For sampling and slicing

En excellent état avec son alimentation. YAMAHA SU200 Sampling Unit The aim of the SU200 is Groove Sampling and Remixing. Variable sampling rates from 5 to 44.1 kHz offer a range of 333 to 21 seconds in stereo or mono. Samples are assigned to the pads. Looping, loop muting, slicing, filtering, distortion, effects and more are available on the fly. A ribbon controller will 'scratch' the samples like a record on a turntable. There are two real time control knobs assignable to the Loop Remix, Slice, Tech Mod (LFO), Distortion/Lo-Fi, Delay, and Filter effects. Loop Remix is a function that slices up a loop and allows you to effect the slices to create a whole new variation of that loop. A nice feature is a Resampling function which allows you to re-sample your loops or performances with any effects you may have applied. Sampled loops are also beat-matched to the tempo automatically using the Loop-Track Play feature, so you can be sure your loops will play in time with each other. Sync the SU200 to a tempo via MIDI or use the Tap Tempo key (essential for live DJ use). The SU200 also features Line and Mic inputs, MIDI IN (supports bulk dump of SU10 samples) and SmartMedia Memory Card storage. It can be battery powered and it ships with a CD to get you started sampling drum loops and synth loops. More professional features can be found in the SU700. But for DJs, the SU200 provides an affordable loop and groove performance tool to liven' up your sets! En excellent état avec son alimentation.

Roland MC-909: Sampling Groovebox • Excellent état général extérieur et intérieur. • La Groovebox a été entièrement révisée et nettoyée. • Les 16 pads sont neufs (changés il y a trois mois). • Tout fonctionne parfaitement. • La dernière version du système a été installée. • Livrée avec une carte SmartMedia de 64 Mo. • Manuels en PDF (français / anglais / manuel de service). -> L'expédition se fera dans un colis bien protégé, en Colissimo avec numéro de suivi. Caractéristiques techniques: - Echantillonneur de 16 Mo interne extensible à 256 Mo - Fonctions "CHOP", "Time Stretch", "Normalize", "Emphasis" - Fonction "Resample" - 2 Multi-effets (2x56 types) avec contrôleurs temps réel - Outils de Mastering intégrés - Emulation: permet de contrôler le pitch et le tempo de n'importe quel échantillon audio ou de l'ensemble du séquenceur - Lecteur de carte Smart Média - Double "DBEAM" - Connexion USB pour le transfert des échantillons - 6 sorties analogiques séparées - Entrées ligne stéréo - Entrée/ sortie S/PDIF optique et coax - Véritable synthétiseur - Architecture sonore dérivée des séries XV - 693 