Distinguishing characteristics of

Lot of 45 pcs of Murata CFK455D 15 Elements High Selectivity 455 kHz ceramic filters, new old stock. Data sheet can be found on net (for ex. http://kazumi-kikou.com/pdf/CFL455.pdf) Main characteristics: f0=455 kHz, Z0=1500 ohms -3dB bandwidth: 14 kHz -80 dB bandwidth: 40 kHz

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus Collaboration commerciale.

Free The Tone BB-2 Bass Blaster Overdrive – Custom Series – Orange Condition: Mint condition Year: 2020 Serial no.: 104 Made in Japan The FREE THE TONE BASS BLASTER is an overdrive pedal designed especially for basses. The voltage is boosted internally to ±15Vdc in order to easily be able to control the wide dynamic range of the bass guitar. It has excellent touch response that bassists request, and the sound characteristics are not lost regardless of whether the bass is played with a pick or fingers. The pedal creates the fat overdrive sound that most bassists are looking for. Treble and Bass tone controls are perfectly matched to the characteristics of the bass and provide a wide range of tonal adjustment. BACKGROUND & DEVELOPMENT The design of the Bass Blaster started as an idea from the Tube bassist Mr. Hideyuki Kakuno. In order to give a strong impression of the existing bass sound, similar the driving sound of a tube amp, with a slight amount of distortion audible if you listen to the bass by itself, but without being able to hear the distortion when listening to the bass with the whole band, I was asked to create a pedal that could recreate this kind of sound. That's how the development of this effect pedal began. Also, another important factor is for the sound to be more distorted with a stronger touch and a clean tone when playing softly. Mr. Kakuno tried many variations of the circuit as I was developing it, and I was finally able to create the first Bass Blaster, which has now won high praise from many professional bassists. FEATURES Wide dynamic range and powerful expression based on ±15 Vdc internal boosting. Excels in the reproducibility of touch every bassist seeks and never loses the bass’ original sound characteristics whether it is played with a pick or fingers. Drive sound with presence not buried in nor masked by band sound. Astoundingly excellent Signal-to-Noise ratio Exceptional sound stability by using long-life high reliability components NOTE: Due to relatively large current consumption, we recommend to use an AC adapter. SPECIFICATIONS Input impedance: 1MΩ Output load impedance max.:220Ω Controls: GAIN, TREBLE, BASS, LEVEL Terminals: 2× 1/4" phone jacks (for input, output), 1× DC9V input jack (for AC adapter) Power supply: 9-volt battery (PP3/006P), AC adapter Current consumption: approx. 90 mA (max.) Dimensions: 100W × 123D × 52H mm (incl. protuberances such as footswitches, jacks, etc.) Weight: approx. 340 g (excl. battery) Accessories: warranty card, manual, battery (PP3/006P), 4× rubber feet

Arturia - V Collection 7 is an extended edition of Arturia that includes 24 tools and thousands of built-in wires and more. With this collection, users can create precise and amazing threads without any limitation or capacity. The collection includes various emulations and advanced physical modeling, and more modules for better creation and sound projects. All the tools are at hand for better access and a better workflow. Arturia - V Collection 7 is updated with a new version including new instruments. One of the instruments included is the legendary Mellotron V band keyboard. With this instrument, keyboard proficient users can eliminate more options and parameters and unleash their creativity with orchestral and choir leads. using a key. It is presented from all original Mellotron tapes and offers users the ability to import their sound samples and design using authentic tape emulation. It has other advanced components supported for modeling and design and includes professional and powerful effects to allow users to add it to their mix. Characteristics of Arturia - V Collection 7 You will find below some remarkable characteristics that you will be able to discover after Arturia - V Collection 7. Collection with 24 tools, and integrated sounds. Simple and easy to use. Precise and amazing sounds. New instruments with original sound. Improve your skills and gain experience. Importer own threads and designs. Unravel creativity. System requirements for Arturia - V Collection 7 Before starting Arturia - V Collection 7, make sure that your PC meets the minimum system requirements. Operating system: Windows XP / Vista / 7/8 / 8.1 / 10. Memory (RAM): 1 GB of RAM required. Hard disk space: 7 GB of free space required. Processor: Intel Dual Core processor or newer.

