Digital effects selection of 16

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Pentax K-x Digital SLR Camera body only Noir 12MP Bon état de fonctionnement Voir mes autres ventes aux enchères de lentilles compatibles. Appareil photo reflex de 12,3 mégapixels Enregistrement d'un film HD 24 fps au format 16:9 Fonction Liveview sur un écran LCD de 2,7 pouces 4,7 images/seconde en prise de vue continue à grande vitesse Technologie originale de réduction des secousses Pentax Bon état de fonctionnement, avec les éraflures légères habituelles dues à l'utilisation.   Une petite partie de l'insigne nominatif est manquante.  Cela n'affecte pas le fonctionnement de l'appareil photo. Pentax K-x DSLR 4x Panasonic piles NIMH AA rechargeables à longue durée de vie Sangle Informations sur les produits Le Pentax K-X léger offre de nombreuses fonctions avancées, notamment la vidéo haute définition et les fonctions Live View. L'appareil photo numérique K-X dispose également d'une fonction de réduction des vibrations pour stabiliser la vidéo et les images. Les modes de filtrage de cet appareil photo reflex numérique de 12,4 MP permettent le traitement créatif des images grâce à une variété d'effets spéciaux. L'écran LCD de 2,7 pouces (68,6 mm) détecte jusqu'à 16 visages dans une seule image et offre une différence de phase et de contraste dans la fonction Live View. Le Pentax K-X capture des vidéos haute définition sur grand écran à 24 images/seconde à une résolution de 1280x720 pixels. Les modes Auto Picture et Scène du Pentax sur cet appareil photo numérique K-X aident l'utilisateur à prendre d'excellentes photos presque partout. L'utilisateur peut enregistrer presque tous ses mouvements grâce à la vitesse de capture de 4,7 ips de cet appareil photo reflex numérique de 12,4 MP. De plus, le système de mise au point automatique grand angle est doté d'un suivi des mouvements pour aider à faire la mise au point sur le sujet en mouvement. Le Pentax K-X dispose d'un système de capture d'images HDR qui peut fusionner jusqu'à trois images en une seule tout en conservant les ombres, les hautes lumières et les détails de moyenne gamme que les utilisateurs souhaitent.  Pentax K-x Digital SLR Camera  body only Black 12MP  Good Working Order See my other auctions for compatible lenses. 12.3 megapixel SLR camera 24 fps HD movie recording in 16:9 format Liveview function on a 2.7 inch LCD screen 4.7 fps high-speed continuous shooting Pentax original shake-reduction technology Good working order, with usual light scuffs from use.   A small part of the name badge is missing.  This does not affect the working of the camera. Pentax K-x DSLR 4x Panasonic long shelf life rechargable NIMH AA batteries Strap Product Information The lightweight Pentax K-X offers many advanced features, including high-definition video and Live View functions. The K-X digital camera also has a shake-reduction feature to stabilise video and images. The filter modes on this 12.4 MP digital SLR camera allow the creative processing of images through a variety of special effects. The 2.7-inch (68.6-mm) LCD display detects up to 16 faces in a single image and offers phase difference and contrast in the Live View function. The Pentax K-X captures high-definition wide screen video at 24 fps at a resolution of 1280x720 pixels. Pentax Auto Picture and scene modes on this K-X digital camera help the user capture excellent shots almost anywhere. Users can record almost every move with the 4.7 fps capture speed of this 12.4 MP digital SLR camera. In addition, the wide-angle autofocus system features movement tracking to help focus on the moving subject. The Pentax K-X has HDR image capture that can blend up to three images into one while maintaining the shadow, highlight, and midrange detail that users desire.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

