Controlling

ableton live 11 suite win64 MULTILANGUAGE   Edelivery full lifetime version Ableton Live 11 is fast, fluid and flexible music creation and performance software. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to create any kind of music. Create in traditional linear setups or improvise without timeline restrictions in the Live Session view. Move freely between the elements of the music and play with ideas, without stopping the music and without interrupting its flow. Ableton Live is perfect for both learning and producing electronic music and creating professional electronic music. Along with its professional instruments and effects, Ableton Live has a feature that makes electronic music production easier: Warp. Also, by manipulating audio with the Warp engine, you can also make the audio files have the same speed and tempo as the rest of the project, regardless of the original speed. Allowing you to start clips that always play on time. Launch series products were designed to take advantage of this feature and by simply plugging in the controllers it is now possible to launch clips in Ableton without having to configure anything else. Ableton Live Lite is included with all Novation Launch products, allowing unlimited access to audio with warping, instruments and effects. Each Launch series product comes with 1GB of free WAV samples for Ableton Live, including House, Garage, Bass, Techno, Dubstep, EDM and more. A professional-quality, royalty-free library for use in your electronic music productions.  Novation's Launch product family should be easy-to-use controllers, but that doesn't mean they aren't powerful controllers for Ableton using advanced production techniques. In this video, Novation artist Alex Maxwell demonstrates superior Ableton performance using Novation's Launchkey Mini keyboard, offering some easy tips on how to produce with Ableton Live. Taking us through processes like manipulating multiple effects from a single controller, Alex also shows how the ergonomic design of Novation's Launch products puts assignable MIDI controls at your fingertips, ensuring instant access to whatever parameters you want, whenever you want. Therefore, each Novation Launch device includes user modes. And controls (like the “Track” buttons explained in the video) to achieve unprecedented control of your Ableton DAW. And which will also allow you to do things like switch from releasing clips to controlling drum racks while controlling the Ableton mixer and launching scenes in real time. With one hand!  Key Features of Ableton Live Suite 11 suite: A new way of working sound improvements Sketch, adjust and experiment Enter the details Also, take control Put your ideas into practice use any sound, any time Build your sound with live instruments Effects to shape ideas, project sounds and finish music sound selections Also, start using Push Export your Live Set from I OS APPS Play in time with other devices Get more sounds, loops and samples Make each show unique The center for your performance for any stage Latest Features: Includes full mounts for Serato and bridge system Organize session options and friendly interference Add 2 modes for single operation easily In addition, it records audio up to 64-bit depth Added real-time multitrack audio mixing Updated themes and stereo tools 32-bit 192kHz multitrack recording Multiprocessor support with multi-core system Plus unlimited undo options Non-destructive audio editing Enjoy fully focused work in a single-screen user interface Excellent MIDI sequencer system for hardware and software instruments Plus full reconfiguration support, you can now run as master or slave Improved warping capabilities with new real-time time-stretching tools Simpler MIDI mapping tools

This curiosity is a full medical Nikkor kit for extreme macro photography (up to 3X magnification). It includes: - the Medical Nikkor C 200 mm f/5.6 lens with integrated ring flash and modeling lights, including original front and rear caps, power plug cap - 6 Nikon accessory lenses for controlling magnification - Nikon LA-1 AC universal power unit to drive lens strobe and lights, including cable to connect to lens - PC sync cable - Nikon Safety Cover to put on the camera's hot shoe, preventing shock when using this setup - Medical Nikkor case (moderate wear) I hooked up the power supply (EU plug adapter included) and tested the strobe and pilot lights: everything works. Glass is clean and clear, no fungus, no haze, no marks. Accessory lenses are in very good condition. My guess is this thing saw saw relatively little service after its initial purchase. Be sure to check out my other sales. I can combine shipping to reduce your costs. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Camera Sanctuary: Like you, I love cameras. I bring all manner of equipment into the Camera Sanctuary in the hope that I can place it in a new home. I handle everything from collector’s pieces to total beaters, Leica to Lomo, Alpa to Argus. You can buy from me secure in the following: - My descriptions are honest. Some cameras have been babied, and some have been brutalized. There’s room in the world for both, but I won't try to sell one as the other. - I won’t pretend I don’t know things. - I’ll take back anything that doesn’t meet your expectations.