Astell & Kern IRiver AK380 AMP Portable Amplifier Black Tracked shipment via ups Astell & Kern aims to match AK380 Copper and deliver the acoustic characteristics of raw material, copper through AMP as well. The new Astell & Kern iRiver AK380 Dedicated Portable Amplifier (Copper) extends the characteristics of raw material, copper to the player and AMP as well to deliver better sound quality than the old AK380 duralumin and AMP aluminium combination. 3,400 mAh Large-capacity Battery An amplifier, which increases audio output, consumes a great amount of energy. Thus, the AK380 AMP features a 3,400 mAh large-capacity battery – identical to the one in the AK380 itself - to support up to nine hours of continuous unbalanced-output playback. High Gain   The AK380 AMP supports 8.1 VRMS output when connected via high-gain balanced output. High-gain output is four times greater than low-gain output and supports high-impedance headphones. To protect earphones/headphones during high output, the volume is automatically adjusted when the amp is powered on or the earphones/headphones are disconnected. Furthermore, the gain can be easily adjusted via the AK380's settings.

Astell & Kern iRiver AK380 AMP Portable Amplifier Cooper Tracked shipment via ups Astell & Kern aims to match AK380 Copper and deliver the acoustic characteristics of raw material, copper through AMP as well. The new Astell & Kern iRiver AK380 Dedicated Portable Amplifier (Copper) extends the characteristics of raw material, copper to the player and AMP as well to deliver better sound quality than the old AK380 duralumin and AMP aluminium combination. 3,400 mAh Large-capacity Battery An amplifier, which increases audio output, consumes a great amount of energy. Thus, the AK380 AMP features a 3,400 mAh large-capacity battery – identical to the one in the AK380 itself - to support up to nine hours of continuous unbalanced-output playback. High Gain   The AK380 AMP supports 8.1 VRMS output when connected via high-gain balanced output. High-gain output is four times greater than low-gain output and supports high-impedance headphones. To protect earphones/headphones during high output, the volume is automatically adjusted when the amp is powered on or the earphones/headphones are disconnected. Furthermore, the gain can be easily adjusted via the AK380's settings.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

. Good day, For sale, a  Aputure Amaran AL-M9  Mini Sized CRI/TLCI 95 LED Video On-camera Light The Amaran AL-M9 is a pocket sized LED fill light. It is incredibly compact and lightweight with 9 SMD bulbs  that are powerful in the palm of your hand. It provides a max of 900lux that is able to do close-up fill light.  It’s  flexibility makes it suitable for a wide variety of applications from run and gun video to macro product photography,  the possibilities are end-less for how this light can be used. Feature： 1. High Color Restoration, with CTO and CTB The Amaran AL-M9 inherits the belief of true color pursuit of the Ama-ran series. It features an exceptionally  high color accuracy rating in both CRI and TLCI (Television Lighting Color Index) of 97+, which means it will display natural,  pristine color in both photo and video applications. In addition, The AL-M9 offers gels filters allowing for both tungsten (CTO)  and daylight diffusion (3200-5600K), controlling the color or characteristics of the light. 2. 9 Steps Dimming, good fill light for Narrow place The Amaran AL-M9 has a dimmer with 9 levels of power that allows you to adjust brightness more conveniently.  With the diffuser attached it’s possible to soften the subject lighting and decrease the shadows conve-niently.  Also, when user making a shot in tough small shooting environ-ments, the Amaran AL-M9 become a good helper for user.  For example, you could use Velcro to attach the AL-M9 to the visor or ceiling inside a car create a unique and  effectively lit scene great for both interior and exterior shots. 3. Internal Battery with Micro-USB Charging and university adapter The AL-M9 offers an internal lithium-ion battery that can be recharged using the 5 volts Micro-USB cable (included).  And it can last up to 1.5 hrs at 100%. Beside this, Amaran AL-M9 Lighting Up includes universal adapter that  offers you the ability to mount it on the hot-shoe of a camera, tripod, light stand or other supports using the  1/4inch screw thread on the underside. 4. A tiny design with huge ambitions The Amaran AL-M9 takes its surprisingly tiny and innovative design to a level of versatility not seen in another LED light.  It has a credit card size, weighing only 140g which is quite comfortable to fit in your hand and just throw it into your pocket  until you need it. With a smooth surfaced back you can use all sorts of adhesives to mount this light on or  under nearly any surface! 5. Lighting your inspiration                                                With the Amaran AL-M9 Lighting Up, you can be sure to fill in light with a large measure of flexibility.  Moreover, using more than one together will really expand the flexibility of your lighting!      Color Temperature 5500 +/- 200K CRI 95 + TLCI 95 + Illuminance Distance 0.3m 0.5m 1m Brightness More than 900LUX More than 350LUX More than 80LUX Number of LEDs 9 Battery Type Lithium-polymer battery (3.7V 1800mAh) Voltage DC 5V Current 1A Battery  Working Time More than 1.75h (maximum brightness) Dimension 87 * 56 * 11 mm   Package contain: 1* Amaran AL-M9 fill light 1* Universal Adapter (with Fastener, Thumbscrew and Cold Shoe) 1* USB Charging Cable 1* Product Manual 1* Warranty Card 1* Carrying Case Please take a look at my other items for more camera stuff. Thank you! --------------------------------------------------------------------------------------------------------------------------------------------------------------------- Payment: PayPal is accepted. Immediate payment is required. Shipping: Worldwide, fully insured & signed-for shipping is provided. These options are incl