A QUICK AND EASY SOLUTION FOR PROFESSIONAL SUPPORT. The DR-3 “Dr. Rhythm ”allows guitarists and composers to offer very elaborate rhythms to their music. This budget-friendly drum machine features some of the best acoustic and electronic drum sounds created by BOSS as well as a wide selection of bass sounds. Very suitable for improvisation, its rhythmic progressions and variations allow access to any style of music, and the new Total Sound Control DR-3 technology will give your programs real perfection. - Very economical BOSS rhythm machine for study and improvisation - Realistic drum, percussion and bass sounds with velocity-sensitive pads - Rhythmic progressions with 3 variations each (Intro, Verse, Fill and Ending) - TSC function with "Sound Shape" and "Ambience" for professional sound quality - 100 preset styles and 100 user styles programmable in real time or step by step - Pedal connector for foot control. - Battery or mains operation - Rhythmic progressions for instant improvisations If you prefer to spend less time programming and more improvising, the rhythmic progressions of the DR-3 are for you. Simply choose a style from among the 100 Presets available and use the 8 buttons on the front panel to move from one section to another. You can choose between 3 variations for each of the patterns (Intro, Verse, Fill and Ending), so you'll never experience monotony. - Simplified audio corrections and foot control The TSC BOSS (Total Sound Control) system allows you to modify the sound of a complete drum kit by applying specialized effects. The Sound Shape function adjusts the compression and the parametric 3-band equalization or acts on the sound space by the Ambience effect. An optional footswitch allows control of Intro / Start, Ending / Stop, pattern change (Verse, Variation On / Off, Loop On / Off), and battery power lets you take and use your DR -3 almost everywhere. Rhythmic stylesUser Styles: 100, Preset Styles: 100 * 11 patterns for a styleSongsUser: 100, maximum length: 250 patterns per songTSC (Total Sound Control)Preset Patches: 8, User Patches: 8Maximum polyphony12 voicesInstruments Drums and PercussionDrums and Percussion: 120, Basses: 12Resolution96 blackWeather20 to 260 bpmRecording modesReal time / step by stepPads13 (dynamic)ScreenBacklit LCD (2 lines of 16 characters)ConnectorsOutputs: L, R (RCA Phono type), L output (PHONES), R output (MONO) (1/4-inch phone type), Foot Switch input (Stereo 1/4-inch phone type), MIDI IN socket, DC IN jack (AC adapter)FoodDC9V: batteries (R6 / LR6 (AA) type) x 6, AC adapter (PSA series)Consumption200 mA * Battery life in continuous use and on battery power: approximately 5 hours (these measurements may vary depending on battery specifications and conditions of use)Accessoriesbatteries (Alkaline LR6 (AA) type) x 6, Owner's Manual, Roland Service Information SheetOptionsMains adapter: PSA series, Foot pedal: FS-5U, Foot pedal connector: Roland PCS-31LDIMENSIONS AND WEIGHTWidth213 mm 8-7/16 inchesDepth185 mm 7-5/16 inchesHeight53 mm 2-1/8 inchesWeight710 g 1 lbs. 10 oz. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- UNE SOLUTION RAPIDE ET FACILE POUR DES ACCOMPAGNEMENTS PROFESSIONNEL. La DR-3 «Dr. Rhythm» permet aux guitaristes et aux compositeurs d’offrir des rythmiques très élaborées à leur musique. Cette boîte à rythmes économique dispose en effet de certains des meilleurs sons de batterie acoustique et électronique créés par BOSS ainsi que d’u

