Dual analog

Dual Analog VU Meter Audio Level DB Meter from Hitachi TRK-8200 100% FONCTIONNAL. I do not accept returns or refunds.

Description: Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Note: Due to the difference between different monitors, the picture may not reflect  the actual color of the item. Thank you! Package includes:1Pcx Audio cable   Le 08-avr.-20 à 11:37:56 Paris, le vendeur a ajouté les informations suivantes:

Description: Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Note: Due to the difference between different monitors, the picture may not reflect  the actual color of the item. Thank you! Package includes:1Pcx Audio cable     Le 07-avr.-20 à 08:06:03 Paris, le vendeur a ajouté les informations suivantes:

Autre matériel de studio Sono & Matériel de studio Code EAN: 0850011590195 En-tête / Fabricant: Autre Type de Produit: Autre matériel de studio Titre: Analog Cases UNISON Dual Case Roland TR-8S

VHF/UHF NUMERIQUE (DMR) RETEVIS AILUNCE HD1  VENDU AVEC UN HOT-SPOT MMDVM (PI-STAR) (avec carte sd 8go programmée a jour) AVEC CABLE DE PROGRAMATION USB ADAPTATEUR MICRO CASQUE EXTERNE CHARGEUR DE BATERIE CLIP ET DRAGONNE AVEC DOC PAPIER EN ANGLAIS VOIR: https://www.retevis.com/ailunce-hd1-dual-band-dmr-digital-radio#A9131A Dual Band DMR Radio Analog and Digital Combined Compatible with Motorola Tier Ⅰ&Ⅱ Comply with Digital Protocol ETSI TS 102 361-1,-2,-3 Use Time-Division Multiple-Access(TDMA) Digital Function Frequency Band:136-174 & 400-480MHz& 76-107.95MHz(Receive only) 100,000 Contacts + 1000 Priority Contacts Up to 3000 channels Dual Time Slot for Repeater Dual Time Slot for Point to Point Firmware Upgradeable IP67 Waterproof Scan:Time/Search/Carrier Encryption Function  (Is not compatible with RT3,RT8,RT82.RT90) Lone Worker Single/Group/All call Remote kill/stun/activate Color LCD Display Transmit/Transceive interruption Promiscuous Function GPS CTCSS/DCS Analog Monitor VOX TOT Talkaround Squelch Keypad Lock LED Indicator Password Lock Battery Save Voice Annunciation 1000/1450/1750/2100Hz Single tone ID Setting

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<div style="text-align:center"><img src="http://ti2.auctiva.com/sw/java.gif" border="0"><br><table align="center"><tr><td><a style="text-decoration:none" href="http://emporium.auctiva.com/adziq47" target="_blank"><img src="http://ti2.auctiva.com/sw/browse1.gif" border="0"></a></td><td height="23px" valign="middle" align="center"><font face="arial" size="2"><b><a href="http://emporium.auctiva.com/adziq47" target="_blank">adziq47</a> Store</b></font></td></tr></table></div> <img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk0" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line0.gif" border="0"></a>      ADZIQ47  VINTAGE ANALOG DISC SOUNDS AND MATÉRIALS  Audiofil   1 PORTE CELLULE REMPLACEMENT  DUAL CS 5000 / CS 750 GOLDEN ONE / CS 7000 remplace Dual Headshell  282733 / 282734 / 285201 / 292726 / 292878 livré avec les 4 petits fils      + 2 vis, 2 écrous, 2 rondelles nylons  2,5 x 10 mm                 et petit tournevis cruciforme POIDS AVEC PETIT FILS 4,2 g  matiére: ABS Made in Germany   NEUF                       VENDEUR PRO EXPÉDITION RAPIDE  ET SOIGNÉE (possibilité port groupé pour plusieurs objets me contacter par mail) Consultez mes autres objets  ! <div style="text-align:center"><a style="text-decoration:none" href="http://mostpopular.sellathon.com/?id=AC909679"><img src="http://www.sellathon.com/Resources/Images/countercredit.gif" border="0"></a></div>