Ecouteurs / earbuds Rose Maria II.   Ecouteurs Rose Maria II. Son cristallin exceptionnel, taille un peu grande pour mes oreilles habituées à de tout petits écouteurs, d'où mise en vente. Très peu servis, en vente à 415 euros chez Aliexpress.  Produit original.  Me contacter.  Description (in English): "Equipped with 10mm pure beryllium diaphragm dynamic, 20mm PU diaphragm + CNC magnet plate frame dynamic DRIVER, bringing real sound field performance equivalent to big earphones and top low-frequency dynamics, characteristic I-shaped cavity, and ingenious pure metal shell. The high-quality detailed design, the comfortable wearing experience, and the excellent sound tuning not only reach the top, but also surpass yourself! Classic appearance design, MARIA II uses aviation aluminum alloy cavity, 5-axis CNC precision machining, and ubiquitous sense of modern technology. Better ergonomic design More user-friendly size design 14.8mm/16mm 2 size are optional, which solves the problem of bad wear for some users of MARIA. Single crystal copper detachable cable Maria II uses a 2pin 0.78mm interface, which allows you to change the cable to experience a different sense of operation and sound quality. Single crystal copper reduces the loss of sound quality by reducing resistance and signal transmission loss, providing more delicate details and crystal clear treble. The secret to achieving high sound quality Unique cavity design The unique I-shaped cavity design of MARIA II realizes the function of physical low-frequency enhancement notch filter, and achieves the filtering effect through multiple reflection and absorption of high-frequency. The sound characteristics of the dual dynamic DRIVER are reasonably used to make the low frequency cohesive, powerful and the middle and high frequencies clear and melodious. Dual dynamic drive DRIVER MARIA II uses a dual dynamic drive DRIVER system. Listening to MARIA, you can truly feel the moving part of the music. There is huge energy hidden in the small cavity, which makes you feel the real music atmosphere as if you are in a concert hall. Crafty dual dynamic drivers Pure beryllium pressed dynamic diaphragm MARIA II uses a 10mm dynamic diaphragm, with the famous Japanese DAIKOKU coil, to further improve the resolution, high frequency bright and pleasant. 20mm ultra-large size PU diaphragm dynamic DRIVER MARIA II also uses a 20mm ultra-large PU diaphragm dynamic DRIVER to create a warm sound bottom, low frequency surging, and change the shortcomings of the MARIA generation of insufficient low frequency. Complicated technical structure, painstakingly adjusted for 3 years The ordinary earbuds generally does not exceed 20 parts, but MARIA II has 64 parts, and every detail is full of massive technical means and repeatedly adjusted tuning structure. Maze low frequency enhanced flute technique Panasonic HV100 master low frequency enhancement technology, enhance low frequency diving, condense low frequency Unique phase adjustment cone A large-size dynamic is a structure that must be used to allow sound waves from the edges and the middle to be transmitted at the same time.  Specification Driver: dual 14.8mm/16mm dynamic driver  Sensitivity: 104dB  Impedance: 14Ω  Frequency response: 4-23600Hz  Maximum sound pressure: 99dB  Plug: 3.5mm  Pin: 2pin 0.78mm  Cable length: 120±5cm"

