Even with delay times

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

Je vends une pédale Diamond Pedals CTP1 Counter Point Tap Tempo Delay, en bon état. I am selling a Diamond Pedals CTP1 Counter Point Tap Tempo Delay, in good condition. • multi-tap delay with four unique operational modes • seamless knob or tap tempo delay time setting • intelligent mode memory remembers whether you had last used the knob or tap delay setting when you toggle back to that mode • user selectable tap delay hold down mode to toggle modulation on/off in each mode • adjustable modulation depth on delays, with modulation speed changing with delay time in the Extra Faux Tape EFT mode • analog signal paths surrounding a simple sample-delay-playout engine with special design variable sample rate A/D and D/A convertors • user selectable True Bypass or Buffered with Delay Trails operation • premium audio components, including Panasonic capacitors and 0.5% resistors • bi-color LEDs provides visual indication of modes, LFO and delay times • TapView (TM) allows the player to visually see the tap tempo speed on the ON/OFF LED while tapping • AutoDouble (TM) tap algorithm in the Vintage mode intelligently sets the delay rate twice as fast when tapping rates slower than the max delay time of 600 ms • standard 9V negative tip adapter ready, with gig backup battery power life of 2 hours • compact Hammond 1590BB cast aluminum case (approx 4.7 x 3.7 x 1.2 inches

Pentax ME 35mm film SLR camera, with Pentax 50mm f2 standard lens, front cap and Vivitar zoom lens. Tested with film, in full working order. This body has external signs of wear and tear and age, and a small dent on the top, but no cracks or other obvious damage. The shutter fires and winds on nicely, and the speeds are good. The viewfinder and focusing screen have some minor dust (and one larger blob, which is very close to the edge), but overall they are bright, clear and sharp. The viewfinder lightmeter lights work well. The mirror and lens mount are good, with minor wear, the film chamber is clean and the shutter is intact. I have installed brand new light seals in the film chamber, and a new mirror damper foam. The flash hotshoe and self-timer are tested and working. This camera uses 2 x LR44 1.5v batteries, not included. The Pentax 50mm lens is also in good condition and working well. There are minor signs of use on the glass and a few specks of dust, but the glass is good overall and it's very sharp. The iris is working well and the focus ring is smooth. I have tested this camera with film, it produces sharp, well-exposed results with even frame spacing. Finally I'm including a Vivitar 28-70mm zoom lens as a free extra. This has a few surface marks on the glass and some minor fungus, but it still works very well and is a good option when you need a wider or closer view than the standard lens. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo or Mondial Relay, depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Nikon F80 35mm film SLR camera body, with strap and front cap. Tested with film, in full working order. This body is in good conditon, there are light signs of wear and age, but no cracks or other obvious damage. The top plate LCD and viewfinder LEDs work well, the shutter fires nicely and the motor winder is strong. The viewfinder and focusing screen have some specks of dust and faint marks, but they are bright, clear and sharp overall. The mirror and lens mount are good, the film chamber is clean and the shutter is intact. All buttons and functions are tested and working, inlcuding the flash hotshoe. The on/off switch can be a little stiff to move when it hasn't been used for a while, but it works fine. I have tested this camera with film, it produces sharp, well-exposed results with even frame spacing and accurate autofocus. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo or Mondial Relay, depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

This is a beautiful Binson Echorec Baby, completely serviced by Goran Karlsson in 2011 and barely used since then. Even the chromes are still shining. It comes with power cable and custom audio cables for the input and output. Shipping worldwide. Please don't pay immediately if you buy the unit so I can add the exact shipping cost to your invoice (which might be less). "Binson Echorecs are amazingly-engineered machines: where a tape echo's (ie Copicat) input sound is recorded to tape, on a Binson it is recorded onto a circular spinning disc which has replay heads positioned around it. It is possible to select single and repeating echoes - these units have a sound all of their own. They look fantastic at night (or on a darkened stage) with the magic eye valve gowing green and the backlit plexiglass fascia."