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400 MHz MIPS Processor SIM 2.20 With hybrid TV menu Support browser function, support online video Support most advanced Hybrid TV plug-ins 1GByte Flash, 512 MByte RAM Enigma 2, Linux Operating System Color OLED - Display MPEG-2 / H.264 Hardware decoding Tuner Module, Plug&Play 2 x Smartcard-Reader (Dreamcrypt CA) Mini USB for Service and software update 10/100Mbit Ethernet Interface 1 x Scart (RGB, FBAS or S-Video) HDMI 2 x USB 2.0 (e.g keyboard) Analog modem S/PDIF Interface for digital bit stream out (AC-3) Unlimited channel lists for TV/Radio Channel-change time Automatic service scan Directly bouquet-lists EPG (electronic program guide) Multiple LNB-Switching control (supports DiSEqC) OSD in many languages and skin-support Videotext Decoder Extern 12V power supply SATA for use either as internal SATA HDD 2,5" or to use for extern eSATA

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Dictaphone DPM8000/00 complet avec housse et station accueil cable, carte sd logiciel notice en boite d'origine jamais servi Features3D Mic system for best audio quality and accurate speech-recognition resultsThe breakthrough 3D Mic technology uses the built-in microphones to always deliver best recording results: an omnidirectional microphone offering 360 degree sound pick-up, ideal for the recording of multiple sound sources such as meetings, and a unidirectional microphone optimized for voice recording and accurate speech-recognition results.Built-in motion sensor for automatic microphone selectionThe built-in motion sensor senses when the device is placed on the desk or held in the hand and selects the microphone accordingly to suit the recording situation. The motion sensor switches automatically into standby mode when the device is idle. Once the Pocket Memo is picked up again, it’s ready to record within seconds.Ergonomic slide switch for efficient single-handed operationThe quick-response and ergonomic slide switch is designed for singlehanded operation of all recording and playback functions, allowing easy and quick file editing (insert, overwrite, append). It operates with a light sensor signal, making it wear-free and durable.Robust stainless steel casing for extra durabilityThe asymmetrical and ergonomic shape fits perfectly into your hand. Its slim and lightweight design maximizes comfort, even when working over longer periods of time. The brushed stainless steel creates a robust and highly durable protective shell around the device. The device is shockproof according to US military standard 516.6.SpeechExec workflow software for efficient data managementThe SpeechExec Pro software organizes the workflow of dictation files and resulting documents between author and transcriptionist, and allows you to monitor the status of your work.Large color display and clear user interface for easy, intuitive operationThe large full-color display offers sharp images, making it easier to see everything at first glance. The clear user interface is optimized for easy, intuitive operation.Docking station for fast battery charging and hands-free recordingThe stable and superior docking station provides speedy charging and automatic transfer of your recording to your computer. With an optional foot control connected, the docking station enables hands-free recording and transcription even without a computer.Light and motion sensors for extended battery lifeThe high-capacity Li-ion battery can be easily charged through a standard micro USB jack. The integrated light and motion sensors guarantee extended battery life. The smart technology adjusts the brightness of the display and switches automatically into stand-by mode when the device is idle, ensuring that your recorder will always be ready to work when you are.File encryption and device PIN lock for high data securityRecordings can be encrypted in real time using the Advanced Encryption Standard (AES or Rijndael Algorithm) with a key length of 256 bits. AES provides a very high degree of security and has been approved in the USA for the most highly classified government information. The device itself can be assigned a PIN code to protect against unauthorized use or file playback.Integrated barcode scanner for streamlined documentationThe integrated barcode scanner enables you to link client or patient data to a recording by simply scanning over a barcode, even from a display.