Developed

Hello, I am selling my Gimball, only used a couple of times for sport videos recording. Will come in the original box and the invoice. Details below: ACR The Plus is a device capable of stabilising small digital cameras and DSLRs. The stabilisers job is to make sure that the horison level is perfectly kept where it should be even during the most insane shot – it also negates unwanted round movements of the camera. An agile operator experienced in working with Steadicam or similar systems can achieve results not possible before. The versatility of this technology is limited solely by the creativity of users and the gear itself is very easy to configure. Handing over The Plus during a single, continuous shot, changing the shooting action from handheld to UAV, working in normal and inverted modes – these tasks require only a moment of preparation and open completely new horizones to open-minded filmmakers. Give it a try! The stabiliser Thanks to using a twin gyro & accelerometer system the stabilisation itself is sharp and precise while keeping the device simple to use. A powerful processor allowed us to enhance the primal functionality of the stabiliser with a set of new functions: more natural, iconic Follow Mode, larger number of saveable settings profiles, more reliable operation in demanding conditions. Three direct drive brushless motors were created to perfectly control the camera on each of the stabilised axes. The stabiliser was built according to our own solutions and technology. We used the best available materials – aircraft grade duraluminum, carbon fibres. The electronics and motors were developed from scratch to meet the requirements of our most demanding users.   The device Is powered by a single LiIon battery (included in the set) fitted inside a dedicated compartment within the carbon tube. Depending on your gear configuration it can work constantly up to two hours on a single charge. The battery charger is also included. A uniqe feature is the possibility to power up external accessories attached close to your camera straight from the main battery thanks to an auxillary power socket located at the camera shelf. Such accessories include wireless video transmission systems, follow focus systems, etc. ACR The Plus is the upgraded version of the classic BeSteady ONE – the gimble which started our journey. The first units of the predcessor were delivered to the first users around the end of 2013. We would not have made it without the support of hundreds of wonderful people who supported us via the initial KickStarter campaign. Thanks to the invaluable help from many enthusiasts we were able to revaluate, test and complete the upgrade project with success.    The heart of the BeSteady is within the mainboard. Highly modified BaseCam software, developed in direct cooperation with Alexei Moskalenko, enabled us to create a product tailored for your needs. A fast Cortex processor, vast internal memory and twin gyro & accelerometer system allows the device to easily cope with tasks such as fast running, shooting from moving vehicles and working at uncommon and extreme angles and positions. The lack of complicated configuration procedures (the so-called PID tuning) is gone with the introduction of simple, understandable sliders responsible for setting the needed parameters for every axis. The uniqe, very characteristic handheld mode, the Follow Mode, allows the operator to catch smooth scenes during continuous takes thanks to responsive and natural movement control system with a lot of precise math behind it. Moreover, the device can be controled using a dedicated analog Thumbstick or an external remote control device. The stabiliser can work in different modes thanks to the implementation of advanced control & stabilisation algorythms. The basic mode of operation is the Xtended Stabilisation – where the device maintains the exact camera position targ

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones have been well taken care of, are in excellent condition and in perfect working order. Shipping out of France - fast delivery and no custom fees for destinations within EU. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones are in very good condition and in perfect working order. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

WESTONE UM PRO 30 Paire d'écouteurs, de type monitor earphone. Presque jamais utilisée. Comme neuf. Over twenty years ago, Westone Audio changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone Audio UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone Audio UM Pro 30 incorporates all the innovations and expertise that Westone Audio has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone Audio’s proprietary silicone and comfort foam ear-tips are provided in 5 different sizes and enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone Audio UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

SENNHEISER PXC 450 HEADPHONES - REDUCED TO CLEAR The PXC 450 is a circumaural high-end travel headphone set with NoiseGard™ 2.0 technology and TalkThrough function for the best possible attenuation of ambient noise. The PXC 450 enables an unprecedented sound experience for people on the move, thanks to its adaptive baffle damping in combination with the patented Duofol diaphragms, which prevent unwanted partial oscillation and thus guarantee a highly natural, lifelike sound quality. NoiseGard™ is an active noise compensation system which Sennheiser originally developed for use by pilots, who have to rely on good sound quality and efficient protection against ambient noise even in high-noise environments. NoiseGard™ actively compensates the noise, based on the physics principle of sound and counter-sound. NoiseGard™ 2.0 has perfected the NoiseGard™ principle thanks to the use of optimised circuitry design and even more efficient processors. It also uses better quality microphones, which enable more sophisticated pick-up of unwanted noise. Specially developed filter algorithms enable improved active noise compensation of up to 90% (23 dB). It is of course also possible to use these headphones passively, i.e. without NoiseGard™ and without batteries.  Users of a PXC 450 who wish to communicate with their neighbours can do so without taking off the headphones: when the TalkThrough function is activated, professional quality microphones mounted on the outside of the headphones pick up all acoustic signals in the immediate vicinity. Unwanted background noise, such as the sound of the engines on a plane, is filtered out electronically to a great extent, so that only the neighbour’s voice is passed on through the headphones into the user’s ear in top audio quality. The PXC 450 is foldable and is supplied complete with practical transport case, 2 AAA batteries and audio adaptors (double mono and 6.3mm). Volume control integrated in the headphones and a single-sided detachable and replaceable cable ensure maximum convenience for the user. SPECIFICATIONS: Colour: Silver Wearing Style: Headband Impedance: 150/750 ohms Connector: 3.5mm right-angled Frequency Response: 8 - 2800 Hz Sound Pressure Level: 108 dB Total Harmonic Distortion: Ear Coupling: Circumaural Cable Length: 1.4m single-sided, replaceable Transducer Principle: Dynamic Weight: 240g Attenuation: Passive - 32 dB Operating Time: > 21h Battery Specification: 1 x AAA Battery NoiseGard Noise Compensation: Up to 23dB (NG 2.0) 

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones are in very good condition and in perfect working order. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to. Note to potential UK buyers January 1st 2021 brought significant changes to the the way cross-border parcels are dealt with. VAT can be levied on goods imported in UK from within EU, depending on their nature, value and country of origin. Disruptions and delays at UK borders are a reality for the time being. Many shipping companies in EU have increased charges at best, at worst they have temporarily stopped accepting parcels with UK as a destination. Should you be interested in buying this item, please contact me first so that I can check and confirm the shipping options.

