 pouces 0,5 lb  Cette radio nécessite 3 VDC ou deux piles AA (offertes). Le système ICF-SW1S complet comprend:  - étui en cuir d'origine,  - étui de transport rigide pour système,  - antenne active AN-101,  - boîte d'origine  - Wave Handbook A payer par PAYPAL sous 3 jours (Envoi programmé après le 11 mai 2020 suite confinement)  ---------------------------------------------------------------------------------------------------------- SONY ICF-SW1S RADIO FM STEREO / LW / MW / SW / PLL SYNTHESIZED RECEIVER SYSTEM IN PERFECT WORKING CONDITION WITHOUT SCRATCHES The receiver measures just 11 x 7 x 2 cm, and weights no more than 225 gr, batteries included, making it one of the smallest in its class.  The radio is powered by two internal 1.5V AA-size dry batteries, but can also be powered by an external 3V DC source. The Sony ICF-SW1S is an ultra compact portable receiver, microprocessor controlled, general coverage and frequency synthesized. Frequency coverage includes 87,5 - 108 FM and full coverage of long, medium and short waves from 150 to 29,999 kHz continuous. The direct access setting is provided with a multifunction LCD digital readout for unmatched convenience and precision (5 kHz step on shortwave). Just press the numbered buttons to match the frequency you want to hear. Manual and automatic sweep adjustment is also provided. Ten memories are provided for your favorite stations. A recording output socket is included to seal the air. Advanced features include: -a dial, - an LED adjustment indicator, - a keypad lock, - a 24-hour digital quartz clock with double timer, - a Local-DX sensitivity switch,  -a MW adjustment switch 9/10 kHz, - a tone switch and an external antenna socket. Dimensions: Only 4.75 x 2.785 x 1 inch 0.5 lbs This radio requires 3 VDC or two AA batteries (free). The complete ICF-SW1S system includes: - fabric case, - rigid carrying case for system, - active antenna AN-101, To be paid by PAYPAL within 3 days

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

Ensemble amplificateur TECHNICS SU/Z2 et lecteur de cassette TECHNICS M5 en bon état. Tester et tout fonctionne sauf les lumières des potentiomètres (celle de droite sur l'ampli et les deux sur le lecteur cassette). Etat extérieur très correct, quelque boutons légèrement marquer et certaines petites traces sur le dessus des boitiers mais les face avant sont tout a fait correct a part quelque traces sur la porte de la cassette. Alimentation et RCA en bon état. Poids 9.4 kg. Dimension 41*22*14. SU-Z2 SPECS: Power output: 35 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz Total harmonic distortion: 0.03% Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 71dB (MM), 95dB (line) Dimensions: 410 x 142 x 219mm Weight: 5.7kg Year: 1981 M5 SPECS: Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically controlled DC Tape Type: type I, CrO2, Metal Noise Reduction: B Frequency Response: 20Hz to 17kHz (Metal tape) Signal to Noise Ratio: 66dB (dolby B) Wow and Flutter: 0.07% Input: 60mV (line), 0.25mV (mic) Output: 0.42V (line) Dimensions: 410 x 142 x 205mm Weight: 4kg. En savoir plus

Remarquable Akai GXC-709D révisée  (courroies neuves) et nettoyé: l'appareil fonctionne parfaitement, très joli look vintage. L'éclairage des vu-mêtres fonctionne bien sûr Emballage soigné. Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically speed controlled DC Tape Type: type I, CrO2, FeCr Noise Reduction: B Frequency Response: 35Hz to 16kHz  (FeCr tape) Signal to Noise Ratio: 61dB  (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion: 2% Input: 70mV (line), 0.3mV (mic) Output: 0.41V (line) Semiconductors: 28 x transistors, 36 x diodes, 2 x FET, 2 x IC Dimensions: 440 x 165 x 285mm Weight: 6.5kg