Le lecteur SACD multi-sources English description at the end Le MP 2500 R est le plus récent et le plus sophistiqué des lecteurs multi-sources et PCM / DSD DAC série R.  Le MP 2500 R est construit conceptuellement et technologiquement comme le MP 2000 R MKII. Les deux appareils sont spécialement conçus pour la lecture sans compromis de données audio haute résolution. Au lieu d'un lecteur de CD, nous avons équipé le MP 2500 R de notre tout nouveau lecteur SACD du SACD MP 3100 HV haut de gamme. Comme dans le MP 2000 R, nous utilisons notre convertisseur quadruple différentiel double supérieur avec traitement de tous les signaux numériques pour convertir les données PCM. Pour les données DSD, le convertisseur DSD analogique 1 bit T + A True unique est utilisé, qui ne convertit pas les données DSD mais les traite nativement en flux binaire. Cela signifie que même les données DSD jusqu'au DSD 512 provenant de l'entrée USB du tableau de connexion numérique peuvent être reproduites avec la meilleure qualité. En tant que client de streaming, le député a 2 500 R obtenir le T + un conseil en continu de haute résolution, qui permet non seulement la plus haute résolution, mais aussi l'utilisation de différents services de musique, radio Internet et la connexion au réseau domestique via LAN et WLAN, le mode maître USB et streaming HD à partir de serveurs de réseau.L'excellent accordeur sonore est compatible FM, FM-HD et DAB +. Un module de diffusion Bluetooth de haute qualité pour la transmission de musique depuis des appareils mobiles est également installé. Le fonctionnement du PM 2500 R, ou même un système R ensemble, via le FM1000 de commande à distance infrarouge ou au mieux sur l'application de contrôle T + A. Cela a servi, par opposition aux applications de nombreux autres fabricants, notre équipement est complet dans toutes les fonctions et montre non seulement les informations du client de streaming, mais aussi le contenu d'affichage de toutes les sources, telles que le nom de la station et le texte de la radio lors de l'opération FM. En option, la télécommande bidirectionnelle FD 100 peut être utilisée. Il ne représente pas seulement l'affichage de l'appareil, mais couvre également l'art. lecteur SACD drive Précision entraînement linéaire. Système laser double: SACD: 650 nm, CD: 785 nm formats SACD Stéréo, CD / DA, CD-R, CD-RW, SACD / CD Text Réponse en fréquence et dynamique SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB Streaming client formats MP3, WMA, AAC, OGG Vorbis, FLAC, WAV, AIFF, ALAC débits de données PCM 32... 192 kHz, 16/24 bit; MP3 jusqu'à 320 kbits, débit constant et variable traits Lecture Gapless pour MP3 (Lame), WAV, FLAC T + Une application de contrôle pour iOS et Android normes Contrôle UPnP AV, T + A services: Tidal, Deezer, qobuz (abonnement requis) interfaces LAN: Fast Ethernet 10/100 Base-T, WLAN: 802.11 b / g / n Tableau de connexion numérique Entrées numériques S / P-DIF 1x AES-EBU, 1x coaxial, 2x BNC, 2x TOS-Link USB (mode périphérique) 1x mode périphérique USB asynchrone USB (mode maître) 2 x mode maître USB pour le stockage de masse USB Tuner FM norme de réception: FM, FM-HD gamme de fréquences: 87,5-108 MHz; sensibilité (> 65 dBA S / N) 1 μV Headroom: 103 dB uV THD: 0,1% Signal / bruit distance mono / stéréo 72/62 dB séparation stéréo 50 dB Deemphasis (version Europe / États-Unis) 50/75 nous services de données:RDS / RDBS, nom de la station (PS), type de programme (PTY), texte radio (RT) Tuner DAB norme de réception DAB, DAB + gamme de fréquences 168-240 MHz (Volume III) Sensibilité (BER = 10 - 4) 2,0 μV Headroom 103 dB uV Bluetooth A2DP (audio), AVRCP 1.4 (contrôle) / aptX®, MP3, SBC liens Sorties analogiques haut niveau (RCA):2,5 Vrms / 50 ohms Sortie analogique symétrique (XLR):5.0 Vrms / 50 ohms Sorties numériques:1 x coaxial, IEC 60958 S / P-DIF (LPCM) Convertisseur N / A PCM quad différentiel double convertisseur avec 4 convertisseurs N / A par canal, 32 bits Delta Sigma, 352,8 KSPS / 384 KSPS DSD Convertisseur N / A DSD T + A-True-1Bit jusqu'à DSD 512 (22 MHz) Réponse en fréquence PCM 44,1 kSps 2 Hz - 20 kHz Réponse en fréquence PCM 48 ksps / dsd 64 2 Hz - 22 kHz / 2 Hz - 44 kHz Réponse en fréquence PCM 96 kSps / DSD 128 2 Hz - 40 kHz / 2 Hz - 60 kHz Réponse en fréquence PCM 192 kSps / DSD 256 2 Hz - 80 kHz / 2 Hz - 80 kHz Réponse en