Dynamics and fullness

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

Beocord 5000 (voir aussi sur le site du même vendeur Beomaster 4000) English version further down. Cette icône du design livre une puissance sonore remarquable en combinaison avec le Beomaster 4000 (et sans doute avec d’autres amplis de grande qualité). Avant l’avènement du digital, Bb'&'O a réussi avec ce lecteur/enregistreur de cassettes à produire un son pur avec la technique analogique d’une puissance, dynamique ET rondeurs absolument remarquables. Son design a été reconnu d’excellence par le Musée d’Art moderne de New York (googler « MOMA Bang Olufsen » pour quelques articles). Encore aujourd’hui, ses lignes épurées sont un plaisir pour les yeux. Ce lecteur/enregistreur de cassettes a traversé le temps sans aucun accroc (voir photos; d’autres disponibles sur demande). N.B. EN RAISON DU POIDS (8,5 KG) ET DE LA FRAGILITÉ DE CET APPAREIL, LES MODALITÉS ET FRAIS D'ENVOI (ET DE RETOUR EVENTUEL) PRÉCIS SONT À CONVENIR ENTRE LE VENDEUR ET L'ACHETEUR. LE PRIX DE 225 € COMPREND L'EXPÉDITION PAR LA POSTE. IL NE SERA QUE DE 180 € EN CAS DE REMISE EN MAINS PROPRES. This icon of design delivers remarkable sonic power in combination with the Beomaster 4000 (and no doubt with other high-quality amps). Before the advent of digital, Bb'&'O succeeded with this cassette player/recorder in producing pure sound using analogue technology with absolutely remarkable power, dynamics AND fullness. Its design was recognised as excellent by the Museum of Modern Art in New York (google ‘MOMA Bang Olufsen’ for some articles). Even today, its pure lines are a pleasure to the eye. This cassette player/recorder has stood the test of time without a hitch (see photos; others available on request). N.B. EN RAISON DU POIDS (8,5 KG) ET DE LA FRAGILITÉ DE CET APPAREIL, LES MODALITÉS ET FRAIS D'ENVOI (ET DE RETOUR EVENTUEL) PRÉCIS SONT À CONVENIR ENTRE LE VENDEUR ET L'ACHETEUR. LE PRIX DE 225 € COMPREND L'EXPÉDITION PAR LA POSTE. IL NE SERA QUE DE 180 € EN CAS DE REMISE EN MAINS PROPRES.. En savoir plus Collaboration commerciale.

Etat: comme neuf première mainFacture: ouiLongueur: 10ft (environ 3m)Terminaison: 4.4 mm TRRRS Furutech Carbon Fiber balanced male rhodium Compatible with Sennheiser HD800, HD800s and HD820. The Black Dragon Premium Headphone Cable is a wonderful upgrade for your Sennheiser headphones. It offers the same quality construction as our standard Black Dragon V2 cable, with enhancements like premium rhodium-plated Furutech connectors and Mundorf MSolder SUPREME Silver-Gold that lend an extra layer of clarity to your music. Known for warmth and fullness, the Black Dragon is neither laid back nor lush. It uses 4 x 21.5AWG Teflon-insulated stranded conductors using pure single crystallized UP-OCC pure copper with 7N purity 99.99998% that enhance depth and definition and smooth out the top end without sacrificing detail. This can be important for the Sennheiser HD800 series, which is known for extreme articulation of the detail in the music. The Black Dragon will also enhance and provide more weight to the lower end while making the midrange sound more musical, resulting in wonderful vocals Conductors4 x 21.5AWGMaterial99.99998% UP-OCC CopperConstructionVarying Size StrandingSolderMundorf MSolder SUPREME Silver-Gold mixShieldingAluminum Foil, Braided Wire ShieldJacketBlack PolyethyleneFormatDual Entry (Y-type)ConnectorFurutech CF-H800

