Fixed adapter for lifestyle

Adaptateur fixe 8 pian/ RCA femelle et jack femelle Vous achetez et recevrez ce que vous voyez.

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   3 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths.. Perfect homogeneity of colorimetry, contrast and resolution.. Intended for high-end film and digital cameras.. Constant diaphragm over the entire zoom stroke (no ramping), no pumping   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   4 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha                         -" ARRI  PL " for ARRIFLEX So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.c

Dock iPod (30 Pin) For Bose Lifestyle V25,V35,135, 235, 525, 535. Use Lightning Apple Adapter for more compatibility.

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good lev

ANGENIEUX f = 12 - 120 mm 1: 2.2                                   n°. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 11) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good

KINOPTIK 25mm f 2 APOCHROMAT ARRIFLEX S mount                    but possibility to adapt several different mounts ! RARE §                                 (traduction en français ci-dessous)     * An apochromatic or apochromat lens is an improved version of the achromatic doublet  to ensure the correction of chromatic and spherical aberrations.    The achromat is limited to the correction of the focal distances of two beams of wavelengths  different.  Apochromat allows you to correct focal lengths for three different wavelengths.  The residual color dispersion is less than that produced by an aperture achromat  and equivalent focal length.  Apochromat also corrects spherical aberrations  on two wavelengths, against one wavelength with achromat.  The apochromat is an assembly of 3 lenses allowing to  correct the trajectories of 3 beams of different wavelengths  And also the variation of the focal length as a function of the wavelength in the  visible spectrum  The making of an apochromat  requires exceptional optical glasses of a particular construction to achieve this result.  Crown & fluorite glasses are generally used.  (source Wikipedia)    This is why these lens are very sought after and used by filmmakers and professional photographers!   It is: Very good cosmetic condition The adjustment rings rotate normally Clear lenses without mold and without "mist"   Protective caps front and rear   Original mount: ARRIFLEX S Possible adaptation on: BOLEX H16 / BEAULIEU or others with "C mount" adapter (photo 7) This lens also allows digital photography and filming! The results are "breathtaking" in quality! on these two devices: SONY Alpha NEX with "E mount" adapter (photo 8) LUMIX GH / BLACKMAGIC with "MFT 4/3" adapter (photo 9) fixing also possible on: LEICA M8 (photo 10)   (NOT tested! I don't have this type of device please make sure of its possible use before making your ordered) I can equip this lens with one of these adapter Please tell me when ordering the adapter that interests you: "C mount" or "E mount" or "MFT 4/3" or "LEICA M" Only one of these adapters will be delivered and fixed on the lens at no extra cost Careful assembly carried out in my workshop! **Due to epidemic consequences, shipping times may be extended  by a few days  *** ** The foreign buyer (outside the European Union) contacts me before bidding.  To determine the shipping costs (Large variation  depending on the country) ** ** Please read the general sales instructions your purchase implies acceptance **              KINOPTIK 25mm f 2 APOCHROMAT                  équipé d'une monture ARRIFLEX S           mais possibilité d'adapter plusieurs montures différentes                (démarche unique et rare profitez en) * Un objectif apochromatique ou apochromat est une version améliorée du doublet achromatique  pour assurer la correction des aberrations chromatique et sphérique.     L'achromat se limite à la correction des distances focales de deux faisceaux de longueurs d'onde   différentes.   L'apochromat permet de corriger les distances focales de trois longueurs d'onde différentes.   La dispersion résiduelle des couleurs est moindre que celle produite par un achromat, à ouverture   et distance focale équivalentes.  L'apochromat permet aussi de corriger les aberrations sphériques   sur deux longueurs d'onde, contre une longueur d'onde avec l'achromat.   L'apochromat est un assemblage de 3 lentilles permettant de  corriger les trajectoires de 3 faisceaux de longueurs d'onde différentes   Et aussi la variation de la distance focale en fonction de la longueur d'onde dans le  spectre du visible   La fab

Drone Drones Code EAN: 9313050116456 En-tête / Fabricant: D-bleutop Origine_import: All-in-one Titre: 360 Degree Camera Mount Hanging Bracket Fixed Clamp Adapter Fit for Mavic Air 2 Drones DBT

