Finest of

CD Album CD Code EAN: 0888430981126 Genre musical: Pop Titre: Finest Hour - The Best Of Rubrique principale CD: CD Album

Sensations' Fix ‎– Finest Finger - RARE ITALIAN LP Label: Polydor ‎– 2448 048, Polydor ‎– 2448 048 A Format: Vinyl, LP, Album, Stereo Country: Italy Released: 1976 Genre: Rock Style: Prog Rock GATEFOLD COVER = VG Inner sleeve= see pic VINYL = NM Tracklist A1     Strange About Your Hands     3:50 A2     Just A Little Bit More On The Curve     3:20 A3     Yardbirds Dream     3:55 A4     Map     4:55 A5     Boat Of Madness     3:20 B1     The Left Side Of The Green (Including Macumba Fog)     5:15 B2     Finest Finger     3:40 B3     Into The Memory  6:10

Maxi 45 Tours Vinyles Code EAN: 0600753835630 Genre musical: Dance Crawler: Spyfind Titre: Firstclass-The Finest In House (Best Of/4LP) Rubrique principale Vinyle: Maxi 45 Tours

CD Album CD Code EAN: 3700403528633 Genre musical: Rock Rubrique principale CD: CD Album Référence fabricant CD: EVA080153 Titre: The finest hours of U.S 60's punk

Steve Smith 2000-01 Finest Moments Relics #FMR6 All-Star Team USA jersey !!! Please refer to photo for Condition Provide Quick & Quality Shipping - Excellent shipping is almost as important as the actual product. We are sure to ship your items out within 48 hours of receiving payment. Quickly Respond to All Questions - In order to provide the best customer service, we are sure all questions from you will be responded in quick way. Payment Policy Charge first card $10.00 for international registered mail, add $0.20 for each additional auction won. Charge first card $30.00 for international express mail, add $0.20 for each additional auction won. Payment is due within 7 days upon the conclusion of auction. Accept PayPal only.

Etat/Condition: Trés bon état /Ex condition.   Description: Various ‎– V2 Finest Pop Selection Label: V2 ‎– VVR1037202P Format: CD, Promo Country: France Released: 2005 Genre: Rock Style: Tracklist 1 –dEUS If You Don't Get What You Want 2 –Tears, The The Primitive 3 –Grandaddy Pull The Curtains 4 –Paul Weller Come On / Let's Go 5 –Stereophonics Dakota (Live From New York) 6 –Brendan Benson Cold Hands (Warm Heart) 7 –House Of Love, The Gotta Be That Way 8 –Eskobar (4) Even If You Know Me 9 –Aimee Mann Video (Live Version) 10 –Syd Matters Little Lights 11 –Shivaree I Close My Eyes 12 –Chris Stills Landslide 13 –Zita Swoon Jintro And The Great Luna 14 –Saul Williams Black Stacey (The Bug Remix) 15 –Jeronimo (4) Je Vais Tout Plaquer Sauf Toi 16 –Stina Nordenstam Get On With You Life (Pluxus Remix) 17 –Bloc Party Banquet (The Streets Mix)* Frais et délai de livraison  Pour toute commande supérieure à 25 euros, envoi en colissimo ou recommandé avec supplément, merci d'attendre la facture. FOREIGN ERS: For foreign ers, if the gran total is up than 25 euros, including shipping, parcel will be sent airmail registered. 5 additional euros will be asked. Please wait your invoice before paying.   Modalités de paiement et d'envoi des objets / p&p: Tous mes envois sont protégés: enveloppes à bulles ou cartonnées en fonction de l'objet. Si le paiement est effectué par Paypal, envoi de l'objet le jour même. All items are sended securely in cardboards or bubbles enveloppes. Payment accepted are: Paypal (the best way for me), bank money transfer for europeans ers. All parcel ar sended airmail. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Mother's Finest - Another Mother Further Epic - EPC 32682 1986 EU RE LP SOUL HARD ROCK (1977) Bon état général, bonne écoute, pochette/disque: VG++/EX. La pochette présente de légères usures. Voir photos https://www.youtube.com/watch?v=T8mr7rDUS1o https://www.youtube.com/watch?v=FWvskn4Kwfg https://www.discogs.com/release/2822856-Mothers-Finest-Another-Mother-Further LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal : 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP      -------> 15,00 Eur 2 à 3 LP-------> 25,00 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME Sammlung https://www..fr/sch/m.html?_nkw=&_armrs=1&_ipg=&_from=&_ssn=fatar0&_sop=10