Etat: neuf  Longueur: 5ft (environ 1,5 m) Terminaison: Jack 1/4 TRS (6,35mm) Furutech Carbon Fiber stereo rhodium  Compatible with Sennheiser HD800, HD800s and HD820. The Black Dragon Premium Headphone Cable is a wonderful upgrade for your Sennheiser headphones. It offers the same quality construction as our standard Black Dragon V2 cable, with enhancements like premium rhodium-plated Furutech connectors and Mundorf MSolder SUPREME Silver-Gold that lend an extra layer of clarity to your music. Known for warmth and fullness, the Black Dragon is neither laid back nor lush. It uses 4 x 21.5AWG Teflon-insulated stranded conductors using pure single crystallized UP-OCC pure copper with 7N purity 99.99998% that enhance depth and definition and smooth out the top end without sacrificing detail. This can be important for the Sennheiser HD800 series, which is known for extreme articulation of the detail in the music. The Black Dragon will also enhance and provide more weight to the lower end while making the midrange sound more musical, resulting in wonderful vocals Conductors4 x 21.5AWGMaterial99.99998% UP-OCC CopperConstructionVarying Size StrandingSolderMundorf MSolder SUPREME Silver-Gold mixShieldingAluminum Foil, Braided Wire ShieldJacketBlack PolyethyleneFormatDual Entry (Y-type)ConnectorFurutech CF-H800

Little jewel, one of the greatest headphones amplifiers ever, extremely rare on sale, in perfect working condition and aesthetics, almost like new. Trully impressive, addicting sound. Higly regarded by audiophiles, a true reference and a collectible item. Would loved to keep this one, I'm selling it reluctantly... Comes with original box and accessories, well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"' In terms of the criteria that I listen for in any amp, transparency, noise, dynamics and the ability to get me out of my head and into the music, Prime is well, prime. All in all, a seemingly impressive effort that covers all the bases.b'"' From Neil Gader's review in The Absolute Sound head-fi.org/threads/meridian-prime-headphone-amplifier-review.691392/ Headfonia: MERIDIAN PRIME - ENGLISH EXCELLENCE b'"'Does The Prime Live Up To The Meridian Name? First I tried the Prime as an Amp/Dac combo (with PSU) and I immediately loved the sound from this demo unit: Enormous Clarity, great detail retrieval from bass to treble, top precision and dynamic sound. All presented with just the right amount of air between the instruments. Musical and detailed sound with a superb flow. The Prime sounds fast and is neutrally tuned but the best solid state kind there is. Maybe it is just slightly forward sounding, but not that much. Bass is tight, goes deep, is well layered and has a lot of detail but doesn’t have the big body of say the Beyerdynamic A20 amplifier (but it has far better quality). The Prime is a linear tuned unit and I find the bass to be perfect (and that’s an understatement) with the Audeze and Hifiman headphones but more on those later. The Prime’s mids are slightly more forward sounding, especially the vocals, but they are not bright. Don’t get me wrong on that because they sound incredibly good: perfect separation, great timbre, heaps of detail but never over-analytical and always musical and dynamic. Treble is extended and detailed but never harsh sounding. I do like my treble and the Prime does a splendid job for my taste. Treble is on the same level as the mids and bass: clarity, detail and sparkle. The Prime’s sound stage is wide and deep with a perfect balance and 3-dimensionality. I fell in love with the Prime’s sound as a DAC/Amp unit. For me this is top audiophile sound.b'"' The Prime can also be used as a DAC and Pre Amp in combination with a power amp, headphone amp or active speakers. There is no disappointment here, the Meridian DAC delivers a stunning performance in combination with my desktop sized solid state and tube amps. I love a clear, detailed and neutral DAC with a huge sound stage. Who wouldn’t? Well this is one of those DACs I could live happily ever after with. It ads nothing to the sound, in a good way that is, and using it as a pre amp boosts the performance of your amplifier. headfonia.com/meridian-prime-english-excellence/ The Prime is a top-class headphone amplifier and a surprisingly talented stereo preamp. Meridian is a master at signal processing, so it’s no surprise to find ‘Analogue Spatial Processing’ on board the Prime. It’s a function designed to counteract the fact that stereo recordings are designed to be played over speakers, not headphones. ASP blends the left and right channels to varying degrees – there are three options – to try to create a more natural presentation. These features can often compromise clarity and focus to improve sound staging, but ASP sounds pretty convincing. The Prime also works well as a dedicated stereo preamp. It’s certainly right up there with some of the best preamps we’ve heard at around the £1000 mark. En savoir plus