* This ensures reliable assignment of client or patient IDs and speeds up your workflow.Remote management support for time-saving deployment and maintenanceThe Philips SpeechExec Remote Device Manager software allows IT administrators to centrally manage, configure and update dictation hardware from Philips, saving valuable time and resources. Managing device settings for individuals, groups and teams or the whole organization is easily done remotely.Classic mode for clear and easy-to-use operationMany users still love their analog devices for their simplicity and userfriendliness. The optional classic mode gives the user the look and feel of working with an analog device while retaining the advantages of digital technology and keep focused on the essentials. ConnectivityHeadphones:3.5 mmMicrophone:3.5 mmUSB:micro USB 2.0Docking connectorMemory card slotDisplayType:color TFTDiagonal screen size:2.4 inches / 6.1 cmResolution:320 × 240 pixelsStorage mediaExchangeable memory cardMemory card types:SD/SDHC (DPM8000, DPM8200), micro SD/SDHC (DPM8500), up to 32 GBMass storage class compliantData transfer speed:6.75 MB/s read speed, 5.0 MB/s write speedAudio recordingRecording format:DSS/DSS Pro (Digital Speech Standard), MP3, PCMBuilt-in microphones:1 directional microphone, 1 microphone for 360 degree recordingRecording modes:DSS QP (.ds2/mono), DSS SP (.dss/mono), MP3 (.mp3/stereo), PCM Voice (.wav/mono), PCM Stereo (.wav/stereo)Bit rate:13.7 kbit/s (DSS SP), 28 kbit/s (DSS QP), 192 kbit/s (MP3), 353 kbit/s (PCM Voice), 705 kbit/s (PCM Stereo)Edit modes:insert (DSS/DSS Pro), overwrite (DSS/DSS Pro, MP3, PCM), append (DSS/DSS Pro, MP3, PCM)Recording time (4 GB memory card):700 hours (SP), 350 hours (QP), 50 hours (MP3), 27 hours (PCM Voice), 13 hours (PCM Stereo)Sample rate:44.1 kHz (MP3), 22.05 kHz (PCM), 16 kHz (DSS QP), 12 kHz (DSS SP)SoundSpeaker type:built-in round, dynamic speakerSpeaker diameter:28 mmAcoustic frequency response:300 – 7500 HzSpeaker output power:> 200 mWPowerBattery type:Philips rechargeable Li-ion battery ACC8100Battery capacity:1000mAhBattery lifetime:up to 30 hours of recording (DSS Pro mode)Standby time:more than 200 daysCharging time (full charge):3 hoursSecurityReal time file encryptionEncryption standard:Advanced Encryption Standard (AES or Rijndael Algorithm) with 256 bitsDevice lock with pin codeUser identification via PIN codeNumber of supported user IDs:40DurabilityMIL-STD-810G 516.6 certified for shock resistanceBarcode scanner (DPM8500)Compatible bar codes:UPC–A, UPC–E, EAN–8, EAN–13, Code 128, GS1–128, ISBT 128, Code 39, Interleaved 2 of 5, Inverse 1D, GS1 DataBar, Matrix 2 of 5Scan engine:CCD-based, single lineSystem requirements for Philips SpeechExec softwareProcessor:Intel dual core or equivalent AMD processor, 1 GHz or faster processorRAM:2 GB (32 bit)/4 GB (64 bit)Hard-disk space:100 MB for SpeechExec software, 4.5 GB for Microsoft.NET FrameworkOperating system:Windows 10 Pro/Enterprise (64 bit), Windows 8.1/7 Pro/Enterprise (32/64 bit), Windows Server 2012 (64 bit), Windows Server 2008 R2 (32/64 bit), macOS 10.13/10.12 (Mac functionality may be limited)Graphics:DirectX-compliant graphics card with hardware acceleration recommendedSound:Windows-compatible sound deviceBrowser:Internet Explorer 9 or higher, or the current version of Chrome or FirefoxFree USB portInternet connection for required software activationAdditional system requirements for speech recognition softwareSupported speech recognition software:Nuance Dragon Professional 13/14/15 Individual/Group, Nuance Dragon Legal 13/14/15, Dragon Medical Practice Edition 3, Nuance Dragon SDK Client Edition 14Processor:Intel dual core or equivalent AMD processor, 2.2 GHz or faster processorRAM:4 GB (32 bit)/8 GB (64 bit)Hard-disk space:8 GBOperating system:Windows 10 Pro/Enterprise (64 bit), Windows 8.1/7 Pro/Enterprise (32/64 bit), Windows Server 2012 (64 bit), Windows Server 2008 R2 (32/64 bit), macOS 10.13/10.12 (Mac functionality may be limited)Green specificationsCompliant to 2011/65/EU (RoHS)Lead-free soldered productOperation conditionsTemperature:-5° – 45° C/23° – 113° FHumidity:10 % – 90 %, noncondensingDimensionsProduct dimensions (W × D × H):53 × 123 × 15 mm / 2.1 × 4.8 × 0.6 inchesWeight:117 g/4.1 oz including battery and memory cardPackage contentsPocketMemo Voice RecorderDocking StationMemory cardRechargeable batteryUSB cablePouchSpeechExec Pro Dictation Software (DPM8000, DPM8200)User manualAvailable accessoriesPhilips rechargeable Li-ion battery ACC8100Philips SDHC Memory Card ACC9008Philips Telephone Pickup Microphone LFH9162Philips Meeting Microphone LFH9172Philips Foot Pedal LFH2210Philips WLAN Adapter ACC8160Philips SpeechExec Remote Device Management Software LFH7470Philips SDK for Dictation Hardware LFH7475