I have reached 70 and have decided to empty my house of all that I have accumulated over the years  so I am not accepting returns. There will be a number of photo items coming on shortly, from Leicas to 8x10, camers, lenses, film and accessories. This sale is for a genuine Alpa 12 HAA Hasselblad V digital back adapter. It is in excellent condition and works perfectly with my Hassy V Leaf 22 back. It is accomanied by an Alpa shim kit, 191.030.012, for adjusting the flange-sensor plane distance by as little as 0,01mm. This kit is unused as I haven't had time to do the procedure since acquiring the adapter. I do not have the official Torx driver to remove the screws, but they are standard TO9 heads, and the drivers are readily available. The plastic container is the original and was a bit damaged on one corner. Super-glue fixed that. I do not have the original Alpa cardboard box or doc that the adapter was sold with. As I am selling all my Alpa gear, anyone buying this and my Alpa 12 SWA, also on auction here, will get a 25% discount on the price of this item. I will do combined shipping where possible so if you are buying multiple items let me know and I will send an invoice at the end of the auctions. The pictures ARE the description, so take a good look  and know what you are bidding on. Do not make offers or ask me to change the auction type. I will answer any questions. As this auction may interest buyers outside the EU, take note that I will not falsify customs documents. Sold as is. No returns, sorry. Postage Colissimo

BOSE AdaptIQ Audio Calibration System - Cinemate Lifestyle Vclass Tclass. Almost all Bose systems from 2005 to 2016. This Bose Adaptiq Audio Calibration System is the perfect addition to your home theater setup. Designed for use with Bose media systems, it ensures that your audio is perfectly calibrated to your room's acoustics. Crafted with precision, this adapter is brand new and in perfect working condition. It is compatible with the Bose Adaptiq system and will provide you with top-quality audio for years to come. Ideal for those who demand the very best from their home entertainment systems, this Bose Adaptiq Audio Calibration System is a must-have. En savoir plus

BOSE LIFESTYLE AV18 MEDIA CENTER. BON ETAT DE FONCTIONNEMENT DES RAYURES SUR LE DESSUS VOIR PHOTOS. VENDU AVE ALIMENTATION ORIGINALE ET MANUEL PAS DE TÉLÉCOMMANDE. GOOD WORKING CONDITION SOME SCRATCHES ON THE TOP SEE PICTURES SOLD WITH ORIGINAL POWER ADAPTER AND MANUAL NO REMOTE. SHIPPING POSSIBLE TO FRANCE, BELGIUM, UK, SPAIN, PORTUGAL, ITALY, LUXEMBOURG, NETHERLANDS, AUSTRIA. OTHER COUNTRIES ASK FOR SHIPPING COSTS.

