Delay akai

Pedale delay Akai analog delay. État : Occasion Excellent etat, sans trace ni rayure. Peu servi et toujours a la maison.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

EB 16 Effect Board for Akai MPC 2000, 2000xl, S2000 & S3000xl. État : "Occasion" This unit provides effects such as distortion, rotary speakers emulation, EQ, ring modulation, phasing, flanger, pitch shift, chorus, echo, delay and reverb ! It’s used but works perfectly !

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Pédale d'effet DIGITECH RP3 PreAmp Multi effects Processor & Controller restaurée: Elle date de Mars 1998 et made in USA. Les 13 push button/switch ont été remplacé par des switch neufs de qualité: - Les Huits switch de navigation - Les cinq footswitch également Les potards ont reçu leur petit coup de Contact Cleaner et ne crachent plus. Dépoussierrage et nettoyage complet. L'état esthétique laisse apparaître certaines écailles de peintures mais vraiment rien d'atroce. Elle fonctionne maintenant à merveille !!! Elle est vendue avec son guide utilisateur d'origine et son adaptateur Harman Pro PS750-220 (9V-1A). Par contre, je ne possède pas la boite d'origine. Poids Total: 2,5 kg sans l'emballage d'expedition. Je m'efforce de faire l'expedition le plus vite possible mais avec le Covid, ce n'est pas evident...merci de votre compréhension. > Mode Programm (30 presets), Bank paramétrable (30 users slots), Bypass et Tuner. > Liste de effets disponibles: Déjà le WHAMMY !!!! plus: Wah, Compressor, Distortion, Equalizer, Gate/Swell, Mod/Pitch (Chorus, Flanger, Phaser, Tremolo, Auto Panning, pitch shifting, pitch bending aka Whammy, Harmony), Delay, Reverb, Cabinet emulator, Pédale d'expression et master level. TAG: digitech, dod, maxon, fender, boss, roland, korg, mxr, dunlop, ibanez, electro harmonix, ehx, strymon, t-rex, zvex, tc electronic, tc helicon, behringer, zoom, xotic, line 6, vox, morley, huge, mooer, joyo, danelectro, ebs, blackbird, source audio, mu-tron, meris, ketron, colorsound, 3leaf, amdek, source audio, aguilar, wampler, wah, wha, pedal, pedal effect, stompbox, stomp box, pédale d'effet, pedalboard, synth, keyboard, bass, basse, guitar, guitare, effetto chitarra, multi effect, cort, sandberg, yamaha, epiphone, akai, victory, empress, DIY, rolling, albit, peavy, earthquaker, jackson, jam, music, instrument, octave, octaver, overdrive, distortion, fuzz, tremolo, vibrato, chorus, flanger, phaser, compressor, compression, sustain, sustainer, wah-wah, wha-wha, noise, suppressor, booster, looper