formes d'ondes, dont les sons de la carte SRX "Dance" - Extension par carte SRX (1 slot) - Large écran LCD rétro éclairé - 8 faders de contrôle - 16 parties simultanées - 64 voix de polyphonie - Temps d’échantillonnage: Standard 16 Mo: mono. 180sec (stéréo 90 sec). Jusqu'à 272 Mo (standard 16 Mo + DIMM 256 Mo): mono. 51 min (stéréo 26 min). compatible avec les formats WAV/AIFF, format de sauvegarde audio: WAV/AIFF - Effets de mastering: compresseur et égaliseur graphique 3 bandes - Séquenceur 16 pistes + piste tempo/Mute Control - Tempo: 5 – 300 BPM - 128 styles preset - 128 user - Nombre de notes maxi: 1300000 - Fichier exécutable: Standard MIDI Files (Format 0/1) - 6 sorties séparées - 2 entrées ligne - Prise casque - MIDI: IN, OUT - S/PDIF In, out - Dimensions: 49,1 x 38,6 x 12,3 cm - Poids: 6 kg Roland MC-909: Sampling Groovebox • Excellent general condition outside and inside. • The Groovebox has been completely overhauled and cleaned. • The 16 pads are new (changed three months ago). • Everything works perfectly. • The latest version of the system has been installed. • Delivered with a 64 MB SmartMedia card. • Manuals in PDF (French / English / service manual). -> Shipping will be done in a well protected parcel, in Colissimo (French Post) with tracking number. Technical specifications: - Sampler of 16 Mo internal expandable to 256 Mo - Functions "CHOP", "Time Stretch", "Normalize", "Emphasis" - Resample function - 2 Multi-effects (2x56 types) with real-time controllers - Integrated Mastering Tools - Emulation: allows you to control the pitch and tempo of any audio sample or the entire sequencer - Smart Media Card Reader - Double "DBEAM" - USB connection for sample transfer - 6 separate analogue outputs - Stereo line inputs - Optical and coaxial S/PDIF input/output - True synthesizer - Sound architecture derived from the XV series - 693 waveforms, including sounds from the SRX "Dance" card. - Expansion by SRX card (1 slot) - Large backlit LCD screen - 8 control faders - 16 simultaneous games - 64 polyphonic voices - Sampling time: Standard 16 MB: mono. 180sec (stereo 90 sec). Up to 272 MB (Standard 16 MB + DIMM 256 MB): mono. 51 min (stereo 26 min). compatible with WAV/AIFF formats, audio backup format: WAV/AIFF - Mastering effects: compressor and 3-band graphic equalizer - 16-track sequencer + Tempo/Mute Control track - Tempo: 5 - 300 BPM - 128 preset styles - 128 wear - Maximum number of notes: 1 300 000 - Executable File: Standard MIDI Files (Format 0/1) - 6 separate outputs - 2 line inputs - Headphone socket - MIDI: In, Out - S/PDIF: In, out - Dimensions: 49.1 x 38.6 x 12.3 cm - Weight: 6 kg