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES PRESONUS - STUDIOLIVE 16.0.2 Référence: STUDIOLIVE 16.0.2 888,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus PRESONUS - STUDIOLIVE 16.0.2 - Table de mixage numérique d’enregistrement Les consoles StudioLive de PRESONUS 16.4.2 et 24.4.2 ont littéralement changé la donne en matière de consoles numériques et force est de constater que le monde de l'audionumérique, du Mixage et de l'enregistrement n'est plus le même depuis ces innovations majeures. La console StudioLive 16.0.2, forte de cet héritage, marche dans les pas de ses grandes sœurs en offrant la même qualité audio dans un format plus compact et tout aussi performant. Cette console offre 8 entrées mono ainsi que 4 entrées stéréo, 12 préamplis XMAX™ Class A viennent en renfort de cet arsenal – et même 13 si vous ajoutez à cela le préampli TALKBACK. Ne vous y laissez pas tromper, ce petit format est pourtant une StudioLive à part entière. Tout ce qui est du ressort des traitements, routings, intégration logicielle, effets, conversion, la 16.0.2 est issue de la même exigence et du même esprit de simplicité dans l’innovation. La StudioLive 16.0.2 dispose d’une interface Firewire16x16, livrée avec les logiciels Capture™, Studio One Artist™ ainsi que le désormais renommé Virtual StudioLive, logiciel de contrôle bidirectionnel. Preuve que tout est sur cette petite dernière comme sur les « grandes », elle peut être contrôlée à distance de la même manière avec l’application gratuite iPad SL Remote. Le Fat Channel de la 16.0.2 n’est pas en reste, il dispose d’une pléthore de traitements; compresseurs, limiteurs, gates, inverseurs de phase, filtres passe-bas, et équaliseurs 3 bandes semi paramétriques...La résolution de traitement des FX A et B internes est de 32 bits flottantes et concerne réverbérations et delays. Mais on peu aussi remarquer que cette console est pourvue de quelque chose que les deux autres modèles n’ont pas ! En effet, les entrées et sorties MIDI...vous aurez donc la possibilité par ce biais de contrôler les réglages de la console par « program change » que ce soit d’un pédalier sur scène ou par un séquenceur logiciel, comme Studio One Artist™ par exemple. Les options sont multiples et modifier le volume du mix général, les retours d’effets, les mutes ou les scènes complètes est désormais possible en exclusivité sur la StudioLive 16.0.2 grâce à la magie du MIDI. Le mix parfait est chose fastidieuse mais il est encore davantage lorsqu’après des heures, des jours de travail, voir plus, on souhaite revenir en arrière pour au final se repositionner sur la proposition de départ...Un mix étant très complexe, il intègre des éléments aussi variés que les niveaux, de la dynamique, des traitements, de l’égalisation et chaque chanson dispose de ses réglages propres. Tout comme ses grandes sœurs, la StudioLive permet de stocker, enregistrer, exporter les paramètres de ses réglages internes pour une utilisation illimitée en possibilités. Caractéristiques: Entrées 16 entrées, 4 Mixages auxiliaires 12 préamplificateurs de microphone XMAX, de classe A Interface Interface d'enregistrement numérique Firewire à 16 en- trées/16 sorties avec deux ports Firewire 400 (compatibles avec une connexion Firewire 800 Effets Section d'effets de Fat Channel assignable aux voies, aux généraux et aux groupes auxiliaires, 22 filtres passe-haut,24 gates,24 compresseurs,24 limiteurs,24 égaliseurs semi-paramétriques 3 bandes, 12 inverseurs de phase,50 presets de voie utiles vous aident à démarrer Égaliseur graphique 31 bandes pour le bus général avec 99 presets utilisateur Double processeur d'effets numériques 32 bits, chacun avec 50 reverbs et delays personnalisables plus 49 presets utilisateur Midi Entrée/sortie MIDI avec mode de commande MIDI Rappel de scène, rappel d'effet A, rappel d'effet B, sortie d'effet A, sortie d'effet B, assignation d'effet A aux généraux, assignation d'effet B aux généraux, battue manuelle du tempo et volume de sortie général Contrôle MIDI par pédalier optionnelRecall Automation de scène avec chargement/sauvegarde/rappel de tous les paramètres de la table de Mixage Jusqu'à 80 scènes de Mixage global,99 presets de Fat Channel, Copiez/collez des réglages de tranche entre voies,Stockage/rappel d'un nombre illimité de scènes avec le logiciel Virtual StudioLive (VSL) disposant d'un contrôle bidirectionnel des réglages et des scènes interface Interface d'enregistrement numérique Firewire 16x16 (24 bits/44,1 et 48 kHz) logiciel Capture 1.1 (fourni) Interface compatible avec Studio One, Pro Tools® 9, Logic®, Nuendo, Cubase, Sonar, Digital Performer, Ableton, Live... Core Audio et ASIO Divers Échantillonnage 24 bits/48 kHz via des convertisseurs nalogique/numérique haute définition (plage dynamique de 118 dB) Section de réseau d'ordres (Talkback) complète pour l'utilisation en live et en studio Construction pour des années d'usage intensif avec solide châssis en acier rigide et touches sensitives de qualité militaire Faders de 60 mm résistants à l'usure Embase BNC pour lampe 12 V Suite