ALESIS METAVOX + POWER SUPPLY **RARE**  USED . État : Occasion   The Metavox features a built-in oscillator section, complete with several kinds of modulation, that can be controlled by an incoming stereo signal. Alternatively, it can produce a vocoding effect on any external source plugged into the right input, with the controlling (voice) source plugged into the left input.  "Thanks to its 38 bands, it's very intelligible. You can also add in a bit of noise to help recreate a bit of sibilance. The input gain is robust enough that it can handle a dynamic mic and there's an internal synthesis source onboard or you can use your own carrier. But the internal oscillators are very tasty. You can sweep their frequencies down into LFO range or use them with the modulation section and beat sync. I usually find vocorders to be sort of boring after a while, but Metavox allows you to explore some pretty interesting sonic territory, and with a little experimentation, you'll find all sorts of amazing timbres. Shazam !" Sweetwater  International: 22€ France: 10€ Power supply (EU)

I sell 2 Roland Boutique JX-03, in perfect condition, like new with all packing, box, manual. As you probably know, this is the best JX-3P VA emulation available on the market.   The JX-3P condensed the signature Roland sound users had come to expect into 64 stunning presets. Beautiful design, meticulous craftsmanship, and ease of use—the JX-3P was a Roland synth for aspiring youngster and virtuoso alike. The most attractive quality of the JX-3P is its versatility. The presets alone provide a masterclass in sonic engineering. Present midrange, shimmering high end, punchy bass frequencies—it’s all there in the JX-03.    Augmented by the PG 200, JX-3P users could navigate between out-of-the-box excellence and infinite customization. Visceral control options, not one but TWO stabilizing Digitally Controlled Oscillators, and Roland’s unmatched soundscapes—it’s no wonder the JX-3P shines brightly on countless classic recordings. The JX-03 includes all the controls of the PG-200 and the graphic charter of the JX-3P. The lower row is composed of illuminated buttons, allowing to manage presets, programs, sequences and global functions. On the left there are two expression ribbons with recall and lateral backlighting depending on the position,  one for pitch bend, the other for modulation; the first one also allows pre-listening of sounds when nothing is connected to the machine. The connections, located on the back, are common to the Boutique series: power switch, USB port type micro B (power, MIDI and audio), mini volume control, headphone output, line output, line input (routed directly to the analog/USB audio outputs, for cascading several modules) and MIDI input/output in DIN format. All audio connections are in stereo mini-jack format. Underneath the module is a small speaker (which we'll talk about later) and a hatch for inserting the 4 AA-LR6 batteries supplied (if a USB mic/mains power cord is not supplied). In conjunction with the small speaker and the pitch bend ribbon, they make the synth totally autonomous, at least during the 6 hours announced by the manufacturer. A serious alternative to be considered by those who are put off by the rarity, the price, the ergonomics (without PG-200) and the maintenance of the JX-3P (I know what I'm talking about for having owned and maintained many vintage synthesizers!!) This is my preferred Boutique synth after the JP-08.

LECTEUR DE CASSETTES AKAI CS 732D HAUT DE GAMME POIDS 8 KGS  FONCTIONE PARFAITEMENT  APPAREIL SILENCIEUX  CA RESPIRE LA QUALITE DE FABRICATION JAPONAISE  LECTEUR AUTOREVERSE  defilement rapide et silencieux  commande franche et souples d'utilisation  poids 8 kgs de qualité tres lourd pour un lecteur cassettes (rare) Specifications Type: auto reverse, 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 2 x erase Motor: 1 x electronically controlled DC Tape Type: type I, FeCr, CrO2 Noise Reduction: B Frequency Response: 35Hz to 15kHz  (FeCr tape) Signal to Noise Ratio: 66dB  (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion: 1.5% Input: 70mV (line), 0.25mV (mic) Output: 0.41V (line) Dimensions: 440 x 150 x 290mm Weight: 8kg

