Dolphy in

ERIC DOLPHY IN EUROPE ALBUM ORIGINAL 1962    Crédit Alto: Saxophone ERIC DOLPHY Piano: BENT AXEN Bass: ERIK MOSEHOLM / CHUCK ISRAELS Drums: JORN ELNIFF Recorded at: Studenterforeningen, Copenhagen  September 8, 1961     Label: DEBUT RECORDS    Ref: DEB 136     Pays: DANMARK             Etat pochette: Très bon état     Etat disque:   Bon aspect visuel  mais craquements à l'écoute     Livré dans une pochette plastique spéciale vinyle. Expédition rapide et soignée.

The John Coltrane Quartet With Eric Dolphy in Europe BEP 504 DISQUES: EX POCHETTE: VG

THIS IS AN EXTREMELY HARD TO FIND CD FROM MY PERSONNAL COLLECTION VERY RARE b'&' OOP CD, REALLY HARD TO FIND, EVEN IN FRANCE. PREVIOUSLY UNISSUED - THEIR ONLY RECORDED ENCOUNTER !!! DON'T MISS THE OPPORTUNITY TO GRAB THIS COLLECTOR'S ITEM. WONDERFUL ALBUM, IF YOU LIKE CLIFFORD BROWN OR ERIC DOLPHY, YOU WILL ENJOY THIS CD ! FOR CONNOISSEURS AND COLLECTOR'S ONLY - Featuring Clifford Brown / Eric Dolphy / Harold Land / Richie Powell / George Morrow / Max Roach - Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, all cds are carefully shipped abroad WITHOUT JEWELL-CASE in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING b'&' HANDLING COSTS: 7 euros Ø EUROPE (European Union only): STANDARD PRIORITY AIRMAIL DELIVERED IN 3-5 DAYS Ø USA / CANADA / JAPAN b'&' REST OF THE WORLD: STANDARD PRIORITY AIRMAIL DELIVERED IN 5-10 DAYS If you want shipping including jewell-case, please wait my correct invoice with correct shipping costs (13 euros) All orders for Brazil / Mexico b'&' South America / Russia b'&' non European Union countries / Greece / China / Africa... are shipped for 16 euros. Registered packages b'&' Insurance are not included unless requested and paid for (16 euros for worlwide). I will not be held responsible for damaged or lost items shipped without insurance. Please tell me if you want registered and tracking mail in order I can send you a correct invoice. Please e-mail me if you have any question and don’t place any order if you don’t agree with my conditions. Payment must be received within 7 days of auction ends. The item will be relisted after this period. I recommend you to check regularly my others auctions. Feel free to contact me if you have any questions about the item. Thanks and good bidding! En savoir plus Collaboration commerciale.

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover b'&' Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that b'"'disappearb'"' when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean b'"'badb'"' but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Eric Dolphy ‎– At The Five Spot, Volume 1. 33T LP VG+/VG++ Prestige ‎– NJ 8260 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover b'&' Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that b'"'disappearb'"' when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in En savoir plus Collaboration commerciale.

Eric Dolphy - Here And There Prestige - 7382 1968 GERMANY RARE HARD TO FIND RE LP JAZZ FREE JAZZ (1966) AVEC LA PARTICIPATION DE MAL WALDRON RARE VERSION PURPLE SABA A1, A2 recorded on July 16, 1961 at the Five Spot, New York City; B1 recorded on April 1, 1960 at Van Gelder Studio, Englewood Cliffs; B2 recorded on September 6, 1961 in Berlingske Has, Copenhage Bon état général, bonne écoute, pochette/disque: VG++/VG++. La pochette présente quelques usures et une légère déchirure à l'ouverture. Quelques très légers crépitements, proche du EX. Voir photos https://www.youtube.com/watch?v=8M_ZMXyiweU https://www.discogs.com/Eric-Dolphy-Here-And-There/release/9188905 LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine - Belgique - Luxembourg: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal - Autriche: 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP      -------> 15,00 Eur 2 à 3 LP-------> 25,00 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME Sammlung https://www..fr/sch/m.html?_nkw=&_armrs=1&_ipg=&_from=&_ssn=fatar0&_sop=10

Disque 33 tours / LP / 30 cm - Charles MINGUS: IN STUTTGART April 28 1964 Double LP avec Eric Dolphy So long Eric Orange was the color of Her Hair The foolish Things Peggy's Blue Skylight Meditations "Unoffical Realase" État : "Occasion" Très bon état Livraison à l'étranger possible. Tarif suivant les pays: https://www.laposte.fr/tarifs-postaux-colis Aucun compte Paypal n'est associé automatiquement à cette vente. Un paiement via Paypal sera possible après m'avoir contacté.