DURING THE mid 1970s the popularity of progressive rock was at an all time high with acts such as Yes, Jethro Tull and, especially, ELP enjoying huge album sales and playing to sold out crowds the world over. Of course, shadowing these giants of prog were a number of young upstarts keen to make a challenge for gold and glory, not least of these were American mid-west contenders Starcastle. The band’s carefully executed debut album attracted a number of converts, selling something in the region of a quarter of a million copies, resulting in Epic records taking a keener interest. In an effort to up the ante, so to speak, the band was sent into the studio (Morin Heights, Quebec) to record their next album with flamboyant and creative British producer Roy Thomas Baker (Queen, Journey, Foreigner). ‘Fountains Of Light’ is arguably Starcastle’s finest moment. Baker’s production is meticulous yet forceful, allowing the band to stretch out and take on the competition without sacrificing integrity or a natural melodic song writing ability. Packed out with hooks to die for and submerged in complex yet accessible arrangements, the album oozes charm and class. Housed in one of the most impressively designed album sleeves of the seventies ‘Fountains Of Light’ still presses all the right buttons. 24-bit remastering from original source tapes, 4,000 word essay about the making of the album, new interview with band and additional photos spread out over a 16 page full colour booklet. Track Listing: 1. Fountains 2. Dawning Of The Day 3. Silver Winds 4. True To The Light 5. Portraits 6. Diamond Song (Deep Is The Light)

Artist:  THE KINGS MACHINE (Finest US deleted band, produced by Lance King) Title:  A state of mind Catalog Number:   NIGHTMARE Released Year:   1995 Country of release: USA   General condition:  Mint Condition! Disc:  Excellent Insert:   Excellent Other Infos:  Very Rare deleted pressing 10Tracks This CD is OUT OF PRINT, deleted for a long time and VERY HARD TO FIND Shipment worldwide in duly protected enveloppe without jewel cases by priority airmail letter. WILL COMBINE MULTIPLE WINS!! YOU CAN SAVE ON SHIPPING COST!! Europe: 1 cd: €6 2 cd: €9 3 cd: €12 4 cd: €15 5 cd: €18 Americas / Middle-East / Africa / Asia 1 cd: €10 2 cd: €13 3 cd: €15 4 cd: €18 5 cd: €20 ------------------------------------------------------------------------------ Only accepted payment methods: - PAYPAL is preferred method: Pay me securely with any major credit card through PayPal ! Credit my User ID: iankitornado I will ship immediately once payment is received. THANKS FOR YOUR L@@KING,  HAPPY BIDDING and G@@D LUCK!!

VG+/VG++       POCHETTE EN TRES BON ETAT - USURE ET PLIS - ACCROC TRANCHE SUP. - DISQUE EN TRES BON ETAT - TRACES LEGERES - EPIC 82037 - 1978 EUROPE ENVOI DANS LE MONDE ENTIER - EXPEDITION SOIGNEE DANS EMBALLAGE RIGIDE - TOUS MES 33 TOURS SONT ENVOYES AVEC UNE POCHETTE DE PROTECTION POLYETHYLENE 100 MICRONS - DISQUE SORTI DE SA POCHETTE POUR NE PAS ENDOMMAGER CELLE CI LORS DU TRANSPORT - POCHETTE INTERIEURE CHANGEE SI BESOIN SHIPPING WORLDWIDE - SHIPPING CAREFUL IN RIGID BOX - ALL MY LP'S ARE SENT WITH A PROTECTIVE COVER POLYETHYLENE 100 MICRON NEW - DISC OUT OF HIS POCKET TO AVOID DAMAGING DURING TRANSPORT N'HESITEZ PAS A GROUPER VOS ACHATS POUR POUVOIR BENEFICIER DE REDUCTIONS SUR LES FRAIS DE PORT DO NOT HESITATE TO COMBINE YOUR PURCHASES  FOR DISCOUNTS ON SHIPPING COSTS PORT GRATUIT (EN FRANCE) A PARTIR DE 70 EUROS D'ACHATS.