Vintage 80' YAMAHA VSS-30 VSS30 PortaSound 8 Bits Sampling Keyboard VG+ Cond     parfait état  voir les photos  ATTENTION Alimentation 12V 700 mA NON FOURNIE  VG Condition  Vintage 80' YAMAHA VSS-30 VSS30 PortaSound 8 Bits Sampling Keyboard VG+ Cond  des capacités puissantes,  The VSS30  is an industry standard and a reliable workhorse in any studio. A classic synth, which thanks also to the large number of sounds  check picture to see condition  Please see below for more detailed specs.  I purchased this unit about five years ago, and it has performed faultlessly in my personal studio ever since. Very clean and in perfect working order..   I'm happy to answer any questions promptly.  PayPal payment preferred,   Shipping cee 35 Euros no reserve Good bid.......                           Le 24-févr.-10 à 10:25:12 Paris, le vendeur a ajouté les informations suivantes:

Séquenceur Ableton Live 10 clé matérielle, acheté en 2020, fourni avec sa boîte. --- LIVRAISON OFFERTE --- Ableton Live 10 sequencer hardware key, purchased in 2020, supplied with box. --- FREE DELIVERY --- Ableton Live 10 Suite – The Choice of Producers and Beatmakers The Ableton Live 10 Suite music production software is designed to provide an exceptional sonic and technical palette. With over 5,000 sounds, 13 instruments, 39 audio effects, and 16 integrated MIDI effects, Live 10 lets you record unlimited audio and MIDI tracks, opening up endless possibilities for your creations. Live 10 Suite innovates with its dual interface, transforming your creative process: the Arrangement view, which allows for linear editing of your project, and the Session view, a space for freedom that lets you improvise and experiment without timeline constraints. Designed to capture every idea, Ableton Live 10 offers up to 32-bit/192 kHz resolution, unlimited multi-track recording, non-destructive editing, and unlimited undo. Live 10 Suite goes further with essential features such as automatic plugin delay compensation, track freezing to save DSP, real-time time-stretching with Warping, and advanced MIDI management. In the studio or on stage, Ableton Live 10 Suite becomes the heart of your music production, optimizing your workflow. Features - Ableton Live 10 Suite Software - Sequencer - Multi-track recording and MIDI sequencing of virtual and physical instruments - Unique Session view for non-linear composition, flexible performance, and improvisation - Real-time b'"'Warpb'"' time adaptation: automatically syncs music and loops regardless of tempo. - MIDI-mappable controls for hands-on creation on stage or in the studio – with automatic mapping for the most common physical controllers. - Audio-to-MIDI conversion tools: extract harmonies, melody, or drums from an audio sample and convert it to MIDI. - Complete selection of integrated audio effects for creative sound design, mixing, or mastering. - Advanced tools for sampling and slicing. - Support for VST2, VST3, and Audio Unit plugins (new with version 10.1) - Groove engine to apply swing to sound or MIDI, or extract the rhythmic b'"'feelb'"' from other audio files. - Video import and export for composing to visuals or syncing visuals to music. - Integrated Max for Live software with more instruments, audio and MIDI effects, and the ability to customize Live. - 10 instruments: Wavetable, Operator, Sampler, Analog, Electric, Tension, Collision, Simpler, Drum Rack, Impulse – plus instrument racks and the external instrument device. - 72 audio and MIDI effects, including Drum Buss, Echo, and Pedal (new with version 10.1, compared to 57 in previous versions). - Over 5,000 sounds. - Over 70 GB of loops and samples. ----------------------- Ableton Live 10 Suite – Le choix des producteurs et beatmakers. Le séquenceur de production musicale Ableton Live 10 Suite est pensé pour offrir une palette sonore et technique d’exception. Avec plus de 5000 sons, 13 instruments, 39 effets audio et 16 effets MIDI intégrés, Live 10 vous permet d’enregistrer un nombre illimité de pistes audio et MIDI, ouvrant des possibilités infinies pour vos créations. Live 10 Suite innove avec sa double interface qui transforme votre processus créatif: la vue Arrangement, qui permet une édition linéaire de votre projet, et la vue Session, un espace de liberté qui vous laisse improviser et expérimenter sans contrainte de timeline. Conçu pour capturer chaque idée, Ableton Live 10 propose une résolution jusqu’à 32-bit/192 kHz, avec enregistrement multipiste illimité, montage non destructif, et annulation illimitée. Live 10 Suite va plus loin avec des fonctionnalités essentielles comme la compensation automatique de délai pour les plugins, le b'"'freezingb'"' de pistes pour économiser le DSP, le time-stretch en temps réel avec le Warping, et une gestion avancée du MIDI. En studio ou sur scène, Ableton Live 10 Suite devient le cœur de votre producti En savoir plus Collaboration commerciale.

For sale, MHDT PAGODA DAC D/A converter with the amazing PCM1704U dac chip for many people, maybe the best dac chip ever I quite agree with that / pure musicality NOS Non over sampling and no filtering Output tube buffer with 5670/2C51/WE396A/6385/6386/6N3P... ans some others Because the tube tube in output stage it's very easy to roll and adjust the sound with your taste I sale the dac with two tubes In perfect state and working condition I'm the second owner All MHDT gear are amazing like Havana, Stockholm, Atlantis, Canary, Orchid, Istanbul International ers, you are welcome Have a good day, with music

