Deconstruction

CD Album CD Code EAN: 4260433515625 Rubrique principale CD: CD Album Genre musical: Variétés internationales Titre: the deconstruction of light

Livre Livres Code EAN: 9782915830989 Propriétaire: Decitre ClassificationDecitre 1: Sciences politiques Titre: Le Désert De La Critique - Déconstruction Et Politique Disponibilité: Disponible ClassificationDecitre 2: Sciences politiques Lieu de parution: Paris, France ClassificationDecitre 3: SOCIOLOGIE POLITIQUE Livres / Collection: VERSUS Livres / Format: Broché Livres Origine: Decitre Ressum: 2 Livres / Période: Livre édité depuis 1980

CD Album CD Code EAN: 5413356430929 Rubrique principale CD: CD Album Genre musical: Musique électronique Titre: Heaven deconstruction

Livre Livres Code EAN: 9782708403758 ClassificationDecitre 1: Beaux arts Titre: Reconstruction - Déconstruction: Le Hard French ou l'Architecture française des Trente Glorieuses ClassificationDecitre 2: Architecture Livres / Taille: Moyen, de 350g à 1kg ClassificationDecitre 3: Urbanisme Livres / Langue: Français Livres / Format: Broché

Déconstruction et analyse complète de la série mondialement célèbre et célébrée Lost par Damon Lindelof, Carlton Cuse et J.J. Abrams Livre de poche, très bon état Bonne lecture !

Europeana, une brève histoire du 20e siècle Patrick Ourednik 2004 Prix: 2,50 € Livre en bon état Résumé: Précis littéraire d'histoire (in)humaine faisant sauter la dichotomie classique entre deux régimes d'écriture – la littérature et la science historique –, Europeana, une brève histoire du XXe siècle, œuvre de Patrick Ourednik, auteur né en 1957 à Prague et exilé en France depuis 1984, est déconcertante à plus d'un titre: celle-ci propose ni plus ni moins le regard distancié et imparable d'un observateur du nouveau millénaire sur les événements – politiques, historiques, culturels, intellectuels, etc. – qui ont fait le siècle écoulé. Sur un mode objectif qui confine à l'absurde (ou à la Vérité), l'écrivain s'enfonce ainsi dans une déconstruction/reconstruction des vicissitudes d'une Histoire que le grand Alfred Jarry, qui en réalité était tout petit, aurait bien pu nous raconter (ce n'est d'ailleurs pas un hasard si Ourednik le traduit en tchèque, avec d'autres géants de la littérature française, comme nous l'apprennent les éditions Allia dans une présentation du texte à l'adresse de la presse). Entre satire de la psychanalyse freudienne et dissertation implacable sur la notion de " race aryenne " (avec à chaque fois la mention du sujet dans les marges du texte), Europeana est assurément un texte étonnant, à découvrir sans plus attendre (même si l'on peut regretter certaines caricatures naïves de mouvements de pensée qui nuisent à la violence radicale du tout). Les Américains qui ont débarqué en 1944 en Normandie étaient de vrais gaillards et mesuraient en moyenne 1m73 et si on avait pu les ranger bout à bout plante des pieds contre crâne ils auraient mesuré 38 kilomètres. Catégorie(s): Histoire (Histoire et Politique) Référence du livre: R06081 Pour retrouver tous mes livres tapez loccasiondelire dans la barre de recherche (ou ailleurs sur le net).

Cd et pochette en excellent état. Envoi rapide et protégé. Conservé avec soin. petite étiquette arno au dos CD Album CD Distributeur: BMG Auteur: Lionrock Editeur: DECONSTRUCTION Code EAN: 0743214820421 Rubrique principale CD: CD Album Genre musical: Musique électronique Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales Support / Quantité fournie: 1)

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

     - 1  " J'ai passé vraiment une grande part de ma vie à travailler à la déconstruction de mes propres illusions et de celles de l'humanité. " La psychanalyse est politique. Politique de libération des entraves qui assujettissent: soi, l'autre, le monde. Les régimes politiques l'ont toujours su. La vie et l'œuvre de Sigmund Freud (1856-1939) en témoignent. Alors, faut-il brûler Freud et en finir avec la psychanalyse ? De L'Interprétation des rêves à L'Homme Moise et la religion monothéiste, la pensée freudienne continue depuis plus d'un siècle de remuer les enfers. Cette biographie de l'homme Freud est " analytique " au sens où la méthode freudienne change l'écriture de l'Histoire et l'écriture même de l'histoire de Freud.      - 2 La PSYCHO SANS ASPIRINE Qu'Est-ce que la psychologie ? D'où vient-elle ? Depuis quand s'y intersse-t'on ? Quelles en sont les figures marquantes ?.... Ce livre répond a toutes ces questions et vous entraine dans l'histoire de cette science en vous faisant découvrir son passé et son présent. Parmi les grands noms vous retrouverez FREUD PAVLOV SKINNER PIAGET et bien d'autres..       - 3  SIX ETUDE DE PSYCHOLOGIE: Le progrès de la conduite et de la pensée, la genèse des fonctions logique, perpectivetels sont les thèmes centraux qu'aborde J-PIAGET. La première partie du livre retrace les étapesdu développement mental de l'enfant, de la naissance a l'adolescence.. La deuxième partie est consacré plus particulièrement aux questions de méthode et tend a établi les loies d'une théorie de la connaissance. LIVRE EN MOINS BON ETAT.      - 4  DANA SOUS LES PAS DE L'AURORE  de TRISTAN GLENDOWER: La pensée universel N'hésitez pas a me contacter pour plus de renseignements. Bonne enchère a tous !!!