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Any question to help you to finalize your choice, please ask. Thank you.  An Audiophile must have !! SAEC SS-300  - AUDIOPHILE TURNTABLE ALLOY SOLID MAT - JAPAN - RARE - Please find all the information below. Thank you SAEC SS-300  -  AUDIOPHILEターニングアロイソリッドマット - 日本 - 希少以下のすべての情報を見つけて、インターネット翻訳を使用してください。ありがとう SAEC SS-300 - AUDIOPHILE Plattenspieler Alloy Solid Mat - Japan - SeltenHier finden Sie alle Informationen und nutzen Sie die Internet-Übersetzung. Vielen Dank SAEC SS-300  -  AUDIOPHILE转盘合金实心垫 - 日本 - 稀有强的乙烯基专业 - 请查找下面的完整信息，只需使用互联网翻译，谢谢 SAEC SS-300 - AUDIOPHILE 전착 합금 솔리드 매트 - 일본 - 희귀 품  아래의 전체 정보를 찾으십시오. 인터넷 번역을 사용하십시오. 감사합니다. SAEC SS-300 - Pour Platine Vinyle Audiophile - Couvre Plateau Rigide en Alliage - JAPON - RARE Veuillez trouver la description complete ci dessous - Veuillez utiliser un traducteur en ligne sur internet. Je vous remercie   +++ Introduction +++ Sorry in advance, for any mistakes, I am using internet, to make translation. I am living in France and Cambodia, that is why I use my french count linked with my paypal and bank account in France, while my audio gear is in Cambodia, closer to Japan from where it mostly comes, and where I spend the most of the year. That is why you will see some not correct item location on the console, as I am obliged to use my french account. And provides you a flat worldwide shipping rate through DHL postal services (insured and track-able)  THE ITEM WILL BE SHIPPED FROM CAMBODIA (check tax and customs)   Many Thanks for your visit, wish you a good day, and don't forget to have a look at my other sales. Any question Please ask.   +++ Item Description +++   Audiophile Turntable mat SAEC SS-300 - Analog Alloy Solid Mat (year 1978)   Was on use on a Technics SP-10 MK II  Made with special alloy. Net weight 870grams. Diameter 300mm, height 5mm  A solid mat from a special metal developed based on a new theory.  This unique solid turntable mat eliminates the distortion-producing resonance in the 200-400Hz range, which is common to most all conventional rubber mats. This results in a 10~20dB net reduction in overall resonance, to further reduce distortion at its source.   Commonly used with the High end engineering SAEC Tonearms, WE-308, WE-407, WE-506...  Works as well with any other quality Tonearms, SME, Micro Seiki, Audio Technica, Ortofon...  Used item in Good working Condition   +++ About the Seller +++ Most of the goods that I sell were bought during some regular trips in Japan & through Japanese friends. I am French, music lover, and I am living between France and Cambodia (where most of my Audio is settle), I spend most of my free time having good time with my family & enjoying vintage sound systems.   I am not a professional seller (I have enough work with my current job), but only an Audio passionate. Therefore I regularly have a little bit more equipment that I need... I like to buy and discover new items, try them in my sound systems, enjoy them, then, mainly due to space, and financial limitation, it is time to sell some of them, for someone else, somewhere, can have some good time with it.   +++ About the Payment +++ I only accept PayPal payments. (if you don't have an account, please go on paypal website, very easy and safe way to make payments)   +++ About the Sale +++ As I mainly sell vintage items, and so most of the goods are used, and some are quite old,  Thanks to look carefully the item pictures and read the full description. Please understand that there will be, no claims and no returns possible. For the stressful persons or the ones who wish perfect goods, please refrain from buying. Be inform that these audio goods are also for sale through several networks, so they could be removed from here anytime. If you like it, don't hesitate too long.   +++ About the Shipping +++