FREE WORLD SHIPPING WITH TRACKING ** Samson Expedition XP800 800 Watt Portable PA System with Bluetooth ** FOR SPARES / SOLD AS IS / NON WORKING / New Stock Arrived Damaged  PLEASE NO RETURN ** See Photos Attached ** SPECIFICATIONS: Overview: Samson's Expedition XP800 is an all-in-one sound system that offers excellent audio quality with quick and easy setup. Providing 800 watts of power, the XP800 features a lightweight, 8-channel powered mixer and two 8" speakers. For enhanced portability, the XP800 offers a unique speaker-locking design that allows the system and all its components to be packed up and transported as a single unit weighing just over 40 pounds. Powerful enough for musical performances, the XP800 includes features like Bluetooth® and USB connectivity (for optional Stage X USB Digital Wireless Systems), making it ideal for streaming music from mobile devices or managing events and presentations. Features include: • 800-watt portable PA system • Ideal for small to medium-sized venues (audiences of 60-100) • Packs up into a single portable unit that weighs just over 40 lbs • Bluetooth connectivity to wirelessly stream music • Dual 2-way speakers with 8" woofers and 1" tweeters • Removable 8-channel lightweight Class D power mixer • 16 presets of 24-bit digital effects with Send level control • Footswitch jack for remote FX control • Four Mic/Line inputs (XLR and 1/4") for microphones and other line level devices • Hi-Z input for direct guitar connections • Two stereo channels with 1/4", RCA and 3.5mm inputs • 2-band EQ on all channels • USB Wireless port for use with Samson's XPD USB Digital Wireless Systems (sold separately) • Phantom power for condenser microphones • Sub output for active subwoofers • Music/Speech switch for optimizing output EQ for speech or music playback • Integrated 1-3/8" speaker stand mount • Stereo monitor outputs with level control • 30-degree “kickback” design for using enclosures as floor monitors • Two 25-inch speaker cables included

de tres bonne facture  comme neuf                Argus 113,33 €  MES ARTICLE SONT STOCKEE DANS UNE PIECE PROPRE ET CHAUFFE    PHOTO A L APPUI Multimix 12R TABLE MIXAGE. État : "Occasion" NIKEL       COULEUR    BLEU  Très peu servis et toujours racké.      Console Multimix 12R dans un état proche du neuf, entièrement fonctionnelle,   protege danspiece chauffee photo a  l appui  Matériel de qualité, fiable, tout métal et d'une belle finition. Envoi en Colissimo  Paiement par paypal  Alesis 1800737 Table de mixage 12 canaux Multimix 12R  RACK19 DE tres bonne facture  comme neuf  voir mes evaluations    SPÉCIFICATIONS PRODUIT Mixer 12 canaux rackable au format 3U 8 entrées micro XLR avec alimentation fantôme, et gain ajustable, Insert sur chaque entrée micro, L'introduction d'un jack jusqu'au premier "click" de l'insert permet d'obtenir un direct out par tranche sans coupure audio, Egalisation 2 bandes, 2 départs auxiliaires jacks 6,35 mm symétriques, 2 entrées ligne stéréo, jack 6,35 mm symétrique, 2 retours stéréo jacks 6,35 mm symétriques, Entrée "tape" RCA Sortie casque en face avant, Sortie générale jack 6,35 mm symétrique et RCA, Faders linéaires 60 mm par tranche, Dimensions: l34 x 483 x 108 mm, Poids 3,6 kg. https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.html Alesis est à l'origine un constructeur d'instruments électroniques basé à Cumberland, Rhode Island qui s'est diversifié ensuite dans l'équipement audio. Créée en 1980, la marque est la première a avoir vendu un processeur d'effets 16 bit numérique à moins de 1000$, le Midiverb. En 1991, Alesis introduit l'enregistreur ADAT. Depuis 2001, la marque appartient à Jack O'Donnell. Consoles analogiques Qu'il s'agisse d'une mixette de home studiste ou d'une grosse console vintage professionnelle, les tables de mixage analogiques sont beaucoup plus courantes que leurs homologues numériques et sont encore les plus utilisées sur scène comme en studio. Leurs avantages ? Une entrée de gamme très abordable et un haut de gamme au son inégalable. very good quality like newArgus € 113.33 MY ITEMS ARE STORED IN A CLEAN ROOM AND HEATED PHOTO ON THE SUPPORTMultimix 12R MIXING TABLE. Condition: "Used" NIKEL COULEUR BLEUVery little used and always racked. Multimix 12R console in near new condition, fully functional, protected in heated room photo support Quality material, reliable, all metal and a beautiful finish.Sending by ColissimoPayment by paypalAlesis 1800737 Multimix 12R RACK19 12-channel mixerVery good quality like new see my evaluations PRODUCT SPECIFICATIONS12-channel rack-mountable mixer in 3U format8 XLR microphone inputs with phantom power, and adjustable gain,Insert on each microphone input,The introduction of a jack until the first "click" of the insert makes it possible to obtain a direct out per section without audio cutting,2-band equalization,2 auxiliary sends, balanced 6.35 mm jacks,2 stereo line inputs, balanced 6.35 mm jack,2 balanced stereo 6.35 mm jacks,RCA "tape" inputHeadphone output on the front panel,General output jack 6.35 mm balanced and RCA,Linear faders 60 mm per slice,Dimensions: l34 x 483 x 108 mm,Weight 3.6 kg.https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.htmlAlesis was originally an electronic instrument builder based in Cumberland, Rhode Island which then branched out into audio equipment. Founded in 1980, the brand was the first to sell a 16-bit digital effects processor for less than $ 1000, the Midiverb. In 1991, Alesis introduced the ADAT recorder. Since 2001, the brand has been owned by Jack O'Donnell.Analog consolesWhether it is a home studio mixer or a large professional vintage console, analog mixers are much more common than their digital counterparts and are still the most used on stage and in the studio. Their advantages? A very affordable entry le