miniDSP 4x10 HD: Four inputs (2 digital, 2 analog) and Ten outputs (8 analog and 2 digital), both balanced and single ended I/O. The miniDSP 4x10 HD is a versatile multi-channel Digital Signal Processor (DSP) for analog and digital audio applications. The miniDSP’s powerful parametric equalization and room correction has been combined with flexible signal routing and conditioning. With balanced and single ended I/O, the 4x10 HD fits in the audio chain of most systems. The 4x10 HD features a stunning machined aluminum front panel with a sleek 42mm, 1 RU height which integrates nicely in high end systems. Rack ears are provided for pro audio and commercial installations. The miniDSP 4x10 HD’s amazing flexibility allows for a wide range of applications ranging from multi-way speaker crossovers to multi-channel theater equalization. The 4x10 HD is easily configured real time from the Mac/Windows control interface. No computer is required once configured, and the control of presets, master volume, and digital source selection is available from the front panel encoder and/or the infrared remote control (remote sold separately with item number: 222451408439) What's Included: MiniDSP 4x10 HD processor with removable rack-mount ears 12 VDC universal power supply. IEC type removable plug miniDSP 4x10 plugin licence for control software Shielded USB cable 1.5 m Features: 28/56 bit DSP Engine 24 bit ADC/DAC IC with 114dB SNR 48/96kHz sampling rate depending on plug-in Digital I/O SPDIF, Toslink, AES-EBU Ten outputs (8 analog, 2 digital) Four inputs (2 digital, 2 analog) Balanced and single ended I/O Front panel rotary control of volume and source PC/ MAC plug & play USB driver for real time configuration No computer required once configured

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

NTP 575 Asynchronous Aes/ebu switcher: 16 x 16 aes/ebu switcher full broadcast-quality: •Fully Self-contained with built-in Control Panel and Power Supply. •Full Asynchronous Operation (28 - 54 kHz sampling rate). •All Inputs are Re-clocking types. •Transformer balanced inputs and outputs. •8-character displays for source- and destination-names. •Editing of source- and destination-names from build-in Control Panel. •Up to 10 set-ups can be memorized and activated with one key-stroke from the built-in Control Panel. •PC Software for remotely controlled operation Status displays. The frontpanel comprises three easy-to-read 8-character displays, indicating the actual source and destination status as well as any preset selections made. 8-character names may be used for source and destination identification. These names can be edited from the front panel or downloaded via a serial control port. Versatile control.The 575-100 is controlled via the front panel. The buttons are used for b'"'scrollingb'"' through the list of source and destination names, which are arranged in alphabetical order in the Preselect and Destination display. The Source display shows the source actually connected to the selected Destination.Pressing the TAKE or RELEASE button confirms the preset selections made. Up to 10 Set-up's can be memorized and activated with one key-stroke by means of the pushbuttons on the front panel.The 575-100 can be remotely controlled as well, via a serial port situated, on the rear (configurable as RS232 or RS422), or the NTP Network Interface, using a simple ASCII based control protocol.In this way, the 575-100 may be used as a b'"'stand aloneb'"' unit, or controlled from existing and future NTP switching system controllers. En savoir plus

J'ai acheté un lot d'interfaces pendant une liquidation judiciaire, car j'étais intéressé par une carte son pour mon fils (confirmée neuve, et parfaitement fonctionnelle); je vends les autres cartes qui ne l'intéressent pas. Les sachets contenant les vinyles, les câbles et les papiers/CD n'ont visiblement jamais été ouverts, ce qui confirmerait que l'ensemble soit neuf (comme tous les autres articles du lot). - Fabricant: Denon DJ - Modèle: DS1 - Catégorie: Interfaces audionumériques DJ - Premium Digital Vinyl System (DVS) interface for Serato DJ - Interfaces turntables and CD players using Serato NoiseMap with a Serato DJ-based digital music library - Plug and play with Serato DJ—no purchase necessary - (2) sets of stereo RCA inputs and outputs for left and right decks - Studio-grade 24-bit digital to analog conversion - Supports 44.1kHz, 48kHz, and 96kHz sampling rates - Dedicated grounding post for use with turntables