logicielle complète pour Mac®OS X et Windows® possibilité de montage en rack Dimensions Profondeur: 39,7cm Largeur: 40.64 cm Hauteur maxi: 14 cm Poids: 9.5 Kg Livré avec cable Firewire PRESONUS - STUDIOLIVE 16.0.2 Reference: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Referencia: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Artikel-Nr: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Riferimento: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains Global Audio Store, Revendeur Presonus agréé Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES RME - MADIFACE XT Référence: MADIFACE XT 2 179,00 € Disponibilité:  Disponible sur commande Livraison:  Nous contacter pour vérifier la disponibilité et de délai Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus RME - MADIFACE XT - Interface audio La RME MADIface XT est la première interface audio USB3 au monde, et la plus petite interface portable permettant d'accéder à des centaines de canaux audio, dans un format très compact. Pour une compatibilité encore plus large, la XT dispose également d'un port PCI Express pour la connexion à des cartes externes PCI Express, offrant la plus rapide des technologies d'aujourd'hui pour un nombre de canaux maximum et une très faible latence. Les 3 entrées/sorties de 64 canaux MADI s'accompagnent de 4 entrées/sorties MIDI, une entrée/sortie stéréo AES / EBU et un port word clock. Pour compléter le tout, 2 entrées micro / ligne haut de gamme à préamplis contrôlés numériquement, 2 sorties ligne symétriques et une sortie casque stéréo, ont été ajoutées, le tout à 192 kHz. Pour plus de souplesse, la télécommande Advanced Control Remote peut être utilisée (option). Sur la face avant, les 4 touches, les 2 encodeurs, l'afficheur couleur haute résolution, et une structure de menu soigneusement réfléchie permettent à l'utilisateur de changer rapidement tous les réglages de l'appareil, même sans ordinateur. Des messages d'aide sur l'afficheur guident l'utilisateur dans les divers fonctions. Les encodeurs 1 et 2 agissent sur le volume d'écoute des sorties en face arrière et avant. La face arrière de la MADIface XT propose deux sorties analogiques symétriques, les entrées/sorties word clock, une entrée/sortie MADI coaxiale, deux entrées/sorties MADI optiques, 3 ports USB 3 (compatibles USB 2), un connecteur PCI Express, une prise D-Sub pour le MIDI et l'AES, la prise et un interrupteur d'alimentation. TotalMix FX La MADIface XT inclut un puissant mixeur temps réel, le mixeur Hammerfall DSP, qui repose sur la technologie TotalMix de RME, unique et indépendante de la fréquence d'échantillonnage. Elle permet des opérations de mixage et de routing quasi illimitées, tous les canaux d'entrée et de lecture disponibles simultanément pour toutes les sorties physiques. * Création de sous-mixages sans délai (mixage au casque). La MADIface XT permet de créer jusqu'à 99 sous-mixages stéréo totalement indépendants. - Sue une console analogique classique, cela reviendrait à 198 départs auxiliaires. * Routing illimité des entrées et des sorties (fonctionnalité patchbay). * Distribution de signaux vers plusieurs sorties à la fois. TotalMix propose de puissantes fonctionnalités de séparation (splitter) et de distribution. * Mixage du signal d'entrée avec le signal de lecture (ASIO Direct Monitoring, "ADM"). RME n'est pas seulement un pionnier de l'ADM, mais en offre une implémentation particulièrement complète. * Intégration d'appareils externes. Utilisez TotalMix pour insérer des effets externes, en lecture ou en enregistrement. Selon l'application, la fonctionnalité correspond à l’utilisation d'inserts ou de départs/retours d'effets, comme lors de l'envoi d'une réverbération pour une prise de voix.. * Chaque canal d'entrée, de lecture ou de sortie physique est équipé d'un affichage de niveau Peak et RMS calculé en matériel (sortie physique seulement en Peak). Ces indications de niveau sont bien sûr très utiles pour déterminer la présence et les destinations de routing des signaux audio. * Le signal d'enregistrement n'est généralement pas altéré, à moins de le vouloir. TotalMix ne concerne pas le chemin d'enregistrement, et ne modifie pas le niveau d'enregistrement ou les données audio à enregistrer (à l'exception du mode loopback). * Le signal d'entrée peut être routé autant de fois que désiré, même à des niveaux différents. C'est une grosse différence avec les consoles de mixage conventionnelle, dans lesquelles le fader de la voie contrôle toujours le niveau de toutes les destinations à la fois. * Le niveau des canaux d'entrée et de lecture est affiché pre-fader, afin de pouvoir visualiser la présence d'un signal. Le niveau des sorties physiques est affiché post-fader, pour indiquer le niveau de sortie réel. Specifications Face Avant * 2 entrées micro/ligne connecteurs combo Neutrik au format XLR/jack 6.35 mm symétriques * 1 sortie ligne/casque alimentée par les canaux 3/4, peut fonctionner aussi en sortie ligne asymétrique haute qualité. * 2 encodeurs rotatifs à bouton poussoir qui agissent sur le volume d'écoute des sorties en face arrière et avant. * 4 touches de menu * 1 afficheur couleur (Global Level Meters) qui indique le mode de l'interface (PCIe orange, USB 2 jaune, USB 3 bleu), la synchro des entrées MADI et AES, et les données MIDI entrantes et sortantes. * et 6 LEDs de présence de signal (SIG), de surcharge (Clip) et d'alimentation fantôme (48V). Face Arrière * Sorties Symétriques Niveau Ligne. 