Helios 44 58mm F/2 Lens  All the lenses tested in excellent working condition and 100% functional Please see the SAMPLE pictures taken with THIS helios 44 lens The kit front and back cover. Asking questions and watch my other lots have a large selection of lenses. Fits most digital SLR cameras with special adapters  You just need to tighten the adapter to the lens, and set it to the right camera Included: Helios 44 lens Front cover Back cover Technical information: Lens Mount: M42 Focal Length: 58mm Aperture: 1: 2 Aperture range: 2 to 16 Aperture: Manual Focus range from 0.5m to 20m to infinity The filter holder: M49x0.75 Cosmetic condition: A- (visible insignificant scrubs.) Jobs zoom ring status: A (spinning smoothly) Job aperture ring: A (spinning smoothly) State of optics: A- (no chip, no fungus, no scratches) State aperture A- (Clean) Shipping Information We do engage ourself to ship within 1 working day after clear payment is received

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

Etat Neuf frais de port offert via UPS pour la France. RedNet D16 AES is a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provide synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. 16 Channel RedNet AES3 Interface for Dante Network AES3 connectivity allows connection of external converters, effects units, mixing consoles or any other AES3 equipped audio equipment to the Dante audio network Dual rear-panel Ethernet connectors (primary and secondary connectors) allow maximum network reliability with seamless switchover to a standby network in the unlikely event of a network failure. The ports can alternatively be used to daisy-chain additional units. SRC allows external equipment to run at any sample rate, irrespective of the sample rate or clocking of the Dante audio network Compact design allows maximum functionality in minimum rack space, with a full 16 channels of I/O in 1U. RedNet D16 AES features the standard trademark red anodised front panel RedNet D16 provides two 8-channel AES59 combined I/O DB25 connections. In addition, a pair of XLR3 connectors duplicates channels 1 & 2 The rear panel XLR input connector can either be used as a DARS input or as a traditional AES3 audio input, replacing channels 1‰ÛÒ2 of the DB25 inputs S/PDIF input and outputs are provided on RCA connectors; ideal for connecting CD players or solid-state recorders. The input replaces channels 3 & 4 in the DB25 connector while the output can be assigned to replicate any adjacent odd/even output pair Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network RedNet Control 2 software provides comprehensive remote control capability via a powerful tabbed browser-like graphic user interface, handling up to 600 devices