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

VINYLE 33T LP UFO MISS DEMEANOR HARD ROCK METAL POUR UN ENVOI PAR POSTE RAJOUTER 6 EUROS POUR VINYLE SIMPLE ET 7 EUROS POUR VINYLE DOUBLE RECALCUL DES FRAIS D ENVOI EN CAS D ACHAT DE PLUSIEURS VINYLES PRIX DIFFERENT SELON LES VINYLES BONNE JOURNEE PRIX NOM GROUPE TITRE 9 ACCEPT ACCEPT RESTLESS E WILD 9 DOKKEN UNDER LOCK AND KEY-------------BLACK FOR THE ATTACK 5 FOCUS sans POCHETTE HOUSE OF THE KING 10 FOGHAT THIGHT CHOSE-----------STONE BLUE 5 FOREIGNER 4 4 6 KISS ANIMALIZE 8 KROKUS CHANGE OF ADDRESS---------METAL RENDEZ VOUS 6 KROKUS HARD WARE--------THE BLITZ-----------ONE VICE AT A TIME 9 LOUDNESS LIGHTNING STRIDES 10 MARINO FRANCK LIVE MAHOGANY RUSH 10 MARINO FRANCK X2 MAHOGANY RUSH 8 MOLLY HATCHET BEATIN THE ODDS-----------THE DEED IS DONE 8 MOLLY HATCHET TAKE NO PRISONES 8 MONTROSE ONE THINGS ON MY MIND 12 MOORE GARY X 2 WE WANT MOORE 9 MOTHER S FINEST ALL THE WAY 9 MOTHER S FINEST ANOTHER MOTHER FURTHER 8 NAZARETH THE FOOL CIRCLE 9 RAVEN ALL FOR ONE-----WIPET OUT 12 RUSH X 2 EXIT STAGE LEFT---------X2 A SHOW OF HANDS 10 RUSH GRACE UNDER PRESSURE 10 RUSH MOVING PICTURES------ANTHEN----------HEMISPHER 12 RUSH X 2 ALL THE WORLD S A STAGE 10 RUSH POWER WINDOWS----SIGNALS 8 SAMSON DON T GET MAD 12 SATRIANI SURFING WITH THE ALIEN--------DREAMING 10 SPELLBOUND TYGERS OF PAN TANG 5 STATUS QUO ON THE LEVEL-ROCKIN ALL OVER WORLD 5 STATUS QUO PILDRIVER-QUO BACKWATER--------BLUE FOR 9 TED NUGENT X2 GONZO DOUBLE LIVE--------INTENSITIES IN 10 CITIES 9 TED NUGENT NUGENT NO NO NO 1982 9 THIN LIZZY CHINATOWN------------RENEGADE 5 TITANIC MAUVAIS ETAT SEA WOLF 12 UFO MAKING CONTACT-------MECHANIX------------LIGHTS---------OBSESSION 12 VAN HALLEN 1O WASP 8 Y ET T En savoir plus Collaboration commerciale.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

ATTENTION: PAS DE CHEQUE, Merci  ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...

This great promo only Listen! LP, first one of the series, displays the finest sounds in jazz, funk, soul and pop from the Sony stable. Various artists include: Time Cycle, Hideyoshi Numano, Sakurai Hideakira (Lone Wolf & Cub) Band and Claude Robert and His Orchestra. Listen to the In-Crowd, Mercy, Mercy Mercy and Abrasada. --------------------------------- Shipping rates of Nezumi Records with La Poste: I will ship from south of France twice a week (more if possible). Europe, USA, Japan, Russia, India, Africa, South America, Australia: - 7’/45 RPM – International letter + tracking (up to 3): 10,00€ - 7’/45 RPM – International letter + tracking (from 3 to 6): 14,00€ - LP – International letter + tracking (x1): 14,00€ - LPs (+doubles) – International letter + tracking (up to 3): 22,00€ - For more quantities, please email me before checking out. For International registered rates (much higher), please email me before checking out. Now shipping with Mondial Relay (Europe): Only to Germany, Austria, Belgium, Spain, Italy, Portugal, Deutschland, UK and Luxembourg (please ask beforehand). France (Mondial Relay et La Poste): - 45 tours et LP (jusqu'à 500g) via Mondial Relay: 5 euros. - 45 tours (jusqu’à 3) – Lettre suivie: 5,00€ - 45 tours (de 3 à 6) – Lettre suivie: 6,50€ - 45 tours (jusqu’à 3) – Lettre recommandée: 7,00€ - 45 tours (de 3 à 6) – Lettre recommandée: 8,50€ - LP (x1) – Lettre suivie: 6,50€ - LP simple et double LP (jusqu’à 3) – Lettre suivie: 8,50€ - LP (x1) – Lettre recommandée: 8,00€ - LP simple et double LP (jusqu’à 3) – Lettre recommandée: 10,00€ * Please bear in mind that because of the current sanitary issues, your package may take a little longer than expected to reach its final destination. Thank you!!!