2 sorties analogiques symétriques en XLR. * Ports Word Clock. BNC. L'entrée peut être terminée (75 Ohms) via le menu - Options - Clock. * MADI coaxial. Ports MADI coaxiaux. * MADI optique. 2 ports MADI optiques. * Télécommande. Mini-DIN. Connecteur pour la télécommande optionnelle ARC RME scv(fonctions Volume, Store, Dim et Recall. * Prise D-Sub pour le MIDI et l'AES/EBU. D-sub pour l'épanoui inclus (prise XLR pour l'AES et DIN 5 broches pour MIDI. * USB 3.0. Prise USB pour relier l'ordinateur. Compatible USB 2.0. * Connecteur "External PCI Express" pour câbles Molex E-PCIe. * Prise et interrupteur d'alimentation qui mets sous/hors tension la MADIface XT. RME - MADIFACE XT Reference: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer More info RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Referencia: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Más RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Artikel-Nr: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Produktinfos RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Riferimento: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Dettagli RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os Global Audio Store, Revendeur RME Audio agréé Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer

- Provide international logistics tracking number  ​ iPod Touch 6 Generations and Colors  iPod Touch 6th Generation Red, Space Gray, Gold, Silver, Pink, and Blue important information   iOS Specifics Each generation iPod touch has a different latest iOS available for it. This is important because not all games and apps will run on older versions of iOS. Please research what games and apps will work for you before purchasing. 1st generation iPod touch: iOS 3.1.3 2nd and 3rd generation iPod touch: iOS 4.2.1 4th generation iPod touch: iOS 6.1.6 5th generation iPod touch: iOS 9.3.5 6th generation iPod touch: iOS 12.4.5 7th generation iPod touch: Newest iOS Product Description Your music. Wherever you go. iPod touch is the perfect way to carry your music collection in your pocket. With the iTunes Store - the world's largest music catalog - you can load up your iPod touch with your favorite songs. And thanks to iCloud, everything you purchase through the iTunes Store is automatically available on all your devices for free. To enhance your music experience even more, Apple Music is available on your iPod touch, right in the Music app. Gaming - More power to play with. A powerful A8 chip. A stunning Retina display. An incredibly portable design. Whether you like fast-paced action, amazingly detailed strategy games, or beautifully intricate puzzles, iPod touch offers the ultimate mobile gaming experience. A8 chip. Satisfy your need for speed. iPod touch features an Apple-designed A8 chip built on 64-bit architecture. This desktop-class chip features GPU performance up to 10 times faster than the previous-generation iPod touch - so the graphics in your favorite games are more responsive and look more vivid than ever before - and CPU performance is up to six times faster. And you get the same great battery life, with up to 40 hours of music and 8 hours of video playback. ★Package contain: 1 x Apple iPod Touch6 Mp3/Mp4 Player (Sealed in the retail box)       1 x Shop free Service       1 x Earphone+1 x USB cable+1x Charger+Retail box ★Payment:     PayPal payment ONLY.     Please be sure your shipping address is correct. We will only follow your address listed at the PayPal payment for the shipment. ★Shipping:     Item will be shipped within 24 hours as soon as your payment verified.     We ship to PayPal's address ONLY. Please make sure your address in PayPal is matched with your shipping address before you pay.     We will NOT be responsible for any delay during delivery including but not limited to customs postage checking, strike, force majeure etc.     Buyers are responsible for any custom/duty taxes incurred in your country. ★Return Policy:     If you are unsatisfied with our item or service, then please follow the good practice to contact us before leaving any feedback. We are committed to resolve all issues in a friendly and satisfactory manner.     Please contact us to request a return authorization. Your name, auction number, and reason for return should be included in the email. All items returned must contain all original packaging materials.     Please repack the item carefully. Items returned will be tested and a new replacement will be shipped to the buyer immediately when found defective. In the event that a suitable replacement is not available then a refund will be issued. Shipping, handling and insurance fees are non refundable.     Items returned without notification will be refused and returned to the sender. Buyer is responsible for All Return Postage and Shipping Charges. Buyer is responsible for additional shipping costs for items that are returned refused and/or undeliverable. ★Feedback:     In order to provide you better service, please treat the transaction fairly. Feedback is our life, before you leave a neutral or negative feedback, plea