Selling my beloved ProAc Studio 125 in very good working condition and aesthetics with some minor marks on the base plates. Classic speakers Made in England, these are truly refined, recipient of many excellent reviews and winner of the What Hi-Fi? Best Buy. This exceptional loudspeaker will satisfy not only demanding audiophiles but also those with home theater applications. Prepare to enter the dream-land of true high-end: great dynamics and stereo imaging, amazing bass, voices are perfect, huge soundstage, airy highs, articulated and detailed mids, gorgeous cabinet design. The speakers come with all the original spikes and grills and are in perfect working order. They come packed in the original boxes with protective foam. No discolouration of the veneer under the grills as can be seen in the photos. Could be shipped in two boxes but please, ask for a quote before as the postage differs from country to country, thanks! For Belgium, Germany or The Netherlands I believe you can arrange also for a Cocolis service, which is much more convenient. Extemely little used for their age, they were in my secondary studio. I had them driven by different amplifiers: a Sugden, a Peachtree and a Merdidian, all worked perfectly with great synergy. b'"'So inspired by these speakers, I had to tell all of you about them and so this is my first ever hifi review: If you see these speakers for sale just bloody buy them! I have not heard anything so amazing since I walked into a hifi store in '89 when a new Quincy Jones CD was blasting through some Shinanighans (I know that's not the correct spelling). The Studio 125 speakers are a knockout for their minimalist styling alone and mine have beautiful mahogany veneer that compliments our 60's modernist furniture. I saw a pair of Proac Studio 125 speakers come up for sale and I have always wondered what they sound like since the Tablettes were a favourite monitor in a friend's hi-end studio setup. I got them home and hooked them up to a rather grunty NAD 753 HT amp, yamaha CD player, nothing too silly and the sound literally made my mouth fall open, then I went on to start swearing and punching the air with delight. They have detail that is so moorish to listen to, kind of juicy and the bottom end it rich and super deep, I will never sell these speakers, after years of searching I am finally spending less time on and more time listening to music. I should add that these are all-rounders, they do wonders for older low-fi recordings as well, so not just for the jazz or classical heads, these speakers make everything sound rich, lush and detailed. I don't really understand how they do it.b'"' (Campbell, AudioPhile) youtube.com/watch?v=A-eOuNDm6SYb'&'t=230s The specifications of the speakers: Nominal Impedance: 8 ohms Recommended Amplifiers: 20 to 150 watts Frequency Response: 30hz to 30Khz Sensitivity: 87db linear for 1 watt at 1 metre Bass/Midrange Driver: 612” inch diameter exclusive ProAc design with modified dust cap and critically coated cone on die-cast Chassis. magnetically shielded. Tweeter: 34” soft dome to ProAc design with ferrofluid cooling. Magnetically shielded. Crossover: Finest components on dedicated circuit board. Multistrand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 36” (915mm) high, 8” (203mm) wide, 11” (280mm) deep Weight: 40lbs (18kg/cabinet) sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Acoustic Energy, Buchardt, Dynaudio, Bb'&'W, Klipsch, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi, Proac, neat, quad, kerr, alta, mofi, fyne, tannoy, acoustic research, allison, sugden, atc, amphion, pmc, kef, Linn, gato, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Buchardt Acoustic Energy, Buchardt, Dynaudio En savoir plus Collaboration commerciale.