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

SAMPLEUR AKAI CD 3000XL en très bon état, avec 32 Mo RAM. État : "Occasion" Acheter neuf, 1ére main, peu utilisé et très bien pouponner The Akai CD3000XL is a 16 bit professional stereo digital sampler. It's an 32 voice polyphonic sampler, using 16 bits sampling technique and 44.1 kHz sampling frequency. It's equipped with a 3.5" HD floppy drive and a CD-ROM driver so it can load samples from the Akai S1000, EMU and Roland sound library. Features: 32 voice polyphony Digital resonant filters Assignable Program Modulation (APM) for flexible sound control Powerful DSP features including Timestretch New MultiMode for easy multitimbral setup and layering MESA Remote Control/Librarian Software for Macintosh RAM expansion (up to 32MB) with standard SIMMs Standard MIDI File player Clear, easy-to-learn user interface Compatibility with E-mu and Roland sound libraries Quad-speed CD-ROM 8MB RAM standard Large graphic display Stereo Mix + 8 individual outputs S/PDIF digital I/O Direct-to-disk recording Powerful Expansion Options: EB16 (SampleVerb in the US) 4-channel, studio-quality, multi-effects board IB304F (ProFilter in the US) DSP board for expanded filtering + EQ Up to 16MB of non-volatile Flash Memory Akai S3000XL Specifications: Synthesizer Section Maximum Polyphony:32 voices Memory Capacity:8MB RAM (expandable to 32MB RAM) Expanded:32MB (using 72-pin SIMMs) + 16MB (8MB Flash ROM x 2) = total: 48MB Sampling Frequency:44.1 kHz (or 22.05 kHz) Total Sampling Time:92.13 seconds (mono 44.1 kHz) 46.07 seconds (stereo 44.1 kHZ) 184.26 seconds (mono/22.05 kHz) 92.13 seconds (stereo/22.05 kHz) Maximum Sample Number:255 Maximum Program Number:254 Filter:Digital dynamic low-pass filter (-12dB/octave with resonance) Envelope Generators:2 (1 multi-stage) LFOs:2 APM Functions:Provided Hard Disk Recording:Provided 2nd LSI:IB-304F (optional) Multi Effects:EB16 (optional) Others Display:Back lit 40 characters x 8 lines (text) 640 x 240 graphics Internal Storage Device:3.5" 2HD/2DD Floppy Disk Quad-speed CD-ROM 524MB 2.5" Hard Disk (optional) Connectors:Inputs x 2, Outputs x 2, Phones, MIDI IN/OUT/THRU, SCSI interface. Outputs x 8, Digital Input, Digital Output. Accessories:AC power cable, operators manual, O/S disk, MESA disk, Demo Sequence disk, Sound disk x 2, CD-ROM Akai Sound Library Dimensions:483(W) x 423(D) x 135(H) mm Weight:9.2 kg

BW Broadcast DSPXmini-Hd. Missing logo  Some impacts in the frame due transport (Check pictures) Operational Technical data http://broadcaststoreeurope.com/upload_dir/docs/BW-Broadcast-DSPXmini-ST-Datasheet.pdf OVERVIEWSPECIFICATIONAnalogue and Digital (AES/EBU) inputsAnalogue and Digital (AES/EBU) outputsStereo or mono (L+R, L or R) mode selection4-Band Gated AGC4-Band program dependent limitingPre/de-emphasis and FM style clippingUltra-low 4ms latencySwitchable input fallback with adjustable timerRS232 and TCP/IP interfaces for remote controlReal time clock for preset schedulingPreset trigger portSecurity (password) ControlSoftware 'FLASH' Upgradable-12 to +12dBu+24dBuXLR floating,EMI suppressed24 bit 48 Khz 128x oversampled-12 to +24dBuXLR floating,EMI suppressed24 bit 48 Khz 128x oversampled32-96 KHzConnector XLR floating,EMI suppressed32, 44.1, 48 KHzXLR floating,EMI suppressed32-96 KHzXLR floating,EMI suppressDB9RJ45 EMI shieldedOther4ms85-265 VAC 50-60Hz44mm x 482mm x 200mm1.6 KgAnalog inputNom. input levelMax input levelConnectorsA/D conversionAnalog outputAnalog outputConnectorsD/A conversionDigital input (AES/EBU)Sampling rateConnectorDigital output (AES/EBU)Sampling rateConnectorDigital sync input (AES/EBU)Sampling rateConnectorRemote interfaceRS232NET/LANOtherProcessor LatencyPowerSizeWeight.............Modern digital FM audio processing has allowed stations to sound louder and cleaner than ever before, but with one bigsacrifice - delay. Whilst your listeners don’t notice your talent certainly does when trying to monitor on-air. No presenter orguest likes having to listen to a flat unprocessed feed, and finding an analogue FM processor can be expensive andunreliable. The answer is a low delay processor designed specifically for this purpose.Thanks to pre/de-emphasis and FM style clipping your talent gets the loud processed signal they are used to but an ultra-lowdelay of 4ms means no complaints of an echo in their headphones. As with all BW Broadcast processors, the DSPXmini-ST hasa real-time clock for preset scheduling, preset A/B switching, graphic LCD display, serial and TCP/IP remote control interfaces,and both analogue and AES/EBU digital inputs.