For sale used iBasso DC04 USB-C balanced DAC and audio amplifier, with little use and in excellent condition. Basso DC04 2xCS43131 DSD Android USB Type-C to 4.4mm Headphone Amplifier Decode Cable Description DC04, the second-generation decoder amplifier, dual DAC true balanced decoding amplifier cable Double CS43131 decoder chip Bottom noise THD + N 32 Ω @ 195 mw 4.4mm balanced interface Dual DAC balanced decoding amp cable opens a new era of sound quality for mobile phones DC04 uses two high-performance HiFi decoding chips CS43131 to build a 4-channel DAC true balanced output line, which can significantly improve the resolution and channel separation, and present rich sound details. Cirrus Logic's next generation CS43131 with MasterHIFI™ technology has great potential and sweet and pleasant sound. DC04 double DAC design, double material, to ensure the second generation of decoder cable with high quality sound. True gold is not afraid of fire, hard power is not afraid of PK Indicators are not the only way to verify sound quality, but they do tell you a lot about the quality of a product's design. Signal-to-noise ratio: 133 dB, bottom noise The above are AP measurement indicators, stand out in the decoder cable products! Based on super group index, adjust the charming voice The core index of DC04 audio is superior to others, with a signal-to-noise ratio of 133dB and THD+N reaching 0.00032%, leaving the similar products far behind. Even compared to high-end HIFI players, it does not fall behind. Based on the outstanding indicators, the DC04 has been tuned hundreds of times to produce an amazing sound. The background noise reaches the level of Nano volt, approaches zero, and is clean and transparent In AP practice, DC04 bottom noise small than 0.9μV(900nV), be ahead of the similar kind products. The outstanding bottom noise control allows the DC04 to maintain a clean sound base and immerse listeners in the music. Japan Pentaconn original 4.4mm interface, high-quality interface, achieve good audiophile sound On the DC04, we adopted the original high-quality 4.4mm balanced interface from Japan Pentaconn. The price is high, but it has excellent sound effects, reliable stability and longer service life. 4-channel DAC true balanced output, 195mW@32Ω, even more powerful Thanks to DC04's internal 4-channel DAC true balanced output line, the output power is more than 1.5 times that of DC01 under a 32Ω load, reaching an astonishing 195mW, and even hard-to-push in-ear headphones can do well. Under a load of 300Ω, the maximum output level is as high as 4Vrms, which is more outstanding than some mainstream players, and it is also handy for large impedance headphones. Do not miss every detail, the use of a satisfactory experience The metal case of the DC04 adopts a wiredrawing process, with a delicate look and attractive touch, comparable to high-end HIFI players. Select 4 strands copper-plated silver audiophile cable, bring you a more comfortable experience. From Android phones to computers, it can meet the needs of all scenarios DC04 adopts type-C interface and uses standard UAC2.0 sound card chip, which is not only compatible with most Android phones and tablets in the market, but also can connect to Apple /Windows computers through the C-A adapter, easily realizing external decoding. Plug and play, get up anytime, anywhere. Provide exclusive APK software, realize 64 level hardware volume adjustment Mobile phones usually use software algorithms to adjust the volume, which is only about 10 levels in general. The volume range of each level varies greatly, making it difficult to provide fine adjustment. The output level of DC04 is as high as 4Vrms, which can be very loud even if the phone is only 1. To this end, we wrote a

TC electronic DB4 Introducing DB-4 & DB-8 Consistency in loudness is the single most important audio issue to get right in broadcast. That is the reason why DB-8, around the world, is the most widely used digital transmission processor today. It has set a new standard for real-time loudness control and format conversion, and pioneered support of both analog and digital feeds from one and the same machine. Both DB-4 and DB-8 employ cutting edge technology to enable stations get rid of listener complaints about jumping levels, and to transmit in analog and digital with optimum processing for both feeds. DB-4 includes the same processing and I/O capabilities as DB-8, except for holding two separate processors, instead of the four inside DB-8. For example, one DB-4 can apply different processing to four mono, two stereo or two 5.1signals, or to a combination such as one stereo and one 