Sony Digital Sound Promo MiniDisc Album MD Various Sampler Collectable Music Tracklist 1 –Tower Of Power Soul With A Capital S 5:01 2 –Close II You Somebody 5:01 3 –The Jacksons 2300 Jackson Street 5:07 4 –2 Unlimited Nothing Like The Rain 4:41 5 –Simone Hines Best Of My Love 4:09 6 –Faray Feat. Ro-Cee Prove Your Love 3:43 7 –Mother's Finest Baby Love 4:24 8 –Meatloaf* Paradise By The Dashboard Light 5:31 9 –Culture Beat Featuring Lana E. And Jay Supreme I Like You 3:58 10 –Freiheit* Keeping The Dream Alive 4:16 11 –John Williams (4) Seven Years In Tibet 7:10 12 –Yo Yo Ma*, Nestor Marconi*, Frank Corliss, Edwin Barker Libertango / Tango Suite 3:08 Pas de boitier.

Il s'agit de Tentoki de la série culte Time Bokan de Tatsunoko Production. Fabriqué au Japon par Eidai en 1975 pour la gamme GRIP, le comble du raffinement en matière de jouet nippon (la boite mesure à peine neuf centimètres de largeur). Il est neuf, scellé. La boîte vitrine présente un enfoncement sur la face arrière. Le règlement peut-être éventuellement effectué via Paypal, mais sous certaines conditions (me consulter au préalable dans ce cas). L'envoi sera effectué en Colissimo Recommandé assuré en conséquence. ENCHERISSEURS SERIEUX UNIQUEMENT, SI VOTRE PROFIL EST INFERIEUR A 10, VEUILLEZ D'ABORD ME CONTACTER OU L'ENCHERE SERA ANNULEE. ENGLISH Here is Tentoki from the cult series Time Bokan by Tatsunoko Production. Made in Japan by Eidai in 1975 for the GRIP line, the finest kind of japanese toys (the box's width measures less than 9 centimetres). It's new, sealed. There is a wrinkle on the backside of the box. A payment through Paypal is acceptable, but under certain conditions (please contact me first in this case). It will shipped through registered airmail with insurance. SERIOUS BIDDERS ONLY, IF YOUR FEEDBACK IS LOWER THAN 10, PLEASE CONTACT ME FIRST, OTHERWISE THE BID WILL BE CANCELLED.

9 CD GANGSTA RAP G-FUNK for COLLECTOR ! 100% ORIGINAL! État : "Très bon état" Livraison Colissimo: *France 10€ *International Europe: 16€ J. Dubb ‎– Game Related Ironic ‎– De Vallejo Black Noyzz Reprezent ‎– Who's Bubblin' Primo ‎– Stickin' To The Script RE Goldy ‎– In The Land Of Funk Ya Boy Black Ice ‎– 5.0 Reasons 10th Anniversary (1998-2008) Maniac Lok ‎– I'm Back Ms. Parle' ‎– One Bad Mother Comin' At Cha Kali's Finest ‎– Spread Ya Hustle International I offer CD Bonus: Bullet  ‎– Can I Go? OG Press nasty scratch but the cd plays very well for me (look photos) Note: you buy what you see, All in very good condition some small micro scratches without impact on reading for a few CDs