Le lecteur SACD multi-sources English description at the end Le MP 2500 R est le plus récent et le plus sophistiqué des lecteurs multi-sources et PCM / DSD DAC série R.  Le MP 2500 R est construit conceptuellement et technologiquement comme le MP 2000 R MKII. Les deux appareils sont spécialement conçus pour la lecture sans compromis de données audio haute résolution. Au lieu d'un lecteur de CD, nous avons équipé le MP 2500 R de notre tout nouveau lecteur SACD du SACD MP 3100 HV haut de gamme. Comme dans le MP 2000 R, nous utilisons notre convertisseur quadruple différentiel double supérieur avec traitement de tous les signaux numériques pour convertir les données PCM. Pour les données DSD, le convertisseur DSD analogique 1 bit T + A True unique est utilisé, qui ne convertit pas les données DSD mais les traite nativement en flux binaire. Cela signifie que même les données DSD jusqu'au DSD 512 provenant de l'entrée USB du tableau de connexion numérique peuvent être reproduites avec la meilleure qualité. En tant que client de streaming, le député a 2 500 R obtenir le T + un conseil en continu de haute résolution, qui permet non seulement la plus haute résolution, mais aussi l'utilisation de différents services de musique, radio Internet et la connexion au réseau domestique via LAN et WLAN, le mode maître USB et streaming HD à partir de serveurs de réseau.L'excellent accordeur sonore est compatible FM, FM-HD et DAB +. Un module de diffusion Bluetooth de haute qualité pour la transmission de musique depuis des appareils mobiles est également installé. Le fonctionnement du PM 2500 R, ou même un système R ensemble, via le FM1000 de commande à distance infrarouge ou au mieux sur l'application de contrôle T + A. Cela a servi, par opposition aux applications de nombreux autres fabricants, notre équipement est complet dans toutes les fonctions et montre non seulement les informations du client de streaming, mais aussi le contenu d'affichage de toutes les sources, telles que le nom de la station et le texte de la radio lors de l'opération FM. En option, la télécommande bidirectionnelle FD 100 peut être utilisée. Il ne représente pas seulement l'affichage de l'appareil, mais couvre également l'art. lecteur SACD drive Précision entraînement linéaire. Système laser double: SACD: 650 nm, CD: 785 nm formats SACD Stéréo, CD / DA, CD-R, CD-RW, SACD / CD Text Réponse en fréquence et dynamique SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB Streaming client formats MP3, WMA, AAC, OGG Vorbis, FLAC, WAV, AIFF, ALAC débits de données PCM 32... 192 kHz, 16/24 bit; MP3 jusqu'à 320 kbits, débit constant et variable traits Lecture Gapless pour MP3 (Lame), WAV, FLAC T + Une application de contrôle pour iOS et Android normes Contrôle UPnP AV, T + A services: Tidal, Deezer, qobuz (abonnement requis) interfaces LAN: Fast Ethernet 10/100 Base-T, WLAN: 802.11 b / g / n Tableau de connexion numérique Entrées numériques S / P-DIF 1x AES-EBU, 1x coaxial, 2x BNC, 2x TOS-Link USB (mode périphérique) 1x mode périphérique USB asynchrone USB (mode maître) 2 x mode maître USB pour le stockage de masse USB Tuner FM norme de réception: FM, FM-HD gamme de fréquences: 87,5-108 MHz; sensibilité (> 65 dBA S / N) 1 μV Headroom: 103 dB uV THD: 0,1% Signal / bruit distance mono / stéréo 72/62 dB séparation stéréo 50 dB Deemphasis (version Europe / États-Unis) 50/75 nous services de données:RDS / RDBS, nom de la station (PS), type de programme (PTY), texte radio (RT) Tuner DAB norme de réception DAB, DAB + gamme de fréquences 168-240 MHz (Volume III) Sensibilité (BER = 10 - 4) 2,0 μV Headroom 103 dB uV Bluetooth A2DP (audio), AVRCP 1.4 (contrôle) / aptX®, MP3, SBC liens Sorties analogiques haut niveau (RCA):2,5 Vrms / 50 ohms Sortie analogique symétrique (XLR):5.0 Vrms / 50 ohms Sorties numériques:1 x coaxial, IEC 60958 S / P-DIF (LPCM) Convertisseur N / A PCM quad différentiel double convertisseur avec 4 convertisseurs N / A par canal, 32 bits Delta Sigma, 352,8 KSPS / 384 KSPS DSD Convertisseur N / A DSD T + A-True-1Bit jusqu'à DSD 512 (22 MHz) Réponse en fréquence PCM 44,1 kSps 2 Hz - 20 kHz Réponse en fréquence PCM 48 ksps / dsd 64 2 Hz - 22 kHz / 2 Hz - 44 kHz Réponse en fréquence PCM 96 kSps / DSD 128 2 Hz - 40 kHz / 2 Hz - 60 kHz Réponse en fréquence PCM 192 kSps / DSD 256 2 Hz - 80 kHz / 2 Hz - 80 kHz Réponse en fréquence PCM 384 kSps / DSD 512 2 Hz - 100 kHz / 2 Hz - 100 kHz filtre analogique Filtre Bessel linéaire symétrique, phase 3, 100 kHz THD Signal to Noise Ratio 116 dB la séparation des canaux 110 dB Connexion / Accessoires / Dimensions Interface de contrôle R2-Link contrôle à distance FM 1000, T + A Control APP, télécommande d'affichage optionnelle FD 100 raccordement au secteur:100-240 V, 50-60 Hz Consommation électrique max.:40 watts Eco veille:0,3 watts fonction de mise hors tension automatiqueoui (après 90 minutes sans signal audio) Dimensions (H × W × D):16,5 × 46 × 40 cm poids: 11,3 kg T+A MP-2500R Media Player SACD/CD/DAC/Streamer/Radio The Multi Source SACD Player The MP 2500 R is T+A's newest and most sophisticated Multi Source Player and PCM / DSD DAC in the R-Series. The MP 2500 R has the same overall design philosophy and technical facilities like the smaller MP 2000 R MK II player. Both have been developed to reproduce high-res audio files without any trace of compromise. Instead of a CD mechanism T+A have equipped the MP 2500 R with the SACD drive from T+A's High-End SACD player MP 3100 HV which is a completely new development.  As in the MP 2000 R MK II, PCM data is converted using T+A's outstanding double differential quadruple converter with all it‘s sophisticated digital signal processing. DSD data are handled by the unique analogue T+A true 1-bit DSD converter from the PDP 3000 HV, which processes the DSD data in native form as a bitstream rather than converting them. This makes it possible to reproduce DSD data up to DSD 512, as delivered by the USB input of the digital connecting board, to the highest level of quality.  The machine’s streaming client takes the form of the new T+A high-res streaming board, which provides maximum resolution as well as the facility to access various music services, Internet radio, inclusion in the home network via LAN and WLAN, USB Master Mode and HD streaming from network servers. The digital tuner offers FM, FM-HD and DAB+ capability, and delivers excellent sound. The T+A MP 2500 R also includes a high-quality Bluetooth streaming module for transferring music from mobile devices.  The machine is controlled using the FM1000 infra-red remote control handset, or – ideally – the T+A Music Navigator App. In contrast to many manufacturers’ Apps, this is capable of controlling every element of every function of T+A's machines. Not only does it display the information pertaining to the streaming client, but also the screen content of all sources, such as the station name and radio text when used in FM radio mode. As an option the FD 100 bi-directional RF remote control system can be used as well. It displays the full content of the device screen and coverart as well. Technology It is only natural that the SACD and CD continue to lose significance, as they are increasingly superseded by streamed content; a trend reflected very clearly in the huge success of T+A's multi-source players with their extensive streaming facilities. However, it is clear that T+A audiophile customers still wish to be able to play music from CD and SACD, because none of us wants to throw away our old collection, and in any case there is an undeniable charm in owning a tangible data medium. Infact the SACD is currently experiencing what we can only term a renaissance all over the world. Therefore T+A decided to develop a completely new, modern SACD mechanism incorporating the latest decoder technology, offering very short access times and outstanding error correction. It is capable of reading CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs at the highest possible quality. T+A have invested a huge amount of effort in the mechanical design of the drive unit, incorporating a high-quality drive, double laser optics and heavy-duty motors. With the aim of eliminating all traces of interaction between the moving parts of the disc drive and the remainder of the player T+A's disc mechanism features a mechanical isolation. A heavy aluminium plate and a solid case, which act as a mass damping devices, thereby preventing any structural sound from the mounting surface finding its way to the electronics and the disc mechanism. The disc drawer runs on two accurately machined stainless steel pushrods, while the disc rests in a specially coated, high-quality ABS cradle.