5.1 signal. Compatibility between DB-4 and DB-8 DB-4 and DB-8 are preset compatible. If you know how to operate one of the them, you know how to operate both. DB-8 is primarily designed for large broadcast centers, while DB-4 may be a more appropriate match for OB linking or a regional station, but they share the same processing, the same presets and the same physical I/O structure - and even the same program to control them. DB-4 and Your Broadcast Environment On the audio side, DB-4 gets the most out of any data reduction system your station or country has chosen, be it MPEG4, Dolby AC3, MP3, AAC, DTS etc. At the station, it can route and delay Dolby E encoded signals, so the same signal-path can be used partly for linear stereo, partly for data-reduced audio. On the control side, DB-4 interfaces directly with standard master control applications. Changes are applied using serial control, GPI or ethernet, and multiple units can be monitored via SNMP trapping. Local or remotely located DB-4 and DB-8 units can also be controlled from the Icon program included with the machine. (Icon runs under Windows 2k, XP and NT, Mac OS9 and OSX). Identify Your Opportunities If your station is an early mover in digital, and seeking to identify advantages, DB-8 and DB-4 will provide you with all the possibilities you need to transmit in 5.1 now, as well as to experiment and find the right competitive angle for the future. These processors can easily adapt to your audience's changing needs. Technical Integrity Synchronous 48kHz sampling and 48 bit processing throughout, in combination with massive jitter rejection, ensures high audio resolution and perfect timing, even when long, digital transmission lines are used to feed a processor. The DB-8/DB-4 platform is without compromises. In fact, hundreds of machines can be cascaded without degrading the transmitted sound. If optional analog interfacing cards are added, they too represent state of the art technology with 96kHz sampling and mastering quality dynamic range, far exceeding any US, Japanese or EU broadcast standard. Foundation TC's involvement with high quality digital audio dates back to the mid eighties with pre-DSD technology being employed in the still ubiquitous delay, 2290. TC's commitment to digital excellence continued over the years with equipment for the music, film and mastering industries. The multichannel processing in DB-8 and DB-4, for instance, was originally developed for film. Those tools have been adjusted for broadcast use and are now part of your arsenal. Or dynamics control, where some of the latest end-listener distortion canceling methods originally invented for mastering have been build in. Ten years experience with analog and digital broadcast combined with the know-how of skilled engineers is the strong base of the DB-8/DB-4 platform. From the purist and quality

LG TV with AI ThinQ® Nano Cell™ Color Display 4K Ultra HD Resolution 4K Active HDR Billion Rich Colors Ultra Luminance More Detail, More Color, More Everything Nano Cell™ Display delivers truer colors, reduced reflectivity and deeper black levels, even at a wider viewing angle. Nano Cell™ Display improves color accuracy with its expanded color gamut while absorbing unwanted light. LG UHD Meets Artificial Intelligence LG UHD TVs with AI (Artificial Intelligence) ThinQ® become the hub for your connected smart devices. Beyond apps and entertainment, LG AI TV uses intelligent voice control to create a hub for the smart home and beyond. A New Standard of Sharpness  Behold every grain of sand, every blade of grass, every star in the night sky. LG 4K Ultra HD TVs contain 8.3 million pixels, so their resolution is four times that of Full HD. The result? Breathtaking clarity and fine picture details that will amaze, even when viewed up close. Strengthen the Core Why does LG UHD TV with AI ThinQ® look so good? At its heart is the mighty quad-core processor that works tirelessly to reduce distracting video noise, enhance sharpness and assure accurate colors. Brighter the Better Enjoy a bolder, more dramatic image: Picture quality becomes even more dynamic with Ultra Luminance, which boosts peak brightness and increases the overall contrast ratio of movies and TV shows. Pumped up Resolution and Color This LG 4K TV supports premium content choices, all optimized with scene-by-scene picture adjustment. The multi-format 4K high dynamic range support includes HDR10 and HLG, both with LG’s advanced tone mapping technology that provides scene-by-scene optimization. The Ultra Surround Sound Surround yourself with heart-pounding audio inspired by today’s sophisticated movie soundtracks. Ultra Surround delivers an immersive audio experience from seven virtual channels, requiring only the built-in speakers of the TV. webOS Smart TV Queue up movies, TV shows, online content and more from top content providers* then toggle between them with an impressively intuitive interface. Paired with the LG Magic Remote, seeing all your favorites is as easy as the flick of the wrist and the press of a button.