Dans Folioplus classiques, le texte intégral, enrichi d'une lecture d'image, écho pictural de l'œuvre, est suivi de sa mise en perspective organisée en sept points : • Mouvement littéraire : Le roman français d'après-guerre : déconstruction, quête du sens et réflexivité • Genre et registre : Le «roman» parodique d'un univers déchu • L'écrivain à sa table de travail : L'univers du langage et des textes, seule voie d'accès au réel • Groupement de textes : Des personnages en quête d'un sens • Chronologie : Raymond Queneau et son temps • Fiche : Des pistes pour rendre compte de sa lecture • Analyse filmique : Zazie dans le métro de Louis Malle Recommandé pour les classes de lycée. Broché Tranche d'âges:  6 - 8 années Editeur :  Editions Gallimard (25 octobre 1994) Collection :  Lecture junior Langue :  Français ISBN-10:  207058674X ISBN-13:  978-2070586745 Dimensions du produit:  19 x 14 x 1,2 cm

!!!!!!!!!!!!!! 70 VINYLS :  HOUSE / TECH-HOUSE / ELECTRO / MINIMAL / TECHNO / DUBSTEP TOUS LES VINYLS SONT EN BON ETAT, JOUABLES SANS PROBLEME (DE VG A NEUF) CERTAINS N ONT PAS DE POCHETTES CARTONNEES JUSTE POCHETTES PAPIER   Steve Bug ‎– B Series Vol. 1 / B Series ‎– B-S1 Pressure Funk ‎– Ghetto Jack: Soma Quality Recordings ‎– SOMA 86 Various ‎– Dispodancer EP: Festplatten ‎– FEST 02 Hannes Teichmann ‎– Heartcore / Festplatten ‎– FEST 26 Casey Hogan ‎– Sound Syndicate EP / Shva Muzik ‎– Shva.03 2nd Shift Featuring Heather ‎– Somethin' Else / Seasons Recordings ‎– SEA12-011 Alexander Kowalski ‎– Echoes / Kanzleramt ‎– KA 53 Dave Clarke ‎– Shake Your Booty /Deconstruction ‎– 74321 509541, Bush ‎– 74321 509541, BMG ‎– 74321 509541 Static Drum ‎– Untitled / Logistic Records ‎– LOG010 / one sided Kiko ‎– Wonder Man / Ozone Records ‎– OZ.014. Davide Squillace & Swat-Squad ‎– Panik Reinterpretation / Resopal Schallware ‎– RSP038: black vinyl Maelstrom ‎– Different Train EP / Expressillon ‎– EXPR505 Esser ‎– Forces / KMS ‎– KMS 052 Secret Cinema ‎– Timeless Altitude (Remixes) / EC Records ‎– EC 054 108 Grand Featuring Roy Galloway ‎– Tonight / OM Records ‎– OM 10 Alexkid ‎– Bienvenida (Remixes) / FCommunications ‎– F 147 Geo Vogt ‎– Assemblage Points / Relief Records ‎– RR2001 Various ‎– Black Nation Beatz! / Choice ‎– CHOICE 007 / double vinyl Björn Mandry ‎– Time Factor / Orange Pub / Mauritius ‎– MAU 002 Stalker ‎– Faster You Breathe / Cosmetic Music ‎– Cosmetic 006 Epilepsy ‎– Play My Favourite Song / Dance Time Records ‎– PLUS 1240 Giampiero Ponte Feat. Danny Martinez ‎– Pyramyd / Feel The Rhythm ‎– FTR 4120-6 Kiko ‎– Mainstream EP / Ozone Records ‎– OZ008 Agoria ‎– La 11ème Marche / [PIAS] Recordings ‎– PIASF 076, [PIAS] Recordings ‎– 942.0076.130 Tiago S ‎– Piercing Eyes / Adrenaline Records ‎– Adrenaline RECORDS 07 Alexander Kowalski ‎– Progress / Kanzleramt ‎– KA64 Agoria Feat. Sylvie Marks ‎– Spinach Girl / Different ‎– DIFF 2026, [PIAS] Recordings ‎– 451.2026.130 B-Factory ‎– Everything / Swing Boutique ‎– SWB004 I Love Aja ! ‎– Your Light / Poussez! ‎– PO 3 Alexander Kowalski ‎– Echoes / Kanzleramt ‎– KA 53 Aysam ‎– Lost In The Shower EP. / Cosmetic Music ‎– 02 Ibrahim Alfa ‎– Language And Silence E.P. / Cosmetic Music ‎– Cosmetic 003 Various ‎– Issue 004 / Cosmetic Music ‎– Cosmetic 004 Hug ‎– The Happy Monster / K2 ‎– K2/05 Various ‎– Kompakt Für Cisco / Kompakt Extra ‎– KOM EX 1 Superpitcher / Stardiver ‎– Speicher 35 / Kompakt Extra ‎– KOM EX 35 Gui Boratto / Oxia ‎– Speicher 38 / Kompakt Extra ‎– KOM EX 38 Madonna ‎– Nothing Really Matters / Maverick ‎– SAM00061, Warner Bros. Records ‎– SAM00061 Full Work ‎– Get Up Baby / Nice Music ‎– NVN 52000 Pills ‎– Super Harmony (New Remixes) / Island Records ‎– 0273 / promo Frankie Goes To Hollywood ‎– Two Tribes / Island Records ‎– 601 325-213, ZTT ‎– 601 325 Carpe Noctem ‎– Move The Bass / Black Sun Records – BLK 003 Armand Van Helden ‎– My My My / Southern Fried Records ‎– ECB67 Africanism All Stars Feat. Ben Onono ‎– Summer Moon / Rise ‎– RISE 304 Major Boys ‎– Panamerica / Royal Flush Records ‎– RF017 Axwell ‎– Lead Guitar / RLPMix Records ‎– RLPMIX 007 Tim Xavier ‎– Deception De Real / LTD400 ‎– LTD400-1 Dax Riders ‎– Set Me Free / Subscience ‎– 015 380-1 Dax Riders ‎– Real Fonky Time (Robbie Rivera Remixes) / Subscience ‎– 015 280-1 Martin Peter Featuring Mark Stewart ‎– Psychoville / Angora Steel ‎– ANGST 006-6 The Silents ‎– Audiomatic EP / Free Music ‎– FM020 Leonski, Apokamix Now ‎– Les Electrons Libres 01 / Elektron libre ‎– LEL-01 Jim Starck ‎– Gunman EP / Quatre Records ‎– QUATRE 003 Laurent Wolf & Fred Pellichero ‎– Saxo Revenge / Afro Dynamic ‎– AFRO 002 Di. Vision ‎– Funky / Vendetta Records ‎– VENMX 174 Ritmo-Dynamic / Afro Dynamic ‎– Sunshine Paradise EP /Vendetta Records ‎– VENMX 509 (N) General Moders ‎– Cross The Sky /