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

- - - - - - - - - - - - - - - - 8businessday Add to my favorite sellers Mon. to Sat. Customer Service Warranty Service Product Description Description: Feature: 1. Parents in the fiber optic cable should pay attention to the first plastic fiber optic connector to take off the connector, the direction of the interface, square up, circular ultra-under, aligned optical interface into it. 2. Do not insert the wrong side, easy to damage the optical interface Oh, plug anti-damaged we are not responsible. 3. Coaxial digital fiber to analog audio L R converter SPDIF digital audio decoding 4. Using imported audio processing chip 8416-CZZ. Convert coaxial or optical digital audio signals to analog L / R audio. Support sampling rate of 44.1 32., 48-96KHz playback. Input code for the 24bit S / PDIF left and right channels. 5. All connection ports are gold-plated interface materials. Provide electronic noise reduction transmission. 6. Easy to install, easy to operate. USB power cord, more environmentally friendly, stable and convenient. Specification: Input: Coaxial or optical digital audio Output: R / L (Audio Output Connector) Audio Input Connections: Toslink, 1xRCA (Coaxial) Audio Output Connection: 2xRCA (Right / Left) Support sampling rate of 44.1 32., 48-96KHz playback Passed the certification: FCC, UL, CCC, UK Power input: AC 100-240V 50 / 60Hz Power type: USB cable power supply Power: 5W (highest) Product Size: 51 x 41 x 26mm/2x1.61x1.02'' Type: A(Adapter), B(Adapter+DC Cable), C(Adapter+DC Cable+Optical Cable) Note:   Please allow 1-3mm differs due to manual measurement. Due to the different display and different light, the picture may not show the actual color of the item. Thanks for your understanding. Included: 1 X Analog Converter Decoder 1 X Optical Cable (Optional) 1 X USB-DC Power Cable (Optional) pictures - - - - - - - payment 1. We accept PayPal only. 2. All major credit cards are accepted through secure payment processor PayPal. 3. Payment must be received within 7 business days of auction closing. 4. If you have bought multiple items from me, you can send me one payment for all the items instead of paying for them individually. When you click the Pay Now button, will automatically determine if there are other items you have won or purchased from me and will combine them for your review. 5. NOTE: Import duties, taxes and chargers are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding buying. Warranty 1. 12 months Warranty. Buy with confidence! 2. If you are not satisfied when you receive your item, please return it within 14 days for a replacement or money back. Please contact me before you return it. 3. If item is defective in 3 months, We will send you a replacement without extra charger, or offer refund after we receive the defective item. 4. If item is defective after 3 months, you can still send it back to us. We will send you a new one after receiving the defective item. But you have to pay the extra shipping fee. policies 1. We are not responsible for any custom duty or import tax. 2. We will leave POSITIVE FEEDBACK after receiving the payment. Please contact us if you are not satisfied with the item after receive it. 3. All messages will be answered within 1 business day. If you do not receive our reply, please kindly re-sent your message and we will reply to you as soon as possible. 4. Serious Buyer Only! Please place bid only if you agree wi

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N