- - - - - - - - - - - - - - - - - - 10Pcs 5 Pin PCB 3.5mm PJ-324M PCB Panel Mounts Temperature: -30°C~70°C Rated Load: 30V DC,  0.5A Insulation Resistance: 100M/min Contact Resistance: 0.03mm max Withstand voltage: AC500V(50HZ)/min Action force: 3-20N Appliance life: 5,000 Times Package Include: 10Pcs × PJ-324M Jacket Socket - We accept PayPal only. - We only ship item to your PayPal verified address. - Please make payment asap, then we can arrange shipment for you asap. Thanks for your bid * We will arrange shipping for you within 24 Hours after payment cleared except the holidays. * We always send the item to the address you give us on PAYPAL to ensure the security of the item. If you have changed your address, or want us to ship to another address, please change to the new address when you pay us with PAYPAL, otherwise we will not be responsible if the package is lost. * We ship items to Worldwide. Thank you. Notes: * We will NOT be responsible for any delay during delivery including but not limited to customs postage checking, strike, force majeure etc. * As a buyer, it is your duty to pay the tax when you make a order from abroad. Our price  does not include taxes, VAT, or other hidden charges.  International Buyers Please Note:  * Import duties, taxes and charges are not included in the itemprice or shipping charges. These charges are the buyer responsibility.   *  Please check with your country customs office to determine what these additional costs will be prior to bidding/buying.   We will carefully test every item before shipment.The quality is guaranteed!  - Our working time: Hong Kong time: Monday to Saturday 9:00 am to 6:00 pm.  - Any questions, please contact us via message, In our working hours will be resumed within 24 hours.  - We will do our best to solve your problem.    Temperature: -30°C~70°C Rated Load: 30V DC,  0.5A Insulation Resistance: 100M/min Contact Resistance: 0.03mm max Withstand voltage: AC500V(50HZ)/min Action force: 3-20N Appliance life: 5,000 Times Package Include: 10Pcs × PJ-324M Jacket Socket PAYMENT - We accept PayPal only. - We only ship item to your PayPal verified address. - Please make payment asap, then we can arrange shipment for you asap. SHIPPING Thanks for your bid * We will arrange shipping for you within 24 Hours after payment cleared except the holidays. * We always send the item to the address you give us on PAYPAL to ensure the security of the item. If you have changed your address, or want us to ship to another address, please change to the new address when you pay us with PAYPAL, otherwise we will not be responsible if the package is lost. * We ship items to Worldwide. Thank you. Notes: * We will NOT be responsible for any delay during delivery including but not limited to customs postage checking, strike, force majeure etc. * As a buyer, it is your duty to pay the tax when you make a order from abroad. Our price  does not include taxes, VAT, or other hidden charges.  Terms of Sale International Buyers Please Note:  * Import duties, taxes and charges are not included in the itemprice or shipping charges. These charges are the buyer responsibility.   *  Please check with your country customs office to determine what these additional costs will be prior to bidding/buying.   We will carefully test every item before shipment.The quality is guaranteed!  ABOUT US - Our working time: Hong Kong time: Monday to Saturday 9:00 am to 6:0

The Talki Walki for moto is a revolutionary new way to communicate with your riding buddies while you are on the go. This innovative device allows you to connect with up to 15 riders at once, ensuring that you never miss an opportunity to share the thrill of the ride or coordinate your group's next move. The Talki Walki is designed specifically for motorcycle use and is equipped with advanced features to make your riding experience even more enjoyable. First and foremost, the Talki Walki is a hands-free communication system, allowing you to keep both hands on the handlebars at all times. It features a built-in microphone and speaker system, which is easily adjustable to suit different helmet sizes and preferences. The device also comes with a noise-cancelling technology, ensuring that your voice is clear and audible to your fellow riders, even in the loudest environments. The Talki Walki is also compatible with GPS navigation systems, enabling you to share your route and location with other riders in real-time. This feature is particularly useful when riding in unfamiliar areas or when navigating through complex city streets. Additionally, the device includes a built-in intercom function, allowing you to communicate with a passenger or a rider in the same vehicle. The Talki Walki has a range of up to 1.6 kilometers (1 mile) in open terrain, making it ideal for long rides and group tours. It is also waterproof and dustproof, ensuring that it can withstand the elements and last for years to come. The device is rechargeable via a USB cable and comes with a convenient carrying case for easy storage and transport. In summary, the Talki Walki for moto is a must-have accessory for any motorcycle enthusiast who values safety, communication, and fun. With its advanced features, hands-free design, and long-range capabilities, this device will transform the way you ride and connect with your fellow riders.