Charles Mingus ‎– Mingus At Antibes Label: Atlantic ‎– ATL 60 146 Format: 2 × Vinyl, LP, Album, Reissue Country: Germany Sortie: 1979 Genre: Jazz Style: Hard Bop, Post Bop TracklistMasquer Crédits A1 Wednesday Night Prayer Meeting Written-By, Piano – Charles Mingus 11:54 A2 Prayer For Passive Resistance Written-By – Charles Mingus 8:06 B What Love? Bass Clarinet – Eric Dolphy Written-By – Charles Mingus 13:34 C I'll Remember April Piano – Bud Powell Written-By – Don Raye, Gene DePaul, Pat Johnston* 13:39 D1 Folk Forms I Written-By – Charles Mingus 11:08 D2 Better Git Hit In Your Soul Written-By, Piano – Charles Mingus 11:00 Crédits Alto Saxophone, Bass Clarinet – Eric Dolphy Art Direction – Abie Sussman, Bob Defrin Artwork [Cover Illustration] – Alex Gnidzienko* Bass – Charles Mingus Drums – Dannie Richmond Engineer – Dennis King Executive Producer – Nesuhi Ertegun Photography By – Jean-Pierre Leloir Tenor Saxophone – Booker Ervin Trumpet – Ted Curson Notes Recorded live by Barclay Studios for Atlantic Records at the Antibes Jazz Festival, Juan-les-Pins, France, July 13, 1960. Mastered at Atlantic Studios, New York Code-Barres et Autres Identifiants Rights Society: GEMA Label Code: LC 0121 Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

1962 John Lewis - Essence - Label: Atlantic ‎- 850 006 Promotion à partir de 5 vinyles achetés ! 12" Made in France État du disque: Near Mint (NM) State of the disc État de la pochette: Very Good Plus Plus Plus (VG+++) Condition of the cover - - - - - - - - - - Promotion à partir de 5 vinyles achetés ! Bénéficiez des Frais de Port offerts* à partir de 49,95€ d'achats, ou 5 vinyles achetés du 01/03/2020 au 31/03/2020 - Groupez vos achats durant tout le mois de Mars pour profiter des Frais de port Gratuits* (une seule facture à la fin du mois de Mars). [*via Mondial Relay Suivi et pour la France Métropolitaine uniquement, La Belgique et le Luxembourg également - Les Lots ne sont pas pris en compte dans la promotion - Possible via Colissimo suivi avec supplément, Prière de se reporter au tableau joint dans les photos]. - - - - - - - - - - John Lewis - Essence Label: Atlantic ‎- 850 006 Format: Vinyl 12", LP, Album, Stereo  Pays: France Sortie: 1962 Genre: Jazz Style: Post Bop Tracklist A1 Hopeful Encounter 4:47 A2 Tillamook Two 7:11 A3 Night Float 4:14 B1 Notions 3:57 B2 Another Encounter 5:09 B3 Wish Me Well 7:45 Crédits Alto Saxophone – Eric Dolphy (tracks: A3) Baritone Saxophone – Gene Allen (tracks: A2, B2), Jimmy Giuffre (tracks: A3) Bass – George Duvivier (tracks: A3), Richard Davis (2) (tracks: A1, A2, B1 to B3) Basset Horn – Don Stewart (tracks: A2, B2) Bassoon – Loren Glickman (tracks: A2, B2) Clarinet – Phil Woods (tracks: A2, B2) Composed By, Arranged By – Gary McFarland Drums – Connie Kay Engineer [Recording] – Phil Iehle, Tom Dowd Flute – Harold Jones  (tracks: A2, B2) Flute [Alto] – Eric Dolphy (tracks: A2, B2) French Horn – Gunther Schuller (tracks: A3), Bob Northern (tracks: A1, B1, B3), Robert Swisshelm (tracks: A1, B1, B3) Guitar – Billy Bean (tracks: A1, B1, B3), Jim Hall (tracks: A2, A3, B2) Illustration – Stanislaw Zagorski Liner Notes – Arif Mardin Oboe – William Arrowsmith (tracks: A2, B2) Piano – John Lewis Supervised By – Nesuhi Ertegun, Tom Dowd Tenor Saxophone – Benny Golson (tracks: A3) Trombone – Mike Zwerin (tracks: A1, B1, B3) Trumpet – Freddie Hubbard (tracks: A1, B1, B3), Herb Pomeroy (tracks: A3), Louis Mucci (tracks: A1, B1, B3), Nick Travis (tracks: A1, B1, B3) Tuba – Don Butterfield (tracks: A1, B1, B3) - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South E