platine cassette  AKAY GXC-725D  3 têtes de lecture, il s'allume le moteurs tourne, les courroies d'entrainement  à changer, je fourni le kit de 3 courroies à installer. les boutons de mise en fonction du lecteur sont oxidées. AKAY GXC-725D cassette deck 3 read heads, it turns on the motors running, the drive belts  need to be changed, I provided the kit of 3 belts to install. Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x record, 1 x playback, 1 x erase Motor: electronically speed controlled DC Tape Type: type I, CrO2, FeCr Noise Reduction: B Frequency Response: 35Hz to 17kHz  (FeCr tape) Signal to Noise Ratio: 61dB  (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion: 1.5% Input: 70mV (line), 0.25mV (mic) Output: 0.41V (line) Semiconductors: 34 x transistors, 32 x diodes, 2 x FET, 4 x IC Dimensions: 440 x 165 x 285mm Weight: 6.9kg

Vends platine cassette Akai CS-F14 en très bon état.  Révisée, vitesse, azimuth réglés. Lecture et enregistrements testés ok. Courroies changées.  La platine présente des petites rayures sur le capot (voir photo). Important:  Le produit est vendu dans l'état décrit. Le bon fonctionnement serra testé une dernière fois avant emballage. Pas de retour possible (objet vintage, donc, je ne peux prévoir une éventuelle panne due à son âge). Vous achetez ce que vous voyez. Ceci est un appareil d'occasion et je ne suis pas un professionnel, donc il n'y a pas de garantie. AUCUNE ANNULATION DE COMMANDE POSSIBLE APRES LE PAIEMENT!  (frais Paypal du vendeur perdus).   Livraison Mondial Relay (avec assurance suplémentaire incluse). Paiement Paypal, chèque   N'Hésitez pas à me contacter. ATTENTION: pour les profils "0", me contacter avant tout achat, dans le cas contraire, je me réserve le droit d'annuler la vente (Précaution prise car des petits malins s'amusent à acheter sans donner suite, et donc bloquent la vente et obligent le vendeur à attendre 48h pour annuler) Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: electronically speed controlled DC Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 30Hz to 18kHz  (Metal tape) Signal to Noise Ratio: 73dB  (dolby C) Wow and Flutter: 0.04% Total Harmonic Distortion: 0.8% Input: 70mV (line), 0.25mV (mic) Output: 0.41V (line) Dimensions: 440 x 103 x 273mm Weight: 4.1kg

lecteur cassette Schneider 3537, hifi sound project en très bon état esthétique, voir photos. tester: comme vous pouvez le voir sur les photos 11 et 12 la courroie principal est HS ce lecteur cassette est vendu pour restauration ou pour pièce. manuel: - No. de transistors - Semi-conducteurs présents - Semi-conducteurs - - Principe général - Amplification audio - Gammes d'ondes - - sans - Particularités - Magnétophone à cassettes - Tension / type courant - Alimentation Courant Alternatif (CA) / 110; 127; 220; 240 Volt - Haut-parleur - - Pour casque ou amplificateur BF - Matière - Boitier métallique - De Radiomuseum.org - Modèle: Hifi Sound Project 3537 EK3537 /29 - Schneider Frères, Radio- - Forme - Appareil d'étagère - Dimensions (LHP) - 480 x 150 x 260 mm / 18.9 x 5.9 x 10.2 inch - Remarques - 2-Head Stereo Cassette Deck with Dolby B, MPX Filter and Ferro-Chrome Tape Capability. Mechanical Tape Loading. 3-Digit Mechanical Counter, Analog Needle Meters. Auto Shutoff, Belt Drive, Cassette Back Light, Peak Indicator. Electronically controlled DC motor. Frequency response according to DIN 45 500: 40 - 14000 Hz (Cr or FeCr) Connections: 2x microphone, 1x headphone envoie collie par mondial Relay uniquement dans les pays: France - Allemagne - Autriche - Belgique Espagne - Pays bas - Portugal. En savoir plus