The new Vu+ Solo SE was unveiled at the ANGA Show in May 2014. The new Vu+ Solo SE is an entry level machine featuring a 1.3Ghz Broadcom Processor, 1GB Ram, 256MB Flash, 1 x Plug and Play Tuner slot suitable for either double DVB-S2, DVB-C/T, 2X DVB-S/S2 TUNER INCLUDED, 1 Common Interface slot, 1 Smart Card Reader, 2 x USB 2.0. Watch high definition TV in glorious FULL HD 1080p.  Digital receiver for HDTV and radio programs. The main feature is the fast 1300 MHz processor of the Vu+ Solo SE. Experience high definition 1080p TV with your Vu+ Solo SE. Vu+ Solo SE Features: Transcoding function Opera Browser HbbTV HDMI 1.4 connection Plug & Play Tuner HD PIP External 12 V power supply Vu+ Solo SE Technical Highlights: 1300 MHz Dual Core Mips processor Plug & Play Tuner (DVB-S2, DVB-C / T, DVB-C/T/T2) 2 X DVB-S/S2 INCLUDED 256MB Flash 1 GB DDR3 DRAM 1 x DVB Common Interface slot 1 x Smartcard-Reader (Xcrypt) 2 x USB 10/100 Mbit Ethernet Interface SPDIF audio output optical (digital) 1 x HDMI 1.4 video / audio output (digital) 1 x RCA video output 2 x Audio output (L / R) RCA (analog) unlimited channel lists for TV / Radio EPG (electronic program guide) support Support of Bouquet lists OSD in many languages ​​and skin-support automatic / manual channel search DiSEC 1.0/1.1/1.2, USALS External 12V power supply power switch Vu+ Solo SE Specifications: DVB-S2 tuner Input Frequency Range 950.. 2150 MHz Input Level - 65 dBm... - 25 dBm Tuner Input Connector F-Type female Input Impedance 75 Ohm AFC capture range + / - 3.5 MHz Demodulation QPSK and 8PSK FEC Viterbi and Reed-Solomon Viterbiraten 1/4, 1/3, 2/5, 1/2, 3/5, 2/3, 3/4, 4/5, 5/6, 8/9 Roll-off Factor 35% Common Interface: Common-Interface Power Consumption max. 0.35 A/5V Video decoding: Video Compression MPEG-2 / H.264 and MPEG-1 compatible Video Standard PAL G / 25 Hz, NTSC 4:3 / 16:9 Letterbox for 4:3 TV-Device Output Digital: Output Level 0,5 Vss on 75 Ohm Sampling frequencies of 32 kHz, 44.1 kHz, 48 kHz S / PDIF-Output optical, coaxial (AC3) Audio coding: MPEG-1 audio compression and MPEG-2 Layer I and II, MP3 Audio Mode Dual (main / sub), Stereo Sampling frequencies of 32 kHz, 44.1 kHz, 48 kHz, 16 kHz, 22.05 kHz, 24 kHz Analog output: Output Level L / R 0,5 Vss on 600 Ohm THD> 60 dB (1 kHz) Crosstalk Video parameter: Input Level FBAS 1 Vss + / - 0.25 dB on 75 Ohm Ethernet100/10 MBit compatible interface uSB:USB 2.0 port (2x) LNB power supply DVB-S2 Tuner: LNB Current 400mA max., Short-circuit proof LNB Voltage horizontal "no load 19.5V" 17,6 V at 400mA LNB Voltage vertical "no load 14.5V" 11,8 V at 400mA LNB is switched off in standby mode Control of the satellite position: DiSEqC 1.0/1.1/1.2 and USALS - Rotor Control