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

THE ORNETTE COLEMAN DOUBLE QUARTET FREE JAZZ - Atlantic SD 1364  MONO 1961 VG++. État : Occasion  - Used Avec GATEFOLD ETAT / CONDITION Pour le vinyl, VG++ soit très bon état du disque qui joue parfaitement, très dynamique avec puissance, relief, etc... avec très peu de bruits de fond, tels que crépitements qui peuvent etre cependant faiblement perceptibles dans les plages calmes. Présence de deux fines griffures assez longues, (trace du saphir) face 1 et 2, qui sont sans consequence sur la qualité audio et imperceptibles à l'écoute. Le disque est nettoyé. La pochette est G - VG avec décollement de la pellicule sur l'arrière et au bord de l'ouverture. Elle a été recollée mais taches de colle visibles (voir photo). Ttace d'ancien adhesif sur le devant et la tranche. Le texte sur tranche est encore bien lisible.  Diverses petites taches interieures (roussures)  dans le gatefold. Traces d'humidité ancienne (seches maintenant) dans les deux coins inferieurs droits. En résumé la pochette présente des traces d'usures importantes, ce qui semble en partie logique vue son âge (ce n'est pas une copie quasi neuve) Pochette intérieure Atlantic, vrai original en état moyen. (usure au bord de l'ouverture) A noter et c'est important que la pochette est celle prévue pour le stereo. Cependant deux stickers ou est inscrit " MONO" sont collés sur l'arrière de la pochette (voir photo). Egalement gros sticker " barclay en direct des USA distribution exclusive". On peut en deduire que Barclays et Atlantic ont pu etre à cours de pochette mono pour l'export du mono et qu'ils ont utilisés des pochettes stereo en dépannage...Quoiqu'il en soit le disque est bien mono avec les bons numeros sur le runout(voir paragraphe du dessous) Vinyl Record: VG ++, plays excellent, great audio with a few light crackling at some point, in the quiet passage The sleeve is G, VG with  wear large enough, small stains inside the gotefold, wear at the corners...glue stain marks on the back, etc (see pictures) Original Atlantic inner sleeve in about VG conditions(wear on the opening of the inner sleeve) Please, note an official Special stickers " mono" glued on the back. The sleeve is a stereo sleeve, however the record is well a mono..(numbers on runout) imported from US by Barclay (see sticker inside gatefold) may be the correct sleeve (mono) wasn't available at this time and Barclays - Atlantixc have furnished a stereo sleeve. That's interesting, indeed this freejazz record has knew a great succes at the departure and mono sleeve could be missing....  -------------------------------------------------------------- Notes FREE JAZZ was recorded in one uninterrupted "take" of 36 minutes 23 seconds. This performance by Ornette Coleman's Double Quartet is heard exactly as it was performed in the studio, without any splicing or editing. Side One ends with a quick fade-out, and the music resumes with a minimum of interruption on Side Two. On stereo Ornette Coleman, Don Cherry, Scott LaFaro and Billy Higgins are heard on the left channel, Eric Dolphy, Freddie Hubbard, Charlie Haden and Ed Blackwell are heard right. Mono version with orange and purple vinyl label that features a "white fan logo" on a black background. Packaged in a heavy cardboard gatefold sleeve. Code-Barres et Autres Identifiants - Matrix / Runout (Label Side A): 11807 - Matrix / Runout (Label Side B): 11808 - Matrix / Runout (Runout Side A): 11807-A AT. W J - Matrix / Runout (Runout Side B): 11808-A AT. W J - Rights Society: BMI Tracklist: A -  Free jazz part 1  19: 55 written by Ornette Coleman B -  Free jazz part 2   16: 28 Written by Ornette Coleman ------------------------------------------------- TRANSPORT/ SHIPPING France: Lettre suivi recommandée La Poste, emballage spécial renforcé