Médaille de bronze sur support de bois Diamète du bronze: 12 cm Diamètre socle: 16.5 cm Epaisseur: 3 cm Poids de l'objet: +- 880 gris La méaille représente une sirène détruisant avec une masse un bateau en flamme mention du tableau: JULES VERNE. Malgré son poids de 880 grammes, la médaille peut être accrochée au mur grâce à son attache incrustée au verso à défaut d'être posée sur un trépied. Historique wikipédia: Le Jules Verne est un navire atelier de la Marine nationale française, nommé ainsi en l'honneur de Jules Verne. Mis en service en 1976, il en est retiré en 2009. Il est parrainé par la ville de Nantes, ville natale de Jules Verne, depuis le 26 mai 1976 Le navire fut basé les deux tiers de sa carrière à Djibouti (il figura même sur le billet de 10 000 francs djboutiens), affecté à la flotte française en océan Indien. En 1997, il fut affecté à la Force d'action navale et basé à Toulon. Il fut amarré au port de Toulon à son désarmement en 2010 en attente de son démantèlement. Il a quitté le port pour rejoindre Gand, en Belgique le 13 mai 2016, afin d'y être démantelée par le groupe franco-belge Galloo. Le Jules Verne a effectué sa dernière sortie à la mer le 19 février 2009, avant son désarmement. Il a été placé en position « en complément » le 23 février, et « en réserve » le 1er juillet 2009. Une partie de son équipage a alors été transféré vers l'atelier militaire de la flotte (AMF) de Toulon. La dernière cérémonie des couleurs a lieu le 17 septembre 2010. Après sa condamnation, la coque est destinée à la déconstruction. Le bâtiment avait pour ville marraine Nantes, depuis le 26 mai 1976. Son pavillon de tradition arborait, depuis l'an 2000, la devise « Soutenir pour vaincre ». Règlement: - chèque - virement bancaire - espèces possible si remise en main propre Envoi possible: frais de port, à la charge de l'acheteur

SPIRITUALIZED - Royal Albert Hall 1997 - 2LP - FIRST PRESS DECONSTRUCTION Ltd 3000 copies Disc 1a: VG+ Disc 1b: VG (visible scratch on part of this side, needle does not jump) Disc 2: VG+ Cover: VG+