2 X 3,5 mm à RJ9 Adaptateur Convertisseur Câble Audio PC Casque Télép AR 100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 03-juil.-19 à 21:23:20 Paris, le vendeur a ajouté les informations suivantes:

100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 25-juil.-19 à 13:57:37 Paris, le vendeur a ajouté les informations suivantes:

100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 19-juil.-19 à 19:51:06 Paris, le vendeur a ajouté les informations suivantes:

100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 16-juil.-19 à 10:28:33 Paris, le vendeur a ajouté les informations suivantes:

2 X 3,5 Mm À Rj9 Adaptateur Convertisseur Câble Audio Pc Casque Télép FE 100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 15-juil.-19 à 08:56:19 Paris, le vendeur a ajouté les informations suivantes:

100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 16-sept.-19 à 18:04:12 Paris, le vendeur a ajouté les informations suivantes:

100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 08-févr.-20 à 14:14:20 Paris, le vendeur a ajouté les informations suivantes:

2 X 3.5Mm To Rj9 Jack Adapter Convertor Pc Audio Cable Headset Telephone ZH 100% brand new and high quality Material: Plastic and Alloy Color: Black Connector A: 2*3.5mm female Connector B: RJ9 Get this headset adaptor them you can use your favorite computer analog headphone to chat on telephone. New Dual 3.5mm audio female socket to RJ9 Modular Plug Adapter Cable for connecting your own Analog Computer Headset with dual 3.5mm Audio plugs to your own Cisco phone headset jack with RJ9 modular socket Length of the line: 25cm/9.84" Quantity: 1Pc Package includes: 1Pcx Audio cable   Le 06-févr.-20 à 21:45:18 Paris, le vendeur a ajouté les informations suivantes:

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...        Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: More details at: http://audio.starting-point-systems.com/   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...   Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: USB Audio DAC with jitter killer reclocker crowdfunding pitch - YouTube Video will open in a new window [isdntekvideo]   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

DAC 100 SE Atoll USB 24 bits/192 kHz PCM 1796. Audiophile design, Made in France. The construction of the case is solid, the connections and switches/selectors are of quality. The experience with this device is summed up in precision, naturalness and striking sound realism (and yet my sources are already references). If you want to move from your listening room to the concert hall: this is the device you need. And in more detail:. a beauty of timbres with perfect neutrality. a broad sound image, with depth, we position the musicians very well in space. well-defined treble up to the extreme treble. deep, accurate bass, without superfluous roundness. breathtaking dynamism These qualities will particularly make the difference on classical music and jazz. To be combined with good quality connection cables to get all the benefits. In excellent working and aesthetical condition, comes with power cord and original box, extremely well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. The Atoll DAC 100 SE DAC is a digital/analog converter with three coaxial inputs, three optical inputs and one USB input. Coaxial and optical inputs support resolutions up to 24-bit/192kHz. For the USB input, it accepts resolutions up to 24 bit/96 kHz. For connection to an integrated amplifier, a stereo RCA output is located on the left of the rear panel. On the front a series of LEDs indicates the input used. This front is in brushed anodized aluminum, either natural or black. The converters are Burr Brown PCM 1796. Two power supplies, one of which is reserved exclusively for the analog audio part, equip this DAC. The output stages are provided by discrete components without feedback. The brand Atoll has designed a very well-built DAC. The DAC 100 SE occupies a relatively small space while still being able to enhance up to seven digital sources. Digital inputs: 3 x optical, 3 x coaxial and 1x USB Analog outputs: 1 x stereo RCA USB: Type B Resolutions and sampling rates: optical and coaxial: 16-24 bits (44.1 kHz, 48 kHz, 96 kHz and 192 kHz) USB: 24-bit (32kHz, 44.1 kHz, 48 kHz, 96 kHz) Dual power supply Converters: Burr Brown PCM 1796 Output stages with discrete components and no feedback Dimensions: 320 x 210 x 60 mm Weight: 2kg Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis, sony, eversolo, wiim, topping, aune, gustard, smsl, volumio, matrix En savoir plus