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.

EarMaster Pro Build 656PW/ Link Download Do you want to become a better musician? Or do you need to pass a music theory exam? You found the right software! EarMaster is the #1 music theory trainer for all musicians who want to get better skills, from beginner level to very advanced. With more than 2500 interactive lessons, EarMaster covers all the core aspects of ear training, sightsinging and rhythm training. You will learn to: sight-sing melodies off musical scores sing back melodies you just heard clap back rhythms you just heard sing on pitch transcribe music by ear play in rhythm and with precise timing recognize chords, intervals, scales and cadences by ear Most musicians want to improve their music theory skills but let’s be honest, it’s neither the easiest nor the most exciting part of music learning. It requires a lot of time, dedication, consistency and also a devoted training partner. That’s exactly why we created EarMaster: to make music theory easy, motivating and fun to learn. It’s so efficient that you will make solid, lasting progress within the first few weeks of use! Developed in close partnership with music theory experts from several universities, EarMaster enables you to improve your skills with the exact same exercises that you would meet in the best music schools – but don’t take out word for it: EarMaster is also used by thousands of music schools around the world to accompany music theory courses at most teaching levels. So if you are serious about your musical skills, don’t waste one more minute and get started with EarMaster. Because if you can hear it, you can play it!

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Disquette de démarrage Ensoniq EPS OS 2.49 : ------------------------------------------------------------------- Système d'exploitation 2.49 sur disquette DD DS 3,5", le dernier OS développé par Ensoniq pour l' EPS ! Ensoniq EPS OS 2.49 Boot Disk: --------------------------------------------- Operating system 2.49 on 3.5" DD DS disk, the latest OS developed by Ensoniq for the EPS ! Disco de arranque Ensoniq EPS OS 2.49: ---------------------------------------------------------- Sistema operativo 2.49 en disco DD DS de 3.5", el último sistema operativo desarrollado por Ensoniq para el EPS ! International Buyers (Outside UE): Import duties, taxes & charges are not included in the item price or shipping These charges are the buyer's responsibility Please check with your country's customs office to determine what these additional cost will be prior buying Compradores internacionales (fuera de la UE): Los derechos de importación, los impuestos y los cargos no están incluidos en el precio o envío del artículo Estas cargas son la responsabilidad del comprador Consulte con la oficina de aduanas de su país para determinar cuáles serán estos costos adicionales antes de comprar

Description L’objectif PENTAX smc DA 12-24 mm f/4 est extrêmement compacte et ultra-puissant à la fois. L’objectif PENTAX smc DA 12-24mm f/4 ED Al (IF) d’une finition haut de gamme construite de 13 éléments en 11 groupes. Comme tous les objectifs PENTAX, il est caractérisé par sa légèreté et donc convient aux appareils photos légers. L’ouverture minimale du diaphragme est de f/22, la distance minimale de mise au point de 30 cm uniquement. Le smc DA 12-24mm f/4 ED AL (IF) (équivalent à un 18-36mm en 135mm) est idéal pour les photos rapprochées où il est important de saisir le maximum de détails avec une profondeur de champ impressionnante. Caractéristiques du PENTAX smc DA 12-24 mm f/4: Série: DA Focales: 12-24 mm Équivalence angle de vue 35 mm: 18-36 mm Ouverture minimale: f/22 Ouverture maximale: f/4 Construction de l'objectif: 13 éléments en 11 groupes Angle de champ: 99°-61° Contrôle du diaphragme: automatique Distance minimale de mise au point: 0.3 m sur tout le champ de zooming Grossissement maximum: 0.12x Diamètre de filtre: 77 mm Dimensions (longueur x diamètre): 87.5 x 84 mm Poids: 430 g Accessoires fournis: bouchons d'objectif, Parasoleil PH-RB I77mm Product Description The smc-DA series of lenses are particularly developed and designed for use with PENTAX digital cameras. They are designed to fulfil the high digital image technology standards of PENTAX digital SLR cameras and are intended exclusively for use with these cameras. Extreme focal lengths are the domain of SLR photography. With the 12 - 24mm zoom lens PENTAX has succeeded in mastering a difficult challenge and can now offer wide angle photography on the highest digital level. With the 35mm equivalent of an 18 - 36mm lens, breath taking photographs are possible even if the spatial surroundings are limited      Specifications   Zoom or Prime Zoom Focal length (wide) 12 Focal length (tele) 24 Max aperture (wide) 4.0 Max aperture (tele) 4.0 Lens mount Pentax/Samsung Sensor format APS-C size Filter thread (mm) 77 Minimum focus distance 30cm Weight (g) 430 Size 84x87.5mm Colour Black Minimum aperture 22 Lens elements 13 Lens groups 11 Aperture blades 8 Focus mechanism Internal Focus (IF) Biete gebrauchtes Ultraweitwinkel-Objektiv smc PENTAX-DA 12-24mm F4 ED AL [IF] zum Verkauf an. Das Objektiv ist optisch und technisch in sehr gutem Zustand. Vorder- und Rückdeckel, Gegenlichtblende.