OCCASION, COMME NEUF, RARE ! Récepteur portable SONY  ICF-2001D à ondes courtes Dimensions:  29 x 16 x 5 cm  Alimention: deux batteries de taille AA et trois batteries  de taille D.  Antenne télescopique intégrée  Lecture numérique à l'avant avec un angle de vision optimal pour l'écran LCD. L'ICF-2001D couvre la plupart des bandes de diffusion sur ondes longues (LW), ondes moyennes (MW), ondes courtes (SW) et ondes ultra-courtes (ici appelées FM). Bandes de diffusion: AIR: 116 - 136 MHz FM  :  76 -108 MHz AM  : 150 - 29999,9 KHz    Les contrôles La ICF-2001D possède un panneau de commande clair et bien organisé qui est situé à l'avant de l'unité. L'interrupteur principal est sur le côté gauche, avec un interrupteur supplémentaire à gauche de l'écran. Il permet également le fonctionnement de la minuterie.  L'affichage comprend trois sections: l'horloge en temps réel (à gauche), l'affichage de la fréquence (au centre) et un indicateur d'intensité du signal (à droite). Le cadran de réglage de la fréquence est dans le coin supérieur droit. Un curseur sur le bord droit contrôle le volume. La plus grande partie du panneau de commande est occupée par le clavier composé de cinq sections environ.  Les 32 touches noires au centre servent à sélectionner directement l'un des préréglages de la mémoire (8 préréglages répartis sur 4 banques). En combinaison avec le bouton bleu en bas à gauche, ces touches servent également à sélectionner la bande de fréquence souhaitée. Au-dessus des boutons de préréglage noirs se trouvent les sélecteurs de mode. Ils permettent la sélection entre les bandes FM et AM. En mode AM, les boutons restants permettent de sélectionner le type de modulation souhaité (large, étroit, synchro, USB, LSB et CW). La rangée de touches marron juste en dessous de l'écran sert au fonctionnement de la minuterie. Les trois boutons blancs à gauche permettent d'activer le balayage. Les 11 touches blanches à droite permettent d'entrer directement la fréquence souhaitée. Livré avec - Son Alimentation d'Origine SONY - Une Sangle SONY d'origine - Une Antenne Externe SONY - Une photocopie du mode d'emploi A payer par paypal sous 3 jours _________________________________________________________ SONY ICF-2001D Short Wave Portable Receiver Dimensions: 29 x 16 x 5 cm Power supply: two AA size batteries and three D size batteries. Built-in telescopic antenna Digital playback on the front with optimal viewing angle for the LCD screen. ICF-2001D covers most long wave (LW), medium wave (MW), short wave (SW) and ultra-short wave (here called FM) broadcasting bands. Broadcast bands: AIR: 116 - 136 MHz FM: 76-108 MHz AM: 150 - 29999.9 KHz   Controls The ICF-2001D has a clear and well-organized control panel located at the front of the unit. The main switch is on the left side, with an extra switch on the left of the screen. It also allows the operation of the timer. The display consists of three sections: the real-time clock (left), the frequency display (center), and a signal strength indicator (right). The frequency adjustment dial is in the upper right corner. A cursor on the right edge controls the volume. Most of the control panel is occupied by the keyboard consisting of about five sections. The 32 black keys in the center are used to directly select one of the memory presets (8 presets spread over 4 banks). In combination with the blue button at the bottom left, these buttons are also used to select the desired frequency band. Above the black preset buttons are the mode selectors. They allow selection between the FM and AM bands. In AM mode, the remaining buttons allow you to select the type of modulation you want (wide, narrow, sync, USB, LSB, and CW). The brown line of buttons just below the screen is for timer operation. The three white buttons on the left activate the scan. The 11 white keys on the right make it possible to directly enter the desired frequency. elivered with - Its Original Sony Power Supply - An original Sony strap - A Sony External Antenna - A photocopy of the user manual To pay by paypal under 3 days