iFi Audio Pro iESL Headphone Amp for Electrostatic Headphones.  The Pro Series iESL electrostatic headphone amplifier from iFi AUDIO offers transparency and an ultra-wide frequency range. It works with all Stax, Sennheiser Orpheus, and electrostatic headphones. Drive Your Electrostatic Headphones to the Max and Use with a Headphone Amp: iFi Pro iESL Energizer Charges Your 'Phones, Supplies Needed Extra Voltage, Yields Incredible Transparency Drive your electrostatic headphones with the iFi Pro iESL Electrostatic Headphone Energizer and experience the phenomenal transparency, ultra-wide dynamics, and natural musicality for which the style is renowned. Offering perfect bias, impedance, and termination matching with every electrostatic ‘phone around, Pro iESL paired with a high-end headphone amplifier supplies the proper extra-high-tension voltage required by electrostatic headphones – something conventional amplifiers cannot offer. Pro iESL "energizes" the electrostatic plates in your ‘phones, giving them the power they need to operate at peak potential. A hand-wound permalloy core transformer, capacitive battery supply, and bias voltage generator do the work so all you have to do is listen to what you've been missing. iFi Pro iESL is the flagship your electrostatic need and deserve. 100% Music Direct Guaranteed. Please note: iFi Pro iESL is strictly for use with electrostatic headphones and needs to be paired with a headphone amplifier. Maximum Output voltage:   640V RMS (16Ω/20V in)  320V RMS (64Ω/20V in) Frequency Response: 5Hz-50kHz (-3dB) Input Voltage (Pro iESL): 5V-9V/1A max Input Voltage (iPower): AC 85-265V, 50/60Hz Power Consumption: < 1W Dimensions (DWH): 8.4" x 8.1" x 2.5" Weight: 5.5 lbs.  Bought in 09/2019 - Mint Condition -  Sold with full set of accessories and original box.  Still under Manufacturer Warranty (IFI Audio)

Préamplificateur K1x Ayre Acoustics. État: "Occasion" Parfait état esthétique et de fonctionnement. Version évoluée du K1 (alimentation, pieds supports...). Un des préamplificateurs les plus neutres et transparents jamais fabriqués. Alimentation en boîtier séparé. Condensateurs Cornell Dubillier et Ayre. Atténuation par résistances triées et appairées. Système de commande à distance entièrement analogique garantissant une dynamique et transparence sans perte. 3 sorties dont 2 symétriques. Bien sûr circuits entièrement symétriques. Entrés et sorties symétriques à privilégier surtout si la distance avec l’amplificateur est importante. Silence de fonctionnement parfait. Tous les accessoires (télécommande et cable d’alimentation d’origine). Double carton d’emballage trés protecteur d’origine. Lire les bancs d’essais et commentaires sur le net... Le préamplificateur high-end de Ayre. Un must have pour tout système de très haut de gamme. Livraison à préciser selon la destination. Frais en coût réel à la charge de l’acheteur. Merci de me contacter pour les modalités. Ayre Acoustics K1x preamplifier. Condition: "Used" Perfect aesthetic and working condition. Advanced version of the K1 (power supply, support feet, etc.). One of the most neutral and transparent preamplifiers ever made. Power supply in separate box. Cornell Dubillier and Ayre capacitors. Attenuation by sorted and paired resistors. Fully analog remote control system ensuring lossless dynamics and transparency. 3 outputs including 2 symmetrical. Of course fully symmetrical circuits. Balanced inputs and outputs to be preferred, especially if the distance from the amplifier is important. Silent operation. All accessories (remote control and original power cable). Double cardboard original packaging very protective. Read the test benches and comments on the net... Ayre's high-end preamplifier. A must have for any very high end system. Delivery to be specified depending on the destination. Actual cost charges payable by the purchaser. Please contact me for the modalities.