A saisir... Vends très rare lecteur CD MUSICAL FIDELITY Haut de Gamme modèle CD A 308 CR A L' ETAT NEUF, COMME NEUF, l' un des 2 meilleurs lecteurs CD produit par la marque britannique depuis sa création, tous modèles confondus à ce jour. Première main, usage confidentiel de l' appareil Poids: 17,5 kgs Appareil complet dans carton d' origine avec télécommande + notice d' utilisation Valeur d' achat neuf - France - en euros / vendu euros dans certains pays européens dont l' Espagne Prix de vente: euros DAC architecture 24 bit Delta-Sigma (Bitstream) Dual differential 8x oversampling Disc mechanism Sony Upsampling 96kHz Frequency response 10Hz to 20kHz +0 / -0.2dB Signal / noise ratio 115dB "A" weighted Total harmonic distortion 100dB 20Hz to 20kHz Linearity audioquest audio quest mogami real cable neutrik cabasse revox onkyo nikko rega creek rega creek atoll marantz denon naim kora yaquin audio research analog nakamichi teac arcam mc intosh accuphase nad bo bose dali castle klipsh jbl jmr vecteur cambridge audio analogue tandberg revox thorens fostex musical fidelity yamaha sony philips nikko onkyo sensui triangle stax jecklin float mc intosh electro companiet celestion luxman bryston sunfire bose bo tannoy metronome kalita drive carat vecteur bryston onyx audio lab aura atoll krell infinity rotel linn micromega consonnance ead martin logan cyrus onyx nad cabasse denon creek audi cambridge epos icos heil amt audio lab aura atoll krell infinity rotel sony philips jm lab audioquest unison research focal sine audio conrad johnson audio research apertura elac cyrus grundig kef kenwood cayin technics harman kardon siare pioneer cairn meridian quad audio micromega atoll isem ead martin logan consonnance mark levinson audio note kef focal jm lab energie acoustic triangle B et W davis focal kef monitor audio audiosynthesis audionet ayre cairne cec classé era exotetric exposure gamut icos hegel jolida méridian moon myryad naim primare quad roksan T+A sphinx thule vincent jmlab jvc jamo davis monitor vintage elipson b&w bw reynaud mission audioreference rogers audio wharfedale quad kenwood audax siare esoteric proac audio note mark levison acoustic energy sherwood eltax scott advance yamaha jm raynaud yba jbl triangle accuphase mac intosh denon nad tandberg yamaha sony jmr proton philips, audio analog nakamichi thorens Advance Acoustic Arcam ASR Audio Analogue Audiomat Classé revox Cyrus Denon Goldmund Harman Kardon Hitachi Jadis Jeff Rowland Kenwood Kora Krell Linn Mark Levinson Myryad Naim kora carat Onkyo platine Pioneer Quad Sansui Technics Vincent Yaqin 3A, B&W Celestion Dynaudio Elac Elipson Focal Grundig Infinity Kef Linn Martin Logan Mission crest rotel krell crest Quadra Rogers Sonus Faber cable tannoy studio lab isem luxman cayin belkin panasonic lg jvc hitachi sony infinity jm lab focal triangle bc acoustic niger castle dali klipsh celestion cable de modulation SQ audio brinkmann audio linn myriad vecteur yba nad proton cambridge stax jecklin float ergo eaa fostex arcam seinnheiser consonnance naim jolida jbl triangle bc acoustic denon marantz celestion dali castle klipsch infinity