Great for clean or dirty, blackface or hot British crunch and exceptionally responsive to the players touch, the Custom Audio OD-100 covers all the basses and gives you maximum flexibility. This is a true top end amp experience that please even the most demanding pro players.   This version of the OD-100 was developed when LA studio legend M. Landau told John Suhr that he'd like the OD-100 Standard+'s Channel 2 to be like an early-70's British amp that he owned and adored. John borrowed Landau's amp and tweaked away, eventually coming up with a brand new Channel 2 and a new output section that duplicated and even surpassed the sound that Mike had come to love. The OD-100 Classic was born! The Channel 2 of the OD-100 Classic has much less gain than Channel 2 of either the OD-100 SE+ or the OD-100 Standard+. It's definitely more of a vintage voicing – like that of cranked non-master-volume amps with EL-34 output tubes – but you have the flexibility of the master volume to get that cranked sound and feel at moderate volume levels. Besides the completely new preamp circuit for Channel 2, the OD-100 Classic features the silver "Plexi-style" output transformer and EL-34 output tubes in the power section for a more authentic vintage British sound.  The OD-100 ML+ complements the OD-100 Classic with more gain on CH2 (think early ZZ Top, late AC/DC, early Van Halen and other classic rock sounds of the 70's and early 80's) with a more forgiving response, which makes it an absolute joy to play. Comes with Feedback and Depth knobs on the back panel. The front panel has the Presence knob which controls the power amp high-end content for both channels. The Feedback knob is essentially a speaker dampening control. It has a center detent which is bypass of the Feedback circuit. Turning it clockwise from the center gives the amp a tighter and more aggressive response with slightly increased volume level. Turning it counterclockwise from center makes the amp feel a little spongier with a more vintage type of a feel and response. 100 watts Front Panel Channel 1 Boost 1, Bright 1, Gain 1, Bass, Middle, Treble, Level 1 Channel 2  Bright 2, Gain 2, Gain 3, Bass, Middle, Treble, Level 2, Level 3 Channel Select

Up for sale is a Selmer Chorus 80J Trumpet in Lacquer Finish. These aren't made anymore and don't come up for sale often. Rare ocasion to own a piece of history and one of the greatest trumpets ever made. Selmer quit making these fine horns in 2011. So you can't get these anymore. These are terrific horns. Spectacular tone. Serial number is around 91XXX. So it's one of the last ones Selmer made. Very warm, beautiful sounding horn with smooth and very fast valves. Very good compression. The trumpet is in remarkable condition. Lacquer is 100% and not a dent, ding. One little scratch on the valves casing. Slightly traces of playing. Look at picture N°2. 80J Leadpipe designed specifically for lead jazz playing Chorus taper gives great focus and projection Bore: 11,75mm (.461") Bell diameter: 124mm The Selmer Chorus 80 J trumpet has been developed in conjunction with international artist Guy Touvron It has an easy and centered tone production, a good general open feeling, especially in the high register Designed particularly for jazz and light music, it is also versatile enough for classical trumpet players. No case is included. Sold with an « Henri Selmer Paris » N°2 trumpet mouthpiece.

Lecteur IOMEGA ZIP 250 Mo + disque ZIP 100 Mo avec 10 Banques d'échantillons + 35 extra banques ------------------------------------------------------------------------------------------------------------------------------------- Pros + OS 2.14 : -------------------- * Lecteur IOMEGA ZIP 250 Mo (écrit et lit les disques ZIP 100 & 250 Mo) * Cable SCSI DB25 / DB25 * Alimentation Iomega d'origine * 10 banques d'échantillons pros + 35 extra banques + OS 2.14 (dernier OS développé par E-mu pour le démarrage de l'Emax II) écrits sur disque ZIP 100 neuf IOMEGA ZIP reader 250 MB + ZIP disk 100 MB with 10 + 35 extra Pros sample banks + OS 2.14: ------------------------------------------------------------------------------------------------------------------------------- * 250 MB IOMEGA ZIP reader (writes and reads 100 & 250 MB ZIP disks) * SCSI DB25 / DB25 Cable * Original Iomega power supply * 10 sample banks pros + 35 extra banks + OS 2.14 (last OS developed by E-mu for the start of Emax II) written on new ZIP 100 disk Lector ZIP IOMEGA 250 MB + disco ZIP 100 MB con 10 bancos + 25 extra de muestra profesionales + OS ----------------------------------------------------------------------------------------------------------------------------------------- 2.14: ------ * Lector ZIP IOMEGA de 250 MB (escribe y lee discos ZIP de 100 y 250 MB) * Cable SCSI DB25 / DB25 * Fuente de alimentación original de Iomega * 10 bancos de muestra pros + 35 extra bancos + OS 2.14 (último OS desarrollado por E-mu para el inicio de Emax II) escrito en un nuevo disco ZIP 100