fréquence PCM 384 kSps / DSD 512 2 Hz - 100 kHz / 2 Hz - 100 kHz filtre analogique Filtre Bessel linéaire symétrique, phase 3, 100 kHz THD Signal to Noise Ratio 116 dB la séparation des canaux 110 dB Connexion / Accessoires / Dimensions Interface de contrôle R2-Link contrôle à distance FM 1000, T + A Control APP, télécommande d'affichage optionnelle FD 100 raccordement au secteur:100-240 V, 50-60 Hz Consommation électrique max.:40 watts Eco veille:0,3 watts fonction de mise hors tension automatiqueoui (après 90 minutes sans signal audio) Dimensions (H × W × D):16,5 × 46 × 40 cm poids: 11,3 kg T+A MP-2500R Media Player SACD/CD/DAC/Streamer/Radio The Multi Source SACD Player The MP 2500 R is T+A's newest and most sophisticated Multi Source Player and PCM / DSD DAC in the R-Series. The MP 2500 R has the same overall design philosophy and technical facilities like the smaller MP 2000 R MK II player. Both have been developed to reproduce high-res audio files without any trace of compromise. Instead of a CD mechanism T+A have equipped the MP 2500 R with the SACD drive from T+A's High-End SACD player MP 3100 HV which is a completely new development.  As in the MP 2000 R MK II, PCM data is converted using T+A's outstanding double differential quadruple converter with all it‘s sophisticated digital signal processing. DSD data are handled by the unique analogue T+A true 1-bit DSD converter from the PDP 3000 HV, which processes the DSD data in native form as a bitstream rather than converting them. This makes it possible to reproduce DSD data up to DSD 512, as delivered by the USB input of the digital connecting board, to the highest level of quality.  The machine’s streaming client takes the form of the new T+A high-res streaming board, which provides maximum resolution as well as the facility to access various music services, Internet radio, inclusion in the home network via LAN and WLAN, USB Master Mode and HD streaming from network servers. The digital tuner offers FM, FM-HD and DAB+ capability, and delivers excellent sound. The T+A MP 2500 R also includes a high-quality Bluetooth streaming module for transferring music from mobile devices.  The machine is controlled using the FM1000 infra-red remote control handset, or – ideally – the T+A Music Navigator App. In contrast to many manufacturers’ Apps, this is capable of controlling every element of every function of T+A's machines. Not only does it display the information pertaining to the streaming client, but also the screen content of all sources, such as the station name and radio text when used in FM radio mode. As an option the FD 100 bi-directional RF remote control system can be used as well. It displays the full content of the device screen and coverart as well. Technology It is only natural that the SACD and CD continue to lose significance, as they are increasingly superseded by streamed content; a trend reflected very clearly in the huge success of T+A's multi-source players with their extensive streaming facilities. However, it is clear that T+A audiophile customers still wish to be able to play music from CD and SACD, because none of us wants to throw away our old collection, and in any case there is an undeniable charm in owning a tangible data medium. Infact the SACD is currently experiencing what we can only term a renaissance all over the world. Therefore T+A decided to develop a completely new, modern SACD mechanism incorporating the latest decoder technology, offering very short access times and outstanding error correction. It is capable of reading CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs at the highest possible quality. T+A have invested a huge amount of effort in the mechanical design of the drive unit, incorporating a high-quality drive, double laser optics and heavy-duty motors. With the aim of eliminating all traces of interaction between the moving parts of the disc drive and the remainder of the player T+A's disc mechanism features a mechanical isolation. A heavy aluminium plate and a solid case, which act as a mass damping devices, thereby preventing any structural sound from the mounting surface finding its way to the electronics and the disc mechanism. The disc drawer runs on two accurately machined stainless steel pushrods, while the disc rests in a specially coated, high-quality ABS cradle.