B1 Elegant Companion with Precise Sound A timelessly modern, jet black exterior. Impressively brilliant highs and sonorous bass on the inside. This is the B1 from Sharkoon. A stereo headset, so straightforward and clearly designed that it fashionably fits in anywhere and is the perfect companion for every moment of the day. The extra-large, circumaural ear pads made of synthetic leather completely surround the ears without undue pressure and absorb ambient noise so effectively that you will completely lose yourself to the sound. Thanks to its 40 millimeter driver, the B1 is an audiophile’s dream and delivers precise sound characteristics even in the hustle and bustle of everyday life. Technically Versatile and Comfortable to Wear Thanks to its padded headband, the headset provides excellent wear comfort even after hours-long gaming sessions and chats. The extremely flexible microphone offers precise voice transmissions at all times and is adaptable to the individual needs of the user. Therefore, in hectic gaming situations, it never gets in the way and always guarantees trouble-free team communication. When the microphone is not needed, it can be quickly and easily removed. The headset is then, in combination with its stylish design, excellently suitable as headphones. Extremely Modular, Unconditionally Mobile Its textile braided cable with gold-plated connectors is just 110 cm long. Thus, it is only as long as necessary and extremely useful for mobile use. Thanks to its TRRS stereo jack, the B1 is not only compatible with smartphones, but also with the latest console generations plus notebooks and Ultrabooks. Of course, the headset also connects to computers when using its included extension cable with two 3.5 mm stereo jacks. The inline controller is integrated into the extension cable and allows convenient access to both the volume adjustment and microphone mute. Total cable length when using the extension is 255 cm. A robust hardcase is included for transport and storage, in which the B1 and accessories can be safely and securely stored. General Type: Stereo Headset Design: Circumaural Connector: TRRS/Stereo Jack Inline Controller: ✓ Weight Without Cable: 320 g Headphone Specifications Speaker Diameter: 40 mm Impedance: 32 Ω Frequency Response: 20 Hz - 20,000 Hz Sensitivity: 103 dB ± 3 dB Max. Power: 100 mW Volume Control: Via Inline Controller Microphone Specifications Direction: Unidirectional Impedance: 2.2 kΩ Frequency Response: 50 Hz - 10,000 Hz Sensitivity: -40 dB ± 2 dB Detachable Microphone: ✓ Flexible Microphone: ✓ Microphone Mute: Via Inline Controller Cable and Connectors Modular Cable: ✓ Total Cable Length 1x 3.5 mm Stereo Jack (TRRS): 110 cm Total Cable Length 2x 3.5 mm Stereo Jack: 255 cm Gold-Plated Connectors: ✓ TRRS Pinout: CTIA Compatibility PCs/Notebooks: ✓ Tablets/Smartphones/MP3 Players/Notebooks (TRRS): ✓ PlayStation 4: ✓ XBox One: ✓ Package Contents B1 Hardcase Manual

Grey Matter E! for DX7II is a circuit board attached to the DX7IIFD, DX7IID  synthesizer main board that turns an otherwise normal DX7II-FD or DX7II-D into a fully featured workstation machine.     Expanded internal Memory   E! enlarges the internal RAM memory of your DX by four times and allows it to hold 256 single sounds (called Voices) and 128 Performance memories (multi-voice combinations).   The total internal memory is divided into 4 Banks. Each Bank holds 64 Voices and 32 Performances    - Bank 1 = 64 Voices/32 Performances  - Bank 2 = 64 Voices/32 Performances  - Bank 3 = 64 Voices/32 Performances  - Bank 4 = 64 Voices/32 Performances   Voices from all four banks can be combined into any of the Performance memories, meaning you're not limited to Voices found in just one Bank when creating a Performance Combination   Octal Mode Octal Mode is one of the most outstanding features of the E! expansion because it turns your DX7II into an 8 channel multitimbral sound module. With this capability, the keyboard can receive MIDI information on 8 separate channels directly from the internal SE!quencer or from an external controller. Each channel can be assigned a different Voice, so now your DX can produce eight different sounds at once.   Splits and Layers With E! you can go far beyond the simple two way split and layer combinations of original DX7II. Youâ??ll find that there are Performance Modes that let you layer 4 voices or create elaborate 8 way splits. There's even a floating split mode, where the split point follows the movements of your right hand up and down the keyboard.   Accompaniment Modes There are two accompaniment modes that let you to trigger preset chords or moving patterns by playing just one key.    - Player Mode - Using this mode you can create elaborate moving accompaniments by triggering a different arpeggio or bass line pattern by playing one key.     - Chord Mode - This mode lets you trigger a different chord voicing (such as major, minor, 7th or 9th chord) when you press a key.    8 Channel Controller With El, your DX is capable of transmitting up to 8 MIDI channels from the keyboard and 16 channels from the sequencer.       Expanded Data Management Functions With the Expanded Memory and increased Performance and Sequencer functions, the Data Management operations are likewise augmented. In transferring data to and from the disk, you now have the option of Saving and Loading a Single Bank of Voices and Performance memories or all 4 at once.      Two Primary Modes All the E! functions are collected under two fundamental menu headings:   - Engine   - SE!quencer   Engine   The heart of the E! system is called the Engine. As the central workhorse menu, it contains most of the new E! functions including all Performance modes, multitimbral and MIDI controller features and the special accompaniment modes. Every parameter within the Engine menu is programmable. This means you can save any multitimbral combination, split or layer combination or sequencer song to one of the 128 Performance memories and call them up with the touch of one button!   Sequencer With E! you now have a 16 track MIDI recorder built into your DX. Eight of these tracks can be assigned to trigger eight internal DX Voices, while the others can be used to trigger external MIDIsound modules.   The recording and editing features compare with some of the best computer software programs available. The SE!quencer is pattern based, meaning you record short segments of data called Patterns and then link them into a complete arrangements called Songs. The Internal memory holds a maximum of 22,000 MIDI events, which can be reserved for 1 Song or divided between up to 10 Songs. The disk on a DX7lI-FD serves to expand the internal memory by 10 times the maximum limit, or 220,000 MIDI events divided