2x Eltax Wave Mini / Haut-parleur stéréo 130 Watts 4-8 Ohm 86 dB / Denmark Eltax propose avec la Wave une enceinte compacte idéale pour une première chaîne Hi-Fi ou pour remplacer les enceintes d'origine d'une chaîne d'entrée de gamme. Le médium/grave est doté d'une ogive centrale pour éviter les effets de fond de cône et améliorer la linéarité de la réponse en fréquence dans ce registre.  Le haut-parleur d'aigu dispose d'un aimant au néodymium pour des performances optimisées.  La Wave dispose d'une bonne puissance admissible et pourra ainsi être pilotée par la majorité des amplificateurs du marché. Finition hêtre, elle trouvera facilement sa place dans votre intérieur, fixée au mur ou bien posée sur un pied ou sur une étagère. (Ogive centrale du haut-parleur médium L'ogive centrale a un effet antitourbillonnaire: elle supprime les effets de cavité du fond du cône et les surpressions engendrées par les traditionnels caches noyau.  Le fonctionnement dynamique des haut-parleurs est optimum avec une meilleure réponse impulsionnelle.  La phase est améliorée et la réponse en fréquence est beaucoup plus linéaire sur tout le registre, y compris en dehors de l'axe.) Enceinte 2 voies: Puissances 25-130 Watts (60 Rms) Grave/médium: 110 mm Aigu à dôme néodynium: 25 mm Bande passante: 80 - 20 000 Hz Rendement: 86 dB Impédance: 4 - 8 ohms Dimensions (L x H x P): 200 x 135 x 197 mm - Poids: 2,1 kg Possibilité d'accroche murale Bornier à clip Designed and Developed in Denmark bonne présentation, fonctionne parfaitement, bonne linéarité, grilles en très bon état,  2 petits trous sur chaque ont était reboucher avec pâte plastique voire photo, n'intervient pas sur la sonorité. ********************************************************************************* - Envoi rapide et soigné assurance et numéro de suivi inclus. - livraison avec la poste / Colissimo: 11.90 € - livraison Mondial Relay: Gratuit !!! ******************************************************   - Paiements acceptés via Paypal:      ****************************************************** Merci et Bon achat à toutes et à tous, !

JANTZEN AUDIO CROSS COIL 2,70mH Rdc= 0,60 Ohm 16AWG – approx. 350 watts RMS !! If your country is not listed, contact me for the shipping price !! The Cross Coil has been developed in cooperation with Audio Technology (Denmark), who produces high-end drivers of impeccable quality. When using foil instead of wire for inductors, the enlarged surface will make for a much higher rate of electron travel. The benefits from using foil inductors comes in the form of less distortion and higher dynamic headroom, when used on crossovers for modern high performance speakers. =============== Les colisages sont réalisés avec le plus grand soin: - Carton double cannelure - film bulle - particules de calage Packages are made with the utmost care: - Carton double cannelure - Bubble film - Dunnage particles =============== Conditions Général de Vente  -  General Conditions of Sale: - Paiement par virement bancaire et Paypal, (chèque bancaire: France uniquement) - Payment by bank transfer and Paypal (bank check: French only). - Retour non accepté, pas de garantie - No return, no guarantee. Expédition Les envois sont effectués 3 jours après validation du paiement (hors week-end et jours fériés). Avant l'expédition de la marchandise une photo du colis et envoyé à l'acheteur. Puis lorsque déposé au centre d'envoi, le n° de suivi est fourni par le biais de Paypal et ou. Nous ne sommes aucunement responsable des dommages et ou pertes pouvant survenir pendant le transport, aucun remboursement ne pourra être réclamé sauf si vous avez assuré votre envoi (voir paragraphe: assurance) . Pour les règlements par chèque bancaire (France seulement) et après encaissement de celui-ci, un délai de 8 jours sera appliqué avant expédition de la marchandise. Expédition Shipments are made 3 days after validation of payment (excluding weekends and holidays). Before shipping the goods a photo of the package and sent to the buyer. Then when deposited at the dispatch center, the tracking number is provided through Paypal and or. We are not responsible for any damage or loss that may occur during transport, no refund can be claimed unless you have insured your shipment (see paragraph: insurance). For payments by bank check (French only) and after cashing it, a period of 8 days will be applied before shipment of the goods. Assurance Avant de valider votre panier vous pouvez faire la demande d'assurer votre envoi le cout sera défini comme suit: prix d'achat de l'article x 0,4. Ceci vous permettra d'être remboursé sur le montant de l'article seulement et à la condition suivante: - Perte du colis par le transporteur. Vous devrez alors fournir des justificatifs par exemple: photos, bordereau de perte de colis authentifié par votre bureau de poste. Insurance Before validating your basket you can make the request to insure your shipment the cost will be defined as follows: purchase price of the item x 0.4. This will allow you to be reimbursed on the amount of the item only and on the following condition: - Loss of the package by the carrier. You will then have to provide supporting documents, for example: photos, parcel loss slip authenticated by your post office.