. Good day, For sale, a  Aputure Amaran AL-M9  Mini Sized CRI/TLCI 95 LED Video On-camera Light The Amaran AL-M9 is a pocket sized LED fill light. It is incredibly compact and lightweight with 9 SMD bulbs  that are powerful in the palm of your hand. It provides a max of 900lux that is able to do close-up fill light.  It’s  flexibility makes it suitable for a wide variety of applications from run and gun video to macro product photography,  the possibilities are end-less for how this light can be used. Feature： 1. High Color Restoration, with CTO and CTB The Amaran AL-M9 inherits the belief of true color pursuit of the Ama-ran series. It features an exceptionally  high color accuracy rating in both CRI and TLCI (Television Lighting Color Index) of 97+, which means it will display natural,  pristine color in both photo and video applications. In addition, The AL-M9 offers gels filters allowing for both tungsten (CTO)  and daylight diffusion (3200-5600K), controlling the color or characteristics of the light. 2. 9 Steps Dimming, good fill light for Narrow place The Amaran AL-M9 has a dimmer with 9 levels of power that allows you to adjust brightness more conveniently.  With the diffuser attached it’s possible to soften the subject lighting and decrease the shadows conve-niently.  Also, when user making a shot in tough small shooting environ-ments, the Amaran AL-M9 become a good helper for user.  For example, you could use Velcro to attach the AL-M9 to the visor or ceiling inside a car create a unique and  effectively lit scene great for both interior and exterior shots. 3. Internal Battery with Micro-USB Charging and university adapter The AL-M9 offers an internal lithium-ion battery that can be recharged using the 5 volts Micro-USB cable (included).  And it can last up to 1.5 hrs at 100%. Beside this, Amaran AL-M9 Lighting Up includes universal adapter that  offers you the ability to mount it on the hot-shoe of a camera, tripod, light stand or other supports using the  1/4inch screw thread on the underside. 4. A tiny design with huge ambitions The Amaran AL-M9 takes its surprisingly tiny and innovative design to a level of versatility not seen in another LED light.  It has a credit card size, weighing only 140g which is quite comfortable to fit in your hand and just throw it into your pocket  until you need it. With a smooth surfaced back you can use all sorts of adhesives to mount this light on or  under nearly any surface! 5. Lighting your inspiration                                                With the Amaran AL-M9 Lighting Up, you can be sure to fill in light with a large measure of flexibility.  Moreover, using more than one together will really expand the flexibility of your lighting!      Color Temperature 5500 +/- 200K CRI 95 + TLCI 95 + Illuminance Distance 0.3m 0.5m 1m Brightness More than 900LUX More than 350LUX More than 80LUX Number of LEDs 9 Battery Type Lithium-polymer battery (3.7V 1800mAh) Voltage DC 5V Current 1A Battery  Working Time More than 1.75h (maximum brightness) Dimension 87 * 56 * 11 mm   Package contain: 1* Amaran AL-M9 fill light 1* Universal Adapter (with Fastener, Thumbscrew and Cold Shoe) 1* USB Charging Cable 1* Product Manual 1* Warranty Card 1* Carrying Case Please take a look at my other items for more camera stuff. Thank you! --------------------------------------------------------------------------------------------------------------------------------------------------------------------- Payment: PayPal is accepted. Immediate payment is required. Shipping: Worldwide, fully insured & signed-for shipping is provided. These options are incl

ALESIS METAVOX + POWER SUPPLY **RARE**  USED . État : Occasion   The Metavox features a built-in oscillator section, complete with several kinds of modulation, that can be controlled by an incoming stereo signal. Alternatively, it can produce a vocoding effect on any external source plugged into the right input, with the controlling (voice) source plugged into the left input.  "Thanks to its 38 bands, it's very intelligible. You can also add in a bit of noise to help recreate a bit of sibilance. The input gain is robust enough that it can handle a dynamic mic and there's an internal synthesis source onboard or you can use your own carrier. But the internal oscillators are very tasty. You can sweep their frequencies down into LFO range or use them with the modulation section and beat sync. I usually find vocorders to be sort of boring after a while, but Metavox allows you to explore some pretty interesting sonic territory, and with a little experimentation, you'll find all sorts of amazing timbres. Shazam !" Sweetwater  International: 22€ France: 10€ Power supply (EU)