.body { background: url("http://www.global-audio-store.fr/template/img/background-.jpg") repeat-y fixed top transparent; color: #575757; font-family: Calibri,tahoma; font-size: 12px; line-height: 1.5; padding-top:20px; padding-bottom:40px; }.clear{ clear:both; } img{ border:none; } #header{ margin-left:auto; margin-right:auto; width: 1024px; } #contenu-header{ background: url("http://www.global-audio-store.fr/template/img/Header-.png") no-repeat scroll center top transparent; height: 630px; margin-left:auto; margin-right:auto; width: 1024px; } #contenu{ margin-left:auto; margin-right:auto; width:953px; background-color:#F5F5F5; border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; box-shadow: 0 2px 14px 3px black; padding-bottom: 20px; padding-left: 6px; padding-right: 0px; padding-top: 20px; margin-top:-44px; } #drapeau{ padding-left:43px; padding-top:24px; color: #BDBDBD; } #drapeau a img{ border: medium none; opacity: 0.5; outline: medium none; text-decoration: none; margin-left:2px; transition-property: opacity, box-shadow; transition-duration: 0.1s; } #drapeau a:hover img { border: medium none; opacity: 1; outline: medium none; text-decoration: none; box-shadow:0px 0px 10px 2px #34ABEB; } #logo{ padding-left:401px; padding-top:38px; } #logo img{ visibility:hidden; } #logo a{ padding-top: 166px; } #pb-right-column{ float: left; margin-left: 20px; width:28%; } #pb-right-column img, #manufacturer img{ background: none repeat scroll 0 0 #FFFFFF; border: 2px solid #FFFFFF; box-shadow: 0 0 15px -8px black; cursor: pointer; float: left; margin: 10px 0 0 6px; } #pb-left-column{ float: left; margin-left:20px; width:65% } #pb-left-column h1{ font: 22px/24px normal georgia; overflow: hidden; text-align: left; color: #34ABEB; width: 98%; } #menu { height: 50px; margin-left: auto; margin-right: auto; position: relative; text-align: center; top: -100px; width: 1024px; z-index: 1; }.dock-container { position: absolute; height: 50px; background: url(images/dock-bg2.gif); } a.dock-item { display: block; width: 90px; color: #34ABEB; position: absolute; top: 0px; text-align: center; text-decoration: none; font: bold 12px Arial, Helvetica, sans-serif; transition-property: width; transition-duration: 0.2s; } a.dock-item:hover { z-index:1; width: 120px; }.dock-item img { border: none; margin: 5px 10px 0px; width: 100%; }.dock-item span { display: none; padding-left: 20px; } #messageTopChange{ position:relative; top:144px; margin-left: 276px; color: #E1E2E7; font-family: calisto-MT; text-align: center; width: 470px; font-size: 42px; } #our_price_display { font-size: 32px; /*float: right; position:absolute; margin-left: 250px;*/ color: #34ABEB; } #allemand,#italien,#anglais,#espagnol{ display:none; } #messageTopChange{ color: #E1E2E7; font-family: calisto-MT; font-size: 42px; position: relative; text-align: center; width: 470px; } "); document.write(" "); --> function fr(){ document.getElementById("francais").style.display = "block"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "1"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "block"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','block'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','block'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function en(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "block"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "1"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "block"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','block'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','block'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function de(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "block"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "1"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "block"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','block'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','block'); jQuery('.mit').css('display','none'); } function es(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "block"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "1"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "block"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','block'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','block'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function it(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "block"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "1"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "block"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','block'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','block'); } Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store $(document).ready(function(){ //gestion JS du libeler du menu if (navigator.appName=="Microsoft Internet Explorer"){ topValeur = '162px'; topValeurBis = '156px'; jQuery('#messageTopChange').css('top',topValeurBis); } else{ topValeur = '150px'; topValeurBis = '144px'; } jQuery('#menu a').mouseover(function(){ var nom = jQuery(this).text(); jQuery('#messageTopChange').text(nom); jQuery('#messageTopChange').css('font-size','35px'); jQuery('#messageTopChange').css('top',topValeur); }); jQuery('#menu a').mouseout(function(){ jQuery('#messageTopChange').text('Global-Audio-Store'); jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur Référence: LDVIBZ10C 184,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur La VIBZ 10 C est une table de mixage d'une grande polyvalence, équipée de  4 entrées micro symétriques  intégrant des préamplis de haute qualité,  un filtre passe-haut (Low-Cut)  et une  alimentation fantôme commutable. Deux des entrées micro possèdent un point d'insertion pour traitement externe du signal audio; les deux autres peuvent aussi s'utiliser en tant qu'entrée stéréo au niveau ligne. Afin de travailler le son efficacement, la VIBZ 10 C possède des égaliseurs 3 bandes d'une grande précision, dont la fréquence d'intervention dans le médium a été choisie avec soin. Deux des voies stéréo sont pourvues de correcteurs grave/aigu. Le compresseur intégré permet de maîtriser la dynamique avec précision, pour un son plus efficace. La section Master de la console possède un  retour effet, des sorties Monitor réglables et une prise casque. La VIBZ 10 C possède aussi une entrée/sortie pour enregistreur/lecteur; le signal s'assigne à la sortie Master ou Monitor, et son niveau est réglable. Grâce à un son transparent et détaillé, et à une utilisation vraiment très facile, la VIBZ 10 C est un choix parfait pour les petits groupes, l'installation fixe, le home studio, ou encore le prémix. Elle est livrée avec un bloc secteur externe, qui se visse sur la console. Un adaptateur pour montage de la VIBZ 10 C sur un pied de micro est disponible en option. Référence: LDVIBZ10C Type de Produit: table de mixage Type: orientée Live Nombre de Canaux: 10 Nombre de Voies Micro/Ligne Mono: 4 Connecteur entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Égaliseur Aigus Voie Mono: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: réglage de niveau, PAN (panoramique), départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 Volts commutable Filtre Passe-Haut (Low Cut): 95 Hz Compresseur:  réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo:    4 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) (voies 3/4 + 5/6); 2 x jacks 6,35 mm stéréo + 4x RCA (Cinch) (voies 7/8 + 9/10) Type Entrée Ligne Stéréo: Asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Stéréo: 0 à +50 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: réglage de niveau, balance, départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8 + 9/10, filtre Low-Cut sur les voies 3/4 + 5/6, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet: 1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Nombre de Sorties Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: non Nombre de Presets: N/A Sélecteur au pied DFX Mute: N/A Contrôles Section Généraux: réglage de volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18V AC  / 1A External PSU Largeur: 265 mm Hauteur: 78 mm Profondeur: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Reference: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Referencia: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Artikel-Nr: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Riferimento: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