La meilleure reverb Spring, tout simplement... Comme neuve, en boite. SANS ALIM. Fonctionnement sans aucun problème. Mr Springgy™ The Ultimate Spring Reverb, All the Goodness of Spring Reverb, without the Crash, Hum or Breakage of the convention Pan. This will make your favorite amp Sound even Better! Finally you can truly get the sound of your old Fender reverb in a small box, I’m not kidding… For years I have been working on a design to allow you to have your favorite “Industry Standard” Spring Reverb Sound in a small pedal form. Mr Springgy™ Pedal was designed with the idea of being as transparent as possible, to not change the original sound as it comes out of the instrument. I worked for years on such a design, and have developed a circuit that doesn’t degrade the original sound; it Enhances it with more Clarity and Definition. This allows you to truly have that Deluxe sound and make your favorite amp sound SUPER. Now Mr Springgy™ is even better. With a Major added Feature that allows your Mr Springgy™ to Output Just the Reverb (Wet), out of the Main Output. This now allows Mr Springgy™ to be used in Studio’s, Live Mixing boards and more. So Get your very own Handmade Custom Reverb Pedal. Extremely Warm Sounding Reverb. Stereo outputs can also be used as a Stereo Splitter “Wet Only” Switch for Studio and Live Mixing. Quiet Switching Bright easy to see Blue LED

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

Arcam irDAC Audiophile DAC Like new. Delivery service: Colissimo Recommended Objet comme neuf en excellent état, sans marque d'usure. Tous les câbles, l'alimentation et les accessoires sont présent. Sauf les piles pour la télécommande. Just Open unused item in excellent condition with absolutely no signs of wear. All cables, Power Supply and accessory are present,  except batteries (2 x AAA) for the remote control. IRDAC www.arcam.co.uk/product,accessories,accessories,irdac.htm The irDAC, so called because it features infra-red remote control, owes much to the development program behind the reference D33 DAC. The irDAC comes packed with cutting edge technology that brings high-end performance to a wide array of sources. It's outstanding sound quality will deliver sheer musical enjoyment for all music lovers.  The Arcam engineering team gain a great deal of new insight while developing the class leading FMJ D33. Areas such as isolation of digital and analog stages, ultra-low noise power supplies and direct coupled signal paths make a big difference to outright performance. The irDAC uses the outstanding Burr Brown 1796 DAC and 8 separately regulated power supplies to ensure class leading performance that are unmatched in the irDACs price category. Jitter reduction is an obsession within the Arcam engineering team. The circuits developed for the D33 anddeployed in the irDAC produce a signal that is almost entirely jitter free. The irDAC is designed to be the heart of a digital system and can be connected to a host of different types of digital sources and connections. This includes asynchronous USB and direct iPod connection, taking the digital signal direct from an Apple device for optimal sound quality. All of the inputs can be controlled through the irDACs IR remote handset that also controls PCs, MACs and iPod® / iPhone® / iPad® devices via the HID (Human interface device) controller. TECHNICAL SPECIFICATIONS - DAC: TI PCM1796 - Inputs: USB, SPDIF, optical, iPod - Frequency response: 10Hz — 20kHz, ±0.1dB - Total Harmonic Distortion: + Noise 0.002% - Signal-to-noise ratio (A –Weighted): 112dB (24-bit) - Line output level: 2.2Vrms - Supported sample rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 192kHz - Supported bit depths: 16-bit, 24-bit - Power requirements: 7W max - Dimensions: (wxdxh, mm) 190 x 120 x 44

Superb lecteur de cassettes K7 NAKAMICHI 670ZX 3 heads new belt and azimut PERFECT WORKING Deck player k7 cassettes Parfait état de fonctionnement Courroies neuves, réglage vitesse et azimut révisés Quelques marques sur le dessus de l'appareil sans gravité (marques légères de l'appareil qui etait posé dessus) Avec les 2 poignées rack (démontables par vis) Nakamichi 670ZX 3 head auto azimuth Cassette Deck  220V ac in perfect working condition. fully serviced by experienced Nakamichi technician New belt, azimut and speed Some minor marks on the top but nothing bad (see photos) Description The 670ZX is the latest in a long line of Nakamichi audio components and built to deliver the utmost in quality and performance. It features history making technology, such as the discrete 3-head configuration, diffused resonance transport, and DC recording amplifier as well as functions such as the auto azimuth alignment mechanism. The 670ZX is capable of taking full advantage of the recently developed pure metal particle tape and last, but not least, incorporates a sophisticated micro processor which provides random access capability. Specifications Type: 3-head, Single compact cassette deck Track System: 4-track 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x record, 1 x playback, 1 x erase Tape Type: type I, CrO2, Metal Noise Reduction: MPX,  NR Frequency Response: 10Hz to 22kHz  (Metal tape) Signal to Noise Ratio: 66dB  (dolby) Wow and Flutter: 0.04% Weight 9kg Envoi très protégé

MARANTZ DLT-1 Digital Line Transformer PHILIPS 1H-2000 vintage analog Black Description Features / Remarks Line transformer developed by inheriting the design concept of the output transformer used in the Philips professional CD player LHH2000 High frequency noise is cut off by connecting between digital devices such as CD players. Obs: I don’t have the original box. The unit has been stored for years in a cupboard.

UAD 2 Satellite Quad Firewire. External Firewire 800 and 400 DSP accelerator unit, compatible with select Intel-based iMacs, MacBook Pros and Mac minis Includes "Analog Classics" plug-in bundle, featuring LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifiers, Pultec EQP-1A and Realverb Pro plug-ins. High-bandwidth Firewire DSP Accelerator with four Analog Devices SHARC processors Bundled with the LA-2A and 1176LN Compressor/Limiters, and the Pultec EQP-1A EQ plug-ins, the UAD-2 Satellite QUAD provides rich, vintage sound quality right out of the box. Of course, the UAD-2 Satellite also provides easy Firewire access to the complete UAD Powered Plug-Ins library, including titles from Studer, SSL, Manley, Empirical Labs, Neve, Roland, BOSS, EMT, Fairchild, Harrison, Helios, Little Labs, Lexicon, Pultec, SPL and more (sold separately). Compatible with select iMac and MacBook Pros, with support for VST, Audio Units and RTAS, the UAD-2 Satellite QUAD features wide compatibility. Whether you use Pro Tools, Cubase, Nuendo, Logic Pro, Digital Performer and more, UAD-2 plug-ins can inject the character and quality of classic hardware into your mixes. Just install the software, connect the unit to an available Firewire 800 or 400 port, power up and start mixing. Developed by the industry's premier engineering team, and backed by frequent new software and plug-in releases, the UAD-2 is the processing platform of choice for many of the world's top musicians, producers and engineers.