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

CAMRANGER - Tête Motorisée MP-360 avec rallonge de 100 mètres. Il s'agit d'une rotule électrique qui vous permet de changer la position de votre appareil photo numérique à distance, il y a 2 modes de fonctionnement,1° manuel et 2° automatique par balayage. l'ensemble est fourni avec une rallonge de 100 mètres double, d'une part pour le pilotage de la tête et d'autre part pour un contrôle du boîtier grâce à un câble RJ45 pour un retour sur ordinateur. Vous recevez tout ce qui figure sur les photos English CAMRANGER - MP-360 Motorized Head with 100 meter extension. This is an electric motorized headthat allows you to change the position of your digital camera remotely, thereare 2 operating modes, 1 ° manual and 2 ° automatic by swipe. The electric motorizedhead is supplied with a double 100 meter cable extension, on the one hand forcontrolling the head and on the other hand for controlling the camera using anRJ45 cable to the computer.You get all you see on the photos

Microaffaires_com   AverMedia EB1304NET SATA MPEG4. FULL-D1. Pen Drive. CMS. PDA Viewer PRODUIT D'OCCASION AVerDiGi EB1304NET SATA Series is developed by offering users cost-effective but full- functional NVR in light weight and compact size. Embedded Linux operation system, higher image resolution, better video image quality, remote access integration and built-in standard SATA HDD, the NVR features on lower cost but outstanding performance. With heat-resistant material, the risk of case deformation caused by high temperature of delivery and installation environment can also be minimized. Key Features: - Lightweight and Compact size (1/5 of general DVR net weight) - Multi-functional front panel design (only for EB1304NET SATA+) - Thermal testing verification approved - Heat-resistance material - Supports standard 3.5” SATA HDD - Embedded Linux and RTOS - Video compression: MPEG4 - JavaViewer on mobile phone - Supports PTZ control - Supports UPnP (Universal plug and play) - Remote Software Integration: CM3000, Remote Console, WebViewer, PDAViewer, HandyViewer, and SmartViewer (for Symbian / Windows Smart phone) Video Feature: - 4 composite video inputs (BNC connector) - 1 Composite & 1 VGA outputs - Video compression: MPEG4 - Video Format: NTSC and PAL - 1 channel audio input/output - Display resolution:720 x 480/720 x 576 (NTSC/PAL) - Display frame rate:Total 120/100 fps (NTSC/PAL) - Hue/Brightness/contrast/Saturation adjustable Recording resolution: - Full D1: 720 x 480/720 x 576 (NTSC/PAL) - CIF: 360 x 240/360 x288 (NTSC/PAL) Recording frame rate: - Full D1: 60/50 fps (NTSC/PAL) - CIF: 120/100 fps (NTSC/PAL) Recording mode: - Schedule recording (00:00~24:00 set by hour) - Continuous /Motion / Sensor recording - Auto recycle recording - Auto record enabling Remote access: - Support CMS (CM3000) - Support PDAViewer - Support Remote Console & WebViewer - Password authentication mechanism Playback Mode: - Video search by date/time/event - Infinite event list for easy search - A-B video repeat playback - Free Playback Application Software: - Playback from pen drive/ external HDDx1 - Playback and backup on any PC with Windows 2000/XP/Vista - Converting files to AVI format enabling to playback on Windows Media Player - Video segment selectable for repeating payback and backup - Enabling quick HDD to HDD backup - Watermark function for image verification I/O: - 4 Sensor inputs - 1 Relay output controlling alarm, lock, light, or other devices - Operating Temperature: 5~40 degree Dimensions: - Dimension: (L)160mm x (W)235mm x (H) 50mm - Net Weight: 0.565Kgs (only 20% of existing DVRs) Others - Testing Verification: EMI, ESD, CE, FCC, Thermal, Dropping - Accessories: IR extension cord (optional), Remote control   PRODUIT D'OCCASION Vous achetez le produit tel que photographié     Votre règlement doit nous parvenir dans un délai de 3 jours suivant la clôture de l'enchère, sous peine d'ouverture d'un litige pour non-paiement. Afin de maintenir nos prix bas, nous acceptons les règlements par chèques français libellés en euros, par virement bancaire (national ou international), et par CB en ligne (nous contacter après achat) sur le site 3D Secure de notre banque.  