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

SAMPLEUR AKAI CD 3000XL en très bon état, avec 32 Mo RAM. État : "Occasion" Acheter neuf, 1ére main, peu utilisé et très bien pouponner The Akai CD3000XL is a 16 bit professional stereo digital sampler. It's an 32 voice polyphonic sampler, using 16 bits sampling technique and 44.1 kHz sampling frequency. It's equipped with a 3.5" HD floppy drive and a CD-ROM driver so it can load samples from the Akai S1000, EMU and Roland sound library. Features: 32 voice polyphony Digital resonant filters Assignable Program Modulation (APM) for flexible sound control Powerful DSP features including Timestretch New MultiMode for easy multitimbral setup and layering MESA Remote Control/Librarian Software for Macintosh RAM expansion (up to 32MB) with standard SIMMs Standard MIDI File player Clear, easy-to-learn user interface Compatibility with E-mu and Roland sound libraries Quad-speed CD-ROM 8MB RAM standard Large graphic display Stereo Mix + 8 individual outputs S/PDIF digital I/O Direct-to-disk recording Powerful Expansion Options: EB16 (SampleVerb in the US) 4-channel, studio-quality, multi-effects board IB304F (ProFilter in the US) DSP board for expanded filtering + EQ Up to 16MB of non-volatile Flash Memory Akai S3000XL Specifications: Synthesizer Section Maximum Polyphony:32 voices Memory Capacity:8MB RAM (expandable to 32MB RAM) Expanded:32MB (using 72-pin SIMMs) + 16MB (8MB Flash ROM x 2) = total: 48MB Sampling Frequency:44.1 kHz (or 22.05 kHz) Total Sampling Time:92.13 seconds (mono 44.1 kHz) 46.07 seconds (stereo 44.1 kHZ) 184.26 seconds (mono/22.05 kHz) 92.13 seconds (stereo/22.05 kHz) Maximum Sample Number:255 Maximum Program Number:254 Filter:Digital dynamic low-pass filter (-12dB/octave with resonance) Envelope Generators:2 (1 multi-stage) LFOs:2 APM Functions:Provided Hard Disk Recording:Provided 2nd LSI:IB-304F (optional) Multi Effects:EB16 (optional) Others Display:Back lit 40 characters x 8 lines (text) 640 x 240 graphics Internal Storage Device:3.5" 2HD/2DD Floppy Disk Quad-speed CD-ROM 524MB 2.5" Hard Disk (optional) Connectors:Inputs x 2, Outputs x 2, Phones, MIDI IN/OUT/THRU, SCSI interface. Outputs x 8, Digital Input, Digital Output. Accessories:AC power cable, operators manual, O/S disk, MESA disk, Demo Sequence disk, Sound disk x 2, CD-ROM Akai Sound Library Dimensions:483(W) x 423(D) x 135(H) mm Weight:9.2 kg

Expandeur Yamaha Motif Rack ES ne Generator Maximum polyphony Wave Memory Voices Voice Selection Plug-in Voice Performance Performance Multi Multi Effects Reverb Chorus Insertion 1 Insertion 2 Master Effect Master Equalizer Part Equalizer Arpeggio Controls Jacks and Terminals Front Panel Rear Panel Controls Top panel Other Display Supplied Accessories Power Consumption Optical/Digital Output Dimensions Weight * Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. AWM2 (complying with the Modular Synthesis Plug-in System) 128 notes + the polyphony of the Plug-in Board (if installed) 175MB (when converted to 16-bit linear format), 1,859 waveforms Preset: 768 Normal Voices + 64 drum Kits GM: 128 Normal Voices + 1 drum kit User: 384 Normal Voices + 32 drum kits Preset for the PLG150-AN/DX/PF/AP/DR/PC: 64 Voices Preset for the PLG-150VL: 192 Voices User: 64 Voices for each Plug-in connector User: 128 Performances User: 128 Multis 20 types 49 types 116 types (up to 8 blocks available in the Multi mode) 116 types (up to 8 blocks available in the Multi mode) 8 types 5 bands (High, High Mid, Mid, Low Mid, Low) 3 bands (High, Mid, Low) 1,787 types * MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set. STANDBY/ON switch, VOLUME knob, data dial, cursor buttons, EXIT button, PAGE buttons, MULE/SEL/ENTER button, Part/Element buttons, BANK buttons, SHIFT button, CATEGORY button, Mode buttons PHONES DC IN, USB, MIDI IN/OUT/THRU/ DIGITAL OUTPUT, OPTICAL OUTPUT, ASSIGNABLE OUTPUT 1-4, OUTPUT L/MONO, R PGL1, PLG2 160- x 64-dot graphic backlit LCD Power adaptor, Owner's Manual set, CD-ROM 17W (maximum; 22W when two Plug-in Boards are installed) 44.1kHz, 24bit