.body { background: url("http://www.global-audio-store.fr/template/img/background-.jpg") repeat-y fixed top transparent; color: #575757; font-family: Calibri,tahoma; font-size: 12px; line-height: 1.5; padding-top:20px; padding-bottom:40px; }.clear{ clear:both; } img{ border:none; } #header{ margin-left:auto; margin-right:auto; width: 1024px; } #contenu-header{ background: url("http://www.global-audio-store.fr/template/img/Header-.png") no-repeat scroll center top transparent; height: 630px; margin-left:auto; margin-right:auto; width: 1024px; } #contenu{ margin-left:auto; margin-right:auto; width:953px; background-color:#F5F5F5; border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; box-shadow: 0 2px 14px 3px black; padding-bottom: 20px; padding-left: 6px; padding-right: 0px; padding-top: 20px; margin-top:-44px; } #drapeau{ padding-left:43px; padding-top:24px; color: #BDBDBD; } #drapeau a img{ border: medium none; opacity: 0.5; outline: medium none; text-decoration: none; margin-left:2px; transition-property: opacity, box-shadow; transition-duration: 0.1s; } #drapeau a:hover img { border: medium none; opacity: 1; outline: medium none; text-decoration: none; box-shadow:0px 0px 10px 2px #34ABEB; } #logo{ padding-left:401px; padding-top:38px; } #logo img{ visibility:hidden; } #logo a{ padding-top: 166px; } #pb-right-column{ float: left; margin-left: 20px; width:28%; } #pb-right-column img, #manufacturer img{ background: none repeat scroll 0 0 #FFFFFF; border: 2px solid #FFFFFF; box-shadow: 0 0 15px -8px black; cursor: pointer; float: left; margin: 10px 0 0 6px; } #pb-left-column{ float: left; margin-left:20px; width:65% } #pb-left-column h1{ font: 22px/24px normal georgia; overflow: hidden; text-align: left; color: #34ABEB; width: 98%; } #menu { height: 50px; margin-left: auto; margin-right: auto; position: relative; text-align: center; top: -100px; width: 1024px; z-index: 1; }.dock-container { position: absolute; height: 50px; background: url(images/dock-bg2.gif); } a.dock-item { display: block; width: 90px; color: #34ABEB; position: absolute; top: 0px; text-align: center; text-decoration: none; font: bold 12px Arial, Helvetica, sans-serif; transition-property: width; transition-duration: 0.2s; } a.dock-item:hover { z-index:1; width: 120px; }.dock-item img { border: none; margin: 5px 10px 0px; width: 100%; }.dock-item span { display: none; padding-left: 20px; } #messageTopChange{ position:relative; top:144px; margin-left: 276px; color: #E1E2E7; font-family: calisto-MT; text-align: center; width: 470px; font-size: 42px; } #our_price_display { font-size: 32px; /*float: right; position:absolute; margin-left: 250px;*/ color: #34ABEB; } #allemand,#italien,#anglais,#espagnol{ display:none; } #messageTopChange{ color: #E1E2E7; font-family: calisto-MT; font-size: 42px; position: relative; text-align: center; width: 470px; } "); document.write(" "); --> function fr(){ document.getElementById("francais").style.display = "block"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "1"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "block"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','block'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','block'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function en(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "block"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "1"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "block"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','block'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','block'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function de(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "block"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "1"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "block"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','block'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','block'); jQuery('.mit').css('display','none'); } function es(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "block"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "1"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "block"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','block'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','block'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function it(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "block"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "1"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "block"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','block'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','block'); } Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store $(document).ready(function(){ //gestion JS du libeler du menu if (navigator.appName=="Microsoft Internet Explorer"){ topValeur = '162px'; topValeurBis = '156px'; jQuery('#messageTopChange').css('top',topValeurBis); } else{ topValeur = '150px'; topValeurBis = '144px'; } jQuery('#menu a').mouseover(function(){ var nom = jQuery(this).text(); jQuery('#messageTopChange').text(nom); jQuery('#messageTopChange').css('font-size','35px'); jQuery('#messageTopChange').css('top',topValeur); }); jQuery('#menu a').mouseout(function(){ jQuery('#messageTopChange').text('Global-Audio-Store'); jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés Référence: LDVIBZ8DC 219,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés 4 entrées Micro symétriques  avec préamplis de haute qualité,  2 voies stéréo compatibles mono, un  compresseur intégré  et un multieffet numérique de résolution 24 bits offrant 100 presets : grâce à sa souplesse, la VIBZ 8 DC est le point central d'une configuration audio. Ses voies micro, commutables ligne, sont équipées de  préamplis de haute qualité  et d'un filtre passe-haut et deux d'entre elles disposent de plus d'un point d'insertion. Afin de travailler le son efficacement, la VIBZ 8 DC possède des  égaliseurs 3 bandes très efficaces, dont la fréquence d'intervention dans le médium a été choisie avec soin La section Master de la console est équipée d'un  retour effet, de sorties Monitor à niveau réglable et d'une prise casque. La VIBZ 8 DC possède aussi une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser, et possède un son transparent et détaillé. Elle est idéale pour les petits groupes, l'installation fixe, le home studio et les prémixages. La VIBZ 8 DC est livrée avec un bloc secteur externe, qui se visse sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 8 sur un pied de micro. Référence: LDVIBZ8DC Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 8 Canaux Micro/Ligne Mono: 4 Connecteurs Entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono:    +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau, PAN (panoramique), départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut (Low Cut): 95 Hz Compresseur: réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo: 3 Connecteurs Entrée Ligne Stéréo: 2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (Voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau, Balance, départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8, filtre Low-Cut, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stéréo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Sortie Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 100 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Réglage de niveau DFX To Main, touche DFX Mute, DFX Presets, volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18 V AC / 1 A via bloc secteur externe Largeur: 265 mm Hauteur: 77 mm Profondeur: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Reference: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Referencia: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Artikel-Nr: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Riferimento: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