Les paiements par PAYPAL sont acceptés uniquement sur demande, à condition que l'acheteur paye les frais de commission paypal (4%) et qu'il ait une adresse paypal confirmée. Il est très important de joindre le numéro de l'objet ainsi que votre pseudo à votre règlement afin de faciliter le traitement de votre commande. Sans ces informations, la livraison peut être retardée de quelques jours. Attention: en cas de non-paiement, un litige pour objet non payé sera automatiquement ouvert auprès de, et donnera lieu à un avertissement.Trois avertissements conduisent à la clôture du c

The Audio-Technica AT-MX381 is an eight-channel mic/line mixer with automatic switching features for conferences, meetings, boardrooms, teleconferencing, TV and radio broadcasts, etc. An internal microprocessor provides automated channel switching for seamless, noise-free operation. Each channel features a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override. The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is a professional, hands-free solution for businesses, houses-of-worship or anyone requiring automated switches during real time discussion and speech. Eight Automated Inputs The eight mic/line switchable inputs seamlessly switch between talkers for hands free automated operation. Automated Threshold Setting An adjustable threshold determines the signal level that triggers channel switching. RS232 and SmartMixer Software An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is Compatible with Crestron and AMX systems. External control capability enables the SmartMixer to activate other devices. Flexible Output Section The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. Built In Limiters Each channel features a limiter for controlling signal peaks and distortion. Assignable Priority Switches All channels feature a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Sony Cybershot DSC-N1 - Peu Utilisé - Bon Etat. Sony's DSC-N1 opens a new world of shooting and sharing, with 8.1 megapixel performance and internal memory that holds up to 500 VGA images for pocket album viewing anywhere, anytime. A huge 3.0" LCD Monitor with Clear Photo LCD Plus technology provides touch-screen convenience for controlling camera functions and searching thumbnail images -- and Free Spot AF lets you focus on a subject by just touching it on screen. Also features Slide Show capability, Carl Zeiss 3X Optical/6X Digital zoom, 26 MB internal memory for capturing images in-camera, and high-stamina Lithium Ion rechargeable battery. A built-in Memory Stick(R) Duo card slot lets you add additional memory for more practical image storage (J&R advises buying an optional card of 256MB or 512MB). In addition to normal autofocus mode, the DSC-N1 lets you focus on a subject by just touching it on your LCD monitor -- a fast and simple way to adjust focus for complex scenes or moving subjects. A high-stamina NP-BG1 Lithium Ion battery lets the DSC-N1 shoot up to 300 images, giving you plenty of power when traveling or shooting on location Buy optional UC-TNA Cyber-shot(R) Station cradle - Provides USB connector for PC hookup and TV connector for viewing images on large screens -- so when your DSC-N1 comes home, hookup can be quick and simple Full PictBridge compatibility Unit Dimensions (WHD) - 3 13/16? x 2 3/8? x 7/8? (96.7 x 61.1 x 22.7mm) / Weight - 5.5 oz (151 g) body; 6.8 oz. (185 g) including battery and Memory Stick(R) media