Unit in very good condition (see pictures). So, condition is VGC. Kenwood KT-2001 AM/FM Stereo Tuner (1971-74) Description: The superb quality of the compact KT-2001 FM/AM tuner is unusual in an instrument of this diminutive size. Small and light, it weighs only 8.6 pounds, its interior is a vast, highly-sophisticated network of durably built stereo. Ultra refined, distortion free FM reception is provided by this newly developed circuit. The KT-2001 will give you that care free feeling that comes from no interference or noise. Its wide, easy on the eye luminous scale dial adds to the KT-2001s modern appeal. Use it anywhere and enjoy any station fully. Specifications Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Analogue FM Tuning Range: 88 to 108 MHz MW Tuning Range: 50 to 160 kHz Sensitivity: 2.0uV (FM) Signal to Noise Ratio: 60dB (FM), 45dB (MW) Distortion: 0.7% (FM) Selectivity: 45dB (FM), 25dB (MW) Output: 1000mV (FM), 400mV (MW) Dimensions: 13 x 4-5/8 x 9-7/16 inches Weight: 8.6lbs Shipping EU welcome.

Lecteur IOMEGA ZIP 100 Mo + disque ZIP 100 Mo avec 10 Banques d'échantillons + 35 extra banques ------------------------------------------------------------------------------------------------------------------------------------- d'échantillons Pros + OS 2.14 : -------------------------------------- * Lecteur IOMEGA ZIP 100 Mo (écrit et lit les disques ZIP 100Mo) * Cable SCSI DB25 / DB25 * Alimentation Iomega d'origine * 10 banques d'échantillons pros + 35 extra banques + OS 2.14 (dernier OS développé par E-mu pour le démarrage de l'Emax II) écrits sur disque ZIP 100 neuf * 1 disquette OS 2.14 BONUS DD DS IOMEGA ZIP drive 100MB SCSI + ZIP disk 100 MB with 10 + 35 extra Pros sample banks + OS 2.14: ----------------------------------------------------------------------------------------------------------------------------------- * 100 MB IOMEGA SCSI ZIP DRIVE (writes and reads 100MB ZIP disks) * SCSI DB25 / DB25 Cable * Original Iomega power supply * 10 sample banks pros + 35 extra banks + OS 2.14 (last OS developed by E-mu for the start of Emax II) written on new ZIP 100 disk * 1 OS 2.14 BONUS DD DS floppy disk Lector ZIP IOMEGA 100MB SCSI + disco ZIP 100 MB con 10 bancos + 25 extra de muestra profesionales + OS ----------------------------------------------------------------------------------------------------------------------------------------- 2.14: ------ * Lector ZIP IOMEGA de 100MB SCSI (escribe y lee discos ZIP de 100MB) * Cable SCSI DB25 / DB25 * Fuente de alimentación original de Iomega * 10 bancos de muestra pros + 35 extra bancos + OS 2.14 (último OS desarrollado por E-mu para el inicio de Emax II) escrito en un nuevo disco ZIP 100 * 1 disquete OS 2.14 BONUS DD DS

The AG9 series is part of the very closed circle of MASTER series televisions which brings together the best televisions developed by the Japanese giant. It incorporates the best Sony technologies in a minimalist and sleek design. Experience the same thrills as in the cinema with unique Sony Acoustic Surface + sound technology and the X1 Ultimate processor, Sony's most powerful processor. Intense blacks, infinite contrast and ultimate realism Oled Technology achieves perfect blacks and an unmatched level of contrast on a TV. The Sony X1 Ultimate processor sublimates Oled technology by reproducing detailed and ultra realistic images. Twice as powerful as the X1 Extreme processor, the X1 Ultimate processor detects hundreds of objects in images to independently optimize color, detail and contrast. Your images benefit from more depth and texture. The AG9 series gives you an even more realistic experience thanks to the integrated Sony Triluminos technology, which can display a wide range of colors, your images are natural. Compatible with Dolby vision and Dolby ATMOS, your Oled AG9 television will perfectly reproduce your most demanding video sources for more contrasted images and ever stronger sensations. Find the sensations of cinema in the heart of your living room. Sony's AG9 series incorporates revolutionary sound technology: Acoustic surface Audio +. Live a unique experience, no speaker, it is the TV screen that emits the sound! As in the cinema where speakers are located behind the screen, the dialogues come out of the actors' mouths, the sound follows the action on the screen, for total immersion! Complemented by a double subwoofer integrated into the television, the sound is warm, clear, and powerful. If you have a home cinema, connect your amplifier to the TV, your TV replaces the center speaker of your sound system! A minimalist design for ultimate immersion No visible speaker, an invisible frame, the Oled panel rests on a simple metal plate. An ultra thin and swiveling wall hanger is available as an option! Equipped with a magnetic system, it literally hangs your TV on the wall while allowing easy access to the TV sockets. Whether your TV is positioned on a cabinet or hung on the wall, the AG8 series will remain a unique object that will fit perfectly into your living room. DISCOVER THE BEST OF CONNECTED TV WITH ANDROID TV, GOOGLE ASSISTANT AND AIRPLAY2 Whether you are a fan of sports, series, cooking, cinema, games, personalize your TV by downloading and displaying your favorite applications among the thousands of available applications *. Examples of applications available in March 2019