EBS MultiComp COMPRESSEUR BASS BON ETAT. État : Bon état Service de livraison : Colissimo  TESTE MARCHE PARFAITEMENT. ATTENTION LA PEDALE EST VENDUE SANS LE CABLE D'ALIMENTATION PROMO WEEK END CASH JUSQU'AU 3 FEVRIER 23:59 Make Your Sound Even Better. The MultiComp can make a good sounding instrument sound even better. Once you’ve tried it, you’ll never want to play without it! The EBS MultiComp is equally good for guitar as bass, and is the best selling EBS pedal ever reaching 'Hall of Fame' status at some of the most well known online stores.  Less is more. The MultiComp may be the easiest compressor around to dial in. Since it is so smooth and well though out, all you need is to set the level of Comp/Limit with one knob, Gain with another, and then choose the type or mode of compression betweenTubeism, Multi Band (MB) and Normal. Done! For those that need more, there is an Active/Passive switch on the side as well as an internal trim pot for the Threshold located under the hood.  Evolution. The MultiComp was first introduced in 1998. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique.

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Nous vendons notre matériel suite à un changement d'activité. Parfait état bon matériel. Coté 446 € d'occasion à l'argus. Carte digitale offerte ! ---- Features: 24-bit A/D and D/A converters yield over 110dB dynamic rangeInstant recall of all major mixer settings (EQ, dynamics, snapshots, etc.) via 200 memory locationsAnalog-style 1-step functionality (common mixer functions are only 1 step away, so you don't have to page through menus)38 channels (32 analog or digital inputs plus 6 aux returns) plus 8 busesSurround Sound: 5.1 mixing is built-in4-band parametric EQ on each channel (a total of 48 EQs)Dynamics section on every channel, including compressor/limiter, gate, expander and delayAutomation: both dynamic and snapshot automation for all mixer parameters is built-in, with an optional automation expansion software package availableMultiple interfaces: 3 rear panel expansion slots for up to 24 channels of ADAT, TDIF or AES/EBU connections are availableOther option cards allow SMPTE and video sync, tandem connection of 2 DA7s and analog A/D and D/A connections4 fader layers: 21 high quality moving faders do triple duty as level controls for channels 1?16 (layer 1), 7?32 (layer 2), or aux sends 1?6, aux returns 1?6, and buses 1?8 (layer 3); the fourth layer allows you to customize your work surface by reassigning any of the audio faders Instruments de musique occasion à vendre à Paris (75116)

This is a Bose SoundLink Bluetooth Speaker III unit that is in Excellent condition. Any flaws at all are in the pictures. En parfait ETAT - stocke dans sa boite d'origine avec tout les accessoires. Regardez les photos SVP The unit does come with the original power supply, grey cover still in the box and original box with all the original packing and instruction manuals. The power supply is rated from 100 to 240 Volts AC. Meet the speaker that brings your music and friends together?with a style that?s all your own. The SoundLink Bluetooth speaker III is our best-performing mobile Bluetooth speaker. It plays louder and longer than its popular predecessor, with advanced Bose technologies that reproduce the fullness, clarity and depth of your music. And a colorful assortment of optional covers let you personalize your speaker. This speaker comes with the optional charging cradle which makes it easy to charge. - Aux input enables audio connections from other sources, increasing versatility of system - USB port allows for software update to ensure ongoing Bluetooth device compatibility - Compact power adapter folds flat to fit easily in a bag, ideal for extended trips - Dimensions: 5.18"H x 10.08"W x 1.89"D - Weight: 3.03 pounds - Wall charger: Cord length: 54" - SoundLink Bluetooth speaker III - Wall charger

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Câble USB Odin 2 1.5m Hifi Studio Monitoring. État : "Reconditionné par le vendeur" Conductor: 8 strands of pure silverTransmission speed: 90% of the speed of lightShielding: 100% weavingMusic ribbon Odin high quality 99.999999 single crystal copper and 78 micron extruded silver on the surface of 7N OFC, sound transparent natural, full of low frequency!The voice is very pure and beautiful, full of music, very good.Show transparency.Soft voice, fullness, good sense of field, accurate positioning, high stability, sound stretch, soft

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.