Neuf, ouvert mais non utilisé. Contactez moi pour plus d'informations. Envoi avec assurance, dans un emballage sécurisé et bien protégé. Vendu sans facture. Sell without invoice. Lo-Z/Hi-Z switchable Class-D amplifier (Lo-Z: 120W x2 @4Ω, 100W x2ch @3Ω/8Ω, Hi-Z: 120W x2ch or 200W x1ch, 70V/100V) equipped with 1 stereo/2 mono line inputs; can be combined with the MA2120 mixer amplifier. - Easy setup, and a user-friendly interface for effortless operation - Supporting Lo-Z (120W x2ch @4Ω or 100W x2ch @3Ω/8Ω) and Hi-Z (120W x2ch or 200W x1ch, 70V/100V) speaker systems - 1 stereo/2 mono line inputs - Output EQ for optimizing the sound of each Output channel - Built-in speaker EQ optimum for Yamaha VXC/VXS series speakers, as well as HPF and selectable LPF settings - Capable of controlling sources and volumes seperately in two areas (Source/volume zoning) - Service areas or zoning areas can be expanded by adding a PA2120 - Remote volume control and microphone on/off switching via optional DCP control panels (DCP4V4S, DCP1V4S, DCP4S, max 2 units) - Intelligent protection function ensures safe, reliable operation - Certified by ENERGY STAR - Certified as Yamaha Eco Products - Space-saving 1U rack size (*sufficient space must be provided above and below the unit for airflow and cooling.) MA/PA Series Features  PA2120 Easy setup and a user-friendly interface         v Highly-efficient Class-D amplifier         v Certified with ENERGY STAR         v Switchable for Lo-Z and Hi-Z speaker systems        v Output Power: Lo-Z120W x 2 @4Ω 100W x 2 @3Ω / 8Ω Output Power: Hi-Z120W x 2 @70V / 100V 200W x 1 @70V / 100V Flexible inputs1 Stereo /2 mono line inputs Built-in speaker EQ for Yamaha VXS/VXC Series speakers        v Output EQ        v FiltersHPF        v LPF        v Number of source & volume-controlable    zone        2 Remote volume control from optional Yamaha DCP control panels        v Compatible DCPDCP4V4S, DCP1V4S, DCP4S Number of maximum DCP panels per unit       2

Le IBP Junior élimine facilement les sons indésirables produits par la combinaison de signaux sonores déphasés ou partiellement déphasés; un outil solutionneur de problème de phase mais aussi comme un outil créatif contrôlant la phase pour modifier la couleur tonale. Permet aux micros d’être placés là oû ils sonnent le mieux individuellement; Ajustement de variable de phase naturelle continue entre 0 degré et 180 degrés; Construction et son audiophile (Class A, headroom énorme, alim surdimensionnée) En parfait état, avec sa boite et doc d'origine. * Real time all analog phase sweep between zero and one hundred and eighty degrees… and everything in-between. * Allows mics to be placed where they sound best individually, compromising mic placement due to phase problems is not necessary when using the ibp. * +4dB XLR balanced input and outputs. * Extremely high quality construction. Made in the U.S.A. The IBP Junior easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analog Phase Alignment Tool has quickly become popular among audio engineers as not only a «»fix it»» tool but as a controlling audio phase creative, tonal color tool. Whether combining direct and miked signals, acoustic guitar and vocal mics, drum kit tom-tom mics, or multiple split-guitar amps, audio signals phase can be quickly and easily controlled with the Little Labs IBP Junior Analog Phase Alignment Tool. IBP functional Description: Phase adjust bypass does just that, bypassing all phase adjust circuitry. Phase invert is a simple polarity reversal as you would find on a mixing console out is 0 degrees, in is 180 degrees. Phase adjust 90 degrees /180 degrees selects between two stages (button out) or one stage of phase adjust. This allows a more extreme phase adjustment with a full swing of as much as 180 degrees or a less extreme 90 degrees of phase adjustment. Phase center lo/hi selects between a higher bandwidth phase adjust (button out) and a primarily lower frequency phase adjust (button in). This and the phase adjust button create the phase curve. It is important to note phase is frequency dependent and is different than time. For example depending on the two sources you are combining, and whether one source is direct and one is miked- between room reflections distance from the cabinet etc. determines what the curve would need to be. (e.g. you need to get the G note in phase as well the A note). Phase adjust knob determines the degree of phase adjust. The xlr balanced input is designed for balanced line level sources, the xlr output is impedance balanced and should feed line level pin 2 hot balanced or single ended line level inputs with pin 1 earth and pin 2 hot. » En savoir plus Collaboration commerciale.

