Essentially

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

This Rolleimat AF-M has an unusual problem -- it advances the film twice when you press the shutter, and it even does this when the power switch is in the off position. Apart from that, the camera is in beautiful condition: essentially no signs of wear, clean and clear lens, flash fires, battery compartment is clean. So, quite a treasure if you can fix it. Includes original case, wrist strap, partial manual (French only).   Be sure to check out my other sales. I can combine shipping to reduce your costs. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Camera Sanctuary: Like you, I love cameras. I bring all manner of equipment into the Camera Sanctuary in the hope that I can place it in a new home. I handle everything from collector’s pieces to total beaters, Leica to Lomo, Alpa to Argus. You can buy from me secure in the following: - My descriptions are honest. Some cameras have been babied, and some have been brutalized. There’s room in the world for both, but I won't try to sell one as the other. - I won’t pretend I don’t know things.

Energy veritas v2.0r (Neuf).   The intriguing V2.0R ($1,000/pair) makes use of a 6.5-inch composite woofer and a 1-inch aluminum-dome tweeter on its front face, plus two side-firing 3-inch drivers. The V2.0R is switchable between dipolar and bipolar radiation, plus it offers a unique (as far as I know) twist with a third position called "corner." As you might anticipate, Energy designed this setting for setups in which the surrounds have to be placed in or near corners. To compensate for corner placement, this setting deactivates the side driver firing toward the rear wall, which eliminates the anomalies that result from a driver firing in such close proximity to a boundary. The hook is a level control that adjusts the output of the side drivers relative to those on the front baffle. At its highest setting, the side drivers are 1 decibel lower than the front drivers, while, at the lowest setting, the side drivers are completely off. Essentially, this means that you can run the V2.0R as a monopole, as well. To me, this is highly important for multichannel-music playback and cements this surround as one of the more-innovative ones I've ever come across. The V2.0R's dimensions are 14.5 inches high by 13 wide by 7.125 deep, with a weight of 38 pounds." SHIP WORLDWIDE. ASK FOR PRICE

Great for clean or dirty, blackface or hot British crunch and exceptionally responsive to the players touch, the Custom Audio OD-100 covers all the basses and gives you maximum flexibility. This is a true top end amp experience that please even the most demanding pro players.   This version of the OD-100 was developed when LA studio legend M. Landau told John Suhr that he'd like the OD-100 Standard+'s Channel 2 to be like an early-70's British amp that he owned and adored. John borrowed Landau's amp and tweaked away, eventually coming up with a brand new Channel 2 and a new output section that duplicated and even surpassed the sound that Mike had come to love. The OD-100 Classic was born! The Channel 2 of the OD-100 Classic has much less gain than Channel 2 of either the OD-100 SE+ or the OD-100 Standard+. It's definitely more of a vintage voicing – like that of cranked non-master-volume amps with EL-34 output tubes – but you have the flexibility of the master volume to get that cranked sound and feel at moderate volume levels. Besides the completely new preamp circuit for Channel 2, the OD-100 Classic features the silver "Plexi-style" output transformer and EL-34 output tubes in the power section for a more authentic vintage British sound.  The OD-100 ML+ complements the OD-100 Classic with more gain on CH2 (think early ZZ Top, late AC/DC, early Van Halen and other classic rock sounds of the 70's and early 80's) with a more forgiving response, which makes it an absolute joy to play. Comes with Feedback and Depth knobs on the back panel. The front panel has the Presence knob which controls the power amp high-end content for both channels. The Feedback knob is essentially a speaker dampening control. It has a center detent which is bypass of the Feedback circuit. Turning it clockwise from the center gives the amp a tighter and more aggressive response with slightly increased volume level. Turning it counterclockwise from center makes the amp feel a little spongier with a more vintage type of a feel and response. 100 watts Front Panel Channel 1 Boost 1, Bright 1, Gain 1, Bass, Middle, Treble, Level 1 Channel 2  Bright 2, Gain 2, Gain 3, Bass, Middle, Treble, Level 2, Level 3 Channel Select

La référence du zoom 100-400, le Canon offre des performances exceptionnelles avec ses lentilles en verre fluorite.  As the market reference, the Canon 100-400 offers exceptional performance with its fluorite lenses system.  Cet objectif est dans une parfaite condition esthétique et opérationnelle, il a été stocké depuis son achat dans sa pochette, au chaud et au sec dans mon appartement. Il a fait une dizaine de petits périples, notamment pour de l'astrophotographie. Je l'ai utilisé notamment pour immortaliser la nébuleuse de Dumbbell depuis un sommet dans les Alpes (dans les photos), située à 1227 années lumières. This lens is in perfect operational and cosmetic condition, stored since purchase in its pouch, in a dry and warm closet in my apartment. It has gone out around ten times on short trips, essentially for astrophotography. Amongst great night sky pictures, I have immortalize the Dumbbell nebula from a high summit in the French Alps (in the pictures), 1227 light years away.

ORIGINAL MATCHED PAIR " NEUMANN KMi 85 ", vintage (1970s). COLLECTOR CONDITION! Like new condition in the original packaging with two kv58 capsule extension tubes and one Neumann DS100 and two sg21 clips. black finish (for broadcast). i = xlr connector. Fantastic and very hard to find "close miking" stereo set (for acoustic guitar, speech, classical music ("tenor" singer (according to me, this stereo set is way better ("more musical") than the "Schoeps Pavarotti stand"), drum...). Very close serial numbers (45508 and 45511). The capsules are (of course) from the same batch with very close serial numbers too. LIKE NEW CONDITION (very hard to find, almost impossible! You can find for sale one good km i 85 from time to time, but the kmi 85 matched pair is almost impossible to buy. This stereo set is a "secret weapon" of the best sound engineers).  Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

NEUMANN KMi 85 vintage 1980s LIKE NEW CONDITION!  (very hard to find, almost impossible!). Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

Superb Mockingbird with a real thick spalted maple top. As new, virtually unplayed, not a single scratch on it. Snatch this beauty at essentially half the price of the new Korean Legacy line. Original BC Rich gig bag included. Guitar will be expertly double-boxed and protected for safe shipping. I ship worldwide, tracked post for Europe, and DHL, TNT or UPS (depending which is cheaper on a given day) for the rest of the world. I will ship to Australia and Asia, but costs will be higher, contact me for a precise quote. All import duties are the responsibility of the buyer.

This macro lens is in absolutely beautiful condition, essentially no signs of use. Glass is perfect. Includes hood, caps, and B+W filter. Be sure to check out my other sales. I can combine shipping to reduce your costs. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Camera Sanctuary: Like you, I love cameras. I bring all manner of equipment into the Camera Sanctuary in the hope that I can place it in a new home. I handle everything from collector’s pieces to total beaters, Leica to Lomo, Alpa to Argus. You can buy from me secure in the following: - My descriptions are honest. Some cameras have been babied, and some have been brutalized. There’s room in the world for both, but I won't try to sell one as the other. - I won’t pretend I don’t know things. - I’ll take back anything that doesn’t meet your expectations. -------------------------------------------------------------------------------------------------------------------- Please note that orders shipped outside the EU may be subject to fees and duties that are your responsibility. From January 1, 2021, will collect VAT from buyers in the United Kingdom.

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.