.body { background: url("http://www.global-audio-store.fr/template/img/background-.jpg") repeat-y fixed top transparent; color: #575757; font-family: Calibri,tahoma; font-size: 12px; line-height: 1.5; padding-top:20px; padding-bottom:40px; }.clear{ clear:both; } img{ border:none; } #header{ margin-left:auto; margin-right:auto; width: 1024px; } #contenu-header{ background: url("http://www.global-audio-store.fr/template/img/Header-.png") no-repeat scroll center top transparent; height: 630px; margin-left:auto; margin-right:auto; width: 1024px; } #contenu{ margin-left:auto; margin-right:auto; width:953px; background-color:#F5F5F5; border-bottom-left-radius: 6px; border-bottom-right-radius: 6px; border-top-left-radius: 6px; border-top-right-radius: 6px; box-shadow: 0 2px 14px 3px black; padding-bottom: 20px; padding-left: 6px; padding-right: 0px; padding-top: 20px; margin-top:-44px; } #drapeau{ padding-left:43px; padding-top:24px; color: #BDBDBD; } #drapeau a img{ border: medium none; opacity: 0.5; outline: medium none; text-decoration: none; margin-left:2px; transition-property: opacity, box-shadow; transition-duration: 0.1s; } #drapeau a:hover img { border: medium none; opacity: 1; outline: medium none; text-decoration: none; box-shadow:0px 0px 10px 2px #34ABEB; } #logo{ padding-left:401px; padding-top:38px; } #logo img{ visibility:hidden; } #logo a{ padding-top: 166px; } #pb-right-column{ float: left; margin-left: 20px; width:28%; } #pb-right-column img, #manufacturer img{ background: none repeat scroll 0 0 #FFFFFF; border: 2px solid #FFFFFF; box-shadow: 0 0 15px -8px black; cursor: pointer; float: left; margin: 10px 0 0 6px; } #pb-left-column{ float: left; margin-left:20px; width:65% } #pb-left-column h1{ font: 22px/24px normal georgia; overflow: hidden; text-align: left; color: #34ABEB; width: 98%; } #menu { height: 50px; margin-left: auto; margin-right: auto; position: relative; text-align: center; top: -100px; width: 1024px; z-index: 1; }.dock-container { position: absolute; height: 50px; background: url(images/dock-bg2.gif); } a.dock-item { display: block; width: 90px; color: #34ABEB; position: absolute; top: 0px; text-align: center; text-decoration: none; font: bold 12px Arial, Helvetica, sans-serif; transition-property: width; transition-duration: 0.2s; } a.dock-item:hover { z-index:1; width: 120px; }.dock-item img { border: none; margin: 5px 10px 0px; width: 100%; }.dock-item span { display: none; padding-left: 20px; } #messageTopChange{ position:relative; top:144px; margin-left: 276px; color: #E1E2E7; font-family: calisto-MT; text-align: center; width: 470px; font-size: 42px; } #our_price_display { font-size: 32px; /*float: right; position:absolute; margin-left: 250px;*/ color: #34ABEB; } #allemand,#italien,#anglais,#espagnol{ display:none; } #messageTopChange{ color: #E1E2E7; font-family: calisto-MT; font-size: 42px; position: relative; text-align: center; width: 470px; } "); document.write(" "); --> function fr(){ document.getElementById("francais").style.display = "block"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "1"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "block"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','block'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','block'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function en(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "block"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "1"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "block"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','block'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','block'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function de(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "block"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "1"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "block"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','block'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','block'); jQuery('.mit').css('display','none'); } function es(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "block"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "none"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "1"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "0.5"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "block"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "none"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','block'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','none'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','block'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','none'); } function