- Pour faciliter les achats groupés de 4 LPS (ou CDS) j'ai décidé de n'accorder qu'un escompte maximum de 10 %.Toute autre offre sera refusé. Donc si vous faites une offre de 4 disques ou plus, prenez "mon" prix diminuez le de 10 % (exemple 35,20 devient 31,68) et présenter m'en l'offre, j'accepterai "toujours" (Un LP ou CD  Double compte pour 2 pièces) Toutes nos expéditions sont faites par LA POSTE COLISSIMO avec suivi,  avec garantie PAYPAL. TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2021 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking. 1 LP = France: 7,50 € - EEC: 9,50 € - Europe not EEC, USA, Japan, Russia & World: 11,50 € État Pochette: Very Good Plus (VG+)État Média: Very Good Plus (VG+)   Tracklist A1Take The "A" Train (Interpolation: Exactly Like You)Written-By – Billy Strayhorn3:34A2Prayer For A Passive ResistanceWritten-By – Charles Mingus3:49A3EclipseWritten-By – Charles Mingus3:45A4Chazz Fingers (Mingus Fingus) No. 2Written-By – Charles Mingus3:22A5Weird NightmareWritten-By – Charles Mingus3:35B1Do Nothin' Till You Hear From Me (Interpolation: I Let A Song Go Out Of My Heart)Written-By – Bob Russell, Duke Ellington3:33B2Bemoanable LadyWritten-By – Charles Mingus4:32B3Half-Mast InhibitionWritten-By – Charles Mingus8:12 - Alto Saxophone – John La Porta* (tracks: A4, B2, B3) - Alto Saxophone, Flute, Bass Clarinet – Eric Dolphy - Baritone Saxophone – Danny Bank (tracks: A4, B2, B3) - Bass – Charles Mingus - Cello – Charles McCracken (tracks: A4, B2, B3) - Conductor – Gunther Schuller (tracks: B3) - Flute – Robert Di Domenica (tracks: A4, B2, B3) - Oboe – Harry Shulman (tracks: A4, B2, B3) - Percussion – Danny Richmond*, George Scott (3) (tracks: A4, B2, B3), Max Roach (tracks: A4, B2, B3), Sticks Evans (tracks: A4, B2, B3) - Piano – Paul Bley (tracks: A1 to A3, A5, B1), Roland Hanna - Tenor Saxophone – William Barron Jr.* (tracks: A4, B2, B3), Booker Ervin (tracks: A1 to A3, A5, B1), Joe Farrell - Tenor Saxophone, Flute – Yusef Lateef - Trombone – Charles Greenlee (tracks: A4, B2, B3), Eddie Bert (tracks: A4, B2, B3), Jimmy Knepper, Slide Hampton (tracks: A4, B2, B3) - Trumpet – Clark Terry (tracks: A4, B2, B3), Hobart Dotson (tracks: A4, B2, B3), Marcus Belgrave (tracks: A4, B2, B3), Richard Williams (tracks: A4, B2, B3), Ted Curson - Tuba – Don Butterfield (tracks: A4, B2, B3) - Vocals – Lorraine Cousins (tracks: A3, A5) TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2020 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2020 rate from La Poste Delivengo (World) with tracking. 1 LP = France: 7 € - EEC: 9 € - Europe not EEC, USA, Japan, Russia & World: 11 €. OFFRE (préalable) acceptée selon une remise maximale de 10 % en cas d'une commande globale de 4 LPs ou Cds (ou +) ou de 2 coffrets (1 double vaut 2) (Prior) OFFER accepted with a maximum discount of 10% in case of a global order of 4 LPs or Cds (or +) or 2 boxes.(1 double worth 2)

INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking.France: 0,00 € - EEC: 4,00 € - UK & not EEC, USA, Japan, Russia & World: 6,00 € En cas d'achat multiple, demander le groupage pour réduction des frais de port sur une facture préalable In case of multiple purchase, ask for grouping for reduction of shipping costs on a prior invoiceeÉtat Pochette: Very Good Plus (VG+) État Média: Very Good Plus (VG+) Tracklist - A1Beyond The Blue HorizonWritten-By – Robin*, Whiting*, Harling*3:04A2Where I LiveWritten-By – Gerald Wilson3:59A3Gongs EastWritten-By – Chico Hamilton4:48A4I Gave My Love A CherryArranged By – Hale Smith4:40A5Good Grief, DennisWritten-By – Carson Smith3:08B1Long Ago (And Far Away)Written-By – Gershwin*, Kern*2:58B2Tuesday At TwoWritten-By – Gerald Wilson2:57B3Nature By EmersonWritten-By – Fred Katz5:04B4Far EastWritten-By – Nat Pierce4:03B5Passion FlowerWritten-By – Billy Strayhorn3:19 - - Alto Saxophone, Flute, Bass Clarinet – Eric Dolphy - Bass – Wyatt Ruther - Cello – Nathan Gershman - Drums – Chico Hamilton - Guitar – Dennis Budimir - Recorded at Radio Recorders, Hollywood, CA December 29 & 30, 1958