Original DMM Dreambox 600 pvr. Factory reset FREE TO AIR (FTA) Powerful receiver for digital TV and Radio programs.     DM600 S for satellite receiving     Tuner modules, Plug&Play Main features are a 250 MHz PowerPC (350 Mips), Linux OP, the Dreambox DM600 supports the Standard Linux API, harddisk support     10/100MBit compatible Ethernet Interface     DSL communication port Technical Features       250 MHz PowerPC Processor       Enigma, Linux Operating System       2 LED status       MPEG-2 Hardware decoding       Common available NIMs (DVB-S, DVB-C, DVB-T)       Tuner modules, Plug&Play       1 x Smartcard-Reader (Dreamcrypt CA)       V.24/RS232 Interface       10/100Mbit compatible Ethernet Interface       1 x Scart-interfaces (RGB, FBAS or S-Video)       S-Video connector       analog modem       S/PDIF Interface for digital bit stream out (AC-3)       32 MByte Flash, 96 MByte Ram       integrated IDE Interface       Support for internal HDD 2,5" in any capacity        unlimited channel lists for TV/Radio       channel-change time       automatic service scan       directly bouquet-lists       EPG (electronic program guide)       Videotext Decoder       multiple LNB-Switching control (DiSEqC)       OSD in many languages and skin-support       extern12V power supply   DreamBox DM600 technical data DBS-Tuner: Frequency Range 950 …. 2150 MHz Signal Level - 65 dBm …. - 25 dBm Signal-to-Noise Level 12 dB max. DBS-Tuner Input Connector F-Type female Input Impedance 75 Ohm AFC +/- 3 MHz Demodulation Shaped QPSK FEC Viterbi and Reed-Solomon Viterbirate 1/2, 2/3, 3/4, 5/6, 7/8 Roll-off Factor 35 % Demultiplexing according ISO 13818-1 Video decoder: Video Compression MPEG-2 and MPEG-1 compatible Video Standard PAL G/ 25 Hz Video Formats 4:3 / 16:9 Letterbox for 4:3 TV-Device Audio decoder: Audiokompression MPEG-1 & MPEG-2 Layer I and II Audio Mode Dual (main/sub), Stereo Frequency: 32 kHz, 44.1 kHz, 48 kHz, 16 kHz, 22.05 kHz, 24 kHz Output analog: Output Level L/R 0,5 Vss on 600 Ohm THD > 60 dB (1 kHz) Crosstalk Output digital: Output Level 0,5 Vss on 75 Ohm Sampled Data Filtering 32 kHz, 44.1 kHz, 48 kHz S/PDIF-Output optical (AC3) Video parameter: Input Level FBAS 1 Vss +/- 0.3 dB on 75 Ohm Teletext filter in conformity with ETS 300 472 Standard TV-Scart: Output: FBAS, RGB, S-Video Serielle Interface RS 232: Typ RS232 bidirectional Bitrate 115,2 kBit/s max. Plug Connector SUB-D-9 Function: Update of Firmware Ethernet: 10/100 MBit compatible interface Function: Update of Firmware IDE Interface: Intern for connect 2,5" HDD LNB Power and polarisation: LNB Current 500mA max.; short-circuit-protected LNB Voltage vertical 11,5V at 400mA LNB Voltage horizontal 17,3V at 400mA LNB shut-off at Standby-Mode Count of active satellite position: DiSEqC 1.0/1.1/1.2 and USALS (Rotor Control) Power consumption: Input voltage: DC12V +/- 15% Extern power supply: Input: 110-240V AC / 50-60Hz / 0,6A Output: 12V = / 2A Physical specification: Ambient Temperature +15°C...+35°C Humidity Size (W x D x H): 195 mm x 130 mm x 40 mm Weight: 0,6 kg