JAG35 WIRELESS ELECTRONIC FOLLOW FOCUS v2. État : "Pour pièces détachées/ne fonctionne pas" Je vends mon kit JAG35 WIRELESS ELECTRONIC FOLLOW FOCUS  v2. Il s’agit du KIT 2 incluant: -WEEF controller (compatible with two motors) -WEFF receiver (avec CANON LP-E6 battery plate) -batterie non inclue- -2 Pro Motors -2 LEMO Motor cable -2 Ring lens  +adaptateurs et rechanges (engrenages, roues, plates…) ATTENTION: le kit est complet mais ne marche plus… La liaison HF ne se fait plus, je ne sais pas pourquoi… En vente pour pièces donc, ou pour bricoleur averti... N’hésitez pas si vous avez des questions. Présentation et Infos = Control: Dimensions: H: 7.5" | W: 3" | L: 4" Weight: 1lb 7oz Receiver: Dimensions: H: 3.5" | W: 2.5" | L: 4" Weight: 7.2oz Based on the success of the Wireless Follow Focus v1 combined with the feedback from our dedicated customers; we knew a new version must be constructed. A unit that had all of the same characteristics of the first version plus added improvements. Some of those enhancements included is reduce the noise level and the ability to withstand production-use while still being affordable. We are happy to announce that the highly anticipated WEFF v2 has finally arrived! The professional grade case reduces the motors noise level and can withstand long durations of production usage.This custom unibody design has the battery integrated in the receiver and a built-in regulator that can support anywhere between 6v-30v preventing damage to the unit. Withstanding a wide range of voltage makes it possible to use different existing battery systems, it is even compatible with a D-tap battery system. Another feature is that it operates on two distinct channels. The main channel was designated for focus and the other channel for either Zoom or Iris; although the channels can be set up however desired. This handheld unit has adjustable end stops that set a range of rotation that can direct the motor in reverse if necessary. The motor was modified to be stronger and faster than before. The connectors used to power the WEFF V2 are the high-end industrial Lemo connectors. The WEFF V2 has a combination of both new and improved features that enhances the performance of a shooter. Both the unit and the motor are precise and configurative. An important feature we always strive to maintain in our products is affordability. PRODUIT ORIGINAL JAG35

L' article est composé d'un carton Polaroid original contenant 10 packs de 22 films soit 220 photos. Le carton et la boite d'un pack ont été ouverts. Tout les films sont restés scellés. Pour les caractéristiques des films, merci de vous référer aux photos de l'annonce. Le produit est resté stocké à température stable à l'abris de l'humidité. La date limite étant passé depuis juillet 2008, je ne me porte pas garant du bon fonctionnement du produit. Expédition par La Poste dans toute l'Union Européenne. ------------------------------------------------------------------------------------------------------------------- The article is composed of an original Polaroid box containing 10 packs of 22 films or 220 photos. The carton and the box of a pack have been opened. All the films remained sealed. For the characteristics of the films, please refer to the photos in the advertisement. The product was stored at stable temperature away from humidity. The deadline having passed since July 2008, I do not vouch for the good functioning of the product. Shipping by La Poste throughout the European Union.

SendyAudio Aiva Black Beauty Series 97x76mm Planar Magnetic Headphones. Rare in Europe. Planar Magnetic Headphones New condition (10/2019), almost not used, sublime object, equipped with the new V2 perforated pads. Beautiful and super-detailed sound, mind-blowing highs of precision and detail. Aiva is equipped with a 97x76mm ultra-nano composite planar magnetic diaphragm unit as its transducer. Combined with the superior sound characteristics of the zebra wood housing, the overall direction of its sound signature is one that is very comprehensive, exhibiting natural coherence across the frequencies with airiness, detailed with distinct layers of clarity and transparency. Driver type: magnetic planar. Driver size: 97 x 76 mm. Frequency response: 5-55kz. Sensitivity: 96 dB. Impedance: 32 Ω. Weight: 420 g. Included: Aiva helmet. Hard-shell leather carrying case. Balanced headphone cable with 4.4mm plug, with pouch. 4.4 mm female to 3.5 mm (SE) male, with pouch.

Christian Arley was born in 1955 in Mercedes, Buenos Aires province (Argentina). During his adolescence, he began his guitar studies with Armano Gervini, which he continued with Tzvetan Saveb, Abel Carlevaro, Miguel Angel Girollet and Eduardo Isaac. As a guitarist, he always favours the search for sound quality and is interested in the construction characteristics of the instrument with an affinity for the French school of lutheríe (Dominique Field, Daniel Friederich). He built his first guitar under the direction of the Argentinian luthier Fernando Mazza and from then on began to learn how to make instruments on his own, where, through his own techniques, he sought to capture in his instrument his ideal sound, construction quality and balance.