- 1 / 2.33 type Full-HD MOS (1920 x 1080 pixels) - 850 TV Lines horizontal resolution - HDMI Output - IP control supported, IR remote control The AW-HE2 is a small and very flexible HD Integrated Camera, offering a bright and new range of applications. Using in TV Conferences, Animal Observations, Medical Distance Diagnosis or Education, to mention just some of the applications. The AW-HE2 combines a new concept of Remote Cameras: “Affordable + IP + Full HD”. The AW-HE2 is equipped with Panasonic’s Professional Image Creation Technology, like the Full HD MOS System, iA zoom with super resolution technology up to supported Multi – format (1080p). Including Professional Features like Tally, Presets, integrated Stereo microphone or “Self P in P”, providing an easy and simple operation with this super compact camera. Major key topic and aspect will be the IP Network capability. Easy setup and System Expandability, controlling of up to 100 cameras and IP Monitoring shows the strength of this Camera. En savoir plus Collaboration commerciale.

La pédale elle-même suit le format Boss habituel, avec deux commutateurs au pied qui contrôlent l'essentiel de l'action en direct. Deux autres pédales (dont l'une peut être une double pédale haut/bas) peuvent être connectées via les jacks du panneau arrière pour contrôler Phrase Shift, dont je parlerai un peu plus loin, et Reverse, qui fait exactement ce qu'il dit - jouer la boucle enregistrée à l'envers. Bien que cet appareil soit conçu pour être utilisé principalement avec la guitare, il dispose également d'une entrée micro jack asymétrique, que je ne recommanderais pas pour un travail d'enregistrement sérieux. Cependant, elle est utile pour les sessions de busking dans les rues avec un digeridoo (ou autre) et vous pouvez même utiliser les entrées micro et instrument en même temps si nécessaire. La sortie de l'appareil est strictement mono et l'alimentation peut provenir d'un bloc d'alimentation optionnel ou de six piles AA. Les appareils numériques de ce type ont tendance à être assez gourmands en piles, c'est pourquoi l'adaptateur secteur est une bonne idée - à moins que vous ne fassiez la manche dans la rue en utilisant un amplificateur à piles ! Travailler avec des boucles peut être un problème, car si vous vous trompez lors d'un overdub, vous devez généralement revenir à la case départ. Cependant, ce n'est pas un problème ici, car il y a un bouton Undo/Redo très apprécié. Pour faciliter le chronométrage, vous disposez également d'un métronome utile et d'une fonction permettant de terminer l'enregistrement de la boucle précisément sur un rythme plutôt qu'à l'endroit exact où vous avez appuyé sur la pédale. Cette fonction est très utile pour créer des sons serrés........The pedal itself follows a familiar Boss format with two footswitches controlling most of the live action. Two further footswitches (one of which can be a dual up/down pedal) can be connected via rear-panel jacks to control Phrase Shift, which I'll talk about a little later, and Reverse, which does just what it says — plays the recorded loop backwards. Although this unit is designed for use mainly with guitar, there's also an unbalanced jack mic input, though I wouldn't recommend this for serious recording work. However, it is useful for those high-street busking sessions with a digeridoo (or whatever) and you can even use the mic and instrument inputs at the same time if need be. The output of the unit is strictly mono and power can come from an optional PSU or from six AA batteries. Digital units like this tend to be fairly hungry on batteries, so the mains adaptor is a good idea — unless you're busking in the high street using a battery amplifier! Working with loops can be a problem, because if you get an overdub wrong, you generally have to go back to square one. However, that's no problem here, as there's a very welcome Undo/Redo button. To help timing, there's also a useful metronome and a facility for having the loop recording end precisely on a beat rather than exactly where you hit the pedal. This is really helpful in creating tight-sounding loops. Once a loop has been recorded, its tempo can be changed without altering its pitch, though as with most time/pitch manipulation there's only so far you can go before the processing artefacts start to show. Other live performance niceties include the ability to store multiple Phrases, then decide whether each should play back as a 'one shot' performance or loop continuously. Because this pedal can store multiple Phrases, and store them after power down, you could load up a few backing tracks into it (from CD, your computer or any other suitable audio source) ready to perform. There's no way to back up loops other than to record the audio output, though, and from my own perspective the ability to dump and load audio files via USB would have made a lot of sense. En savoir plus Collaboration commerciale.