it(){ document.getElementById("francais").style.display = "none"; document.getElementById("anglais").style.display = "none"; document.getElementById("espagnol").style.display = "none"; document.getElementById("allemand").style.display = "none"; document.getElementById("italien").style.display = "block"; document.getElementById("dpfrimg").style.opacity = "0.5"; document.getElementById("dpenimg").style.opacity = "0.5"; document.getElementById("dpesimg").style.opacity = "0.5"; document.getElementById("dpdeimg").style.opacity = "0.5"; document.getElementById("dpitimg").style.opacity = "1"; document.getElementById("langue_fr").style.display = "none"; document.getElementById("langue_en").style.display = "none"; document.getElementById("langue_es").style.display = "none"; document.getElementById("langue_de").style.display = "none"; document.getElementById("langue_it").style.display = "block"; jQuery('.menuFR').css('display','none'); jQuery('.menuEN').css('display','none'); jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','block'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','block'); } Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store $(document).ready(function(){ //gestion JS du libeler du menu if (navigator.appName=="Microsoft Internet Explorer"){ topValeur = '162px'; topValeurBis = '156px'; jQuery('#messageTopChange').css('top',topValeurBis); } else{ topValeur = '150px'; topValeurBis = '144px'; } jQuery('#menu a').mouseover(function(){ var nom = jQuery(this).text(); jQuery('#messageTopChange').text(nom); jQuery('#messageTopChange').css('font-size','35px'); jQuery('#messageTopChange').css('top',topValeur); }); jQuery('#menu a').mouseout(function(){ jQuery('#messageTopChange').text('Global-Audio-Store'); jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets Référence: LDVIBZ6D 148,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets La VIBZ 6 D est une  table de mixage 6 canaux compacte, parfaitement adaptée aux besoins des artistes solo ou en duo, des petits groupes, du home studio et des installations. Elle offre  2 entrées Micro symétriques  équipées de préamplis de haute qualité,  une alimentation fantôme et des égaliseurs 3 bandes avec +/- 15 dB de gain, 2 entrées ligne stéréo avec correcteur grave/aigu  compatibles mono et un départ effet. La section Master de la VIBZ 6 D possède des  sorties Monitor de niveau réglable, une sortie casque et un multieffet numérique à 16 presets, avec commutation au pied. La console possède de plus une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser et possède un son d'une grande chaleur et très détaillé. L'alimentation externe se visse facilement sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 6 D sur un pied de micro. Référence: LDVIBZ6D Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 6 Nombre de Voies Micro/Ligne Mono: 2 Connecteurs Entrée Micro/Ligne Mono: jack TRS 6,35 mm, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Point d'Insertion: non applicable Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau et de panoramique, départ DFX/AUX (Post fader), égaliseur 3 bandes (Low, Mid, High), Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut: N/A Compresseur: N/A Voie Stéréo: Nombre de Voies d'Entrée Ligne Stéréo:    2 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: N/A Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau et de Balance, départ DFX/AUX (post fader), correcteur grave/aigu Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet:    jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique:    +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm asymétrique Sortie Casque: 1 Impédance Minimale Casque: 30 ohms Connecteur Sortie Casque: jack stéréo 6,35 mm Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 16 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Volume casque/Control Room, réglage de niveau retour stéréo, niveau DFX To Main, DFX Presets, niveau Master, assignation 2TR (Main ou CTRL Room), niveau 2TK In, alimentation fantôme, touche DFX Mute Indicateurs: Vumètres 4 segments, activation alimentation fantôme, DFX Peak / Mute, Power, Peak sur voie Alimentation: 18 V AC, 1 A,, par bloc secteur externe Largeur: 209 mm Hauteur: 68 mm Profondeur: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Reference: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Referencia: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Artikel-Nr: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Riferimento: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)